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Psalmi 45

¹ (Către mai marele cântăreţilor. De cântat cum se cântă: ,,Crinii``. Un psalm al fiilor lui Core. O cântare. O cântare de dragoste.) Cuvinte pline de farmec îmi clocotesc în inimă, şi zic: ,,Lucrarea mea de laudă este pentru Împăratul!`` Ca pana unui scriitor iscusit să-mi fie limba!

² Tu eşti cel mai frumos dintre oameni, harul este turnat pe buzele tale: de aceea te-a binecuvântat Dumnezeu pe vecie.

³ Războinic viteaz, încinge-ţi sabia, -podoaba şi slava,

⁴ da, slava Ta! -Fii biruitor, suie-te în carul tău de luptă, apără adevărul, blândeţa şi neprihănirea, şi dreapta ta să strălucească prin isprăvi minunate!

⁵ Săgeţile tale sânt ascuţite: supt tine vor cădea popoare, şi săgeţile tale vor străpunge inima vrăjmaşilor împăratului.

⁶ Scaunul Tău de domnie, Dumnezeule, este vecinic; toiagul de domnie al împărăţiei Tale este un toiag de dreptate.

⁷ Tu iubeşti neprihănirea, şi urăşti răutatea. De aceea, Dumnezeule, Dumnezeul Tău Te-a uns cu un untdelemn de bucurie, mai pe sus decât pe tovarăşii Tăi de slujbă.

⁸ Smirna, aloia şi casia îţi umplu de miros plăcut toate veşmintele; în casele tale împărăteşti de fildeş te înveselesc instrumentele cu coarde.

⁹ Printre prea iubitele tale sânt fete de împăraţi; împărăteasa, mireasa ta, stă la dreapta ta, împodobită cu aur de Ofir.

¹⁰ Ascultă, fiică, vezi şi pleacă-ţi urechea; uită pe poporul tău şi casa tatălui tău!

¹¹ Şi atunci împăratul îţi va pofti frumuseţa. Şi fiindcă este Domnul tău, adu-i închinăciunile tale.

¹² Şi fiica Tirului, şi cele mai bogate din popor vor umbla cu daruri ca să capete bunăvoinţa ta.

¹³ Fata împăratului este plină de strălucire înlăuntrul casei împărăteşti; ea poartă o haină ţesută cu aur.

¹⁴ Este adusă înaintea împăratului, îmbrăcată cu haine cusute la gherghef, şi urmată de fete, însoţitoarele ei, cari sânt aduse la tine.

¹⁵ Ele sânt duse în mijlocul bucuriei şi veseliei, şi intră în casa împăratului.

¹⁶ Copiii tăi vor lua locul părinţilor tăi; îi vei pune domni în toată ţara.

¹⁷ Din neam în neam îţi voi pomeni numele: de aceea în veci de veci te vor lăuda popoarele.

{"verseMap":{"1":[{"id":26580,"type":"article","type_label":"Articol","type_icon":"📖","type_color":"#d4af37","title_ro":"Music","title_en":"Music","content_ro":"<h3>MUSIC<\/h3>\nA natural human expression that probably began with speech-singing and developed into songs, which were then accompanied by instruments. Music as we know it has become quite complex, a luxury and entertainment; music in antiquity, however, was a functional expression of daily life, work, and worship.<\/p>\nThe phrase “sing to the Lord,” common to the OT (Ex 15:21; 1 Chr 16:9; Pss 68:32; 96:1-2; Is 42:10; Jer 20:13), was not unique to the Jewish nation. All religions draw on the natural human impulse to sing. The injunction “sing to the Lord” was a signal for the people to pour out their praise in song.<\/p>\nThe Bible, however, is limited in its treatment of music in ancient Israel. Since there was no written musical notation, the primary record of songs sung by the Hebrews is the collection of texts, particularly the psalms, and a few enigmatic musical instructions. The biblical writers were writing a history not of their culture but of their relationship with God; hence, their comments about music are not critical. Also, the biblical documents cover a long span of history and are grouped according to category rather than in chronological order, thus making it difficult to order the development of musical style with precision. Finally, there is the problem of understanding the biblical descriptions of music and its performance. Only in this century have scholars been able to interpret the information provided in the Bible in terms of Eastern music systems.<\/p>\nPreview<\/p>\n• Music in the Old Testament<\/p>\n• Music in the Psalms<\/p>\n• Music in the New Testament<\/p>\nMusic in the Old Testament<\/p>\nThe first musician mentioned in the Bible is “Jubal, the first musician—the inventor of the harp and flute” (Gn 4:21, nlt<\/span>). The importance of this description of a musician so early in history lies in the equality Jubal is given with his brothers Jabal, the herdsman, and Tubal-cain, the smith. Music making is recognized among the earliest professions of nomadic peoples. The name Jubal is believed to be a derivative from the Hebrew word for “ram.” The ram’s horn (<\/em>shophar<\/span>)<\/em> was an early instrument of the Jewish people and was significant in signaling important events.<\/p>\nFor the most part, the music described in early biblical history was of a functional nature. Music gained special significance as it became an important part of temple worship. Many of the descriptions of music making in ancient Israel, before David’s time, are quite utilitarian. There are accounts of music at times of farewell (Gn 31:27), at times of rejoicing and feasting (Ex 32:17-18; Is 5:12; 24:8-9), at military victories (2 Chr 20:27-28), and for work (Nm 21:17, the song of the well diggers; Is 16:10; Jer 48:33). Most of this music was probably rather crude and primitive in nature, especially the music associated with military advances, which was meant to terrify the enemy (Jgs 7:17-20). The music and dancing that greeted Moses as he descended from the mountain was described as if it sounded like “war in the camp” (Ex 32:17-18).<\/p>\nIn the early history of the Jewish people, women played an important part in the performance of music. The image of women dancing and singing for joy accompanied by percussion instruments is repeated several times: Miriam led the women in a hymn of thanksgiving after the deliverance from the Red Sea (Ex 15); Jephthah’s daughter welcomed her father in his victory (Jgs 11:34); Deborah joined with Barak in singing a song of victory (Jgs 5); and women hailed David after his defeat of the Philistines (1 Sm 18:6-7). There is little mention of women as musicians following the establishment of the temple in Jerusalem, but there are a few allusions to the fact that women did participate in singing and dancing. The account of the return from exile in Babylon includes both male and female singers (Neh 7:67), confirming that women still took part in musical performance.<\/p>\nAs Jerusalem became the religious center of the Hebrew people (950–850 BC<\/span>), the role of the professional musician became more important. The women’s songs became insignificant compared to the pomp and ceremony associated with the temple and the royal court. While the Levitical singers took most of the musical responsibility at the temple, the development of antiphonal singing allowed the people to join in on responses in the singing of psalms.<\/p>\n<h5>Musical Style and Use<\/h5>\nThe Jewish people seem to have been especially musical. Of course, they were influenced by other ancient cultures, but there is evidence that they were in demand as musicians by other peoples. According to an Assyrian document, King Hezekiah gave as tribute to King Sennacherib many male and female Jewish musicians. The Babylonians demanded that the captive Jews sing to them and entertain them (cf. Ps 137:3).<\/p>\nSince the OT’s purpose was to narrate the relationship between the Jewish nation and God, most of the references to music deal with its function in worship. However, evidence reveals that there was also a large body of secular musical literature. There may have been guilds of poets and singers early in Jewish history. The kinds of songs recorded in the early part of the OT represent a folklike poetry. The song of thanksgiving to the Lord by Moses and the people of Israel after their escape at the Red Sea is a stirring national song. Many descriptions of the biblical writers reflect the spirit of bardic song. This would be logical, as these stories were meant to be passed on. Marching songs (2 Chr 20:27-28), and songs of triumph (Jgs 5) also indicate a secular body of music.<\/p>\n<h5>Music in Worship<\/h5>\nThe singers and musicians for the temple worship were chosen from the tribe of Levi. King David assembled the Levites for a census, and out of the total of 38,000 men over the age of 30, 4,000 were chosen as musicians. These 4,000 were subsequently given specific jobs. “David and the chiefs of the service also set apart for the service certain of the sons of Asaph, and of Heman, and of Jeduthun, who should prophesy with lyres, with harps, and with cymbals. . . . The number of them along with their brethren, who were trained in singing to the Lord<\/span>, all who were skilful, was two hundred and eighty-eight” (1 Chr 25:1, 7, rsv<\/span>). The singers were further divided into 24 groups of 12 singers, who rotated in participating in the weekday, Sabbath, and high holy day services.<\/p>\nAccording to a later source, there were minimum and maximum numbers of singers and instrumentalists required at each service. The minimum number of singers was twelve, the maximum was unlimited. There had to be in attendance at least two harps but no more than six, at least two flutes but no more than twelve, a minimum of two trumpets with no maximum, and a minimum of nine lyres with no maximum. There was only one player with a pair of cymbals.<\/p>\nA singer was admitted to the Levitical choir at the age of thirty following a five-year apprenticeship (1 Chr 23:3). Five years is a relatively short time considering the amount of material these singers had to memorize (for there was no notation) and the liturgical ritual they had to master; it is speculated that they actually were in training from childhood. The Levites lived in villages outside the city wall and may have been actively involved in the musical education of their children (Neh 12:29). The Levites performed other duties connected with the sacred service, but the singers were excused from all other duties because they were on duty day and night (1 Chr 9:33). Their skills were an important part of the temple worship, and they were able to devote their entire life to the development of their musical ability. A singer served in the choir for 20 years, from age 30 to 50, and the music was of a high quality due to strict discipline and continuous practice and performance.<\/p>\nFrom the beginning of Jewish formal worship connected with the tabernacle, music and sound was important. In Exodus 28:34-35 the descriptions of Aaron’s robe include bells attached to the lower hem that sounded as he entered the Holy Place. The first liturgical music mentioned in the OT is found in 2 Samuel 6 in the descriptions of the transfer of the ark: David and the Israelites sang, played instruments, and danced to the glory of the Lord. This music bore little resemblance to the stately ceremony described later in Solomon’s temple. In 2 Chronicles 7:6, David is given recognition for inventing the musical instruments used in the temple. In the postexilic era Levitical singers are mentioned as the descendants of Asaph, the “singing master” appointed by David (Ezr 2:41; Neh 7:44; 11:22-23). From passages such as these, we have a definite indication that liturgical music and organization stemmed from David’s time.<\/p>\nThe ceremonies in the Jewish temple were organized around the sacrifice. Singing formed an integral part of the sacrificial service and was necessary to validate the sacrificial action. There were special musical settings for each sacrifice; thus the daily burnt, expiatory, and laudatory offerings and libations had individual liturgies. Particular psalms became associated with certain sacrifices as well as with certain days of the week. The psalm of the day was intoned as the high priest started to pour out the drink offering. The psalm was divided into three sections, each signaled by the blowing of the trumpets, on which signal the people would prostrate themselves. This is the only time the trumpets were used together with the other instruments in orchestral fashion on solemn occasions (2 Chr 5:12-13).<\/p>\nMusic in the Psalms<\/p>\n<h5>Musical Psalm Titles<\/h5>\nThe collection of 150 lyric poems known as the book of Psalms contains the most information on music making in ancient Israel. The Psalter contains not only religious songs but also songs that have their roots in secular or popular songs, such as work songs, love songs, and wedding songs. The majority are songs of praise, thanksgiving, prayer, and repentance. There are also historic odes that relate great national events—for example, Psalm 30, “a song at the dedication of the temple,” and Psalm 137, which portrays the sufferings of the Jews in captivity.<\/p>\nThe psalms were an important part of all the services of the temple; the Psalter became the liturgical hymnal of the Israelites. Worship included an appointed psalm for each day of the week. On the first day of the week, Psalm 24 was sung in remembrance of the first day of creation, Psalm 48 was sung on the second day, Psalm 82 on the third, Psalm 94 on the fourth, Psalm 81 on the fifth, Psalm 93 on the sixth, and Psalm 92 on the Sabbath. After the sacrificial offerings, Psalm 105:1-5 was sung at the morning service and Psalm 96 at the evening service. The Hallel psalms (Pss 113–118, 120–136, 146–148) were sung during the offering of the paschal lamb at the Passover feast.<\/p>\nWhile most of the liturgical music was performed by Levites, texts of the psalms suggest that there was also congregational participation. The forms of music found both in synagogal and ecclesiastical chant had their source in the forms of the poetic text of the psalms. The simplest is the plain psalmody sung by one person (e.g., Pss 3–5, 46). In responsorial psalmody the soloist is answered by the choir (e.g., Ps 67:1-2; the soloist sang verse 1 and the choir answered with verse 2). Antiphonal psalmody involves two groups singing alternately (e.g., Ps 103:20-22). The congregation would chant a refrain such as appears in Psalm 80: “Restore us, O God; let thy face shine, that we may be saved!” recurs throughout the psalm (rsv<\/span>).<\/p>\nEven though the synagogue had no altar for sacrifice, psalm singing retained an important place. After the Romans destroyed the temple, the worship heritage of the Jews could have been lost if the customs, including musical customs, had not become an integral part of synagogue worship.<\/p>\nThe most enigmatic part of the psalms is the headings that are not part of the poetic text. The first question is whether these should even be considered as superscripts. Greek, Latin, Hebrew, and other ancient languages were written in such a way that the text ran together without any break between chapters or paragraphs. This means that the verses, and even the division of the psalms themselves, were partially determined by copyists, chiefly the Masoretes. There is some question as to which psalms the extrapoetic texts actually belong with; they may actually be subscripts instead of superscripts. Sumerian and Babylonian poetry had information such as the name of the author, the musical instrument used for accompaniment, the tune, the purpose, and such listed at the end of the poem. Hence, some of the headings may actually be endings.<\/p>\nThe indications at the beginning of a psalm fall into three categories. They are either musical terms giving direction for the actual performance, musical cues designating the tune to which the psalm would be sung, or comments indicating the function of the psalm. These terms have been interpreted in various ways.<\/p>\nOriginally, these headings may have been marginal notes for the choir leaders. Realizing that these terms were not related to the psalm text proper, early biblical scribes may not have been overly careful with their placement in the text, which may explain some of the discrepancies among the early manuscripts—why certain words are left out in some and why terms assigned to only a few psalms may originally have been indicated on more of them.<\/p>\nAll but 50 of the psalms contain a proper name in the heading. These names possibly indicate the author; other commentators, interpreting the preposition appearing before the names to mean “for,” think the names are a dedication. Thus the title would be “A Psalm for David,” not “A Psalm of David.” This may be the case with the names of Asaph, Heman, Ethan, and especially the sons of Korah, where it would make better sense for the psalm to be written for rather than by the family. Seventy-three psalms have David’s name in the heading, hence the common reference to the Psalter as the Psalms of David. Twelve include the name of Asaph, eleven the children of Korah, two Solomon, and one each contains Moses, Heman, and Ethan.<\/p>\n<h5>Musical Terms in the Psalm Titles<\/h5>\nNumerous musical terms are included in the superscriptions to cue the kind of instrumental accompaniment, mood, and style of performance for the psalm.<\/p>\nAlamoth<\/span> is one of the most controversial terms found in the psalm headings. It appears at the beginning of Psalm 46 and also in 1 Chronicles 15:20. One meaning for the Hebrew word is “maiden,” and musicologists interpret this as an instruction that the psalm should be sung in the range of the female singing voice. The reference in Chronicles is to harps in the range of women’s voices. This interpretation does not seem to fit Psalm 46, but if we look at the preceding psalm and read the term as a subscript, it becomes logical. Psalm 45 is a song of love, actually a nuptial ode; it would be natural for women to sing the second half (vv 10-17). While there is little mention of women singing in the temple, there is speculation that young boys in training may have sung along with the Levitical singers. Also this may be a case where the term appears only once in the modern text but may have been used more often in the original. Another possible meaning for Alamoth<\/span> is “flutes,” perhaps describing the kind of musical accompaniment for the performance of the psalm.<\/p>\nGittith<\/span> is a term found in the superscriptions of Psalms 8, 81, and 84. It may be a musical cue, indicating a mood for the performance of these psalms, but a more common explanation is that it is a collective term for the stringed instruments that would have accompanied them.<\/p>\nMahalath<\/span> has been left in its original Hebrew form by early translators and is found in the headings of Psalms 53 and 88. It may have roots in the Hebrew mahaleh<\/span> “sickness” or mahot<\/span> “dance,” though neither of these words can be related to the psalm texts. Another explanation is a musical one. Mahalath<\/span> may come from the word halal<\/span> meaning “to pierce,” implying that the psalm was to be accompanied with pipes.<\/p>\nMaskil<\/span> (kjv<\/span> “Maschil”) appears in the headings of 13 psalms (Pss 32, 42, 44–45, 52–55, 74, 78, 88–89, 142). The term is probably derived from the verb sakal<\/span>,<\/em> “to have insight or comprehension,” but there is no agreement among commentators. By looking at the psalms themselves, their didactic nature and the structure of stanzas and refrains, musicologists conclude the term represents a song of praise, possibly sung by a soloist with participation by the choir.<\/p>\nMenazzeah<\/span> appears in the heading of 55 psalms. It appears 52 times in the first three books of Psalms (Pss 1–89), not at all in book four (Pss 90–106), and 3 times in book five (Pss 107–150). The most common modern translations are “to the Choirmaster” (rsv<\/span>), “to the choir director” (nasb<\/span>, nlt<\/span>), “to the director of music” (niv<\/span>), “to the chief Musician” (kjv<\/span>, nkjv<\/span>). The word is derived from the Hebrew verb nazzah<\/span>,<\/em> appearing in 1 Chronicles 23:4 and Ezra 3:8-9 in the sense of “administering.” In 1 Chronicles 15:21 the word is found in relation to leading or directing song in the temple. Menazzeah<\/span> relates to the choirmaster and represents the singer chosen to lead the music who probably was involved in rehearsing and instructing. It is now assumed that menazzeah<\/span> indicates the psalm was to be sung partially or entirely by a soloist. This is evidenced by the change in some texts from “I” where the soloist sang, to “we” where the choir or congregation sang. Psalm 5 is an example of a text divided for solo and choral singing: verses 1-3 solo; verses 4-6 choral; verses 7-8 solo; verses 9-10 choral; and verses 11-12 end the psalm with the combined soloist and choir.<\/p>\nMiktam<\/span> (kjv<\/span> “Michtam”) is another term that has no clear musical meaning, due mainly to the fact that its etymology is unknown. It occurs in Psalms 16 and 56–60, all of which have a character of lamentation or supplication. In a musical sense, it probably meant that a certain well-known tune was to be selected as the melody of the psalm.<\/p>\nMizmor<\/span> (Hebrew, meaning a song sung to instrumental accompaniment) is found nowhere else in the Bible; it is included in the superscriptions of 57 psalms. It probably indicated a song accompanied by melodic instruments as opposed to a dance song accompanied by rhythmic instruments.<\/p>\nNeginah<\/span> appears in the superscriptions of Psalms 4, 6, 54–55, 61, 67, and 76. The term neginah<\/span> and its plural neginoth<\/span> are found in Psalm 77:7, Lamentations 5:14, Isaiah 38:20, and Habakkuk 3:19. Neginah<\/span>,<\/em> from the Hebrew root naggen<\/span>,<\/em> “to touch the strings,” instructs that stringed instruments accompany the singing.<\/p>\nNehiloth<\/span> is found only in the introduction to Psalm 5 (kjv<\/span>). The origin of the word is problematic. It could come from the verb nahal<\/span>,<\/em> “to possess or inherit,” or more feasibly from halal<\/span>,<\/em> meaning “to pierce.” The latter implies the idea of a pierced instrument (the flute or pipe) to be used for accompaniment.<\/p>\nSheminith<\/span> appears in Psalms 6 and 12 and also in 1 Chronicles 15:21. The Hebrew word means literally “over the eighth.” Some scholars feel it had something to do with an octave, but the Hebrew musical language probably did not include a musical unit divided into eight parts. Other scholars interpret sheminith<\/span> as meaning an eight-stringed instrument. A more logical interpretation comes from examining its use in 1 Chronicles. In 15:20 the instructions are for musicians to play the harps according to alamoth<\/span> and in verse 21 to play the lyres according to sheminith<\/span>.<\/em> Here the terms alamoth<\/span> and sheminith<\/span> seem to be used in opposition. If alamoth<\/span> implies a register of the female voice, then sheminith<\/span> would imply a lower register. Thus, it may have been an instruction to use a lower pitched instrument for accompaniment.<\/p>\n<h5>Psalm Varieties in the Titles<\/h5>\nSome of the notes in the psalm headings are indications of the type or variety of psalm.<\/p>\nHazkir<\/span> is found in the headings of Psalms 38 and 70. According to the Targum, this is an indication that the psalm was sung at the sacrificial rite called askara<\/span> and is translated “for a memorial offering.”<\/p>\nLammed<\/span> appears in the superscription of Psalm 60 in the phrase le-lammed<\/span>,<\/em> translated “to teach.” According to tradition, this was a psalm, though undoubtedly not the only one, taught to young people as part of their education. This is another example of a term that may have been omitted from other psalms in later versions of the Psalter.<\/p>\nShiggaion<\/span> is in the heading of Psalm 7 and also in Habakkuk 3:1. The word probably comes from the Hebrew verb shagah<\/span>,<\/em> “to wander,” but may also be connected with the Assyrian liturgical term shigu<\/span>,<\/em> which represented a plaintive song in several stanzas. Biblical scholars have assumed shiggaion<\/span>,<\/em> plural shigionoth<\/span>,<\/em> was a lament or penitential song.<\/p>\nShir<\/span> is the simplest word for “song” and was probably used in the headings at an early stage of the Psalter; it is usually found with mizmor<\/span> (13 times). Fifteen psalms have this heading. It was probably the term for a specific type of praise song, usually performed by the choir.<\/p>\nShir Hamaalot<\/span> and Shir Lamaalot<\/span> occur in the headings of Psalms 120–134, which are often referred to as the Psalms of Ascent (kjv<\/span> “Psalms of Degrees”). Most explanations offered relate to the fact that the temple was situated on high ground. Often these 15 psalms are associated with the 15 steps leading from the Court of the Women to the Court of the Israelites. But most contemporary scholars believe the idea of “going up” referred to the pilgrims’ journey to Jerusalem to worship at the temple. These psalms are short, with popular appeal, making them appropriate for singing during the journey.<\/p>\nShir Hanukkat Habayit<\/span> is found only in the heading of Psalm 30. This phrase tells that the psalm was to be used for the dedication or rededication of the house of God.<\/p>\nShir-yedidot<\/span> appears only in Psalm 45. It refers to a love song that was probably sung at wedding ceremonies.<\/p>\nTefillah<\/span> is a common term for “prayer” and appears in the headings of Psalms 17, 86, 90, 102, and 142, and also in Habakkuk 3:1. The word probably refers to a specific form of poetic prayer.<\/p>\nSelah<\/span> is one of the most frequently used, but most enigmatic, terms found in the book of Psalms. It occurs in 39 psalms, appearing a total of 71 times in the Psalter—67 times within the text and 4 times at the end of a psalm. It is most frequent in the first three books. In the first book selah<\/span> appears in 9 psalms; in the second book, 17 psalms; in the third book, 11 psalms. In the fourth book it is not found at all and in the fifth book in only two psalms. Thirty-one of these psalms also include the term menazzeah<\/span> in their superscriptions, which implies that they were sung by a soloist and choir. Most commonly, selah<\/span> is interpreted as a signal for a break in the singing and possibly for an instrumental interlude. It never appears at the beginning of a psalm but only in the middle of the text or at the end. The regularity of its appearance within a psalm is not consistent, and in only a few instances do these divisions break the psalm into equal sections. Because of the random placement of the term, some scholars believe that, like the headings, selah<\/span> was not always carefully copied into the text. It may have been a note appearing only in the texts of the musicians, which would explain this inconsistency. An explanation of selah<\/span> is found in the Talmudic tradition: “Ben Azra clashed the cymbal and the Levites broke forth into singing. When they reached a break in the singing they blew upon the trumpets and the people prostrated themselves; at every break there was a blowing of the trumpet and at every blowing of the trumpet a prostration. This was the rite of the daily whole offering in the service of the House of our God.” Selah<\/span>,<\/em> then, would be an instruction for the musicians that the singing was to cease and the instrumentalists were to play.<\/p>\nThe term higgaion selah<\/span> appears once, in Psalm 9:16. The word higgaiaon<\/span> comes from the root hagah<\/span>,<\/em> “to murmur, to growl, to produce a low sound.” This may have been an instruction for the interlude to be more subdued than a normal selah<\/span>.<\/em><\/p>\n<h5>Ancient Melodies in the Titles<\/h5>\nMany psalms contain headings that are not direct musical references but are cue words to suggest well-known tunes. They probably refer either to names or the first words of popular secular songs (<\/em>makams<\/span>)<\/em> whose melodic patterns were used in singing the psalm. Many biblical scholars have tried to find hidden meaning in these headings, but most musicologists believe these are simply references or introductions to melodies.<\/p>\nAijeleth Shahar<\/span>,<\/em> in Psalm 22 (kjv<\/span>), is translated “according to The Hind of the Dawn” (rsv<\/span>), and “To the tune of ‘The Doe of the Morning’ ” (niv<\/span>), “To the tune ‘Doe of the Dawn’ ” (nlt<\/span>).<\/p>\nAl-taschith<\/span>,<\/em> in Psalms 57–59 and 75 (kjv<\/span>), is translated “To the tune ‘Do Not Destroy!’ ” (nlt<\/span>).<\/p>\nJonath-elem-rechokim<\/span>,<\/em> in Psalm 56 (kjv<\/span>), is translated “according to The Dove on Far-off Terebinths” (rsv<\/span>), and “To the tune ‘Dove on Distant Oaks’ ” (nlt<\/span>).<\/p>\nMahalath Leannoth<\/span>,<\/em> in Psalm 88, is translated “To the tune ‘The Suffering of Affliction’ ” (nlt<\/span>).<\/p>\nMuthlabben<\/span>,<\/em> in Psalm 9, is translated “To the tune ‘Death of the Son’ ” (nlt<\/span>).<\/p>\nShoshannim<\/span>,<\/em> in Psalms 45 and 69 (kjv<\/span>), is translated “To the tune ‘Lilies’ ” (nlt<\/span>).<\/p>\nShoshannim-Eduth<\/span>,<\/em> in Psalm 80 (kjv<\/span>), is translated “To the tune ‘Lilies of the Covenant’ ” (nlt<\/span>).<\/p>\nShushan-eduth<\/span>,<\/em> in Psalm 60, is translated “To the tune ‘Lily of the Testimony’ ” (nlt<\/span>).<\/p>\nThese melody types appear only in the first three books of the Psalter, and this may imply that these popular makams<\/span> had fallen into disuse by the time the final books of the Psalter were written. Other makam<\/span>-types had probably become popular, and the authors, realizing the relatively short life of a popular tune, did not include them in the headings of the Psalms but left the choice up to the performer.<\/p>\nMusic in the New Testament<\/p>\n<h5>First-Century Influences<\/h5>\n<h6>The Synagogue<\/h6>\nBy the time of Christ, the synagogue had become the chief place of worship for the Jewish people. It began as a place for study of the law but gradually became the center of worship for Jews unable to attend the temple. The liturgical service of the temple could not be duplicated in the synagogue as there was no sacrificial rite, and the music could not be exactly reproduced as there were no trained Levitical singers. Scholars do not agree about the amount of continuity between the music of the temple and the music of the synagogue, but there is evidence that certain musical practices did remain constant between the two places of worship.<\/p>\nInformation on the customs and rituals of the synagogue come from Talmudic writings. The musical elements of worship in the synagogue were the chanting of Scripture, psalmody, and spiritual songs. The choral singing of the temple was replaced by a single cantor. The cantor was a layman who, according to tradition, had to have the following qualifications: “He had to be well educated, gifted with a sweet voice, of humble personality, recognized by the community, conversant with Scripture and all the prayers; he must not be a rich man, for his prayers should come from his heart.” His most important job was the cantillation of the Law and the Prophets. A series of accents and punctuations, forerunners of actual musical notation, were indications for the cantor in the musical interpretation of the Scripture.<\/p>\nPsalm singing was gradually transplanted from the temple to the synagogue, which in turn influenced the early Christian church. Gregorian psalm tones have their roots in Hebrew psalmody.<\/p>\n<h6>Greek and Roman Cultures<\/h6>\nWhile both the temple and the synagogue were familiar to the early Christians (Acts 2:46-47; 3:1; 5:42; 9:20; 18:4; etc.), the Greek and Roman cultures also played a major part in shaping the young church. Hellenistic influences by the time of Christ had long been felt in the Middle East, and while it was strongly opposed by some Jewish leaders, the Greek arts had permeated Jewish culture. Greek philosophers considered music a cathartic force that could lead humans into metaphysical knowledge. This understanding led to the belief that music had a moral substance that could influence people to either good or evil. If this philosophy had totally encompassed Judeo-Christian thought, certainly Paul would have encouraged the use of music in the spread of the gospel. However, Paul’s omission of this theory implies that the Judeo-Christian world at that time had rejected the Greek ideal, at least in part.<\/p>\nWhile the Jewish rabbis considered music an art form for the praise of God, and while the Greek philosophers thought of it as a powerful moral force in creation, the Romans considered music mainly as entertainment. The music of the Roman games was neither religious nor philosophic and, from the accounts of witnesses, it was not technically exceptional. In the Roman Empire musicians were given a lower status and looked on as mere entertainers. One reason the early church did not include instrumental music in their worship was in reaction to the debased secular use of instruments by the Romans.<\/p>\n<h5>In the New Testament Writings<\/h5>\nOne of the few mentions of instruments in the NT is the use of flutes at a wake (Mt 9:23). As in the OT, music is associated with feasting and merrymaking (e.g., the return of the prodigal son, Lk 15:25). Five passages mention music metaphorically (Mt 6:2; 11:17; Lk 7:32; 1 Cor 13:1; 14:7-8). The most well known of these is Paul’s celebration of love in 1 Corinthians 13. The denunciation of the gong and cymbals must be understood in light of the attitude of the early Christians toward the music of the Pharisees. Here the signal instruments of the temple were used to represent pompous display of religious pietism.<\/p>\n\nMost references to music are found in the eschatological visions and prophetic passages scattered throughout the NT—most frequently in the book of Revelation (also Mt 24:31; 1 Cor 15:52; 1 Thes 4:16; Heb 12:19). Many of these descriptions have a direct association with musical references in the OT (e.g., the use of harps and trumpets and the singing of the Hallelujah). But the value of many of the passages in Revelation comes from their literary style. These doxological and psalmlike passages were probably spontaneous “spiritual songs” composed by the young church (e.g., Rv 5:9-10).<\/p>\nThe passages that mention religious or liturgical music are often more conceptual than literal. Two parallel passages describing the Last Supper (Mt 26:30; Mk 14:26) mention that Christ and his disciples sang a hymn. This is the only direct account of Jesus singing, but it is probable that when he read in the synagogue he did so in the accepted vocal style (Lk 4:16-20). There is much controversy surrounding the actual events at the Last Supper, but we can assume that the hymn sung was a traditional Jewish hymn, probably associated with the Passover.<\/p>\nFrom the account in Acts 16:25 we know that Paul and Silas sang hymns while in jail. Paul gives instruction for music making in 1 Corinthians 14:15, 26 in terms of a balance between rationalism and emotion. And, as with all the gifts of the Spirit, Paul asks that singing be done for edification.<\/p>\nIn two similar passages (Eph 5:19; Col 3:16) Paul groups together three musical terms—psalms, hymns, and spiritual songs. The singing of psalms was an obvious carryover from the synagogue, and we can assume that the early Christian psalm singing followed the Jewish style. The term for “hymns” probably refers to poetic texts, possibly modeled after the psalms, but in praise of Christ. “Spiritual songs” may refer to a spontaneous, ecstatic form of musical prayer, possibly wordless (perhaps related to glossolalia), in a style that was popular in mystical Judaism. These outbursts of song were probably melismatic (sung on one tone) and are perhaps the forerunners of the later Alleluia chant.<\/p>\n<h5>Hymnody in the New Testament<\/h5>\nIt can be assumed that the early Christians composed hymns in praise of Christ. Logically, most of the hymns found in the NT are based on Hebrew poetic psalm forms, but there is Greek and Latin influence also. The hymns from the Gospel of Luke have become well-known canticles adopted by the church: the Magnificat (Lk 1:46-55), the Benedictus (1:68-79), the Gloria (2:14) and the Nunc Dimittis (2:29-32). While patterned after the psalms of the OT, these hymns are full of confidence in the salvation of Christ and in his imminent return. Other Christological hymns found in the NT include the prologue to the Gospel of John, Ephesians 2:14-16, Philippians 2:6-11, Colossians 1:15-20, 1 Timothy 3:16, Hebrews 1:3, and 1 Peter 3:18-22.<\/p>","content_en":"<h3>MUSIC<\/h3>\nA natural human expression that probably began with speech-singing and developed into songs, which were then accompanied by instruments. Music as we know it has become quite complex, a luxury and entertainment; music in antiquity, however, was a functional expression of daily life, work, and worship.<\/p>\nThe phrase “sing to the Lord,” common to the OT (Ex 15:21; 1 Chr 16:9; Pss 68:32; 96:1-2; Is 42:10; Jer 20:13), was not unique to the Jewish nation. All religions draw on the natural human impulse to sing. The injunction “sing to the Lord” was a signal for the people to pour out their praise in song.<\/p>\nThe Bible, however, is limited in its treatment of music in ancient Israel. Since there was no written musical notation, the primary record of songs sung by the Hebrews is the collection of texts, particularly the psalms, and a few enigmatic musical instructions. The biblical writers were writing a history not of their culture but of their relationship with God; hence, their comments about music are not critical. Also, the biblical documents cover a long span of history and are grouped according to category rather than in chronological order, thus making it difficult to order the development of musical style with precision. Finally, there is the problem of understanding the biblical descriptions of music and its performance. Only in this century have scholars been able to interpret the information provided in the Bible in terms of Eastern music systems.<\/p>\nPreview<\/p>\n• Music in the Old Testament<\/p>\n• Music in the Psalms<\/p>\n• Music in the New Testament<\/p>\nMusic in the Old Testament<\/p>\nThe first musician mentioned in the Bible is “Jubal, the first musician—the inventor of the harp and flute” (Gn 4:21, nlt<\/span>). The importance of this description of a musician so early in history lies in the equality Jubal is given with his brothers Jabal, the herdsman, and Tubal-cain, the smith. Music making is recognized among the earliest professions of nomadic peoples. The name Jubal is believed to be a derivative from the Hebrew word for “ram.” The ram’s horn (<\/em>shophar<\/span>)<\/em> was an early instrument of the Jewish people and was significant in signaling important events.<\/p>\nFor the most part, the music described in early biblical history was of a functional nature. Music gained special significance as it became an important part of temple worship. Many of the descriptions of music making in ancient Israel, before David’s time, are quite utilitarian. There are accounts of music at times of farewell (Gn 31:27), at times of rejoicing and feasting (Ex 32:17-18; Is 5:12; 24:8-9), at military victories (2 Chr 20:27-28), and for work (Nm 21:17, the song of the well diggers; Is 16:10; Jer 48:33). Most of this music was probably rather crude and primitive in nature, especially the music associated with military advances, which was meant to terrify the enemy (Jgs 7:17-20). The music and dancing that greeted Moses as he descended from the mountain was described as if it sounded like “war in the camp” (Ex 32:17-18).<\/p>\nIn the early history of the Jewish people, women played an important part in the performance of music. The image of women dancing and singing for joy accompanied by percussion instruments is repeated several times: Miriam led the women in a hymn of thanksgiving after the deliverance from the Red Sea (Ex 15); Jephthah’s daughter welcomed her father in his victory (Jgs 11:34); Deborah joined with Barak in singing a song of victory (Jgs 5); and women hailed David after his defeat of the Philistines (1 Sm 18:6-7). There is little mention of women as musicians following the establishment of the temple in Jerusalem, but there are a few allusions to the fact that women did participate in singing and dancing. The account of the return from exile in Babylon includes both male and female singers (Neh 7:67), confirming that women still took part in musical performance.<\/p>\nAs Jerusalem became the religious center of the Hebrew people (950–850 BC<\/span>), the role of the professional musician became more important. The women’s songs became insignificant compared to the pomp and ceremony associated with the temple and the royal court. While the Levitical singers took most of the musical responsibility at the temple, the development of antiphonal singing allowed the people to join in on responses in the singing of psalms.<\/p>\n<h5>Musical Style and Use<\/h5>\nThe Jewish people seem to have been especially musical. Of course, they were influenced by other ancient cultures, but there is evidence that they were in demand as musicians by other peoples. According to an Assyrian document, King Hezekiah gave as tribute to King Sennacherib many male and female Jewish musicians. The Babylonians demanded that the captive Jews sing to them and entertain them (cf. Ps 137:3).<\/p>\nSince the OT’s purpose was to narrate the relationship between the Jewish nation and God, most of the references to music deal with its function in worship. However, evidence reveals that there was also a large body of secular musical literature. There may have been guilds of poets and singers early in Jewish history. The kinds of songs recorded in the early part of the OT represent a folklike poetry. The song of thanksgiving to the Lord by Moses and the people of Israel after their escape at the Red Sea is a stirring national song. Many descriptions of the biblical writers reflect the spirit of bardic song. This would be logical, as these stories were meant to be passed on. Marching songs (2 Chr 20:27-28), and songs of triumph (Jgs 5) also indicate a secular body of music.<\/p>\n<h5>Music in Worship<\/h5>\nThe singers and musicians for the temple worship were chosen from the tribe of Levi. King David assembled the Levites for a census, and out of the total of 38,000 men over the age of 30, 4,000 were chosen as musicians. These 4,000 were subsequently given specific jobs. “David and the chiefs of the service also set apart for the service certain of the sons of Asaph, and of Heman, and of Jeduthun, who should prophesy with lyres, with harps, and with cymbals. . . . The number of them along with their brethren, who were trained in singing to the Lord<\/span>, all who were skilful, was two hundred and eighty-eight” (1 Chr 25:1, 7, rsv<\/span>). The singers were further divided into 24 groups of 12 singers, who rotated in participating in the weekday, Sabbath, and high holy day services.<\/p>\nAccording to a later source, there were minimum and maximum numbers of singers and instrumentalists required at each service. The minimum number of singers was twelve, the maximum was unlimited. There had to be in attendance at least two harps but no more than six, at least two flutes but no more than twelve, a minimum of two trumpets with no maximum, and a minimum of nine lyres with no maximum. There was only one player with a pair of cymbals.<\/p>\nA singer was admitted to the Levitical choir at the age of thirty following a five-year apprenticeship (1 Chr 23:3). Five years is a relatively short time considering the amount of material these singers had to memorize (for there was no notation) and the liturgical ritual they had to master; it is speculated that they actually were in training from childhood. The Levites lived in villages outside the city wall and may have been actively involved in the musical education of their children (Neh 12:29). The Levites performed other duties connected with the sacred service, but the singers were excused from all other duties because they were on duty day and night (1 Chr 9:33). Their skills were an important part of the temple worship, and they were able to devote their entire life to the development of their musical ability. A singer served in the choir for 20 years, from age 30 to 50, and the music was of a high quality due to strict discipline and continuous practice and performance.<\/p>\nFrom the beginning of Jewish formal worship connected with the tabernacle, music and sound was important. In Exodus 28:34-35 the descriptions of Aaron’s robe include bells attached to the lower hem that sounded as he entered the Holy Place. The first liturgical music mentioned in the OT is found in 2 Samuel 6 in the descriptions of the transfer of the ark: David and the Israelites sang, played instruments, and danced to the glory of the Lord. This music bore little resemblance to the stately ceremony described later in Solomon’s temple. In 2 Chronicles 7:6, David is given recognition for inventing the musical instruments used in the temple. In the postexilic era Levitical singers are mentioned as the descendants of Asaph, the “singing master” appointed by David (Ezr 2:41; Neh 7:44; 11:22-23). From passages such as these, we have a definite indication that liturgical music and organization stemmed from David’s time.<\/p>\nThe ceremonies in the Jewish temple were organized around the sacrifice. Singing formed an integral part of the sacrificial service and was necessary to validate the sacrificial action. There were special musical settings for each sacrifice; thus the daily burnt, expiatory, and laudatory offerings and libations had individual liturgies. Particular psalms became associated with certain sacrifices as well as with certain days of the week. The psalm of the day was intoned as the high priest started to pour out the drink offering. The psalm was divided into three sections, each signaled by the blowing of the trumpets, on which signal the people would prostrate themselves. This is the only time the trumpets were used together with the other instruments in orchestral fashion on solemn occasions (2 Chr 5:12-13).<\/p>\nMusic in the Psalms<\/p>\n<h5>Musical Psalm Titles<\/h5>\nThe collection of 150 lyric poems known as the book of Psalms contains the most information on music making in ancient Israel. The Psalter contains not only religious songs but also songs that have their roots in secular or popular songs, such as work songs, love songs, and wedding songs. The majority are songs of praise, thanksgiving, prayer, and repentance. There are also historic odes that relate great national events—for example, Psalm 30, “a song at the dedication of the temple,” and Psalm 137, which portrays the sufferings of the Jews in captivity.<\/p>\nThe psalms were an important part of all the services of the temple; the Psalter became the liturgical hymnal of the Israelites. Worship included an appointed psalm for each day of the week. On the first day of the week, Psalm 24 was sung in remembrance of the first day of creation, Psalm 48 was sung on the second day, Psalm 82 on the third, Psalm 94 on the fourth, Psalm 81 on the fifth, Psalm 93 on the sixth, and Psalm 92 on the Sabbath. After the sacrificial offerings, Psalm 105:1-5 was sung at the morning service and Psalm 96 at the evening service. The Hallel psalms (Pss 113–118, 120–136, 146–148) were sung during the offering of the paschal lamb at the Passover feast.<\/p>\nWhile most of the liturgical music was performed by Levites, texts of the psalms suggest that there was also congregational participation. The forms of music found both in synagogal and ecclesiastical chant had their source in the forms of the poetic text of the psalms. The simplest is the plain psalmody sung by one person (e.g., Pss 3–5, 46). In responsorial psalmody the soloist is answered by the choir (e.g., Ps 67:1-2; the soloist sang verse 1 and the choir answered with verse 2). Antiphonal psalmody involves two groups singing alternately (e.g., Ps 103:20-22). The congregation would chant a refrain such as appears in Psalm 80: “Restore us, O God; let thy face shine, that we may be saved!” recurs throughout the psalm (rsv<\/span>).<\/p>\nEven though the synagogue had no altar for sacrifice, psalm singing retained an important place. After the Romans destroyed the temple, the worship heritage of the Jews could have been lost if the customs, including musical customs, had not become an integral part of synagogue worship.<\/p>\nThe most enigmatic part of the psalms is the headings that are not part of the poetic text. The first question is whether these should even be considered as superscripts. Greek, Latin, Hebrew, and other ancient languages were written in such a way that the text ran together without any break between chapters or paragraphs. This means that the verses, and even the division of the psalms themselves, were partially determined by copyists, chiefly the Masoretes. There is some question as to which psalms the extrapoetic texts actually belong with; they may actually be subscripts instead of superscripts. Sumerian and Babylonian poetry had information such as the name of the author, the musical instrument used for accompaniment, the tune, the purpose, and such listed at the end of the poem. Hence, some of the headings may actually be endings.<\/p>\nThe indications at the beginning of a psalm fall into three categories. They are either musical terms giving direction for the actual performance, musical cues designating the tune to which the psalm would be sung, or comments indicating the function of the psalm. These terms have been interpreted in various ways.<\/p>\nOriginally, these headings may have been marginal notes for the choir leaders. Realizing that these terms were not related to the psalm text proper, early biblical scribes may not have been overly careful with their placement in the text, which may explain some of the discrepancies among the early manuscripts—why certain words are left out in some and why terms assigned to only a few psalms may originally have been indicated on more of them.<\/p>\nAll but 50 of the psalms contain a proper name in the heading. These names possibly indicate the author; other commentators, interpreting the preposition appearing before the names to mean “for,” think the names are a dedication. Thus the title would be “A Psalm for David,” not “A Psalm of David.” This may be the case with the names of Asaph, Heman, Ethan, and especially the sons of Korah, where it would make better sense for the psalm to be written for rather than by the family. Seventy-three psalms have David’s name in the heading, hence the common reference to the Psalter as the Psalms of David. Twelve include the name of Asaph, eleven the children of Korah, two Solomon, and one each contains Moses, Heman, and Ethan.<\/p>\n<h5>Musical Terms in the Psalm Titles<\/h5>\nNumerous musical terms are included in the superscriptions to cue the kind of instrumental accompaniment, mood, and style of performance for the psalm.<\/p>\nAlamoth<\/span> is one of the most controversial terms found in the psalm headings. It appears at the beginning of Psalm 46 and also in 1 Chronicles 15:20. One meaning for the Hebrew word is “maiden,” and musicologists interpret this as an instruction that the psalm should be sung in the range of the female singing voice. The reference in Chronicles is to harps in the range of women’s voices. This interpretation does not seem to fit Psalm 46, but if we look at the preceding psalm and read the term as a subscript, it becomes logical. Psalm 45 is a song of love, actually a nuptial ode; it would be natural for women to sing the second half (vv 10-17). While there is little mention of women singing in the temple, there is speculation that young boys in training may have sung along with the Levitical singers. Also this may be a case where the term appears only once in the modern text but may have been used more often in the original. Another possible meaning for Alamoth<\/span> is “flutes,” perhaps describing the kind of musical accompaniment for the performance of the psalm.<\/p>\nGittith<\/span> is a term found in the superscriptions of Psalms 8, 81, and 84. It may be a musical cue, indicating a mood for the performance of these psalms, but a more common explanation is that it is a collective term for the stringed instruments that would have accompanied them.<\/p>\nMahalath<\/span> has been left in its original Hebrew form by early translators and is found in the headings of Psalms 53 and 88. It may have roots in the Hebrew mahaleh<\/span> “sickness” or mahot<\/span> “dance,” though neither of these words can be related to the psalm texts. Another explanation is a musical one. Mahalath<\/span> may come from the word halal<\/span> meaning “to pierce,” implying that the psalm was to be accompanied with pipes.<\/p>\nMaskil<\/span> (kjv<\/span> “Maschil”) appears in the headings of 13 psalms (Pss 32, 42, 44–45, 52–55, 74, 78, 88–89, 142). The term is probably derived from the verb sakal<\/span>,<\/em> “to have insight or comprehension,” but there is no agreement among commentators. By looking at the psalms themselves, their didactic nature and the structure of stanzas and refrains, musicologists conclude the term represents a song of praise, possibly sung by a soloist with participation by the choir.<\/p>\nMenazzeah<\/span> appears in the heading of 55 psalms. It appears 52 times in the first three books of Psalms (Pss 1–89), not at all in book four (Pss 90–106), and 3 times in book five (Pss 107–150). The most common modern translations are “to the Choirmaster” (rsv<\/span>), “to the choir director” (nasb<\/span>, nlt<\/span>), “to the director of music” (niv<\/span>), “to the chief Musician” (kjv<\/span>, nkjv<\/span>). The word is derived from the Hebrew verb nazzah<\/span>,<\/em> appearing in 1 Chronicles 23:4 and Ezra 3:8-9 in the sense of “administering.” In 1 Chronicles 15:21 the word is found in relation to leading or directing song in the temple. Menazzeah<\/span> relates to the choirmaster and represents the singer chosen to lead the music who probably was involved in rehearsing and instructing. It is now assumed that menazzeah<\/span> indicates the psalm was to be sung partially or entirely by a soloist. This is evidenced by the change in some texts from “I” where the soloist sang, to “we” where the choir or congregation sang. Psalm 5 is an example of a text divided for solo and choral singing: verses 1-3 solo; verses 4-6 choral; verses 7-8 solo; verses 9-10 choral; and verses 11-12 end the psalm with the combined soloist and choir.<\/p>\nMiktam<\/span> (kjv<\/span> “Michtam”) is another term that has no clear musical meaning, due mainly to the fact that its etymology is unknown. It occurs in Psalms 16 and 56–60, all of which have a character of lamentation or supplication. In a musical sense, it probably meant that a certain well-known tune was to be selected as the melody of the psalm.<\/p>\nMizmor<\/span> (Hebrew, meaning a song sung to instrumental accompaniment) is found nowhere else in the Bible; it is included in the superscriptions of 57 psalms. It probably indicated a song accompanied by melodic instruments as opposed to a dance song accompanied by rhythmic instruments.<\/p>\nNeginah<\/span> appears in the superscriptions of Psalms 4, 6, 54–55, 61, 67, and 76. The term neginah<\/span> and its plural neginoth<\/span> are found in Psalm 77:7, Lamentations 5:14, Isaiah 38:20, and Habakkuk 3:19. Neginah<\/span>,<\/em> from the Hebrew root naggen<\/span>,<\/em> “to touch the strings,” instructs that stringed instruments accompany the singing.<\/p>\nNehiloth<\/span> is found only in the introduction to Psalm 5 (kjv<\/span>). The origin of the word is problematic. It could come from the verb nahal<\/span>,<\/em> “to possess or inherit,” or more feasibly from halal<\/span>,<\/em> meaning “to pierce.” The latter implies the idea of a pierced instrument (the flute or pipe) to be used for accompaniment.<\/p>\nSheminith<\/span> appears in Psalms 6 and 12 and also in 1 Chronicles 15:21. The Hebrew word means literally “over the eighth.” Some scholars feel it had something to do with an octave, but the Hebrew musical language probably did not include a musical unit divided into eight parts. Other scholars interpret sheminith<\/span> as meaning an eight-stringed instrument. A more logical interpretation comes from examining its use in 1 Chronicles. In 15:20 the instructions are for musicians to play the harps according to alamoth<\/span> and in verse 21 to play the lyres according to sheminith<\/span>.<\/em> Here the terms alamoth<\/span> and sheminith<\/span> seem to be used in opposition. If alamoth<\/span> implies a register of the female voice, then sheminith<\/span> would imply a lower register. Thus, it may have been an instruction to use a lower pitched instrument for accompaniment.<\/p>\n<h5>Psalm Varieties in the Titles<\/h5>\nSome of the notes in the psalm headings are indications of the type or variety of psalm.<\/p>\nHazkir<\/span> is found in the headings of Psalms 38 and 70. According to the Targum, this is an indication that the psalm was sung at the sacrificial rite called askara<\/span> and is translated “for a memorial offering.”<\/p>\nLammed<\/span> appears in the superscription of Psalm 60 in the phrase le-lammed<\/span>,<\/em> translated “to teach.” According to tradition, this was a psalm, though undoubtedly not the only one, taught to young people as part of their education. This is another example of a term that may have been omitted from other psalms in later versions of the Psalter.<\/p>\nShiggaion<\/span> is in the heading of Psalm 7 and also in Habakkuk 3:1. The word probably comes from the Hebrew verb shagah<\/span>,<\/em> “to wander,” but may also be connected with the Assyrian liturgical term shigu<\/span>,<\/em> which represented a plaintive song in several stanzas. Biblical scholars have assumed shiggaion<\/span>,<\/em> plural shigionoth<\/span>,<\/em> was a lament or penitential song.<\/p>\nShir<\/span> is the simplest word for “song” and was probably used in the headings at an early stage of the Psalter; it is usually found with mizmor<\/span> (13 times). Fifteen psalms have this heading. It was probably the term for a specific type of praise song, usually performed by the choir.<\/p>\nShir Hamaalot<\/span> and Shir Lamaalot<\/span> occur in the headings of Psalms 120–134, which are often referred to as the Psalms of Ascent (kjv<\/span> “Psalms of Degrees”). Most explanations offered relate to the fact that the temple was situated on high ground. Often these 15 psalms are associated with the 15 steps leading from the Court of the Women to the Court of the Israelites. But most contemporary scholars believe the idea of “going up” referred to the pilgrims’ journey to Jerusalem to worship at the temple. These psalms are short, with popular appeal, making them appropriate for singing during the journey.<\/p>\nShir Hanukkat Habayit<\/span> is found only in the heading of Psalm 30. This phrase tells that the psalm was to be used for the dedication or rededication of the house of God.<\/p>\nShir-yedidot<\/span> appears only in Psalm 45. It refers to a love song that was probably sung at wedding ceremonies.<\/p>\nTefillah<\/span> is a common term for “prayer” and appears in the headings of Psalms 17, 86, 90, 102, and 142, and also in Habakkuk 3:1. The word probably refers to a specific form of poetic prayer.<\/p>\nSelah<\/span> is one of the most frequently used, but most enigmatic, terms found in the book of Psalms. It occurs in 39 psalms, appearing a total of 71 times in the Psalter—67 times within the text and 4 times at the end of a psalm. It is most frequent in the first three books. In the first book selah<\/span> appears in 9 psalms; in the second book, 17 psalms; in the third book, 11 psalms. In the fourth book it is not found at all and in the fifth book in only two psalms. Thirty-one of these psalms also include the term menazzeah<\/span> in their superscriptions, which implies that they were sung by a soloist and choir. Most commonly, selah<\/span> is interpreted as a signal for a break in the singing and possibly for an instrumental interlude. It never appears at the beginning of a psalm but only in the middle of the text or at the end. The regularity of its appearance within a psalm is not consistent, and in only a few instances do these divisions break the psalm into equal sections. Because of the random placement of the term, some scholars believe that, like the headings, selah<\/span> was not always carefully copied into the text. It may have been a note appearing only in the texts of the musicians, which would explain this inconsistency. An explanation of selah<\/span> is found in the Talmudic tradition: “Ben Azra clashed the cymbal and the Levites broke forth into singing. When they reached a break in the singing they blew upon the trumpets and the people prostrated themselves; at every break there was a blowing of the trumpet and at every blowing of the trumpet a prostration. This was the rite of the daily whole offering in the service of the House of our God.” Selah<\/span>,<\/em> then, would be an instruction for the musicians that the singing was to cease and the instrumentalists were to play.<\/p>\nThe term higgaion selah<\/span> appears once, in Psalm 9:16. The word higgaiaon<\/span> comes from the root hagah<\/span>,<\/em> “to murmur, to growl, to produce a low sound.” This may have been an instruction for the interlude to be more subdued than a normal selah<\/span>.<\/em><\/p>\n<h5>Ancient Melodies in the Titles<\/h5>\nMany psalms contain headings that are not direct musical references but are cue words to suggest well-known tunes. They probably refer either to names or the first words of popular secular songs (<\/em>makams<\/span>)<\/em> whose melodic patterns were used in singing the psalm. Many biblical scholars have tried to find hidden meaning in these headings, but most musicologists believe these are simply references or introductions to melodies.<\/p>\nAijeleth Shahar<\/span>,<\/em> in Psalm 22 (kjv<\/span>), is translated “according to The Hind of the Dawn” (rsv<\/span>), and “To the tune of ‘The Doe of the Morning’ ” (niv<\/span>), “To the tune ‘Doe of the Dawn’ ” (nlt<\/span>).<\/p>\nAl-taschith<\/span>,<\/em> in Psalms 57–59 and 75 (kjv<\/span>), is translated “To the tune ‘Do Not Destroy!’ ” (nlt<\/span>).<\/p>\nJonath-elem-rechokim<\/span>,<\/em> in Psalm 56 (kjv<\/span>), is translated “according to The Dove on Far-off Terebinths” (rsv<\/span>), and “To the tune ‘Dove on Distant Oaks’ ” (nlt<\/span>).<\/p>\nMahalath Leannoth<\/span>,<\/em> in Psalm 88, is translated “To the tune ‘The Suffering of Affliction’ ” (nlt<\/span>).<\/p>\nMuthlabben<\/span>,<\/em> in Psalm 9, is translated “To the tune ‘Death of the Son’ ” (nlt<\/span>).<\/p>\nShoshannim<\/span>,<\/em> in Psalms 45 and 69 (kjv<\/span>), is translated “To the tune ‘Lilies’ ” (nlt<\/span>).<\/p>\nShoshannim-Eduth<\/span>,<\/em> in Psalm 80 (kjv<\/span>), is translated “To the tune ‘Lilies of the Covenant’ ” (nlt<\/span>).<\/p>\nShushan-eduth<\/span>,<\/em> in Psalm 60, is translated “To the tune ‘Lily of the Testimony’ ” (nlt<\/span>).<\/p>\nThese melody types appear only in the first three books of the Psalter, and this may imply that these popular makams<\/span> had fallen into disuse by the time the final books of the Psalter were written. Other makam<\/span>-types had probably become popular, and the authors, realizing the relatively short life of a popular tune, did not include them in the headings of the Psalms but left the choice up to the performer.<\/p>\nMusic in the New Testament<\/p>\n<h5>First-Century Influences<\/h5>\n<h6>The Synagogue<\/h6>\nBy the time of Christ, the synagogue had become the chief place of worship for the Jewish people. It began as a place for study of the law but gradually became the center of worship for Jews unable to attend the temple. The liturgical service of the temple could not be duplicated in the synagogue as there was no sacrificial rite, and the music could not be exactly reproduced as there were no trained Levitical singers. Scholars do not agree about the amount of continuity between the music of the temple and the music of the synagogue, but there is evidence that certain musical practices did remain constant between the two places of worship.<\/p>\nInformation on the customs and rituals of the synagogue come from Talmudic writings. The musical elements of worship in the synagogue were the chanting of Scripture, psalmody, and spiritual songs. The choral singing of the temple was replaced by a single cantor. The cantor was a layman who, according to tradition, had to have the following qualifications: “He had to be well educated, gifted with a sweet voice, of humble personality, recognized by the community, conversant with Scripture and all the prayers; he must not be a rich man, for his prayers should come from his heart.” His most important job was the cantillation of the Law and the Prophets. A series of accents and punctuations, forerunners of actual musical notation, were indications for the cantor in the musical interpretation of the Scripture.<\/p>\nPsalm singing was gradually transplanted from the temple to the synagogue, which in turn influenced the early Christian church. Gregorian psalm tones have their roots in Hebrew psalmody.<\/p>\n<h6>Greek and Roman Cultures<\/h6>\nWhile both the temple and the synagogue were familiar to the early Christians (Acts 2:46-47; 3:1; 5:42; 9:20; 18:4; etc.), the Greek and Roman cultures also played a major part in shaping the young church. Hellenistic influences by the time of Christ had long been felt in the Middle East, and while it was strongly opposed by some Jewish leaders, the Greek arts had permeated Jewish culture. Greek philosophers considered music a cathartic force that could lead humans into metaphysical knowledge. This understanding led to the belief that music had a moral substance that could influence people to either good or evil. If this philosophy had totally encompassed Judeo-Christian thought, certainly Paul would have encouraged the use of music in the spread of the gospel. However, Paul’s omission of this theory implies that the Judeo-Christian world at that time had rejected the Greek ideal, at least in part.<\/p>\nWhile the Jewish rabbis considered music an art form for the praise of God, and while the Greek philosophers thought of it as a powerful moral force in creation, the Romans considered music mainly as entertainment. The music of the Roman games was neither religious nor philosophic and, from the accounts of witnesses, it was not technically exceptional. In the Roman Empire musicians were given a lower status and looked on as mere entertainers. One reason the early church did not include instrumental music in their worship was in reaction to the debased secular use of instruments by the Romans.<\/p>\n<h5>In the New Testament Writings<\/h5>\nOne of the few mentions of instruments in the NT is the use of flutes at a wake (Mt 9:23). As in the OT, music is associated with feasting and merrymaking (e.g., the return of the prodigal son, Lk 15:25). Five passages mention music metaphorically (Mt 6:2; 11:17; Lk 7:32; 1 Cor 13:1; 14:7-8). The most well known of these is Paul’s celebration of love in 1 Corinthians 13. The denunciation of the gong and cymbals must be understood in light of the attitude of the early Christians toward the music of the Pharisees. Here the signal instruments of the temple were used to represent pompous display of religious pietism.<\/p>\n\nMost references to music are found in the eschatological visions and prophetic passages scattered throughout the NT—most frequently in the book of Revelation (also Mt 24:31; 1 Cor 15:52; 1 Thes 4:16; Heb 12:19). Many of these descriptions have a direct association with musical references in the OT (e.g., the use of harps and trumpets and the singing of the Hallelujah). But the value of many of the passages in Revelation comes from their literary style. These doxological and psalmlike passages were probably spontaneous “spiritual songs” composed by the young church (e.g., Rv 5:9-10).<\/p>\nThe passages that mention religious or liturgical music are often more conceptual than literal. Two parallel passages describing the Last Supper (Mt 26:30; Mk 14:26) mention that Christ and his disciples sang a hymn. This is the only direct account of Jesus singing, but it is probable that when he read in the synagogue he did so in the accepted vocal style (Lk 4:16-20). There is much controversy surrounding the actual events at the Last Supper, but we can assume that the hymn sung was a traditional Jewish hymn, probably associated with the Passover.<\/p>\nFrom the account in Acts 16:25 we know that Paul and Silas sang hymns while in jail. Paul gives instruction for music making in 1 Corinthians 14:15, 26 in terms of a balance between rationalism and emotion. And, as with all the gifts of the Spirit, Paul asks that singing be done for edification.<\/p>\nIn two similar passages (Eph 5:19; Col 3:16) Paul groups together three musical terms—psalms, hymns, and spiritual songs. The singing of psalms was an obvious carryover from the synagogue, and we can assume that the early Christian psalm singing followed the Jewish style. The term for “hymns” probably refers to poetic texts, possibly modeled after the psalms, but in praise of Christ. “Spiritual songs” may refer to a spontaneous, ecstatic form of musical prayer, possibly wordless (perhaps related to glossolalia), in a style that was popular in mystical Judaism. These outbursts of song were probably melismatic (sung on one tone) and are perhaps the forerunners of the later Alleluia chant.<\/p>\n<h5>Hymnody in the New Testament<\/h5>\nIt can be assumed that the early Christians composed hymns in praise of Christ. Logically, most of the hymns found in the NT are based on Hebrew poetic psalm forms, but there is Greek and Latin influence also. The hymns from the Gospel of Luke have become well-known canticles adopted by the church: the Magnificat (Lk 1:46-55), the Benedictus (1:68-79), the Gloria (2:14) and the Nunc Dimittis (2:29-32). While patterned after the psalms of the OT, these hymns are full of confidence in the salvation of Christ and in his imminent return. Other Christological hymns found in the NT include the prologue to the Gospel of John, Ephesians 2:14-16, Philippians 2:6-11, Colossians 1:15-20, 1 Timothy 3:16, Hebrews 1:3, and 1 Peter 3:18-22.<\/p>","summary_ro":"MUSIC A natural human expression that probably began with speech-singing and developed into songs, which were then accompanied by instruments. Music as we know it has become quite complex, a luxury and entertainment; music in antiquity, however, was a functional expression of daily life, work, and worship. The phrase “sing to the Lord,” common to the OT (Ex 15:21; 1 Chr 16:9; Pss 68:32; 96:1-2; Is 42:10; Jer 20:13), was not unique to the Jewish nation. All religions draw on the natural human ...","summary_en":"MUSIC A natural human expression that probably began with speech-singing and developed into songs, which were then accompanied by instruments. Music as we know it has become quite complex, a luxury and entertainment; music in antiquity, however, was a functional expression of daily life, work, and worship. The phrase “sing to the Lord,” common to the OT (Ex 15:21; 1 Chr 16:9; Pss 68:32; 96:1-2; Is 42:10; Jer 20:13), was not unique to the Jewish nation. All religions draw on the natural human ...","source":"Articles\/M.xml","external_url":null,"has_map":false,"has_picture":false},{"id":30782,"type":"article","type_label":"Articol","type_icon":"📖","type_color":"#d4af37","title_ro":"Biblical Poetry","title_en":"Biblical Poetry","content_ro":"<h3>POETRY, Biblical<\/span><\/h3>\nPoetic language in Scripture.<\/p>\nIn the Old Testament<\/p>\nThe OT contains all that we know of the poetry of Israel, and what we have occupies an important place in that literature. It was presumably well known throughout the ancient Near East, for its fame had spread even to Babylon (Ps 137:3). Much of the OT is poetic in spirit and structure—a feature of the prophetic writings as well as the poetic literature. In the former are found passages of elevated poetry, studded with brilliant gems of imagery. The movement is rhythmical, with meter, parallelism, and strophic arrangement, as in the poetry books.<\/p>\nThe English Revised Version of the Bible (1881) first rendered a great service to English readers by printing OT poetry in parallel lines. Where this is not done in the prophetic literature, the poetic quality of these books is obscured. Note that besides the OT books recognized as poetry—the Psalms, Job, Lamentations, Song of Songs, and Proverbs—Ecclesiastes and the Prophets consist of prose and poetry. The historical books also contain fine examples of poetry.<\/p>\nThe Hebrew language was an ideal instrument for expressing poetic speech. Its simplicity of form combined intensity of feeling and pictorial power and allowed great play of imagination. Figures, metaphors, and hyperboles are extremely common. In its powerful imagery the genius of Hebrew poetry comes to its finest expression.<\/p>\nThe normal unit of Hebrew verse is the couplet of two parallel lines. But this is not the only grouping of lines in Hebrew poetry. Units of three (Pss 1:1; 5:11; 45:1-2), four (Pss 1:3; 55:21; Prv 27:15-16), five (Ps 6:6-7; Prv 24:23-25), six (Ps 99:1-3; Prv 30:21-23), and even larger combinations of parallel lines occur.<\/p>\nAs far as can be determined, meter is absent from biblical poetry. Certainly there is little concern for the careful meter that marks classic Greek and Latin, as well as much of English, poetry. The only exception is found in wailing songs or laments (Jer 9:18-20; Lam 1–4). This is called the lamentation meter, where the verse is in two parts. Rhyme also is so rare as to be almost nonexistent.<\/p>\nOn the other hand, Hebrew poetry is rhythmical—one of its distinguishing features. Its rhythm recurs with stressed and unstressed syllables in relatively regular succession. There are usually three or four accents or beats to a line, but the rhythmic unit is not uniform. Rhythm in Hebrew poetry, however, is not confined to the balance of accents or beats in a line. The meaning of the words and their position in the line are also significant—a feature called parallelism. This distinguishing characteristic was first clearly recognized by Dr. Robert Lowth, who in 1753 developed the principle of parallelism.<\/p>\nHe distinguished three types. The first is synonymous parallelism,<\/em> where the thought expressed in the first part of the verse is repeated in the second part, in different but equivalent terms (Pss 2:4; 19:1; 36:1-2; 103:11-12; Prv 3:13-18). The second is antithetic parallelism,<\/em> where the thought in the first part of the verse is contrasted with its opposite in the second (Ps 1:6; Prv 10:1-4, 16-18; 13:9). The third is synthetic parallelism,<\/em> where the idea expressed in the first line of a verse is developed and completed in the following lines (Pss 1:1; 3:5-6; 18:8-10; Prv 26:3). There are more complicated forms of parallelism, but these three are the most common.<\/p>\nAnother characteristic of biblical poetry is the use of the letters of the Hebrew alphabet. Psalms in which verses are linked together by this means are called acrostic. Today, an acrostic is formed by taking a name and beginning the successive lines of the short poem with the letters that make up the name. The Hebrews took only the alphabet and arranged the lines of the poem according to the succession of the letters.<\/p>\nEach line of a psalm may begin with a different letter, as in Psalm 25. Or each of the stanzas may begin with the same letter until all 22 letters of the alphabet are exhausted, as in Psalm 119. However, this psalm, which is the most conspicuous example of a Hebrew acrostic poem, is quite complicated in its arrangement. Not only does each stanza begin with a letter, but each of the eight lines of every stanza begins with the same letter, so that eight alphabetic arrangements move through the psalm in parallel lines. Other elaborate acrostics are Psalms 9, 10, 34, 37, 111, 112, and 145.<\/p>\nThe first four chapters of Lamentations also follow an acrostic arrangement. This example of acrostic arrangement is less noticeable to the English reader because the names of the Hebrew letters do not mark the beginning of the stanzas. In Lamentations 3 each letter of the alphabet begins three successive lines numbered as verses. Another acrostic occurs in Proverbs 31:10-31. It is an alphabetic description of the virtuous woman.<\/p>\nAnother poetic device giving unity to a poem and marking its divisions is the refrain. Psalm 136 is an outstanding example of this arrangement. The refrain is “His faithful love endures forever” and is used to conclude every verse.<\/p>\nThe meter of Hebraic poetry is dependent on accentuation; the unit is the couplet, in which the members may be of equal or varying length. Couplets are often arranged into strophes. The fundamental category of Hebrew poetry is the song or lyric. The song was accompanied by music (Gn 31:27; Ex 15:20; 1 Chr 25:6; Is 23:16; 30:29; Am 6:5) and could be associated with dance (Ex 15:20-21).<\/p>\nSome complete poems in the OT are embedded in the narrative books and represent various types of Hebrew poems. The first recorded poem in the Bible is a battle song (Gn 4:23-24). Other famous examples of this type are the Song of Moses (Ex 15:1-18) and the Song of Deborah (Jgs 5:1-31). Then there is the Taunt Song (Nm 21:27-30), the Song of the Well (vv 17-18), and songs of blessing. Of this latter type, well-known examples are the Blessing of Jacob (Gn 49:1-27), the Blessing of Moses (Dt 33:2-29), and the four Blessings of Balaam (Nm 23:7-10; 23:18-24; 24:3-9; 24:15-24). There are also laments for the dead (2 Sm 1:19-27) and didactic poems that warn against improvidence (Prv 6:6-11) and drunkenness (23:29-35). Common throughout all of these various types of poems is religious emotion and fervor. The songs of Moses and Deborah praise God as the giver of victory.<\/p>\nMost poems of distinctively religious fervor characterize the worship of the sanctuary. The psalms are religious poems sung with musical accompaniment. Many are private prayers, while others were composed for public worship, especially hymns of thanksgiving sung at the tabernacle or temple. It is in the Psalter that the soaring spirit of Hebrew poetry rises to a level never achieved by Israel’s pagan neighbors; the Hebrews worshiped God in spirit and in truth, and as they did so, they were giving expression to a personal experience of the living God in their soul.<\/p>\nThe internal qualities of Hebrew poetry are in part influenced by the age, social conditions, and environment in which the writers lived. Although the OT is of divine authorship, it also comes within the scope of literature and should be appreciated as such. Though the Holy Spirit inspired the message of the Hebrew writers, their individual writing styles remain clearly evident. Using simple and vivid diction, figures of speech, and literary devices, each poet expressed a wealth of religious thought, experience, and emotion; simile, metaphor, allegory, hyperbole, personification, irony, and wordplay all variously enhanced each writer’s pattern of thinking. Hebrew poetry is the expression of the poet’s human spirit, and it is the literature of revelation—the Word of God to humankind.<\/p>\nIn the New Testament<\/p>\nThe NT has a limited number of poetical passages. Probably the NT contains less poetry than the OT (relatively speaking) because the early Christians found the OT Psalter (in the Hebrew and LXX) adequate for their devotional purposes. All the writers of the NT were Jews, except Luke. He has given us some memorable poems: the Magnificat (Lk 1:46-55), the Benedictus (vv 68-79), and the Nunc Dimittis (2:29-32). Interestingly, these poems are strongly Hebraic in form, character, and content. Matthew has given us the poetic Beatitudes (Mt 5:3-12). These Beatitudes have the parallelism that is common in OT poetry—specifically, synthetic parallelism (where the second line of each verse completes the meaning of the first line). There is also a definite rhythmic quality in Matthew 11:28-30. John’s Prologue to his Gospel of John (1:1-18) is a fine example of Hellenistic poetry.<\/p>\nThe NT Epistles contain a number of poetic passages, especially in the doxologies (see, for example, Rom 16:25-27; Jude 1:24-25). Other sections are distinctly poetry and\/or early Christian hymns. These include Philippians 2:6-11 (“The Humility of Christ” hymn\/ poem); Colossians 1:15-20 (“The Preeminence of Christ” hymn\/poem); and 1 Timothy 3:16 (“The Incarnation” hymn\/poem). The writer to Hebrews also produced a noteworthy poetic prologue (1:1-3). Other sections of Paul’s writings display poetic language, where rhythm and exalted diction are prominent (see, for example, 1 Cor 13; 15:54-57).<\/p>\nThe book of Revelation also contains a number of poems of praise as well as hymns (see Rv 5:9-10, 12-13; 7:12; 11:17-18; 15:3-4).<\/p>\nSee also<\/em> Ecclesiastes, Book of; Job, Book of; Lamentations, Book of; Music; Proverbs, Book of; Psalms, Book of; Song of Solomon; Wisdom; Wisdom Literature.<\/p>","content_en":"<h3>POETRY, Biblical<\/span><\/h3>\nPoetic language in Scripture.<\/p>\nIn the Old Testament<\/p>\nThe OT contains all that we know of the poetry of Israel, and what we have occupies an important place in that literature. It was presumably well known throughout the ancient Near East, for its fame had spread even to Babylon (Ps 137:3). Much of the OT is poetic in spirit and structure—a feature of the prophetic writings as well as the poetic literature. In the former are found passages of elevated poetry, studded with brilliant gems of imagery. The movement is rhythmical, with meter, parallelism, and strophic arrangement, as in the poetry books.<\/p>\nThe English Revised Version of the Bible (1881) first rendered a great service to English readers by printing OT poetry in parallel lines. Where this is not done in the prophetic literature, the poetic quality of these books is obscured. Note that besides the OT books recognized as poetry—the Psalms, Job, Lamentations, Song of Songs, and Proverbs—Ecclesiastes and the Prophets consist of prose and poetry. The historical books also contain fine examples of poetry.<\/p>\nThe Hebrew language was an ideal instrument for expressing poetic speech. Its simplicity of form combined intensity of feeling and pictorial power and allowed great play of imagination. Figures, metaphors, and hyperboles are extremely common. In its powerful imagery the genius of Hebrew poetry comes to its finest expression.<\/p>\nThe normal unit of Hebrew verse is the couplet of two parallel lines. But this is not the only grouping of lines in Hebrew poetry. Units of three (Pss 1:1; 5:11; 45:1-2), four (Pss 1:3; 55:21; Prv 27:15-16), five (Ps 6:6-7; Prv 24:23-25), six (Ps 99:1-3; Prv 30:21-23), and even larger combinations of parallel lines occur.<\/p>\nAs far as can be determined, meter is absent from biblical poetry. Certainly there is little concern for the careful meter that marks classic Greek and Latin, as well as much of English, poetry. The only exception is found in wailing songs or laments (Jer 9:18-20; Lam 1–4). This is called the lamentation meter, where the verse is in two parts. Rhyme also is so rare as to be almost nonexistent.<\/p>\nOn the other hand, Hebrew poetry is rhythmical—one of its distinguishing features. Its rhythm recurs with stressed and unstressed syllables in relatively regular succession. There are usually three or four accents or beats to a line, but the rhythmic unit is not uniform. Rhythm in Hebrew poetry, however, is not confined to the balance of accents or beats in a line. The meaning of the words and their position in the line are also significant—a feature called parallelism. This distinguishing characteristic was first clearly recognized by Dr. Robert Lowth, who in 1753 developed the principle of parallelism.<\/p>\nHe distinguished three types. The first is synonymous parallelism,<\/em> where the thought expressed in the first part of the verse is repeated in the second part, in different but equivalent terms (Pss 2:4; 19:1; 36:1-2; 103:11-12; Prv 3:13-18). The second is antithetic parallelism,<\/em> where the thought in the first part of the verse is contrasted with its opposite in the second (Ps 1:6; Prv 10:1-4, 16-18; 13:9). The third is synthetic parallelism,<\/em> where the idea expressed in the first line of a verse is developed and completed in the following lines (Pss 1:1; 3:5-6; 18:8-10; Prv 26:3). There are more complicated forms of parallelism, but these three are the most common.<\/p>\nAnother characteristic of biblical poetry is the use of the letters of the Hebrew alphabet. Psalms in which verses are linked together by this means are called acrostic. Today, an acrostic is formed by taking a name and beginning the successive lines of the short poem with the letters that make up the name. The Hebrews took only the alphabet and arranged the lines of the poem according to the succession of the letters.<\/p>\nEach line of a psalm may begin with a different letter, as in Psalm 25. Or each of the stanzas may begin with the same letter until all 22 letters of the alphabet are exhausted, as in Psalm 119. However, this psalm, which is the most conspicuous example of a Hebrew acrostic poem, is quite complicated in its arrangement. Not only does each stanza begin with a letter, but each of the eight lines of every stanza begins with the same letter, so that eight alphabetic arrangements move through the psalm in parallel lines. Other elaborate acrostics are Psalms 9, 10, 34, 37, 111, 112, and 145.<\/p>\nThe first four chapters of Lamentations also follow an acrostic arrangement. This example of acrostic arrangement is less noticeable to the English reader because the names of the Hebrew letters do not mark the beginning of the stanzas. In Lamentations 3 each letter of the alphabet begins three successive lines numbered as verses. Another acrostic occurs in Proverbs 31:10-31. It is an alphabetic description of the virtuous woman.<\/p>\nAnother poetic device giving unity to a poem and marking its divisions is the refrain. Psalm 136 is an outstanding example of this arrangement. The refrain is “His faithful love endures forever” and is used to conclude every verse.<\/p>\nThe meter of Hebraic poetry is dependent on accentuation; the unit is the couplet, in which the members may be of equal or varying length. Couplets are often arranged into strophes. The fundamental category of Hebrew poetry is the song or lyric. The song was accompanied by music (Gn 31:27; Ex 15:20; 1 Chr 25:6; Is 23:16; 30:29; Am 6:5) and could be associated with dance (Ex 15:20-21).<\/p>\nSome complete poems in the OT are embedded in the narrative books and represent various types of Hebrew poems. The first recorded poem in the Bible is a battle song (Gn 4:23-24). Other famous examples of this type are the Song of Moses (Ex 15:1-18) and the Song of Deborah (Jgs 5:1-31). Then there is the Taunt Song (Nm 21:27-30), the Song of the Well (vv 17-18), and songs of blessing. Of this latter type, well-known examples are the Blessing of Jacob (Gn 49:1-27), the Blessing of Moses (Dt 33:2-29), and the four Blessings of Balaam (Nm 23:7-10; 23:18-24; 24:3-9; 24:15-24). There are also laments for the dead (2 Sm 1:19-27) and didactic poems that warn against improvidence (Prv 6:6-11) and drunkenness (23:29-35). Common throughout all of these various types of poems is religious emotion and fervor. The songs of Moses and Deborah praise God as the giver of victory.<\/p>\nMost poems of distinctively religious fervor characterize the worship of the sanctuary. The psalms are religious poems sung with musical accompaniment. Many are private prayers, while others were composed for public worship, especially hymns of thanksgiving sung at the tabernacle or temple. It is in the Psalter that the soaring spirit of Hebrew poetry rises to a level never achieved by Israel’s pagan neighbors; the Hebrews worshiped God in spirit and in truth, and as they did so, they were giving expression to a personal experience of the living God in their soul.<\/p>\nThe internal qualities of Hebrew poetry are in part influenced by the age, social conditions, and environment in which the writers lived. Although the OT is of divine authorship, it also comes within the scope of literature and should be appreciated as such. Though the Holy Spirit inspired the message of the Hebrew writers, their individual writing styles remain clearly evident. Using simple and vivid diction, figures of speech, and literary devices, each poet expressed a wealth of religious thought, experience, and emotion; simile, metaphor, allegory, hyperbole, personification, irony, and wordplay all variously enhanced each writer’s pattern of thinking. Hebrew poetry is the expression of the poet’s human spirit, and it is the literature of revelation—the Word of God to humankind.<\/p>\nIn the New Testament<\/p>\nThe NT has a limited number of poetical passages. Probably the NT contains less poetry than the OT (relatively speaking) because the early Christians found the OT Psalter (in the Hebrew and LXX) adequate for their devotional purposes. All the writers of the NT were Jews, except Luke. He has given us some memorable poems: the Magnificat (Lk 1:46-55), the Benedictus (vv 68-79), and the Nunc Dimittis (2:29-32). Interestingly, these poems are strongly Hebraic in form, character, and content. Matthew has given us the poetic Beatitudes (Mt 5:3-12). These Beatitudes have the parallelism that is common in OT poetry—specifically, synthetic parallelism (where the second line of each verse completes the meaning of the first line). There is also a definite rhythmic quality in Matthew 11:28-30. John’s Prologue to his Gospel of John (1:1-18) is a fine example of Hellenistic poetry.<\/p>\nThe NT Epistles contain a number of poetic passages, especially in the doxologies (see, for example, Rom 16:25-27; Jude 1:24-25). Other sections are distinctly poetry and\/or early Christian hymns. These include Philippians 2:6-11 (“The Humility of Christ” hymn\/ poem); Colossians 1:15-20 (“The Preeminence of Christ” hymn\/poem); and 1 Timothy 3:16 (“The Incarnation” hymn\/poem). The writer to Hebrews also produced a noteworthy poetic prologue (1:1-3). Other sections of Paul’s writings display poetic language, where rhythm and exalted diction are prominent (see, for example, 1 Cor 13; 15:54-57).<\/p>\nThe book of Revelation also contains a number of poems of praise as well as hymns (see Rv 5:9-10, 12-13; 7:12; 11:17-18; 15:3-4).<\/p>\nSee also<\/em> Ecclesiastes, Book of; Job, Book of; Lamentations, Book of; Music; Proverbs, Book of; Psalms, Book of; Song of Solomon; Wisdom; Wisdom Literature.<\/p>","summary_ro":"POETRY, Biblical Poetic language in Scripture. In the Old Testament The OT contains all that we know of the poetry of Israel, and what we have occupies an important place in that literature. It was presumably well known throughout the ancient Near East, for its fame had spread even to Babylon (Ps 137:3). Much of the OT is poetic in spirit and structure—a feature of the prophetic writings as well as the poetic literature. In the former are found passages of elevated poetry, studded with brilli...","summary_en":"POETRY, Biblical Poetic language in Scripture. In the Old Testament The OT contains all that we know of the poetry of Israel, and what we have occupies an important place in that literature. It was presumably well known throughout the ancient Near East, for its fame had spread even to Babylon (Ps 137:3). Much of the OT is poetic in spirit and structure—a feature of the prophetic writings as well as the poetic literature. In the former are found passages of elevated poetry, studded with brilli...","source":"Articles\/P.xml","external_url":null,"has_map":false,"has_picture":false},{"id":31981,"type":"article","type_label":"Articol","type_icon":"📖","type_color":"#d4af37","title_ro":"Book of Psalms","title_en":"Book of Psalms","content_ro":"<h3>PSALMS, Book of<\/h3>\nPoems sung to musical accompaniment, originally the harp. The alternative title, the Psalter, refers to a collection of songs sung to harp accompaniment. The English title, therefore, broadly defines the form employed, whereas the Hebrew title of the book, “Praises,” or “Book of Praises,” suggests the content.<\/p>\nPreview<\/p>\n• Authors<\/p>\n• Date<\/p>\n• Background<\/p>\n• Structure<\/p>\n• Canonicity<\/p>\n• Purpose and Theology<\/p>\n• Content<\/p>\nAuthors<\/p>\n<h5>The Evidence of the Titles<\/h5>\nThe Hebrew Bible credits David with 73 psalms, compared with 84 in the Septuagint and 85 in the Latin Vulgate. Korah and Asaph, the leaders of the Levitical singing groups, are connected with 11 and 12 psalms, respectively (although Ps 43 is almost certainly to be attributed to Korah also). Two psalms are ascribed to Solomon (Pss 72; 127), one to Moses (Ps 90), and one to Ethan (Ps 89), while Heman shares the credit for one psalm with the sons of Korah (Ps 88). The remainder are sometimes called “orphan psalms” because of their anonymity.<\/p>\nThe preposition “of” found in the titles (for example, “A Psalm of David”) usually indicates authorship. But in the case of groups, such as the sons of Asaph or Korah, it may simply indicate that the psalms were included in their repertoire. Less plausible is the idea that it may also be rendered “for the use of.” For example, some of the “Psalms of David” might be “for the use of” the Davidic king on some occasion.<\/p>\n<h5>Historical Allusions in the Titles<\/h5>\nMany of the titles refer to specific events in the life of David (e.g., Pss 3; 7; 18; 30; 34; 51). There is evidence that the titles were added at an early date. When the psalms were translated into Greek, there appears to have been some difficulty in translating the titles, possibly because of their antiquity. If the historical references were added at a late date, there is no reason why plausible backgrounds could not have been supplied for all the Davidic psalms, instead of only a few. Moreover, the apparent disparity between the title and the actual content of some psalms (e.g., Ps 30) indicates that the titles were supplied by those who knew about a connection unknown to a later editor. Admittedly, there are minor discrepancies between the titles and the references in the historical books. For example, in Psalm 34 David acts the madman before Abimelech, whereas in 1 Samuel it is before Achish. But probably Abimelech was the general name (like Pharaoh for the kings of Egypt) for all the Philistine kings (e.g., Gn 21:32; 26:26).<\/p>\nEvidence of authorship and historical background in the titles, therefore, may be taken as a reasonably reliable guide. But the internal difficulties, together with the freedom exercised by successive translators into Greek, Syriac, and Latin, indicates that they were not regarded as inspired.<\/p>\n<h5>The Case for Davidic Authorship<\/h5>\nFive points can be offered to support David’s authorship of several psalms:<\/p>\n1. The authenticity of David’s lament over Saul and Jonathan (2 Sm 1:19-27) is generally accepted. This indicates a deeply poetic spirit and a generous temperament that prepares us to accept those psalms ascribed to David that evidence similar characteristics. “The last words of David” is another Davidic poem in the historical books (2 Sm 23:1-7).<\/p>\n<li>2. David had a reputation as a skillful musician at Saul’s court (1 Sm 16:16-18). Amos comments on his inventiveness as a musician (Am 6:5), while the Chronicler repeatedly stresses his contribution to the musical aspect of temple worship (e.g., 1 Chr 6:31; 16:7; Ezr 3:10). The Jewish historian Josephus said that David composed songs and hymns to God in varied meters. The probability is that David, as well as amassing materials and preparing the plans for Solomon’s temple, also gave attention to the temple worship. This is his place in Jewish tradition.<\/li>\n<li>3. The early monarchy, with a freshly secured independence, national prestige, and a new prosperity, would most likely be a time of artistic creativity. David was at the heart of this movement.<\/li>\n<li>4. There is a close correspondence between David’s life as described in the historical books and certain psalms, for example, his sin concerning Bathsheba and Uriah (2 Sm 11:2–12:25) and Psalm 51, as witnessed in the title. David’s lapses and genuine repentance, as well as the varied aspects of his career—shepherd, fugitive, warrior, and so on—find expression in many of the psalms attributed to him. The correspondence between the David of the psalms and the David of the historical books is close, especially in the display of strong faith in God.<\/li>\n<li>5. Although some scholars believe that when “David” is mentioned in the NT, it is simply a reference to the book of Psalms and not an ascription of authorship, a straightforward interpretation of the NT text strengthens the case for Davidic authorship. David is specifically named as the author of various psalms in Matthew 22:41-45; Acts 1:16; 2:25, 34; Romans 4:6; 11:9.<\/li>\nIn conclusion, there is strong support for the view that the substantial nucleus of the Psalter is Davidic. Moreover, it is probable that some of the anonymous psalms were the work of the “sweet psalmist of Israel” (2 Sm 23:1). Hebrews 4:7 refers one of these, Psalm 95, to David (see also Acts 4:25 and Ps 2).<\/p>\nDate<\/p>\nOnce David’s authorship of several psalms is established, then it must follow that these psalms are dated during David’s life. Thus, most of the psalms formed the hymnbook of Israel in the period of the monarchy. Other psalms were written later. For example, Psalm 137 is clearly exilic, and Psalms 107:2-3 and 126:1 allude to the return from captivity. Psalms 44 and 79 are probably, but not conclusively, postexilic.<\/p>\nThe book of Psalms was probably the product of a considerable period of growth. The incidence of Davidic psalms in the first section indicates that it was completed early, possibly toward the end of David’s reign. The remainder of the process of compilation is difficult to reconstruct, but the fact that the titles, with their allusions to authors, events, and musical directions, become less frequent in the two final collections (Pss 90–150) lends support to the probability that the collections were combined chronologically in the sequence in which they are found today. Ezra is traditionally credited with the final grouping and editing of the psalms, a hypothesis that appears reasonable in light of his vital contribution to the systematic reshaping of the national religious life. In any case, the process was completed before the translation of the Psalter into Greek (the Septuagint) at the end of the third century BC<\/span>, since the traditional order is found there. General, but not complete, support comes also from the evidence of the Dead Sea Scrolls. At some point minor dislocations occurred. Psalms 9 and 10 may have originally formed one psalm (as in the Septuagint), and there is a strong case for combining Psalms 42 and 43.<\/p>\nBackground<\/p>\nAs the book of Psalms lies before us, its connection with temple worship is apparent. Fifty-five psalms are addressed to the choirmaster, and as we have noted, 23 or 24 are linked with the two main guilds of Levitical singers, Asaph and Korah. The musical instruments, such as stringed instruments (Ps 55 title) and flutes (Ps 5 title) are noted. Probably other terms concern musical directions: Selah<\/span>,<\/em> which occurs 71 times, may indicate a pause or crescendo; Higgaion<\/span> (Ps 9:16) may recommend a meditative attitude. Seemingly obscure references like “The Hind of the Dawn” (Ps 22 title), “Lilies” (Pss 45 title; 80 title) and “The Dove on Far-off Terebinths” (Ps 56 title) may indicate the tunes to which the psalms were to be sung. The precise meaning of other terms, such as Shiggaion<\/span> (Ps 7 title) or Alamoth<\/span> (conjecturally a choir of ladies, Ps 46 title), may also be in the realm of musical directions.<\/p>\nStructure<\/p>\nThe Psalter, possibly in conscious imitation of the five books of Moses in the Law, is divided into five sections (Pss 1–41; 42–72; 73–89; 90–106; 107–150), separated by four doxologies (41:13; 72:18-19; 89:52; 106:48). While the editorial comment in Psalm 72:20 notes that the psalms of David were ended, Davidic psalms are found later in the book (Pss 86; 101; 103), suggesting that at least some of these sections circulated independently until their inclusion in the final collection. Such independence is further indicated by the duplications in the various sections (e.g., Pss 14 and 53; 40:13-17 and 70) and by the use of different names for God, who is usually referred to as “Lord” in the first collection and as “God” in the second.<\/p>\nCanonicity<\/p>\nIn the various recensions of the third section of the Hebrew canon, the Writings or Holy Books, the book of Psalms is almost invariably placed first. It was clearly regarded as the most important book in this section, and in Luke 24:44, “Psalms” is synonymous with “Writings” as its title. While the canonicity of all the contents of the Writings was not finalized until the end of the first century AD<\/span>, it is likely that the book of Psalms was accepted as inspired long before this, probably by 300 BC<\/span>.<\/p>\nIt must not be inferred that all the psalms had their origin in the cultic life of the community, but the sanctuary was the focal point of Israel’s worship for the greater part of the OT period. Prayer was possible elsewhere, but whenever practicable, it was customary for the worshiper to present his petitions at the main sanctuary. And thanksgiving in ancient Israel was almost invariably connected with a thank offering, vow offering, or freewill offering. The psalms could have been composed by individuals, like David, who had the requisite technical ability. And it must be appreciated that poetry, an unfamiliar medium to most Western civilizations, was the natural way for the ancient Easterner to express his emotions. Or the individual could have engaged a member of the Levitical guilds of musicians to frame either his supplication or his thanksgiving. Gradually, a comprehensive collection of psalms would be available for the use of individuals, the congregation, and even the entire nation in any conceivable situation. Once finalized, this collection served not only the subsequent needs of Israel but the devotional requirements of successive generations of Christians as well. Whatever the origin of an individual psalm, each has finally been incorporated in a cultic setting, and it may be assumed that the best of Israel’s psalmody has thus been preserved.<\/p>\nPurpose and Theology<\/p>\n<h5>The Doctrine of God<\/h5>\nIn both adversity and prosperity, the psalmists indicate a strong faith in God and a clear conception of his attributes. Understandably, anthropomorphisms (ascribing human characteristics to nonhuman things) abound, with references to God’s voice, words, ears, eyes, face, or hands and fingers. No exception needs to be taken to this. Anthropomorphisms of this kind are, in fact, widely used by present-day Christians. Their great value is that they make God real to the worshiper. How else could humans describe God, except in terms of their own understanding?<\/p>\nThe monotheism of the psalms emerges clearly in Psalms 115:3-8; 135:15-18; 139. God is viewed as the Creator (Pss 8:3; 89:11; 95:3-5), with references to the creation mythology of surrounding nations (e.g., Ps 89:10) serving merely as illustrations of his almighty creative power. He is proclaimed as the Lord of history (Pss 44, 78, 80, 81, 105, 106) and as the sovereign controller of nature (Pss 18:7; 19:1-6; 65:8-13; 105:26-42; 135:5-7). The psalmists never tired of celebrating God’s absolute greatness.<\/p>\n<h5>The Human Perspective<\/h5>\nThe Psalter is a God-centered book, but humanity has a worthy place, in spite of the vast gulf between them and their Creator (Pss 8:3-4; 145:3-4) and the limitations of their earthly life (Ps 90:9-10). By the will of God, humans occupy a responsible, mediating position between God and all other created beings (Ps 8:5-8). The relationship with a righteous God is endangered by sin (Ps 106), but God is gracious and long-suffering (Ps 103), faithful and forgiving (Ps 130). While references to the sacrificial system are not lacking (Pss 20:3; 50:8-9), the emphasis is upon a personal piety that demands obedience and a surrendered heart (Ps 40:6-8). Psalm 51 indicates a depth of sin with which the sacrificial system was totally inadequate to cope; the psalmist could only cast himself, in total penitence, upon God’s mercy. Man’s moral obligations (Pss 15; 24:3-5) and loyalty to the law (Pss 19:7-11; 119) are fully accepted. Throughout, there is the revelation of a strong personal relationship that encourages prayer and praise and invites trust.<\/p>\n<h5>The Afterlife<\/h5>\nThe Psalms maintain the traditional Hebrew view of Sheol as the abode of the departed, without distinction between the good and evil, where all but mere existence has perished. The chief complaint of the devout man was that, in Sheol, all meaningful relationship with God ceased (Pss 6:5; 88:10-12). However, it was recognized that, since God was almighty, even Sheol was not exempt from his reach (Ps 139:8). Added to this was the preciousness and strength of fellowship with God, which could not be terminated even by death. Psalms 16:9-11, 49:15, and 73:23-26 well illustrate this insight. The Psalter, therefore, witnesses to an important transitional phase in Israel’s belief.<\/p>\n<h5>Universal Recognition of God<\/h5>\nPassages like Psalms 9:11; 47:1-2, 7-9; 66:8; 67; and 117:1 call upon all nations to acknowledge and praise God and show an awareness of his sovereignty over all nations. But this universalism does not appear to involve any desire to convert the heathen nations and, indeed, it is balanced by strong particularistic elements. God’s covenant relationship with his people and his mighty deeds on their behalf are the chief items for which the praise of all nations is summoned (Pss 47:3-4; 66:8-9; 126:2). As elsewhere in the OT, the role of Israel is passive; her continued existence witnesses to God’s faithfulness and brings glory to him.<\/p>\n<h5>Lasting Value<\/h5>\nWhatever the emotion of the psalmists, be it bitter complaint, anguished lament, or joyous exultation, all the psalms reflect one or other of the many aspects of communion with God. The reader may look “into the heart of all the saints” (so said Luther) as they faced life’s experiences in the awareness of a God who was all-seeing, all-knowing, and all-powerful. The strength of that personal relationship with God that typified OT worship at its best is exemplified here, and the many echoes of the psalms elsewhere in Israel’s literature show the powerful influence of these testimonies on the faithful. The fact that, almost invariably, little specific detail is given of the psalmists’ actual conditions has made it easier for the Psalter to become the universal hymnbook and devotional treasury of God’s people, in both public and private worship, until and including the present day. Modern life, materially, is vastly different from that of ancient Israel, but God remains unchanged and so do the basic needs of the human heart. The Holy Spirit, therefore, can still use this spiritual treasury as a means of revelation and communication between God and man. Few books in the Bible have exercised so profound an influence or been so widely used.<\/p>\nContent<\/p>\n<h5>Introduction<\/h5>\nIt is more helpful to describe the psalms in categories than to explain them one by one in canonical order. The psalms can be categorized as follows:<\/p>\nPsalms of praise<\/p>\nRoyal, messianic psalms<\/p>\nPassion psalms<\/p>\nPsalms about Zion<\/p>\nLaments<\/p>\nImprecatory psalms<\/p>\nPenitential psalms<\/p>\nWisdom psalms and historical psalms<\/p>\nPsalms of trust<\/p>\n<h5>Psalms of Praise<\/h5>\nThe Hebrew title, “Praises,” defines accurately a large part of the contents of the book. Each of the first four sections concludes with a doxology, while the fifth section concludes with five psalms, each of which begins and ends with one or two “Hallelujahs.” The last of these, Psalm 150, sounds the call to total praise. God is to be praised for his being, for his great acts in creation, nature, and history on both the individual and the communal level.<\/p>\n1. Individual praise. In comparison with the number of individual laments, there are relatively few psalms in this category. Those normally included are Psalms 9, 18, 32, 34, 116, and 138. This may, in part, be due to the universal tendency to complain rather than to express thanks. But a number of the laments do, in fact, include the note of thanksgiving for the anticipated deliverance, and the normal round of congregational thanksgiving would allow the individual to express his personal praise. However, it was customary in temple worship to give a verbal act of thanksgiving before the whole assembly whenever a vow offering or a thank offering was made. Such public testimony, and the communal meal associated with this type of sacrifice, is indicated in Psalms 22:22-26; 66:13-20; 116:17-19. The inclusion of such opportunities for personal praise and testimony must have added warmth and significance to worship. Each act of deliverance and every experience of God’s mercy became part of salvation history, which was a cumulative, ongoing concept, not simply a recital of God’s deeds in earlier centuries.<\/p>\n<li>2. General communal praise. This is sometimes entitled “hymns” or “descriptive praise,” its main feature being linked to a particular act of deliverance. God is usually referred to in the third person, not directly. Psalm 103 may be taken as representative of this group. It begins and ends with individual references (vv 1-5, 22b), but the central section (esp. vv 6-14) shows that the psalmist was part of a worshiping community. There is first of all the imperative call to praise God for the full range of his mercy to each individual, including physical and spiritual deliverance and his sustaining and satisfying grace. Then the focus changes to his great works in history (vv 6-7). This forms a natural basis for the recital of those gracious qualities revealed so consistently during the course of the national history, especially his tender, fatherly care (vv 8-14). The frailty of humanity contrasts with God’s constancy (vv 15-18), and his rule, being universal and absolute (v 19), merits the praise of all things, living and inanimate, in heaven and on earth (vv 19-22). There is, however, a great number of possible variations in the way in which God is celebrated, as Psalms 113 and 136, which come within this class, illustrate.<\/li>\n<li>3. Specific communal praise. Occasionally termed “declarative praise,” this type of psalm connects with a particular outstanding evidence of God’s mercy and would most naturally follow soon after the event itself. Deliverance from an enemy provides the occasion for most of the psalms in this category (e.g., Pss 124, 129). Psalm 66:8-12, now the nucleus of an expanded recital of God’s goodness, was possibly once complete in itself. Psalms 46–48 may form a trilogy connected with the remarkable deliverance of Jerusalem from Sennacherib’s Assyrians in 701 BC<\/span> (2 Kgs 18:17–19:37). Psalm 67 was probably composed in gratitude for a particular harvest. It is easy to see how psalms of this type could, in the process of time, acquire a more general usage.<\/li>\n<li>4. Praise for the God of nature. The first part of Psalm 19 pictures the praise of God sounding from the heavens; Psalm 29 celebrates him as the God of the thunderstorm, which, sweeping in from the Mediterranean near Lebanon, pursues its awe-inspiring path southward into the wilderness of Kadesh, with the result that “in his temple” (the created world?) all are praising, “Glory, glory to the Lord<\/span>” (v 9). His sovereignty and self-sufficiency in this world are celebrated in Psalm 50:10-12; he is the God of growth and harvest (Ps 65:9-13); in Psalm 104, often called the “Hymn of Creation,” he sustains and supplies everything on the earth and in the seas and is the absolute Lord of all life (vv 29-30). There is no confusion between God and his creation; even the seemingly permanent heaven and earth will perish, but “you go on forever” (Ps 102:25-27). Nature’s role is to proclaim the glory of God (Ps 19:1) and to praise him (Ps 148). People see themselves as insignificant when set against those forces of nature, which are themselves dwarfed by God—hence, the awareness of the immeasurable gulf between God and people that God has bridged by his grace (Ps 8).<\/li>\n<li>5. Praise for God’s kingship. A relatively small group of psalms (Pss 47, 93, 96–99) celebrate the kingship of God in a way that goes beyond the ascription of praise noted in the foregoing groups. They are marked by acclamation, by both shouting and clapping when God “ascends.” Presumably, the reference is to his throne (Ps 47:1-5; cf. 99:1-2). “The Lord<\/span> reigns” (Pss 93:1; 97:1; 99:1) is the frequent cry, and the nature of his reign is extolled (Ps 99:4-5).<\/li>\n<h5>Royal, Messianic Psalms<\/h5>\nPsalms 2, 18, 20, 21, 45, 61, 72, 89, 101, 110, 132, and 144 are usually included as the royal psalms. They do not form a literary category, since psalms of various types are included, but they all have some reference to the king, the nature of his rule, and his relationship to God. Since the Davidic monarchy was terminated in 586 BC<\/span>, these psalms, almost certainly, were composed before that date. The language in these psalms often shows the king as being God’s vice-regent. For example, Psalm 45, a royal marriage psalm, contains the assertion “Your throne, O God, endures for ever and ever” (45:6). But this is best understood in terms of the throne being regarded as the Lord’s, occupied by the king as his representative. Similarly, the wording in Psalm 110:1, “Sit at my right hand,” indicates the privileges and prerogatives that the king enjoys as God’s vice-regent. The balance of the OT evidence concerning the king shows that the monarchy in Israel was qualified by the nature of God’s covenantal relationship with his people; the king did not enjoy the absolutism claimed by most of the rulers of surrounding kingdoms.<\/p>\nMost of the royal psalms can also be called messianic psalms. They were interpreted as such in the early Christian church, as witnessed in Jesus Christ’s general statement that the psalmists wrote of him (Lk 24:44) and by particular NT quotations. The main psalms concerned, and the NT references, are the following:<\/p>\n1. Psalm 2 (Acts 13:33; Heb 1:5; 5:5), while linked with the Davidic king, nevertheless speaks of a universal vindication and rule, which far transcended even David’s rule. Further, the picture of the Davidic king, anointed to rule on the earth as the representative of God, who is enthroned in heaven, strongly suggests Christ’s mediating, incarnate ministry.<\/p>\n<li>2. Psalm 45 (Heb 1:8-9), a marriage psalm for one of the Davidic kings, possibly Solomon, speaks not only of love and marriage but also a permanence and quality of rule. In the most obvious translation of verse 6, the writer addresses God, “Your divine throne endures for ever and ever.” The writer to the Hebrews clearly accepted this interpretation (Heb 1:8-9) and used it in contrast to the exalted status of even the angels, reinforcing it with two other quotations from the psalms that originally applied to God (Ps 97:7; 102:25-27; cf. Heb 1:6, 10-12).<\/li>\n<li>3. Psalm 110 is the most frequently quoted messianic psalm (Mt 22:43-45; Acts 2:34-35; Heb 1:13; 5:5-10; 6:20; 7:21). The language, speaking of the privileges, universal victory and continuing priesthood of David and his successors, would be considered hyperbolic and possibly misleading except for its fulfillment in “great David’s greater Son.” In contrast to the angels, who are privileged to stand in God’s presence (Lk 1:19), Christ the Son sits in the place of power and authority (Heb 1:13).<\/li>\nOther psalms that could also be designated messianic but are not specifically included among the royal psalms are Psalm 8 (1 Cor 15:27); Psalm 40 (Heb 10:5-10); Psalm 72, with its idealized picture of the nature, consequences, and extent of the rule of God’s representative; Psalm 118:22-23; and Psalm 132 (Acts 2:30).<\/p>\n\n<h5>Passion Psalms<\/h5>\nThe four psalms in this group (Pss 16; 22; 40; 69; some scholars would also include Pss 102; 109) may also be regarded as messianic. They connect with that line of OT prophecy that interprets the Messiah’s ministry in terms of the Suffering Servant who features prominently in Isaiah (e.g., Is 42:1-9; 52:13–53:12). Of these four, Psalm 22 is the most remarkable. Jesus recited part of it when he was on the cross (Ps 22:1; cf. Mt 27:46), and other connections with the crucifixion scene are noteworthy (e.g., Ps 22:6-8, 14-18). Some further considerations are even more significant: there is no suggestion of any awareness of sin; the suffering of the psalmist appears completely unjustified; there is no imprecatory element, even in the face of bitter persecution. This connects with the sinless Christ (2 Cor 5:21), who could even pray for his executioners (Lk 23:34). Psalm 16:10 anticipates the triumph of the incorruptible Christ over the grave (cf. Acts 2:24-31). Psalm 40:6-8 foreshadows the Incarnation and self-giving redemptive work of Christ (Heb 10:5-10). Psalm 69 refers to the isolation resulting from a commitment to God’s cause (Ps 69:8-9) and anticipates the part played by Judas in what was fundamentally God’s work in Christ (Ps 69:25-26; cf. Ps 109:8; Is 53:10; Acts 1:20).<\/p>\n<h5>Psalms about Zion<\/h5>\nThis group could have been classified as a subsection of communal praise, but due to the close historical connection between God’s choice of the house of David and Jerusalem (Pss 78:68-72; 132:11-13), and their subsequent interrelated fortunes, we consider them at this point. There was a biting satire in the request of the Babylonians to the refugees of a shattered city to “Sing us one of the songs of Zion!” (Ps 137:3, niv<\/span>), but it witnesses to the existence of such a collection. Praise of Zion was, in fact, almost synonymous with the praise of the Lord who dwelt there. Jerusalem’s continued survival, in spite of its difficulties, was ample demonstration of God’s enduring greatness (Ps 48:11-14) and peculiar affection for the city that housed his temple (Ps 87:1-3). Psalms 48, 76, 84, 87 and 122 are the main psalms in this category, but the theme itself appears widely throughout the psalms (e.g., 102:16; 125:1; 126:1-3; 133:3; 147:2). The basis of the NT concept of a heavenly Jerusalem, the spiritual home of the regenerate of all nations, finds its origin in this concept, especially in Psalm 87.<\/p>\n<h5>Laments<\/h5>\nThese are associated with specific occasions of distress and are of two types:<\/p>\n1. National. The prophetic and historical books give several examples of the kind of occasion, such as drought, locust infestation, or enemy attack, that could prompt national laments, and also the inward and outward attitudes that accompanied them (e.g., Jgs 20:23, 26; Jer 14:1-12; 36:9; Jl 1:13-14; 2:12-17; Jon 3:5). There is a regular structure in the psalms of this class: the distressing situation is first described; God is petitioned to come to the aid of his people, often with the reminder of his past mercies for Israel; finally, there is often an expression of confidence that God would heed their cry. Israel’s adversaries are clearly in mind in Psalms 14, 44, 60, 74, 80, and 83, while Psalms 58, 106, and 125 reflect situations less critical.<\/p>\n<li>2. Individual. There are so many of this type (approximately 50) that it is frequently described as the backbone of the Psalter. Their most obvious features are the sharpness of complaint and the bitterness of attack upon those responsible. As in the national laments, there is often complaint against God, especially for his lack of attention or his tardiness in intervening. The basic components of this type are almost identical to the national laments, except that they often conclude with the avowal to praise God in anticipation of deliverance (e.g., Ps 13:5-6). Frequently, the lament is accompanied by thanksgiving for the deliverance sought and experienced, as illustrated in the two sections of Psalms 22:1-21 and 28:1-9.<\/li>\n<h5>Imprecatory Psalms<\/h5>\nApproximately 20 psalms contain passionate pleas for the overthrow of the wicked, in language that is often shocking. Any instant condemnation of this attitude must, however, be tempered by certain relevant considerations:<\/p>\nThe cry for vengeance was not purely personal; it was firmly believed that God’s honor was at stake (e.g., Ps 109:21). In an age where there was a less developed view of an afterlife, it was axiomatic that rewards and punishments resulting from obedience or disobedience to God, must be observable within this lifetime. Whenever this was not apparent, it would seem that no righteous God existed, and the name of God was dishonored (e.g., Ps 74:10). This burning desire for the eradication of evil and evil men sprang from a consciousness of a moral God and virtually demanded the triumph of truth.<\/p>\nThe poetic language is also prone to hyperbole—a feature not confined to the psalms (e.g., Neh 4:4-5; Jer 20:14-18; Am 7:17). Such language is startling; indeed, part of its function was probably to startle—to express and promote a sense of outrage.<\/p>\nIn the pre-Christian period, therefore, such outbursts were not completely unjustifiable. But in the light of the fuller revelation in the NT, such an attitude cannot be condoned. The Christian is to love as Christ loved (Jn 13:34), to pray for his enemies and to forgive them (Mt 5:38-48; Col 3:13). The theme of judgment continues into the NT and is indeed heightened there, since Christ’s coming has left people without excuse to live in sin (Jn 16:8-11), but there can be no place for purely private vengeance.<\/p>\n<h5>Penitential Psalms<\/h5>\nPsalms 32, 38, 51, and 130 are the clearest examples of penitential psalms, although traditionally the church has also included Psalms 6, 102, 143, where there is no explicit confession of sin. In an age when adversity in its various forms was seen as God’s judgment for wrongdoing, the admission of distress was tantamount to a confession of guilt. In the four main examples there is an intensity of feeling and a deep sense of the enormity of sin in God’s sight, although, as elsewhere, there is no indication of specific sin, even in Psalm 51, which is surely to be connected with David’s sin against Bathsheba (2 Sm 11–12). Significantly, David bypasses the sacrificial system, which was totally inefficacious in his case, casting himself entirely on the mercy of God (Ps 51:1, 16). The burden of unconfessed sin is clearly revealed in Psalm 32, and sin’s searing and corrupting effect in Psalm 38.<\/p>\n<h5>Wisdom Psalms and Historical Psalms<\/h5>\nWhile it is accepted that prophets, priests, and wise men all functioned at the major sanctuaries, some overlap in their modes of expression is to be expected. Proverbial forms are not infrequently found in the psalms (Pss 37:5, 8, 16, 21-22; 111:10; 127:1-5). Psalm 1, probably an introduction to the whole Psalter, contrasts the diverging paths of the righteous and ungodly (cf. Ps 112), while Psalms 127 and 128 concentrate on the blessings given to the godly. Psalm 133 is written in praise of unity. The problem of explaining the sufferings of a righteous person and the apparent prosperity of evil people, dealt with in the Wisdom Literature in the book of Job and in the prophets also (e.g., Jer 12:1-4), is taken up in Psalms 37, 49, and 73.<\/p>\nThe historical psalms should be included in this category, since they underscore the lessons arising from the favored nation’s often bitter experience. It is apparent that Israel delighted in the recital of salvation history. The main psalms, and the periods covered are Psalm 78, from the exodus to the establishment of the Davidic monarchy (note the declared intention to teach in vv 1-4); Psalm 105, from Abraham to the conquest of Canaan; Psalm 106, from Egypt to the judges; and Psalm 136, from the Creation to the Promised Land.<\/p>\n<h5>Psalms of Trust<\/h5>\nWhile some of these may also be classified as laments, the dominant feature of this group is the serene trust in God revealed, which makes them particularly suitable for devotional use. Many of these psalms begin with an affirmation of gratitude to and affection for God. Psalms 23 and 27 are the outstanding examples of this type, which could also include Psalms 11, 16, 62, 116, 131, and 138.<\/p>\nConclusion<\/p>\nThe difficulties in any precise categorization of psalms are obvious; many do not neatly fall into one group—hence, the occasional overlap. What is clearly evident is a pulsating, vital devotional life that has found its clearest expression in the book of Psalms. To say that it expresses the worship and devotion of the ordinary person is a simplification; kings and priests, wise men and prophets all contributed to this remarkable collection. Yet there remains the truth that, in God’s sight, all people, regardless of human achievement or privilege, are “ordinary,” for all are sinners in need of God’s grace and goodness. So the worshiping community of ancient Israel, and the saints of every succeeding generation, in the vastness of their diversity, have found the expression of their own hearts’ condition, desires, and devotion in this unique treasury—the Psalms.<\/p>\nSee also<\/em> David; Messiah; Music; Poetry, Biblical; Singers in the Temple; Tabernacle; Temple; Wisdom; Wisdom Literature.<\/p>","content_en":"<h3>PSALMS, Book of<\/h3>\nPoems sung to musical accompaniment, originally the harp. The alternative title, the Psalter, refers to a collection of songs sung to harp accompaniment. The English title, therefore, broadly defines the form employed, whereas the Hebrew title of the book, “Praises,” or “Book of Praises,” suggests the content.<\/p>\nPreview<\/p>\n• Authors<\/p>\n• Date<\/p>\n• Background<\/p>\n• Structure<\/p>\n• Canonicity<\/p>\n• Purpose and Theology<\/p>\n• Content<\/p>\nAuthors<\/p>\n<h5>The Evidence of the Titles<\/h5>\nThe Hebrew Bible credits David with 73 psalms, compared with 84 in the Septuagint and 85 in the Latin Vulgate. Korah and Asaph, the leaders of the Levitical singing groups, are connected with 11 and 12 psalms, respectively (although Ps 43 is almost certainly to be attributed to Korah also). Two psalms are ascribed to Solomon (Pss 72; 127), one to Moses (Ps 90), and one to Ethan (Ps 89), while Heman shares the credit for one psalm with the sons of Korah (Ps 88). The remainder are sometimes called “orphan psalms” because of their anonymity.<\/p>\nThe preposition “of” found in the titles (for example, “A Psalm of David”) usually indicates authorship. But in the case of groups, such as the sons of Asaph or Korah, it may simply indicate that the psalms were included in their repertoire. Less plausible is the idea that it may also be rendered “for the use of.” For example, some of the “Psalms of David” might be “for the use of” the Davidic king on some occasion.<\/p>\n<h5>Historical Allusions in the Titles<\/h5>\nMany of the titles refer to specific events in the life of David (e.g., Pss 3; 7; 18; 30; 34; 51). There is evidence that the titles were added at an early date. When the psalms were translated into Greek, there appears to have been some difficulty in translating the titles, possibly because of their antiquity. If the historical references were added at a late date, there is no reason why plausible backgrounds could not have been supplied for all the Davidic psalms, instead of only a few. Moreover, the apparent disparity between the title and the actual content of some psalms (e.g., Ps 30) indicates that the titles were supplied by those who knew about a connection unknown to a later editor. Admittedly, there are minor discrepancies between the titles and the references in the historical books. For example, in Psalm 34 David acts the madman before Abimelech, whereas in 1 Samuel it is before Achish. But probably Abimelech was the general name (like Pharaoh for the kings of Egypt) for all the Philistine kings (e.g., Gn 21:32; 26:26).<\/p>\nEvidence of authorship and historical background in the titles, therefore, may be taken as a reasonably reliable guide. But the internal difficulties, together with the freedom exercised by successive translators into Greek, Syriac, and Latin, indicates that they were not regarded as inspired.<\/p>\n<h5>The Case for Davidic Authorship<\/h5>\nFive points can be offered to support David’s authorship of several psalms:<\/p>\n1. The authenticity of David’s lament over Saul and Jonathan (2 Sm 1:19-27) is generally accepted. This indicates a deeply poetic spirit and a generous temperament that prepares us to accept those psalms ascribed to David that evidence similar characteristics. “The last words of David” is another Davidic poem in the historical books (2 Sm 23:1-7).<\/p>\n<li>2. David had a reputation as a skillful musician at Saul’s court (1 Sm 16:16-18). Amos comments on his inventiveness as a musician (Am 6:5), while the Chronicler repeatedly stresses his contribution to the musical aspect of temple worship (e.g., 1 Chr 6:31; 16:7; Ezr 3:10). The Jewish historian Josephus said that David composed songs and hymns to God in varied meters. The probability is that David, as well as amassing materials and preparing the plans for Solomon’s temple, also gave attention to the temple worship. This is his place in Jewish tradition.<\/li>\n<li>3. The early monarchy, with a freshly secured independence, national prestige, and a new prosperity, would most likely be a time of artistic creativity. David was at the heart of this movement.<\/li>\n<li>4. There is a close correspondence between David’s life as described in the historical books and certain psalms, for example, his sin concerning Bathsheba and Uriah (2 Sm 11:2–12:25) and Psalm 51, as witnessed in the title. David’s lapses and genuine repentance, as well as the varied aspects of his career—shepherd, fugitive, warrior, and so on—find expression in many of the psalms attributed to him. The correspondence between the David of the psalms and the David of the historical books is close, especially in the display of strong faith in God.<\/li>\n<li>5. Although some scholars believe that when “David” is mentioned in the NT, it is simply a reference to the book of Psalms and not an ascription of authorship, a straightforward interpretation of the NT text strengthens the case for Davidic authorship. David is specifically named as the author of various psalms in Matthew 22:41-45; Acts 1:16; 2:25, 34; Romans 4:6; 11:9.<\/li>\nIn conclusion, there is strong support for the view that the substantial nucleus of the Psalter is Davidic. Moreover, it is probable that some of the anonymous psalms were the work of the “sweet psalmist of Israel” (2 Sm 23:1). Hebrews 4:7 refers one of these, Psalm 95, to David (see also Acts 4:25 and Ps 2).<\/p>\nDate<\/p>\nOnce David’s authorship of several psalms is established, then it must follow that these psalms are dated during David’s life. Thus, most of the psalms formed the hymnbook of Israel in the period of the monarchy. Other psalms were written later. For example, Psalm 137 is clearly exilic, and Psalms 107:2-3 and 126:1 allude to the return from captivity. Psalms 44 and 79 are probably, but not conclusively, postexilic.<\/p>\nThe book of Psalms was probably the product of a considerable period of growth. The incidence of Davidic psalms in the first section indicates that it was completed early, possibly toward the end of David’s reign. The remainder of the process of compilation is difficult to reconstruct, but the fact that the titles, with their allusions to authors, events, and musical directions, become less frequent in the two final collections (Pss 90–150) lends support to the probability that the collections were combined chronologically in the sequence in which they are found today. Ezra is traditionally credited with the final grouping and editing of the psalms, a hypothesis that appears reasonable in light of his vital contribution to the systematic reshaping of the national religious life. In any case, the process was completed before the translation of the Psalter into Greek (the Septuagint) at the end of the third century BC<\/span>, since the traditional order is found there. General, but not complete, support comes also from the evidence of the Dead Sea Scrolls. At some point minor dislocations occurred. Psalms 9 and 10 may have originally formed one psalm (as in the Septuagint), and there is a strong case for combining Psalms 42 and 43.<\/p>\nBackground<\/p>\nAs the book of Psalms lies before us, its connection with temple worship is apparent. Fifty-five psalms are addressed to the choirmaster, and as we have noted, 23 or 24 are linked with the two main guilds of Levitical singers, Asaph and Korah. The musical instruments, such as stringed instruments (Ps 55 title) and flutes (Ps 5 title) are noted. Probably other terms concern musical directions: Selah<\/span>,<\/em> which occurs 71 times, may indicate a pause or crescendo; Higgaion<\/span> (Ps 9:16) may recommend a meditative attitude. Seemingly obscure references like “The Hind of the Dawn” (Ps 22 title), “Lilies” (Pss 45 title; 80 title) and “The Dove on Far-off Terebinths” (Ps 56 title) may indicate the tunes to which the psalms were to be sung. The precise meaning of other terms, such as Shiggaion<\/span> (Ps 7 title) or Alamoth<\/span> (conjecturally a choir of ladies, Ps 46 title), may also be in the realm of musical directions.<\/p>\nStructure<\/p>\nThe Psalter, possibly in conscious imitation of the five books of Moses in the Law, is divided into five sections (Pss 1–41; 42–72; 73–89; 90–106; 107–150), separated by four doxologies (41:13; 72:18-19; 89:52; 106:48). While the editorial comment in Psalm 72:20 notes that the psalms of David were ended, Davidic psalms are found later in the book (Pss 86; 101; 103), suggesting that at least some of these sections circulated independently until their inclusion in the final collection. Such independence is further indicated by the duplications in the various sections (e.g., Pss 14 and 53; 40:13-17 and 70) and by the use of different names for God, who is usually referred to as “Lord” in the first collection and as “God” in the second.<\/p>\nCanonicity<\/p>\nIn the various recensions of the third section of the Hebrew canon, the Writings or Holy Books, the book of Psalms is almost invariably placed first. It was clearly regarded as the most important book in this section, and in Luke 24:44, “Psalms” is synonymous with “Writings” as its title. While the canonicity of all the contents of the Writings was not finalized until the end of the first century AD<\/span>, it is likely that the book of Psalms was accepted as inspired long before this, probably by 300 BC<\/span>.<\/p>\nIt must not be inferred that all the psalms had their origin in the cultic life of the community, but the sanctuary was the focal point of Israel’s worship for the greater part of the OT period. Prayer was possible elsewhere, but whenever practicable, it was customary for the worshiper to present his petitions at the main sanctuary. And thanksgiving in ancient Israel was almost invariably connected with a thank offering, vow offering, or freewill offering. The psalms could have been composed by individuals, like David, who had the requisite technical ability. And it must be appreciated that poetry, an unfamiliar medium to most Western civilizations, was the natural way for the ancient Easterner to express his emotions. Or the individual could have engaged a member of the Levitical guilds of musicians to frame either his supplication or his thanksgiving. Gradually, a comprehensive collection of psalms would be available for the use of individuals, the congregation, and even the entire nation in any conceivable situation. Once finalized, this collection served not only the subsequent needs of Israel but the devotional requirements of successive generations of Christians as well. Whatever the origin of an individual psalm, each has finally been incorporated in a cultic setting, and it may be assumed that the best of Israel’s psalmody has thus been preserved.<\/p>\nPurpose and Theology<\/p>\n<h5>The Doctrine of God<\/h5>\nIn both adversity and prosperity, the psalmists indicate a strong faith in God and a clear conception of his attributes. Understandably, anthropomorphisms (ascribing human characteristics to nonhuman things) abound, with references to God’s voice, words, ears, eyes, face, or hands and fingers. No exception needs to be taken to this. Anthropomorphisms of this kind are, in fact, widely used by present-day Christians. Their great value is that they make God real to the worshiper. How else could humans describe God, except in terms of their own understanding?<\/p>\nThe monotheism of the psalms emerges clearly in Psalms 115:3-8; 135:15-18; 139. God is viewed as the Creator (Pss 8:3; 89:11; 95:3-5), with references to the creation mythology of surrounding nations (e.g., Ps 89:10) serving merely as illustrations of his almighty creative power. He is proclaimed as the Lord of history (Pss 44, 78, 80, 81, 105, 106) and as the sovereign controller of nature (Pss 18:7; 19:1-6; 65:8-13; 105:26-42; 135:5-7). The psalmists never tired of celebrating God’s absolute greatness.<\/p>\n<h5>The Human Perspective<\/h5>\nThe Psalter is a God-centered book, but humanity has a worthy place, in spite of the vast gulf between them and their Creator (Pss 8:3-4; 145:3-4) and the limitations of their earthly life (Ps 90:9-10). By the will of God, humans occupy a responsible, mediating position between God and all other created beings (Ps 8:5-8). The relationship with a righteous God is endangered by sin (Ps 106), but God is gracious and long-suffering (Ps 103), faithful and forgiving (Ps 130). While references to the sacrificial system are not lacking (Pss 20:3; 50:8-9), the emphasis is upon a personal piety that demands obedience and a surrendered heart (Ps 40:6-8). Psalm 51 indicates a depth of sin with which the sacrificial system was totally inadequate to cope; the psalmist could only cast himself, in total penitence, upon God’s mercy. Man’s moral obligations (Pss 15; 24:3-5) and loyalty to the law (Pss 19:7-11; 119) are fully accepted. Throughout, there is the revelation of a strong personal relationship that encourages prayer and praise and invites trust.<\/p>\n<h5>The Afterlife<\/h5>\nThe Psalms maintain the traditional Hebrew view of Sheol as the abode of the departed, without distinction between the good and evil, where all but mere existence has perished. The chief complaint of the devout man was that, in Sheol, all meaningful relationship with God ceased (Pss 6:5; 88:10-12). However, it was recognized that, since God was almighty, even Sheol was not exempt from his reach (Ps 139:8). Added to this was the preciousness and strength of fellowship with God, which could not be terminated even by death. Psalms 16:9-11, 49:15, and 73:23-26 well illustrate this insight. The Psalter, therefore, witnesses to an important transitional phase in Israel’s belief.<\/p>\n<h5>Universal Recognition of God<\/h5>\nPassages like Psalms 9:11; 47:1-2, 7-9; 66:8; 67; and 117:1 call upon all nations to acknowledge and praise God and show an awareness of his sovereignty over all nations. But this universalism does not appear to involve any desire to convert the heathen nations and, indeed, it is balanced by strong particularistic elements. God’s covenant relationship with his people and his mighty deeds on their behalf are the chief items for which the praise of all nations is summoned (Pss 47:3-4; 66:8-9; 126:2). As elsewhere in the OT, the role of Israel is passive; her continued existence witnesses to God’s faithfulness and brings glory to him.<\/p>\n<h5>Lasting Value<\/h5>\nWhatever the emotion of the psalmists, be it bitter complaint, anguished lament, or joyous exultation, all the psalms reflect one or other of the many aspects of communion with God. The reader may look “into the heart of all the saints” (so said Luther) as they faced life’s experiences in the awareness of a God who was all-seeing, all-knowing, and all-powerful. The strength of that personal relationship with God that typified OT worship at its best is exemplified here, and the many echoes of the psalms elsewhere in Israel’s literature show the powerful influence of these testimonies on the faithful. The fact that, almost invariably, little specific detail is given of the psalmists’ actual conditions has made it easier for the Psalter to become the universal hymnbook and devotional treasury of God’s people, in both public and private worship, until and including the present day. Modern life, materially, is vastly different from that of ancient Israel, but God remains unchanged and so do the basic needs of the human heart. The Holy Spirit, therefore, can still use this spiritual treasury as a means of revelation and communication between God and man. Few books in the Bible have exercised so profound an influence or been so widely used.<\/p>\nContent<\/p>\n<h5>Introduction<\/h5>\nIt is more helpful to describe the psalms in categories than to explain them one by one in canonical order. The psalms can be categorized as follows:<\/p>\nPsalms of praise<\/p>\nRoyal, messianic psalms<\/p>\nPassion psalms<\/p>\nPsalms about Zion<\/p>\nLaments<\/p>\nImprecatory psalms<\/p>\nPenitential psalms<\/p>\nWisdom psalms and historical psalms<\/p>\nPsalms of trust<\/p>\n<h5>Psalms of Praise<\/h5>\nThe Hebrew title, “Praises,” defines accurately a large part of the contents of the book. Each of the first four sections concludes with a doxology, while the fifth section concludes with five psalms, each of which begins and ends with one or two “Hallelujahs.” The last of these, Psalm 150, sounds the call to total praise. God is to be praised for his being, for his great acts in creation, nature, and history on both the individual and the communal level.<\/p>\n1. Individual praise. In comparison with the number of individual laments, there are relatively few psalms in this category. Those normally included are Psalms 9, 18, 32, 34, 116, and 138. This may, in part, be due to the universal tendency to complain rather than to express thanks. But a number of the laments do, in fact, include the note of thanksgiving for the anticipated deliverance, and the normal round of congregational thanksgiving would allow the individual to express his personal praise. However, it was customary in temple worship to give a verbal act of thanksgiving before the whole assembly whenever a vow offering or a thank offering was made. Such public testimony, and the communal meal associated with this type of sacrifice, is indicated in Psalms 22:22-26; 66:13-20; 116:17-19. The inclusion of such opportunities for personal praise and testimony must have added warmth and significance to worship. Each act of deliverance and every experience of God’s mercy became part of salvation history, which was a cumulative, ongoing concept, not simply a recital of God’s deeds in earlier centuries.<\/p>\n<li>2. General communal praise. This is sometimes entitled “hymns” or “descriptive praise,” its main feature being linked to a particular act of deliverance. God is usually referred to in the third person, not directly. Psalm 103 may be taken as representative of this group. It begins and ends with individual references (vv 1-5, 22b), but the central section (esp. vv 6-14) shows that the psalmist was part of a worshiping community. There is first of all the imperative call to praise God for the full range of his mercy to each individual, including physical and spiritual deliverance and his sustaining and satisfying grace. Then the focus changes to his great works in history (vv 6-7). This forms a natural basis for the recital of those gracious qualities revealed so consistently during the course of the national history, especially his tender, fatherly care (vv 8-14). The frailty of humanity contrasts with God’s constancy (vv 15-18), and his rule, being universal and absolute (v 19), merits the praise of all things, living and inanimate, in heaven and on earth (vv 19-22). There is, however, a great number of possible variations in the way in which God is celebrated, as Psalms 113 and 136, which come within this class, illustrate.<\/li>\n<li>3. Specific communal praise. Occasionally termed “declarative praise,” this type of psalm connects with a particular outstanding evidence of God’s mercy and would most naturally follow soon after the event itself. Deliverance from an enemy provides the occasion for most of the psalms in this category (e.g., Pss 124, 129). Psalm 66:8-12, now the nucleus of an expanded recital of God’s goodness, was possibly once complete in itself. Psalms 46–48 may form a trilogy connected with the remarkable deliverance of Jerusalem from Sennacherib’s Assyrians in 701 BC<\/span> (2 Kgs 18:17–19:37). Psalm 67 was probably composed in gratitude for a particular harvest. It is easy to see how psalms of this type could, in the process of time, acquire a more general usage.<\/li>\n<li>4. Praise for the God of nature. The first part of Psalm 19 pictures the praise of God sounding from the heavens; Psalm 29 celebrates him as the God of the thunderstorm, which, sweeping in from the Mediterranean near Lebanon, pursues its awe-inspiring path southward into the wilderness of Kadesh, with the result that “in his temple” (the created world?) all are praising, “Glory, glory to the Lord<\/span>” (v 9). His sovereignty and self-sufficiency in this world are celebrated in Psalm 50:10-12; he is the God of growth and harvest (Ps 65:9-13); in Psalm 104, often called the “Hymn of Creation,” he sustains and supplies everything on the earth and in the seas and is the absolute Lord of all life (vv 29-30). There is no confusion between God and his creation; even the seemingly permanent heaven and earth will perish, but “you go on forever” (Ps 102:25-27). Nature’s role is to proclaim the glory of God (Ps 19:1) and to praise him (Ps 148). People see themselves as insignificant when set against those forces of nature, which are themselves dwarfed by God—hence, the awareness of the immeasurable gulf between God and people that God has bridged by his grace (Ps 8).<\/li>\n<li>5. Praise for God’s kingship. A relatively small group of psalms (Pss 47, 93, 96–99) celebrate the kingship of God in a way that goes beyond the ascription of praise noted in the foregoing groups. They are marked by acclamation, by both shouting and clapping when God “ascends.” Presumably, the reference is to his throne (Ps 47:1-5; cf. 99:1-2). “The Lord<\/span> reigns” (Pss 93:1; 97:1; 99:1) is the frequent cry, and the nature of his reign is extolled (Ps 99:4-5).<\/li>\n<h5>Royal, Messianic Psalms<\/h5>\nPsalms 2, 18, 20, 21, 45, 61, 72, 89, 101, 110, 132, and 144 are usually included as the royal psalms. They do not form a literary category, since psalms of various types are included, but they all have some reference to the king, the nature of his rule, and his relationship to God. Since the Davidic monarchy was terminated in 586 BC<\/span>, these psalms, almost certainly, were composed before that date. The language in these psalms often shows the king as being God’s vice-regent. For example, Psalm 45, a royal marriage psalm, contains the assertion “Your throne, O God, endures for ever and ever” (45:6). But this is best understood in terms of the throne being regarded as the Lord’s, occupied by the king as his representative. Similarly, the wording in Psalm 110:1, “Sit at my right hand,” indicates the privileges and prerogatives that the king enjoys as God’s vice-regent. The balance of the OT evidence concerning the king shows that the monarchy in Israel was qualified by the nature of God’s covenantal relationship with his people; the king did not enjoy the absolutism claimed by most of the rulers of surrounding kingdoms.<\/p>\nMost of the royal psalms can also be called messianic psalms. They were interpreted as such in the early Christian church, as witnessed in Jesus Christ’s general statement that the psalmists wrote of him (Lk 24:44) and by particular NT quotations. The main psalms concerned, and the NT references, are the following:<\/p>\n1. Psalm 2 (Acts 13:33; Heb 1:5; 5:5), while linked with the Davidic king, nevertheless speaks of a universal vindication and rule, which far transcended even David’s rule. Further, the picture of the Davidic king, anointed to rule on the earth as the representative of God, who is enthroned in heaven, strongly suggests Christ’s mediating, incarnate ministry.<\/p>\n<li>2. Psalm 45 (Heb 1:8-9), a marriage psalm for one of the Davidic kings, possibly Solomon, speaks not only of love and marriage but also a permanence and quality of rule. In the most obvious translation of verse 6, the writer addresses God, “Your divine throne endures for ever and ever.” The writer to the Hebrews clearly accepted this interpretation (Heb 1:8-9) and used it in contrast to the exalted status of even the angels, reinforcing it with two other quotations from the psalms that originally applied to God (Ps 97:7; 102:25-27; cf. Heb 1:6, 10-12).<\/li>\n<li>3. Psalm 110 is the most frequently quoted messianic psalm (Mt 22:43-45; Acts 2:34-35; Heb 1:13; 5:5-10; 6:20; 7:21). The language, speaking of the privileges, universal victory and continuing priesthood of David and his successors, would be considered hyperbolic and possibly misleading except for its fulfillment in “great David’s greater Son.” In contrast to the angels, who are privileged to stand in God’s presence (Lk 1:19), Christ the Son sits in the place of power and authority (Heb 1:13).<\/li>\nOther psalms that could also be designated messianic but are not specifically included among the royal psalms are Psalm 8 (1 Cor 15:27); Psalm 40 (Heb 10:5-10); Psalm 72, with its idealized picture of the nature, consequences, and extent of the rule of God’s representative; Psalm 118:22-23; and Psalm 132 (Acts 2:30).<\/p>\n\n<h5>Passion Psalms<\/h5>\nThe four psalms in this group (Pss 16; 22; 40; 69; some scholars would also include Pss 102; 109) may also be regarded as messianic. They connect with that line of OT prophecy that interprets the Messiah’s ministry in terms of the Suffering Servant who features prominently in Isaiah (e.g., Is 42:1-9; 52:13–53:12). Of these four, Psalm 22 is the most remarkable. Jesus recited part of it when he was on the cross (Ps 22:1; cf. Mt 27:46), and other connections with the crucifixion scene are noteworthy (e.g., Ps 22:6-8, 14-18). Some further considerations are even more significant: there is no suggestion of any awareness of sin; the suffering of the psalmist appears completely unjustified; there is no imprecatory element, even in the face of bitter persecution. This connects with the sinless Christ (2 Cor 5:21), who could even pray for his executioners (Lk 23:34). Psalm 16:10 anticipates the triumph of the incorruptible Christ over the grave (cf. Acts 2:24-31). Psalm 40:6-8 foreshadows the Incarnation and self-giving redemptive work of Christ (Heb 10:5-10). Psalm 69 refers to the isolation resulting from a commitment to God’s cause (Ps 69:8-9) and anticipates the part played by Judas in what was fundamentally God’s work in Christ (Ps 69:25-26; cf. Ps 109:8; Is 53:10; Acts 1:20).<\/p>\n<h5>Psalms about Zion<\/h5>\nThis group could have been classified as a subsection of communal praise, but due to the close historical connection between God’s choice of the house of David and Jerusalem (Pss 78:68-72; 132:11-13), and their subsequent interrelated fortunes, we consider them at this point. There was a biting satire in the request of the Babylonians to the refugees of a shattered city to “Sing us one of the songs of Zion!” (Ps 137:3, niv<\/span>), but it witnesses to the existence of such a collection. Praise of Zion was, in fact, almost synonymous with the praise of the Lord who dwelt there. Jerusalem’s continued survival, in spite of its difficulties, was ample demonstration of God’s enduring greatness (Ps 48:11-14) and peculiar affection for the city that housed his temple (Ps 87:1-3). Psalms 48, 76, 84, 87 and 122 are the main psalms in this category, but the theme itself appears widely throughout the psalms (e.g., 102:16; 125:1; 126:1-3; 133:3; 147:2). The basis of the NT concept of a heavenly Jerusalem, the spiritual home of the regenerate of all nations, finds its origin in this concept, especially in Psalm 87.<\/p>\n<h5>Laments<\/h5>\nThese are associated with specific occasions of distress and are of two types:<\/p>\n1. National. The prophetic and historical books give several examples of the kind of occasion, such as drought, locust infestation, or enemy attack, that could prompt national laments, and also the inward and outward attitudes that accompanied them (e.g., Jgs 20:23, 26; Jer 14:1-12; 36:9; Jl 1:13-14; 2:12-17; Jon 3:5). There is a regular structure in the psalms of this class: the distressing situation is first described; God is petitioned to come to the aid of his people, often with the reminder of his past mercies for Israel; finally, there is often an expression of confidence that God would heed their cry. Israel’s adversaries are clearly in mind in Psalms 14, 44, 60, 74, 80, and 83, while Psalms 58, 106, and 125 reflect situations less critical.<\/p>\n<li>2. Individual. There are so many of this type (approximately 50) that it is frequently described as the backbone of the Psalter. Their most obvious features are the sharpness of complaint and the bitterness of attack upon those responsible. As in the national laments, there is often complaint against God, especially for his lack of attention or his tardiness in intervening. The basic components of this type are almost identical to the national laments, except that they often conclude with the avowal to praise God in anticipation of deliverance (e.g., Ps 13:5-6). Frequently, the lament is accompanied by thanksgiving for the deliverance sought and experienced, as illustrated in the two sections of Psalms 22:1-21 and 28:1-9.<\/li>\n<h5>Imprecatory Psalms<\/h5>\nApproximately 20 psalms contain passionate pleas for the overthrow of the wicked, in language that is often shocking. Any instant condemnation of this attitude must, however, be tempered by certain relevant considerations:<\/p>\nThe cry for vengeance was not purely personal; it was firmly believed that God’s honor was at stake (e.g., Ps 109:21). In an age where there was a less developed view of an afterlife, it was axiomatic that rewards and punishments resulting from obedience or disobedience to God, must be observable within this lifetime. Whenever this was not apparent, it would seem that no righteous God existed, and the name of God was dishonored (e.g., Ps 74:10). This burning desire for the eradication of evil and evil men sprang from a consciousness of a moral God and virtually demanded the triumph of truth.<\/p>\nThe poetic language is also prone to hyperbole—a feature not confined to the psalms (e.g., Neh 4:4-5; Jer 20:14-18; Am 7:17). Such language is startling; indeed, part of its function was probably to startle—to express and promote a sense of outrage.<\/p>\nIn the pre-Christian period, therefore, such outbursts were not completely unjustifiable. But in the light of the fuller revelation in the NT, such an attitude cannot be condoned. The Christian is to love as Christ loved (Jn 13:34), to pray for his enemies and to forgive them (Mt 5:38-48; Col 3:13). The theme of judgment continues into the NT and is indeed heightened there, since Christ’s coming has left people without excuse to live in sin (Jn 16:8-11), but there can be no place for purely private vengeance.<\/p>\n<h5>Penitential Psalms<\/h5>\nPsalms 32, 38, 51, and 130 are the clearest examples of penitential psalms, although traditionally the church has also included Psalms 6, 102, 143, where there is no explicit confession of sin. In an age when adversity in its various forms was seen as God’s judgment for wrongdoing, the admission of distress was tantamount to a confession of guilt. In the four main examples there is an intensity of feeling and a deep sense of the enormity of sin in God’s sight, although, as elsewhere, there is no indication of specific sin, even in Psalm 51, which is surely to be connected with David’s sin against Bathsheba (2 Sm 11–12). Significantly, David bypasses the sacrificial system, which was totally inefficacious in his case, casting himself entirely on the mercy of God (Ps 51:1, 16). The burden of unconfessed sin is clearly revealed in Psalm 32, and sin’s searing and corrupting effect in Psalm 38.<\/p>\n<h5>Wisdom Psalms and Historical Psalms<\/h5>\nWhile it is accepted that prophets, priests, and wise men all functioned at the major sanctuaries, some overlap in their modes of expression is to be expected. Proverbial forms are not infrequently found in the psalms (Pss 37:5, 8, 16, 21-22; 111:10; 127:1-5). Psalm 1, probably an introduction to the whole Psalter, contrasts the diverging paths of the righteous and ungodly (cf. Ps 112), while Psalms 127 and 128 concentrate on the blessings given to the godly. Psalm 133 is written in praise of unity. The problem of explaining the sufferings of a righteous person and the apparent prosperity of evil people, dealt with in the Wisdom Literature in the book of Job and in the prophets also (e.g., Jer 12:1-4), is taken up in Psalms 37, 49, and 73.<\/p>\nThe historical psalms should be included in this category, since they underscore the lessons arising from the favored nation’s often bitter experience. It is apparent that Israel delighted in the recital of salvation history. The main psalms, and the periods covered are Psalm 78, from the exodus to the establishment of the Davidic monarchy (note the declared intention to teach in vv 1-4); Psalm 105, from Abraham to the conquest of Canaan; Psalm 106, from Egypt to the judges; and Psalm 136, from the Creation to the Promised Land.<\/p>\n<h5>Psalms of Trust<\/h5>\nWhile some of these may also be classified as laments, the dominant feature of this group is the serene trust in God revealed, which makes them particularly suitable for devotional use. Many of these psalms begin with an affirmation of gratitude to and affection for God. Psalms 23 and 27 are the outstanding examples of this type, which could also include Psalms 11, 16, 62, 116, 131, and 138.<\/p>\nConclusion<\/p>\nThe difficulties in any precise categorization of psalms are obvious; many do not neatly fall into one group—hence, the occasional overlap. What is clearly evident is a pulsating, vital devotional life that has found its clearest expression in the book of Psalms. To say that it expresses the worship and devotion of the ordinary person is a simplification; kings and priests, wise men and prophets all contributed to this remarkable collection. Yet there remains the truth that, in God’s sight, all people, regardless of human achievement or privilege, are “ordinary,” for all are sinners in need of God’s grace and goodness. So the worshiping community of ancient Israel, and the saints of every succeeding generation, in the vastness of their diversity, have found the expression of their own hearts’ condition, desires, and devotion in this unique treasury—the Psalms.<\/p>\nSee also<\/em> David; Messiah; Music; Poetry, Biblical; Singers in the Temple; Tabernacle; Temple; Wisdom; Wisdom Literature.<\/p>","summary_ro":"PSALMS, Book of Poems sung to musical accompaniment, originally the harp. The alternative title, the Psalter, refers to a collection of songs sung to harp accompaniment. The English title, therefore, broadly defines the form employed, whereas the Hebrew title of the book, “Praises,” or “Book of Praises,” suggests the content. Preview • Authors • Date • Background • Structure • Canonicity • Purpose and Theology • Content Authors The Evidence of the Titles The Hebrew Bible credits David with 73...","summary_en":"PSALMS, Book of Poems sung to musical accompaniment, originally the harp. The alternative title, the Psalter, refers to a collection of songs sung to harp accompaniment. The English title, therefore, broadly defines the form employed, whereas the Hebrew title of the book, “Praises,” or “Book of Praises,” suggests the content. Preview • Authors • Date • Background • Structure • Canonicity • Purpose and Theology • Content Authors The Evidence of the Titles The Hebrew Bible credits David with 73...","source":"Articles\/P.xml","external_url":null,"has_map":false,"has_picture":false},{"id":35207,"type":"article","type_label":"Articol","type_icon":"📖","type_color":"#d4af37","title_ro":"Shoshannim*, Shoshannim-Eduth*","title_en":"Shoshannim*, Shoshannim-Eduth*","content_ro":"<h3>SHOSHANNIM*, SHOSHANNIM-EDUTH*<\/h3>\nHebrew word and phrase in the superscriptions of Psalms 45, 69 and 80 (kjv<\/span>), translated “according to Lilies” (rsv<\/span>; see also nlt<\/span>); perhaps a familiar ancient melody to which the psalms were performed. See<\/em> Music.<\/p>","content_en":"<h3>SHOSHANNIM*, SHOSHANNIM-EDUTH*<\/h3>\nHebrew word and phrase in the superscriptions of Psalms 45, 69 and 80 (kjv<\/span>), translated “according to Lilies” (rsv<\/span>; see also nlt<\/span>); perhaps a familiar ancient melody to which the psalms were performed. See<\/em> Music.<\/p>","summary_ro":"SHOSHANNIM*, SHOSHANNIM-EDUTH* Hebrew word and phrase in the superscriptions of Psalms 45, 69 and 80 (kjv), translated “according to Lilies” (rsv; see also nlt); perhaps a familiar ancient melody to which the psalms were performed. See Music.","summary_en":"SHOSHANNIM*, SHOSHANNIM-EDUTH* Hebrew word and phrase in the superscriptions of Psalms 45, 69 and 80 (kjv), translated “according to Lilies” (rsv; see also nlt); perhaps a familiar ancient melody to which the psalms were performed. See Music.","source":"Articles\/S.xml","external_url":null,"has_map":false,"has_picture":false},{"id":35761,"type":"article","type_label":"Articol","type_icon":"📖","type_color":"#d4af37","title_ro":"Song of Solomon*","title_en":"Song of Solomon*","content_ro":"<h3>SONG OF SOLOMON*<\/h3>\nShort OT book (eight chapters) containing only poetry. Its beautiful poetic passages describe the many dimensions of human love; there is little in this book that is explicitly religious. In addition to the popular title, the book is sometimes referred to as the “Song of Songs.” This is the most literal translation of the short title of the book in the original language and means “the best of all possible songs.” Some writers also entitle the book “Canticles”; this title is based on the name of the Latin version of the book, Canticum Canticorum.<\/em><\/p>\nPreview<\/p>\n• Author<\/p>\n• Date<\/p>\n• Various Interpretations<\/p>\n• Purpose and Theological Teaching<\/p>\n• Content<\/p>\nAuthor<\/p>\nThere was an old tradition among the Jews that King Solomon (c. 970–930 BC<\/span>) wrote the Song of Songs. This view is based on one of several possible translations of the first verse of the Song: “Solomon’s song of songs” (1:1, nlt<\/span>). This view could be correct, though there cannot be absolute certainty, for the last words of the verse in the original language could be translated in various ways. An English translation that preserves the ambiguity of the original would be “The song of songs, which is Solomon’s” (kjv<\/span>); the last words could mean that Solomon was author, but equally they could indicate that the song was “dedicated to Solomon” or “written for Solomon.” As is often the case with the OT writings, authorship cannot be known with absolute certainty.<\/p>\nDate<\/p>\nIt follows that if the authorship is uncertain, there must also be uncertainty concerning the date at which the song was written. If Solomon was the author, it was written during the latter half of the tenth century BC<\/span>. If he was not the author, then the song was probably written at a later date. But the contents indicate that the song must have been written and completed at some point during the Hebrew monarchy (before 586 BC<\/span>). For those who do not accept Solomon as author, the precise date will depend to some extent upon the theory that is adopted concerning the interpretation of the song. If the song is an anthology of Israelite love poetry, then the many poems making up the song would have been written at different dates and gathered together into a single volume toward the end of the Hebrew monarchy.<\/p>\nVarious Interpretations<\/p>\nThere are two major difficulties in interpreting this book. First, the song appears to be secular in its present form and God’s name does not appear; the only exception to this statement is in 8:6, where some English versions translate the text to show God’s name, though the original text uses the name in an unusual (adjectival) sense. The second problem is that, taken at face value, the song contains only secular poetry of human love. What is the theological significance of love poetry? These and other difficulties have led to a multitude of different interpretations of the song. A brief survey of some of the most significant interpretations will clarify not only the problem of understanding the book but also its content and meaning.<\/p>\n<h5>The Song as an Allegory<\/h5>\nOne of the oldest interpretations of the song sees it as an allegory. This view was held by both Jewish and Christian scholars from an early date. The description of human love in the song is seen as an allegory of the love between Christ and the church. Augustine of Hippo (AD<\/span> 354–430) believed that the marriage referred to in the song was an allegory of the marriage between Christ and the church.<\/p>\nThis theory was valued for a long time. It influenced the translators of the kjv<\/span>. They added chapter headings to their translations as an aid to readers in understanding the Bible. For example, at the beginning of the first chapter of the Song of Solomon, they wrote, “1. The Church’s love unto Christ, 5. She confesseth her deformity, 7. and prayeth to be directed to his flock.” It is important to stress, however, that the Hebrew text does not mention Christ or the church. The headings represent the understanding of the translators, not the content of the original Hebrew.<\/p>\n<h5>The Song as a Drama<\/h5>\nThe view that the song is a drama is also an old one. Those who hold this theory begin by noting that there are several speakers or actors. Perhaps, then, the song is the script of an ancient dramatic play.<\/p>\nThis theory has some strong points. In the manuscript of an ancient Greek translation of the OT, headings have been added to the Song of Solomon that identify the speakers. The cast includes bride, bridegroom, and companions. However, the headings were probably not a part of the original Hebrew text. They reflect the interpretation of the early Greek translators.<\/p>\nThere is one major difficulty with this theory: there is no clear evidence that drama was a form of art used by the Hebrews. Although drama was common among the Greeks, it does not appear to have been employed in the Near East. It is possible, however, to suggest a slight variation to the drama theory. Perhaps the Song of Solomon is not a drama but simply dramatic poetry, similar to the book of Job. This possibility is more plausible, but it too has difficulties. A story or plot would be expected for either drama or dramatic poetry, but it is not clear that there is a story.<\/p>\nAccording to one interpretation, the story might go as follows. The song tells the story of true love. A maiden was in love with a shepherd lad. King Solomon, however, fell in love with the maiden and took her to his palace. There he tried to win her love with beautiful words but failed. She remained faithful to the shepherd lad whom she loved. Failing to win her, Solomon released her and allowed her to return to her true lover. The story is beautiful and simple, but it is not easy to see in the text without added headings and explanations. Other interpreters have discerned a quite different story in the Song of Solomon. In conclusion, it is not absolutely clear that there is a single story being told.<\/p>\n<h5>The Song as Reflecting a Fertility Cult<\/h5>\nSome modern scholars claim that the origin of the Song of Solomon is to be found in the fertility cults of the ancient Near East. In ancient fertility cults there was great emphasis on the fertility of the land, which would be seen in bountiful harvests. The cults were designed to ensure that the land remained fertile. They were accompanied by a mythology describing the gods responsible for fertility. This mythology included love poetry about the gods, and the poetry has some similarity to the Song of Solomon.<\/p>\nThe theory might go like this: Originally the Hebrews also had a fertility cult. The Song of Solomon contains the love poetry associated with that cult. Later, the mythological references were omitted, so that the present song looks like secular love poetry.<\/p>\nThe main difficulty with this theory is the lack of any firm evidence. There is no reference to God or any other gods in the Song of Solomon. There is no reference to a fertility cult or any other kind of cult. If the theory has some validity to it, the evidence no longer exists.<\/p>\n<h5>The Song as a Collection of Poems<\/h5>\nThis last, most probable theory of interpretation involves two basic principles. First, the song is to be interpreted literally; it is what it seems to be—poetry celebrating human love. Second, the Song of Solomon is a collection, not a single piece of poetry. Just as the book of Psalms contains songs, hymns, and prayers from many different periods of Israel’s history, so too the Song of Solomon contains poetry from different periods and different authors. The common theme joining all the passages together is human love. Opinions differ concerning where one song ends and the next begins. There may be as many as 29 songs in the book, some consisting of only one verse and others much longer.<\/p>\n\nPurpose and Theological Teaching<\/p>\nIf the Song of Solomon is primarily an anthology of the poetry of human love, what is its significance as a biblical book? What are its theological implications? First, the presence of the song in the Bible provides a valuable insight concerning human love. The love between a man and a woman is a noble and beautiful thing; it is a gift of God. It is characterized by a certain mystery and cannot be bought. But because human love is a beautiful and noble thing, it can easily be debased. In the modern world, the Song of Solomon provides a proper perspective and a balanced view of human love. Further, a high value of human love is essential. Since human love and marriage are employed in the Bible as an analogy of God’s love for humanity, love in itself must be good and pure.<\/p>\nContent<\/p>\n<h5>The Woman Sings Her Love Song (1:2-7)<\/h5>\nIn each of the songs, the reader is like an eavesdropper listening to the words of love spoken, sometimes privately and sometimes to the beloved one. The opening song is a song of praise, rejoicing in love and delighting in a particular loved one: “Let him kiss me with the kisses of his mouth—for your love is more delightful than wine” (v 2, niv<\/span>). This song, as many others, is characterized by a country setting, here highlighted by a contrast with the city. The young woman is from the country and tanned from working in the open air; it makes her self-conscious among the city women of Jerusalem. But love overpowers self-consciousness, and it is in the country that she will meet her lover.<\/p>\n<h5>The King Converses with the Woman (1:8–2:7)<\/h5>\nIn this passage, both the man and the woman are talking, though it is not a conversation in the normal sense. They are talking about each other, rather than to each other, and the beauty of both the man and the woman emerges, not in an abstract sense, but through the eyes of the beholder. Though beauty may perhaps be defined in an abstract sense, the beauty perceived by lovers is of a different kind; it is rooted in the lover’s perception of the loved one and in the relationship of love that acts like a lens to focus that perception.<\/p>\n<h5>A Song of Springtime (2:8-13)<\/h5>\nThis beautiful song describes the young maiden watching her beloved come to her. He calls her to join him in the countryside, where the winter has passed and the new life of spring can be seen in the land. The beauty of young love is here likened to the blossoming forth of fresh life and fragrance that characterizes Palestine in spring.<\/p>\n<h5>The Woman Searches for Her Loved One (2:14–3:5)<\/h5>\nNow the woman sings and a new dimension of her love emerges from the words of her song. Love is full when the partners are together, but separation creates sorrow and loneliness. The words of the maiden evoke the desperation of separated lovers, a desperation that could only be dissipated when she held her lover again and would not let him go (3:4).<\/p>\n<h5>The King’s Wedding Procession (3:6-11)<\/h5>\nThe song begins with a description of the approach of the royal wedding procession, a palanquin surrounded by men of war. The king approaches the city for his wedding, and the young girls of the city go out to greet him. The song can be compared with Psalm 45, another wedding song.<\/p>\n<h5>The Woman’s Beauty, Like a Garden (4:1–5:1)<\/h5>\nIn sumptuous language, the man describes his maiden’s beauty. To the modern reader, the language is sometimes strange: “your neck is like the tower of David” (4:4, rsv<\/span>). But the strangeness lies principally in our unfamiliarity with the ancient metaphors. Nonetheless, much of the language here draws upon the imagery of nature and wildlife, which can be appreciated by all. Again, beauty is not described merely as something aesthetic, for it is intimately tied to the relationship of love: “How delightful is your love, my sister, my bride! How much more pleasing is your love than wine” (v 10, niv<\/span>). And again, the maiden’s beauty is not simply to be admired; it is to be given to the beloved. So when the man stops his words of adoration, the woman offers herself to him (v 16) and he accepts (5:1).<\/p>\n<h5>The Woman Speaks of Her Beloved (5:2–6:3)<\/h5>\nIn this song, the woman is talking with other women, and the man is not present. As she speaks about her lover, there is a change from words expressing a sense of loneliness and separation (5:4-8) to a resurgence of delight as she contemplates her loved one. The sorrow of separation from her beloved is dispelled as she recounts to them the handsomeness of her man (vv 10-16).<\/p>\n<h5>The Man Speaks of His Loved One’s Beauty (6:4–7:9)<\/h5>\nThis long passage may contain more than a single song; there are words from the man, the maiden, and the female companions. The principal theme is further description by the man of his beloved’s beauty (6:4-10; 7:1-9), a theme already known from an earlier passage (4:1–5:1). Each part of the maiden’s body is exquisitely beautiful in the eyes of the one who loves her.<\/p>\n<h5>The Woman and the Man Reflect upon Love (7:10–8:14)<\/h5>\nBoth partners speak in this complex passage, which may contain a number of short love songs. While some parts are difficult to interpret (especially 8:8-14), other verses reveal in the most profound language the meaning of love. Love, that most powerful of all human relationships, creates a sense of mutual belonging and mutual possession: “I belong to my lover, and his desire is for me” (7:10, niv<\/span>). And later, the girl speaks of love with words that convey one of the most powerful understandings of love in the entire Bible: “For love is as strong as death. . . . Many waters cannot quench love; rivers cannot wash it away. If one were to give all the wealth of his house for love, it would be utterly scorned” (8:6-7, niv<\/span>).<\/p>\nSee also<\/em> Solomon (Person).<\/p>","content_en":"<h3>SONG OF SOLOMON*<\/h3>\nShort OT book (eight chapters) containing only poetry. Its beautiful poetic passages describe the many dimensions of human love; there is little in this book that is explicitly religious. In addition to the popular title, the book is sometimes referred to as the “Song of Songs.” This is the most literal translation of the short title of the book in the original language and means “the best of all possible songs.” Some writers also entitle the book “Canticles”; this title is based on the name of the Latin version of the book, Canticum Canticorum.<\/em><\/p>\nPreview<\/p>\n• Author<\/p>\n• Date<\/p>\n• Various Interpretations<\/p>\n• Purpose and Theological Teaching<\/p>\n• Content<\/p>\nAuthor<\/p>\nThere was an old tradition among the Jews that King Solomon (c. 970–930 BC<\/span>) wrote the Song of Songs. This view is based on one of several possible translations of the first verse of the Song: “Solomon’s song of songs” (1:1, nlt<\/span>). This view could be correct, though there cannot be absolute certainty, for the last words of the verse in the original language could be translated in various ways. An English translation that preserves the ambiguity of the original would be “The song of songs, which is Solomon’s” (kjv<\/span>); the last words could mean that Solomon was author, but equally they could indicate that the song was “dedicated to Solomon” or “written for Solomon.” As is often the case with the OT writings, authorship cannot be known with absolute certainty.<\/p>\nDate<\/p>\nIt follows that if the authorship is uncertain, there must also be uncertainty concerning the date at which the song was written. If Solomon was the author, it was written during the latter half of the tenth century BC<\/span>. If he was not the author, then the song was probably written at a later date. But the contents indicate that the song must have been written and completed at some point during the Hebrew monarchy (before 586 BC<\/span>). For those who do not accept Solomon as author, the precise date will depend to some extent upon the theory that is adopted concerning the interpretation of the song. If the song is an anthology of Israelite love poetry, then the many poems making up the song would have been written at different dates and gathered together into a single volume toward the end of the Hebrew monarchy.<\/p>\nVarious Interpretations<\/p>\nThere are two major difficulties in interpreting this book. First, the song appears to be secular in its present form and God’s name does not appear; the only exception to this statement is in 8:6, where some English versions translate the text to show God’s name, though the original text uses the name in an unusual (adjectival) sense. The second problem is that, taken at face value, the song contains only secular poetry of human love. What is the theological significance of love poetry? These and other difficulties have led to a multitude of different interpretations of the song. A brief survey of some of the most significant interpretations will clarify not only the problem of understanding the book but also its content and meaning.<\/p>\n<h5>The Song as an Allegory<\/h5>\nOne of the oldest interpretations of the song sees it as an allegory. This view was held by both Jewish and Christian scholars from an early date. The description of human love in the song is seen as an allegory of the love between Christ and the church. Augustine of Hippo (AD<\/span> 354–430) believed that the marriage referred to in the song was an allegory of the marriage between Christ and the church.<\/p>\nThis theory was valued for a long time. It influenced the translators of the kjv<\/span>. They added chapter headings to their translations as an aid to readers in understanding the Bible. For example, at the beginning of the first chapter of the Song of Solomon, they wrote, “1. The Church’s love unto Christ, 5. She confesseth her deformity, 7. and prayeth to be directed to his flock.” It is important to stress, however, that the Hebrew text does not mention Christ or the church. The headings represent the understanding of the translators, not the content of the original Hebrew.<\/p>\n<h5>The Song as a Drama<\/h5>\nThe view that the song is a drama is also an old one. Those who hold this theory begin by noting that there are several speakers or actors. Perhaps, then, the song is the script of an ancient dramatic play.<\/p>\nThis theory has some strong points. In the manuscript of an ancient Greek translation of the OT, headings have been added to the Song of Solomon that identify the speakers. The cast includes bride, bridegroom, and companions. However, the headings were probably not a part of the original Hebrew text. They reflect the interpretation of the early Greek translators.<\/p>\nThere is one major difficulty with this theory: there is no clear evidence that drama was a form of art used by the Hebrews. Although drama was common among the Greeks, it does not appear to have been employed in the Near East. It is possible, however, to suggest a slight variation to the drama theory. Perhaps the Song of Solomon is not a drama but simply dramatic poetry, similar to the book of Job. This possibility is more plausible, but it too has difficulties. A story or plot would be expected for either drama or dramatic poetry, but it is not clear that there is a story.<\/p>\nAccording to one interpretation, the story might go as follows. The song tells the story of true love. A maiden was in love with a shepherd lad. King Solomon, however, fell in love with the maiden and took her to his palace. There he tried to win her love with beautiful words but failed. She remained faithful to the shepherd lad whom she loved. Failing to win her, Solomon released her and allowed her to return to her true lover. The story is beautiful and simple, but it is not easy to see in the text without added headings and explanations. Other interpreters have discerned a quite different story in the Song of Solomon. In conclusion, it is not absolutely clear that there is a single story being told.<\/p>\n<h5>The Song as Reflecting a Fertility Cult<\/h5>\nSome modern scholars claim that the origin of the Song of Solomon is to be found in the fertility cults of the ancient Near East. In ancient fertility cults there was great emphasis on the fertility of the land, which would be seen in bountiful harvests. The cults were designed to ensure that the land remained fertile. They were accompanied by a mythology describing the gods responsible for fertility. This mythology included love poetry about the gods, and the poetry has some similarity to the Song of Solomon.<\/p>\nThe theory might go like this: Originally the Hebrews also had a fertility cult. The Song of Solomon contains the love poetry associated with that cult. Later, the mythological references were omitted, so that the present song looks like secular love poetry.<\/p>\nThe main difficulty with this theory is the lack of any firm evidence. There is no reference to God or any other gods in the Song of Solomon. There is no reference to a fertility cult or any other kind of cult. If the theory has some validity to it, the evidence no longer exists.<\/p>\n<h5>The Song as a Collection of Poems<\/h5>\nThis last, most probable theory of interpretation involves two basic principles. First, the song is to be interpreted literally; it is what it seems to be—poetry celebrating human love. Second, the Song of Solomon is a collection, not a single piece of poetry. Just as the book of Psalms contains songs, hymns, and prayers from many different periods of Israel’s history, so too the Song of Solomon contains poetry from different periods and different authors. The common theme joining all the passages together is human love. Opinions differ concerning where one song ends and the next begins. There may be as many as 29 songs in the book, some consisting of only one verse and others much longer.<\/p>\n\nPurpose and Theological Teaching<\/p>\nIf the Song of Solomon is primarily an anthology of the poetry of human love, what is its significance as a biblical book? What are its theological implications? First, the presence of the song in the Bible provides a valuable insight concerning human love. The love between a man and a woman is a noble and beautiful thing; it is a gift of God. It is characterized by a certain mystery and cannot be bought. But because human love is a beautiful and noble thing, it can easily be debased. In the modern world, the Song of Solomon provides a proper perspective and a balanced view of human love. Further, a high value of human love is essential. Since human love and marriage are employed in the Bible as an analogy of God’s love for humanity, love in itself must be good and pure.<\/p>\nContent<\/p>\n<h5>The Woman Sings Her Love Song (1:2-7)<\/h5>\nIn each of the songs, the reader is like an eavesdropper listening to the words of love spoken, sometimes privately and sometimes to the beloved one. The opening song is a song of praise, rejoicing in love and delighting in a particular loved one: “Let him kiss me with the kisses of his mouth—for your love is more delightful than wine” (v 2, niv<\/span>). This song, as many others, is characterized by a country setting, here highlighted by a contrast with the city. The young woman is from the country and tanned from working in the open air; it makes her self-conscious among the city women of Jerusalem. But love overpowers self-consciousness, and it is in the country that she will meet her lover.<\/p>\n<h5>The King Converses with the Woman (1:8–2:7)<\/h5>\nIn this passage, both the man and the woman are talking, though it is not a conversation in the normal sense. They are talking about each other, rather than to each other, and the beauty of both the man and the woman emerges, not in an abstract sense, but through the eyes of the beholder. Though beauty may perhaps be defined in an abstract sense, the beauty perceived by lovers is of a different kind; it is rooted in the lover’s perception of the loved one and in the relationship of love that acts like a lens to focus that perception.<\/p>\n<h5>A Song of Springtime (2:8-13)<\/h5>\nThis beautiful song describes the young maiden watching her beloved come to her. He calls her to join him in the countryside, where the winter has passed and the new life of spring can be seen in the land. The beauty of young love is here likened to the blossoming forth of fresh life and fragrance that characterizes Palestine in spring.<\/p>\n<h5>The Woman Searches for Her Loved One (2:14–3:5)<\/h5>\nNow the woman sings and a new dimension of her love emerges from the words of her song. Love is full when the partners are together, but separation creates sorrow and loneliness. The words of the maiden evoke the desperation of separated lovers, a desperation that could only be dissipated when she held her lover again and would not let him go (3:4).<\/p>\n<h5>The King’s Wedding Procession (3:6-11)<\/h5>\nThe song begins with a description of the approach of the royal wedding procession, a palanquin surrounded by men of war. The king approaches the city for his wedding, and the young girls of the city go out to greet him. The song can be compared with Psalm 45, another wedding song.<\/p>\n<h5>The Woman’s Beauty, Like a Garden (4:1–5:1)<\/h5>\nIn sumptuous language, the man describes his maiden’s beauty. To the modern reader, the language is sometimes strange: “your neck is like the tower of David” (4:4, rsv<\/span>). But the strangeness lies principally in our unfamiliarity with the ancient metaphors. Nonetheless, much of the language here draws upon the imagery of nature and wildlife, which can be appreciated by all. Again, beauty is not described merely as something aesthetic, for it is intimately tied to the relationship of love: “How delightful is your love, my sister, my bride! How much more pleasing is your love than wine” (v 10, niv<\/span>). And again, the maiden’s beauty is not simply to be admired; it is to be given to the beloved. So when the man stops his words of adoration, the woman offers herself to him (v 16) and he accepts (5:1).<\/p>\n<h5>The Woman Speaks of Her Beloved (5:2–6:3)<\/h5>\nIn this song, the woman is talking with other women, and the man is not present. As she speaks about her lover, there is a change from words expressing a sense of loneliness and separation (5:4-8) to a resurgence of delight as she contemplates her loved one. The sorrow of separation from her beloved is dispelled as she recounts to them the handsomeness of her man (vv 10-16).<\/p>\n<h5>The Man Speaks of His Loved One’s Beauty (6:4–7:9)<\/h5>\nThis long passage may contain more than a single song; there are words from the man, the maiden, and the female companions. The principal theme is further description by the man of his beloved’s beauty (6:4-10; 7:1-9), a theme already known from an earlier passage (4:1–5:1). Each part of the maiden’s body is exquisitely beautiful in the eyes of the one who loves her.<\/p>\n<h5>The Woman and the Man Reflect upon Love (7:10–8:14)<\/h5>\nBoth partners speak in this complex passage, which may contain a number of short love songs. While some parts are difficult to interpret (especially 8:8-14), other verses reveal in the most profound language the meaning of love. Love, that most powerful of all human relationships, creates a sense of mutual belonging and mutual possession: “I belong to my lover, and his desire is for me” (7:10, niv<\/span>). And later, the girl speaks of love with words that convey one of the most powerful understandings of love in the entire Bible: “For love is as strong as death. . . . Many waters cannot quench love; rivers cannot wash it away. If one were to give all the wealth of his house for love, it would be utterly scorned” (8:6-7, niv<\/span>).<\/p>\nSee also<\/em> Solomon (Person).<\/p>","summary_ro":"SONG OF SOLOMON* Short OT book (eight chapters) containing only poetry. Its beautiful poetic passages describe the many dimensions of human love; there is little in this book that is explicitly religious. In addition to the popular title, the book is sometimes referred to as the “Song of Songs.” This is the most literal translation of the short title of the book in the original language and means “the best of all possible songs.” Some writers also entitle the book “Canticles”; this title is b...","summary_en":"SONG OF SOLOMON* Short OT book (eight chapters) containing only poetry. Its beautiful poetic passages describe the many dimensions of human love; there is little in this book that is explicitly religious. In addition to the popular title, the book is sometimes referred to as the “Song of Songs.” This is the most literal translation of the short title of the book in the original language and means “the best of all possible songs.” Some writers also entitle the book “Canticles”; this title is b...","source":"Articles\/S.xml","external_url":null,"has_map":false,"has_picture":false},{"id":49267,"type":"study_note","type_label":"Notă de studiu","type_icon":"📝","type_color":"#06b6d4","title_ro":"Notă de studiu: Psalmi 45:1","title_en":"Study Note: Psalmi 45:1","content_ro":"Ps 45<\/strong> This psalm celebrates a royal wedding; it might have been sung on many occasions and not just at one wedding. As God’s representative, the king carried the responsibility of dispensing justice and maintaining order in God’s world (see Ps 2).<\/p>","content_en":"Ps 45<\/strong> This psalm celebrates a royal wedding; it might have been sung on many occasions and not just at one wedding. As God’s representative, the king carried the responsibility of dispensing justice and maintaining order in God’s world (see Ps 2).<\/p>","summary_ro":"Ps 45 This psalm celebrates a royal wedding; it might have been sung on many occasions and not just at one wedding. As God’s representative, the king carried the responsibility of dispensing justice and maintaining order in God’s world (see Ps 2).","summary_en":"Ps 45 This psalm celebrates a royal wedding; it might have been sung on many occasions and not just at one wedding. As God’s representative, the king carried the responsibility of dispensing justice and maintaining order in God’s world (see Ps 2).","source":"StudyNotes.xml","external_url":null,"has_map":false,"has_picture":false},{"id":49268,"type":"study_note","type_label":"Notă de studiu","type_icon":"📝","type_color":"#06b6d4","title_ro":"Notă de studiu: Psalmi 45:1","title_en":"Study Note: Psalmi 45:1","content_ro":"45:<\/strong>title<\/span> The tune “Lilies”<\/em> is no longer known (see also Ps 69).<\/p>","content_en":"45:<\/strong>title<\/span> The tune “Lilies”<\/em> is no longer known (see also Ps 69).<\/p>","summary_ro":"45:title The tune “Lilies” is no longer known (see also Ps 69).","summary_en":"45:title The tune “Lilies” is no longer known (see also Ps 69).","source":"StudyNotes.xml","external_url":null,"has_map":false,"has_picture":false},{"id":76893,"type":"study_note","type_label":"Notă de studiu","type_icon":"📝","type_color":"#06b6d4","title_ro":"Notă de studiu: Psalmi 45:1","title_en":"Study Note: Psalmi 45:1","content_ro":"Ps 45<\/strong> This psalm celebrates a royal wedding; it might have been sung on many occasions and not just at one wedding. As God’s representative, the king carried the responsibility of dispensing justice and maintaining order in God’s world (see Ps 2).<\/p>","content_en":"Ps 45<\/strong> This psalm celebrates a royal wedding; it might have been sung on many occasions and not just at one wedding. As God’s representative, the king carried the responsibility of dispensing justice and maintaining order in God’s world (see Ps 2).<\/p>","summary_ro":"Ps 45 This psalm celebrates a royal wedding; it might have been sung on many occasions and not just at one wedding. As God’s representative, the king carried the responsibility of dispensing justice and maintaining order in God’s world (see Ps 2).","summary_en":"Ps 45 This psalm celebrates a royal wedding; it might have been sung on many occasions and not just at one wedding. As God’s representative, the king carried the responsibility of dispensing justice and maintaining order in God’s world (see Ps 2).","source":"StudyNotes.xml","external_url":null,"has_map":false,"has_picture":false},{"id":76894,"type":"study_note","type_label":"Notă de studiu","type_icon":"📝","type_color":"#06b6d4","title_ro":"Notă de studiu: Psalmi 45:1","title_en":"Study Note: Psalmi 45:1","content_ro":"45:<\/strong>title<\/span> The tune “Lilies”<\/em> is no longer known (see also Ps 69).<\/p>","content_en":"45:<\/strong>title<\/span> The tune “Lilies”<\/em> is no longer known (see also Ps 69).<\/p>","summary_ro":"45:title The tune “Lilies” is no longer known (see also Ps 69).","summary_en":"45:title The tune “Lilies” is no longer known (see also Ps 69).","source":"StudyNotes.xml","external_url":null,"has_map":false,"has_picture":false},{"id":104519,"type":"study_note","type_label":"Notă de studiu","type_icon":"📝","type_color":"#06b6d4","title_ro":"Notă de studiu: Psalmi 45:1","title_en":"Study Note: Psalmi 45:1","content_ro":"Ps 45<\/strong> This psalm celebrates a royal wedding; it might have been sung on many occasions and not just at one wedding. As God’s representative, the king carried the responsibility of dispensing justice and maintaining order in God’s world (see Ps 2).<\/p>","content_en":"Ps 45<\/strong> This psalm celebrates a royal wedding; it might have been sung on many occasions and not just at one wedding. As God’s representative, the king carried the responsibility of dispensing justice and maintaining order in God’s world (see Ps 2).<\/p>","summary_ro":"Ps 45 This psalm celebrates a royal wedding; it might have been sung on many occasions and not just at one wedding. As God’s representative, the king carried the responsibility of dispensing justice and maintaining order in God’s world (see Ps 2).","summary_en":"Ps 45 This psalm celebrates a royal wedding; it might have been sung on many occasions and not just at one wedding. As God’s representative, the king carried the responsibility of dispensing justice and maintaining order in God’s world (see Ps 2).","source":"StudyNotes.xml","external_url":null,"has_map":false,"has_picture":false},{"id":104520,"type":"study_note","type_label":"Notă de studiu","type_icon":"📝","type_color":"#06b6d4","title_ro":"Notă de studiu: Psalmi 45:1","title_en":"Study Note: Psalmi 45:1","content_ro":"45:<\/strong>title<\/span> The tune “Lilies”<\/em> is no longer known (see also Ps 69).<\/p>","content_en":"45:<\/strong>title<\/span> The tune “Lilies”<\/em> is no longer known (see also Ps 69).<\/p>","summary_ro":"45:title The tune “Lilies” is no longer known (see also Ps 69).","summary_en":"45:title The tune “Lilies” is no longer known (see also Ps 69).","source":"StudyNotes.xml","external_url":null,"has_map":false,"has_picture":false},{"id":132145,"type":"study_note","type_label":"Notă de studiu","type_icon":"📝","type_color":"#06b6d4","title_ro":"Notă de studiu: Psalmi 45:1","title_en":"Study Note: Psalmi 45:1","content_ro":"Ps 45<\/strong> This psalm celebrates a royal wedding; it might have been sung on many occasions and not just at one wedding. As God’s representative, the king carried the responsibility of dispensing justice and maintaining order in God’s world (see Ps 2).<\/p>","content_en":"Ps 45<\/strong> This psalm celebrates a royal wedding; it might have been sung on many occasions and not just at one wedding. As God’s representative, the king carried the responsibility of dispensing justice and maintaining order in God’s world (see Ps 2).<\/p>","summary_ro":"Ps 45 This psalm celebrates a royal wedding; it might have been sung on many occasions and not just at one wedding. As God’s representative, the king carried the responsibility of dispensing justice and maintaining order in God’s world (see Ps 2).","summary_en":"Ps 45 This psalm celebrates a royal wedding; it might have been sung on many occasions and not just at one wedding. As God’s representative, the king carried the responsibility of dispensing justice and maintaining order in God’s world (see Ps 2).","source":"StudyNotes.xml","external_url":null,"has_map":false,"has_picture":false},{"id":132146,"type":"study_note","type_label":"Notă de studiu","type_icon":"📝","type_color":"#06b6d4","title_ro":"Notă de studiu: Psalmi 45:1","title_en":"Study Note: Psalmi 45:1","content_ro":"45:<\/strong>title<\/span> The tune “Lilies”<\/em> is no longer known (see also Ps 69).<\/p>","content_en":"45:<\/strong>title<\/span> The tune “Lilies”<\/em> is no longer known (see also Ps 69).<\/p>","summary_ro":"45:title The tune “Lilies” is no longer known (see also Ps 69).","summary_en":"45:title The tune “Lilies” is no longer known (see also Ps 69).","source":"StudyNotes.xml","external_url":null,"has_map":false,"has_picture":false},{"id":62570,"type":"theme_note","type_label":"Temă biblică","type_icon":"🎯","type_color":"#ef4444","title_ro":"Royal Psalms","title_en":"Royal Psalms","content_ro":"<h3>Royal Psalms<\/h3>\nThe royal psalms<\/em> all have some reference to the king, the nature of his rule, and his relationship to God. Psalms 2, 18, 20, 21, 45, 61, 72, 89, 101, 110, 132, and 144 are usually regarded as the royal psalms.<\/p>\nBelief in God’s kingship is the foundation of the royal psalms (see Ps 2). Each king in David’s dynasty served as messianic agent—i.e., he represented God’s kingship. As God’s representative, the Davidic king was expected to uphold the qualities of justice, righteousness, faithfulness, and peace (72:1-3).<\/p>\nThe royal psalms express the hope and aspirations of the dynasty of David. But with its corruption and failure, the dynasty came to an apparent end (89:38-45). Yet hope remained alive for the future of a king descended from David who would serve as God’s agent. The royal psalms maintain this hope for a king whose perfect obedience would guarantee the continuity of David’s dynasty and the perpetual benefits of his reign.<\/p>\nIn this sense, the royal psalms may also be called messianic psalms<\/em> in that they express hope in a messianic agent, an ideal king descended from David. Jesus stated that the psalmists wrote of him (Luke 24:44), and other NT writers affirmed the identification of Jesus as the Messiah. Some of the most significant links to Christ are as follows:<\/p>\n<li>Psalm 2 is associated with Israel’s king, the descendant of David. Nevertheless, it speaks of a universal vindication and rule that far transcends even David’s or Solomon’s reigns (see Acts 13:33; Heb 1:5; 5:5).<\/li>\n<li>Psalm 45 is a marriage psalm for one of the Davidic kings, possibly Solomon, yet it speaks of a permanent rule (45:6).<\/li>\n<li>Psalm 110 is the most frequently quoted messianic psalm (see Matt 22:43-45; Acts 2:34-35; Heb 1:13; 5:5-10; 6:20; 7:21). It speaks of the privileges, universal victory, and continuing priesthood of David and his successors. Such language would be hyperbole, and possibly misleading, except for its fulfillment in Jesus. In contrast to the angels who are privileged to stand in God’s presence (see Luke 1:19), Christ the Son sits in the place of power and authority over all things at God’s right hand (Heb 1:13).<\/li>\nPassages for Further Study<\/strong><\/p>\nPss 2; 18; 20; 21; 45; 61; 72; 89; 101; 110; 132; 144; Acts 2:34-35; 13:33; Heb 1:5, 13; 5:5-10<\/p>","content_en":"<h3>Royal Psalms<\/h3>\nThe royal psalms<\/em> all have some reference to the king, the nature of his rule, and his relationship to God. Psalms 2, 18, 20, 21, 45, 61, 72, 89, 101, 110, 132, and 144 are usually regarded as the royal psalms.<\/p>\nBelief in God’s kingship is the foundation of the royal psalms (see Ps 2). Each king in David’s dynasty served as messianic agent—i.e., he represented God’s kingship. As God’s representative, the Davidic king was expected to uphold the qualities of justice, righteousness, faithfulness, and peace (72:1-3).<\/p>\nThe royal psalms express the hope and aspirations of the dynasty of David. But with its corruption and failure, the dynasty came to an apparent end (89:38-45). Yet hope remained alive for the future of a king descended from David who would serve as God’s agent. The royal psalms maintain this hope for a king whose perfect obedience would guarantee the continuity of David’s dynasty and the perpetual benefits of his reign.<\/p>\nIn this sense, the royal psalms may also be called messianic psalms<\/em> in that they express hope in a messianic agent, an ideal king descended from David. Jesus stated that the psalmists wrote of him (Luke 24:44), and other NT writers affirmed the identification of Jesus as the Messiah. Some of the most significant links to Christ are as follows:<\/p>\n<li>Psalm 2 is associated with Israel’s king, the descendant of David. Nevertheless, it speaks of a universal vindication and rule that far transcends even David’s or Solomon’s reigns (see Acts 13:33; Heb 1:5; 5:5).<\/li>\n<li>Psalm 45 is a marriage psalm for one of the Davidic kings, possibly Solomon, yet it speaks of a permanent rule (45:6).<\/li>\n<li>Psalm 110 is the most frequently quoted messianic psalm (see Matt 22:43-45; Acts 2:34-35; Heb 1:13; 5:5-10; 6:20; 7:21). It speaks of the privileges, universal victory, and continuing priesthood of David and his successors. Such language would be hyperbole, and possibly misleading, except for its fulfillment in Jesus. In contrast to the angels who are privileged to stand in God’s presence (see Luke 1:19), Christ the Son sits in the place of power and authority over all things at God’s right hand (Heb 1:13).<\/li>\nPassages for Further Study<\/strong><\/p>\nPss 2; 18; 20; 21; 45; 61; 72; 89; 101; 110; 132; 144; Acts 2:34-35; 13:33; Heb 1:5, 13; 5:5-10<\/p>","summary_ro":"Royal Psalms The royal psalms all have some reference to the king, the nature of his rule, and his relationship to God. Psalms 2, 18, 20, 21, 45, 61, 72, 89, 101, 110, 132, and 144 are usually regarded as the royal psalms. Belief in God’s kingship is the foundation of the royal psalms (see Ps 2). Each king in David’s dynasty served as messianic agent—i.e., he represented God’s kingship. As God’s representative, the Davidic king was expected to uphold the qualities of justice, righteousness, f...","summary_en":"Royal Psalms The royal psalms all have some reference to the king, the nature of his rule, and his relationship to God. Psalms 2, 18, 20, 21, 45, 61, 72, 89, 101, 110, 132, and 144 are usually regarded as the royal psalms. Belief in God’s kingship is the foundation of the royal psalms (see Ps 2). Each king in David’s dynasty served as messianic agent—i.e., he represented God’s kingship. As God’s representative, the Davidic king was expected to uphold the qualities of justice, righteousness, f...","source":"ThemeNotes.xml","external_url":null,"has_map":false,"has_picture":false},{"id":90196,"type":"theme_note","type_label":"Temă biblică","type_icon":"🎯","type_color":"#ef4444","title_ro":"Royal Psalms","title_en":"Royal Psalms","content_ro":"<h3>Royal Psalms<\/h3>\nThe royal psalms<\/em> all have some reference to the king, the nature of his rule, and his relationship to God. Psalms 2, 18, 20, 21, 45, 61, 72, 89, 101, 110, 132, and 144 are usually regarded as the royal psalms.<\/p>\nBelief in God’s kingship is the foundation of the royal psalms (see Ps 2). Each king in David’s dynasty served as messianic agent—i.e., he represented God’s kingship. As God’s representative, the Davidic king was expected to uphold the qualities of justice, righteousness, faithfulness, and peace (72:1-3).<\/p>\nThe royal psalms express the hope and aspirations of the dynasty of David. But with its corruption and failure, the dynasty came to an apparent end (89:38-45). Yet hope remained alive for the future of a king descended from David who would serve as God’s agent. The royal psalms maintain this hope for a king whose perfect obedience would guarantee the continuity of David’s dynasty and the perpetual benefits of his reign.<\/p>\nIn this sense, the royal psalms may also be called messianic psalms<\/em> in that they express hope in a messianic agent, an ideal king descended from David. Jesus stated that the psalmists wrote of him (Luke 24:44), and other NT writers affirmed the identification of Jesus as the Messiah. Some of the most significant links to Christ are as follows:<\/p>\n<li>Psalm 2 is associated with Israel’s king, the descendant of David. Nevertheless, it speaks of a universal vindication and rule that far transcends even David’s or Solomon’s reigns (see Acts 13:33; Heb 1:5; 5:5).<\/li>\n<li>Psalm 45 is a marriage psalm for one of the Davidic kings, possibly Solomon, yet it speaks of a permanent rule (45:6).<\/li>\n<li>Psalm 110 is the most frequently quoted messianic psalm (see Matt 22:43-45; Acts 2:34-35; Heb 1:13; 5:5-10; 6:20; 7:21). It speaks of the privileges, universal victory, and continuing priesthood of David and his successors. Such language would be hyperbole, and possibly misleading, except for its fulfillment in Jesus. In contrast to the angels who are privileged to stand in God’s presence (see Luke 1:19), Christ the Son sits in the place of power and authority over all things at God’s right hand (Heb 1:13).<\/li>\nPassages for Further Study<\/strong><\/p>\nPss 2; 18; 20; 21; 45; 61; 72; 89; 101; 110; 132; 144; Acts 2:34-35; 13:33; Heb 1:5, 13; 5:5-10<\/p>","content_en":"<h3>Royal Psalms<\/h3>\nThe royal psalms<\/em> all have some reference to the king, the nature of his rule, and his relationship to God. Psalms 2, 18, 20, 21, 45, 61, 72, 89, 101, 110, 132, and 144 are usually regarded as the royal psalms.<\/p>\nBelief in God’s kingship is the foundation of the royal psalms (see Ps 2). Each king in David’s dynasty served as messianic agent—i.e., he represented God’s kingship. As God’s representative, the Davidic king was expected to uphold the qualities of justice, righteousness, faithfulness, and peace (72:1-3).<\/p>\nThe royal psalms express the hope and aspirations of the dynasty of David. But with its corruption and failure, the dynasty came to an apparent end (89:38-45). Yet hope remained alive for the future of a king descended from David who would serve as God’s agent. The royal psalms maintain this hope for a king whose perfect obedience would guarantee the continuity of David’s dynasty and the perpetual benefits of his reign.<\/p>\nIn this sense, the royal psalms may also be called messianic psalms<\/em> in that they express hope in a messianic agent, an ideal king descended from David. Jesus stated that the psalmists wrote of him (Luke 24:44), and other NT writers affirmed the identification of Jesus as the Messiah. Some of the most significant links to Christ are as follows:<\/p>\n<li>Psalm 2 is associated with Israel’s king, the descendant of David. Nevertheless, it speaks of a universal vindication and rule that far transcends even David’s or Solomon’s reigns (see Acts 13:33; Heb 1:5; 5:5).<\/li>\n<li>Psalm 45 is a marriage psalm for one of the Davidic kings, possibly Solomon, yet it speaks of a permanent rule (45:6).<\/li>\n<li>Psalm 110 is the most frequently quoted messianic psalm (see Matt 22:43-45; Acts 2:34-35; Heb 1:13; 5:5-10; 6:20; 7:21). It speaks of the privileges, universal victory, and continuing priesthood of David and his successors. Such language would be hyperbole, and possibly misleading, except for its fulfillment in Jesus. In contrast to the angels who are privileged to stand in God’s presence (see Luke 1:19), Christ the Son sits in the place of power and authority over all things at God’s right hand (Heb 1:13).<\/li>\nPassages for Further Study<\/strong><\/p>\nPss 2; 18; 20; 21; 45; 61; 72; 89; 101; 110; 132; 144; Acts 2:34-35; 13:33; Heb 1:5, 13; 5:5-10<\/p>","summary_ro":"Royal Psalms The royal psalms all have some reference to the king, the nature of his rule, and his relationship to God. Psalms 2, 18, 20, 21, 45, 61, 72, 89, 101, 110, 132, and 144 are usually regarded as the royal psalms. Belief in God’s kingship is the foundation of the royal psalms (see Ps 2). Each king in David’s dynasty served as messianic agent—i.e., he represented God’s kingship. As God’s representative, the Davidic king was expected to uphold the qualities of justice, righteousness, f...","summary_en":"Royal Psalms The royal psalms all have some reference to the king, the nature of his rule, and his relationship to God. Psalms 2, 18, 20, 21, 45, 61, 72, 89, 101, 110, 132, and 144 are usually regarded as the royal psalms. Belief in God’s kingship is the foundation of the royal psalms (see Ps 2). Each king in David’s dynasty served as messianic agent—i.e., he represented God’s kingship. As God’s representative, the Davidic king was expected to uphold the qualities of justice, righteousness, f...","source":"ThemeNotes.xml","external_url":null,"has_map":false,"has_picture":false},{"id":117822,"type":"theme_note","type_label":"Temă biblică","type_icon":"🎯","type_color":"#ef4444","title_ro":"Royal Psalms","title_en":"Royal Psalms","content_ro":"<h3>Royal Psalms<\/h3>\nThe royal psalms<\/em> all have some reference to the king, the nature of his rule, and his relationship to God. Psalms 2, 18, 20, 21, 45, 61, 72, 89, 101, 110, 132, and 144 are usually regarded as the royal psalms.<\/p>\nBelief in God’s kingship is the foundation of the royal psalms (see Ps 2). Each king in David’s dynasty served as messianic agent—i.e., he represented God’s kingship. As God’s representative, the Davidic king was expected to uphold the qualities of justice, righteousness, faithfulness, and peace (72:1-3).<\/p>\nThe royal psalms express the hope and aspirations of the dynasty of David. But with its corruption and failure, the dynasty came to an apparent end (89:38-45). Yet hope remained alive for the future of a king descended from David who would serve as God’s agent. The royal psalms maintain this hope for a king whose perfect obedience would guarantee the continuity of David’s dynasty and the perpetual benefits of his reign.<\/p>\nIn this sense, the royal psalms may also be called messianic psalms<\/em> in that they express hope in a messianic agent, an ideal king descended from David. Jesus stated that the psalmists wrote of him (Luke 24:44), and other NT writers affirmed the identification of Jesus as the Messiah. Some of the most significant links to Christ are as follows:<\/p>\n<li>Psalm 2 is associated with Israel’s king, the descendant of David. Nevertheless, it speaks of a universal vindication and rule that far transcends even David’s or Solomon’s reigns (see Acts 13:33; Heb 1:5; 5:5).<\/li>\n<li>Psalm 45 is a marriage psalm for one of the Davidic kings, possibly Solomon, yet it speaks of a permanent rule (45:6).<\/li>\n<li>Psalm 110 is the most frequently quoted messianic psalm (see Matt 22:43-45; Acts 2:34-35; Heb 1:13; 5:5-10; 6:20; 7:21). It speaks of the privileges, universal victory, and continuing priesthood of David and his successors. Such language would be hyperbole, and possibly misleading, except for its fulfillment in Jesus. In contrast to the angels who are privileged to stand in God’s presence (see Luke 1:19), Christ the Son sits in the place of power and authority over all things at God’s right hand (Heb 1:13).<\/li>\nPassages for Further Study<\/strong><\/p>\nPss 2; 18; 20; 21; 45; 61; 72; 89; 101; 110; 132; 144; Acts 2:34-35; 13:33; Heb 1:5, 13; 5:5-10<\/p>","content_en":"<h3>Royal Psalms<\/h3>\nThe royal psalms<\/em> all have some reference to the king, the nature of his rule, and his relationship to God. Psalms 2, 18, 20, 21, 45, 61, 72, 89, 101, 110, 132, and 144 are usually regarded as the royal psalms.<\/p>\nBelief in God’s kingship is the foundation of the royal psalms (see Ps 2). Each king in David’s dynasty served as messianic agent—i.e., he represented God’s kingship. As God’s representative, the Davidic king was expected to uphold the qualities of justice, righteousness, faithfulness, and peace (72:1-3).<\/p>\nThe royal psalms express the hope and aspirations of the dynasty of David. But with its corruption and failure, the dynasty came to an apparent end (89:38-45). Yet hope remained alive for the future of a king descended from David who would serve as God’s agent. The royal psalms maintain this hope for a king whose perfect obedience would guarantee the continuity of David’s dynasty and the perpetual benefits of his reign.<\/p>\nIn this sense, the royal psalms may also be called messianic psalms<\/em> in that they express hope in a messianic agent, an ideal king descended from David. Jesus stated that the psalmists wrote of him (Luke 24:44), and other NT writers affirmed the identification of Jesus as the Messiah. Some of the most significant links to Christ are as follows:<\/p>\n<li>Psalm 2 is associated with Israel’s king, the descendant of David. Nevertheless, it speaks of a universal vindication and rule that far transcends even David’s or Solomon’s reigns (see Acts 13:33; Heb 1:5; 5:5).<\/li>\n<li>Psalm 45 is a marriage psalm for one of the Davidic kings, possibly Solomon, yet it speaks of a permanent rule (45:6).<\/li>\n<li>Psalm 110 is the most frequently quoted messianic psalm (see Matt 22:43-45; Acts 2:34-35; Heb 1:13; 5:5-10; 6:20; 7:21). It speaks of the privileges, universal victory, and continuing priesthood of David and his successors. Such language would be hyperbole, and possibly misleading, except for its fulfillment in Jesus. In contrast to the angels who are privileged to stand in God’s presence (see Luke 1:19), Christ the Son sits in the place of power and authority over all things at God’s right hand (Heb 1:13).<\/li>\nPassages for Further Study<\/strong><\/p>\nPss 2; 18; 20; 21; 45; 61; 72; 89; 101; 110; 132; 144; Acts 2:34-35; 13:33; Heb 1:5, 13; 5:5-10<\/p>","summary_ro":"Royal Psalms The royal psalms all have some reference to the king, the nature of his rule, and his relationship to God. Psalms 2, 18, 20, 21, 45, 61, 72, 89, 101, 110, 132, and 144 are usually regarded as the royal psalms. Belief in God’s kingship is the foundation of the royal psalms (see Ps 2). Each king in David’s dynasty served as messianic agent—i.e., he represented God’s kingship. As God’s representative, the Davidic king was expected to uphold the qualities of justice, righteousness, f...","summary_en":"Royal Psalms The royal psalms all have some reference to the king, the nature of his rule, and his relationship to God. Psalms 2, 18, 20, 21, 45, 61, 72, 89, 101, 110, 132, and 144 are usually regarded as the royal psalms. Belief in God’s kingship is the foundation of the royal psalms (see Ps 2). Each king in David’s dynasty served as messianic agent—i.e., he represented God’s kingship. As God’s representative, the Davidic king was expected to uphold the qualities of justice, righteousness, f...","source":"ThemeNotes.xml","external_url":null,"has_map":false,"has_picture":false},{"id":145448,"type":"theme_note","type_label":"Temă biblică","type_icon":"🎯","type_color":"#ef4444","title_ro":"Royal Psalms","title_en":"Royal Psalms","content_ro":"<h3>Royal Psalms<\/h3>\nThe royal psalms<\/em> all have some reference to the king, the nature of his rule, and his relationship to God. Psalms 2, 18, 20, 21, 45, 61, 72, 89, 101, 110, 132, and 144 are usually regarded as the royal psalms.<\/p>\nBelief in God’s kingship is the foundation of the royal psalms (see Ps 2). Each king in David’s dynasty served as messianic agent—i.e., he represented God’s kingship. As God’s representative, the Davidic king was expected to uphold the qualities of justice, righteousness, faithfulness, and peace (72:1-3).<\/p>\nThe royal psalms express the hope and aspirations of the dynasty of David. But with its corruption and failure, the dynasty came to an apparent end (89:38-45). Yet hope remained alive for the future of a king descended from David who would serve as God’s agent. The royal psalms maintain this hope for a king whose perfect obedience would guarantee the continuity of David’s dynasty and the perpetual benefits of his reign.<\/p>\nIn this sense, the royal psalms may also be called messianic psalms<\/em> in that they express hope in a messianic agent, an ideal king descended from David. Jesus stated that the psalmists wrote of him (Luke 24:44), and other NT writers affirmed the identification of Jesus as the Messiah. Some of the most significant links to Christ are as follows:<\/p>\n<li>Psalm 2 is associated with Israel’s king, the descendant of David. Nevertheless, it speaks of a universal vindication and rule that far transcends even David’s or Solomon’s reigns (see Acts 13:33; Heb 1:5; 5:5).<\/li>\n<li>Psalm 45 is a marriage psalm for one of the Davidic kings, possibly Solomon, yet it speaks of a permanent rule (45:6).<\/li>\n<li>Psalm 110 is the most frequently quoted messianic psalm (see Matt 22:43-45; Acts 2:34-35; Heb 1:13; 5:5-10; 6:20; 7:21). It speaks of the privileges, universal victory, and continuing priesthood of David and his successors. Such language would be hyperbole, and possibly misleading, except for its fulfillment in Jesus. In contrast to the angels who are privileged to stand in God’s presence (see Luke 1:19), Christ the Son sits in the place of power and authority over all things at God’s right hand (Heb 1:13).<\/li>\nPassages for Further Study<\/strong><\/p>\nPss 2; 18; 20; 21; 45; 61; 72; 89; 101; 110; 132; 144; Acts 2:34-35; 13:33; Heb 1:5, 13; 5:5-10<\/p>","content_en":"<h3>Royal Psalms<\/h3>\nThe royal psalms<\/em> all have some reference to the king, the nature of his rule, and his relationship to God. Psalms 2, 18, 20, 21, 45, 61, 72, 89, 101, 110, 132, and 144 are usually regarded as the royal psalms.<\/p>\nBelief in God’s kingship is the foundation of the royal psalms (see Ps 2). Each king in David’s dynasty served as messianic agent—i.e., he represented God’s kingship. As God’s representative, the Davidic king was expected to uphold the qualities of justice, righteousness, faithfulness, and peace (72:1-3).<\/p>\nThe royal psalms express the hope and aspirations of the dynasty of David. But with its corruption and failure, the dynasty came to an apparent end (89:38-45). Yet hope remained alive for the future of a king descended from David who would serve as God’s agent. The royal psalms maintain this hope for a king whose perfect obedience would guarantee the continuity of David’s dynasty and the perpetual benefits of his reign.<\/p>\nIn this sense, the royal psalms may also be called messianic psalms<\/em> in that they express hope in a messianic agent, an ideal king descended from David. Jesus stated that the psalmists wrote of him (Luke 24:44), and other NT writers affirmed the identification of Jesus as the Messiah. Some of the most significant links to Christ are as follows:<\/p>\n<li>Psalm 2 is associated with Israel’s king, the descendant of David. Nevertheless, it speaks of a universal vindication and rule that far transcends even David’s or Solomon’s reigns (see Acts 13:33; Heb 1:5; 5:5).<\/li>\n<li>Psalm 45 is a marriage psalm for one of the Davidic kings, possibly Solomon, yet it speaks of a permanent rule (45:6).<\/li>\n<li>Psalm 110 is the most frequently quoted messianic psalm (see Matt 22:43-45; Acts 2:34-35; Heb 1:13; 5:5-10; 6:20; 7:21). It speaks of the privileges, universal victory, and continuing priesthood of David and his successors. Such language would be hyperbole, and possibly misleading, except for its fulfillment in Jesus. In contrast to the angels who are privileged to stand in God’s presence (see Luke 1:19), Christ the Son sits in the place of power and authority over all things at God’s right hand (Heb 1:13).<\/li>\nPassages for Further Study<\/strong><\/p>\nPss 2; 18; 20; 21; 45; 61; 72; 89; 101; 110; 132; 144; Acts 2:34-35; 13:33; Heb 1:5, 13; 5:5-10<\/p>","summary_ro":"Royal Psalms The royal psalms all have some reference to the king, the nature of his rule, and his relationship to God. Psalms 2, 18, 20, 21, 45, 61, 72, 89, 101, 110, 132, and 144 are usually regarded as the royal psalms. Belief in God’s kingship is the foundation of the royal psalms (see Ps 2). Each king in David’s dynasty served as messianic agent—i.e., he represented God’s kingship. As God’s representative, the Davidic king was expected to uphold the qualities of justice, righteousness, f...","summary_en":"Royal Psalms The royal psalms all have some reference to the king, the nature of his rule, and his relationship to God. Psalms 2, 18, 20, 21, 45, 61, 72, 89, 101, 110, 132, and 144 are usually regarded as the royal psalms. Belief in God’s kingship is the foundation of the royal psalms (see Ps 2). Each king in David’s dynasty served as messianic agent—i.e., he represented God’s kingship. As God’s representative, the Davidic king was expected to uphold the qualities of justice, righteousness, f...","source":"ThemeNotes.xml","external_url":null,"has_map":false,"has_picture":false}],"2":[{"id":49269,"type":"study_note","type_label":"Notă de studiu","type_icon":"📝","type_color":"#06b6d4","title_ro":"Notă de studiu: Psalmi 45:2","title_en":"Study Note: Psalmi 45:2","content_ro":"45:2<\/strong> This general description of the king’s symbolic status anticipates his permanent legacy (45:16). That the Lord has blessed<\/em> him and charged him to bear God’s attributes is symbolized by his handsome<\/em> appearance and gracious words<\/em>.<\/p>","content_en":"45:2<\/strong> This general description of the king’s symbolic status anticipates his permanent legacy (45:16). That the Lord has blessed<\/em> him and charged him to bear God’s attributes is symbolized by his handsome<\/em> appearance and gracious words<\/em>.<\/p>","summary_ro":"45:2 This general description of the king’s symbolic status anticipates his permanent legacy (45:16). That the Lord has blessed him and charged him to bear God’s attributes is symbolized by his handsome appearance and gracious words.","summary_en":"45:2 This general description of the king’s symbolic status anticipates his permanent legacy (45:16). That the Lord has blessed him and charged him to bear God’s attributes is symbolized by his handsome appearance and gracious words.","source":"StudyNotes.xml","external_url":null,"has_map":false,"has_picture":false},{"id":76895,"type":"study_note","type_label":"Notă de studiu","type_icon":"📝","type_color":"#06b6d4","title_ro":"Notă de studiu: Psalmi 45:2","title_en":"Study Note: Psalmi 45:2","content_ro":"45:2<\/strong> This general description of the king’s symbolic status anticipates his permanent legacy (45:16). That the Lord has blessed<\/em> him and charged him to bear God’s attributes is symbolized by his handsome<\/em> appearance and gracious words<\/em>.<\/p>","content_en":"45:2<\/strong> This general description of the king’s symbolic status anticipates his permanent legacy (45:16). That the Lord has blessed<\/em> him and charged him to bear God’s attributes is symbolized by his handsome<\/em> appearance and gracious words<\/em>.<\/p>","summary_ro":"45:2 This general description of the king’s symbolic status anticipates his permanent legacy (45:16). That the Lord has blessed him and charged him to bear God’s attributes is symbolized by his handsome appearance and gracious words.","summary_en":"45:2 This general description of the king’s symbolic status anticipates his permanent legacy (45:16). That the Lord has blessed him and charged him to bear God’s attributes is symbolized by his handsome appearance and gracious words.","source":"StudyNotes.xml","external_url":null,"has_map":false,"has_picture":false},{"id":104521,"type":"study_note","type_label":"Notă de studiu","type_icon":"📝","type_color":"#06b6d4","title_ro":"Notă de studiu: Psalmi 45:2","title_en":"Study Note: Psalmi 45:2","content_ro":"45:2<\/strong> This general description of the king’s symbolic status anticipates his permanent legacy (45:16). That the Lord has blessed<\/em> him and charged him to bear God’s attributes is symbolized by his handsome<\/em> appearance and gracious words<\/em>.<\/p>","content_en":"45:2<\/strong> This general description of the king’s symbolic status anticipates his permanent legacy (45:16). That the Lord has blessed<\/em> him and charged him to bear God’s attributes is symbolized by his handsome<\/em> appearance and gracious words<\/em>.<\/p>","summary_ro":"45:2 This general description of the king’s symbolic status anticipates his permanent legacy (45:16). That the Lord has blessed him and charged him to bear God’s attributes is symbolized by his handsome appearance and gracious words.","summary_en":"45:2 This general description of the king’s symbolic status anticipates his permanent legacy (45:16). That the Lord has blessed him and charged him to bear God’s attributes is symbolized by his handsome appearance and gracious words.","source":"StudyNotes.xml","external_url":null,"has_map":false,"has_picture":false},{"id":132147,"type":"study_note","type_label":"Notă de studiu","type_icon":"📝","type_color":"#06b6d4","title_ro":"Notă de studiu: Psalmi 45:2","title_en":"Study Note: Psalmi 45:2","content_ro":"45:2<\/strong> This general description of the king’s symbolic status anticipates his permanent legacy (45:16). That the Lord has blessed<\/em> him and charged him to bear God’s attributes is symbolized by his handsome<\/em> appearance and gracious words<\/em>.<\/p>","content_en":"45:2<\/strong> This general description of the king’s symbolic status anticipates his permanent legacy (45:16). That the Lord has blessed<\/em> him and charged him to bear God’s attributes is symbolized by his handsome<\/em> appearance and gracious words<\/em>.<\/p>","summary_ro":"45:2 This general description of the king’s symbolic status anticipates his permanent legacy (45:16). That the Lord has blessed him and charged him to bear God’s attributes is symbolized by his handsome appearance and gracious words.","summary_en":"45:2 This general description of the king’s symbolic status anticipates his permanent legacy (45:16). That the Lord has blessed him and charged him to bear God’s attributes is symbolized by his handsome appearance and gracious words.","source":"StudyNotes.xml","external_url":null,"has_map":false,"has_picture":false}],"3":[{"id":49270,"type":"study_note","type_label":"Notă de studiu","type_icon":"📝","type_color":"#06b6d4","title_ro":"Notă de studiu: Psalmi 45:3","title_en":"Study Note: Psalmi 45:3","content_ro":"45:3-5<\/strong> The psalmist expounds on the royal splendor the king showed when fighting his enemies.<\/p>","content_en":"45:3-5<\/strong> The psalmist expounds on the royal splendor the king showed when fighting his enemies.<\/p>","summary_ro":"45:3-5 The psalmist expounds on the royal splendor the king showed when fighting his enemies.","summary_en":"45:3-5 The psalmist expounds on the royal splendor the king showed when fighting his enemies.","source":"StudyNotes.xml","external_url":null,"has_map":false,"has_picture":false},{"id":49271,"type":"study_note","type_label":"Notă de studiu","type_icon":"📝","type_color":"#06b6d4","title_ro":"Notă de studiu: Psalmi 45:3","title_en":"Study Note: Psalmi 45:3","content_ro":"45:3<\/strong> Glory and majesty belong to the Lord (96:6; 111:3).<\/p>","content_en":"45:3<\/strong> Glory and majesty belong to the Lord (96:6; 111:3).<\/p>","summary_ro":"45:3 Glory and majesty belong to the Lord (96:6; 111:3).","summary_en":"45:3 Glory and majesty belong to the Lord (96:6; 111:3).","source":"StudyNotes.xml","external_url":null,"has_map":false,"has_picture":false},{"id":76896,"type":"study_note","type_label":"Notă de studiu","type_icon":"📝","type_color":"#06b6d4","title_ro":"Notă de studiu: Psalmi 45:3","title_en":"Study Note: Psalmi 45:3","content_ro":"45:3-5<\/strong> The psalmist expounds on the royal splendor the king showed when fighting his enemies.<\/p>","content_en":"45:3-5<\/strong> The psalmist expounds on the royal splendor the king showed when fighting his enemies.<\/p>","summary_ro":"45:3-5 The psalmist expounds on the royal splendor the king showed when fighting his enemies.","summary_en":"45:3-5 The psalmist expounds on the royal splendor the king showed when fighting his enemies.","source":"StudyNotes.xml","external_url":null,"has_map":false,"has_picture":false},{"id":76897,"type":"study_note","type_label":"Notă de studiu","type_icon":"📝","type_color":"#06b6d4","title_ro":"Notă de studiu: Psalmi 45:3","title_en":"Study Note: Psalmi 45:3","content_ro":"45:3<\/strong> Glory and majesty belong to the Lord (96:6; 111:3).<\/p>","content_en":"45:3<\/strong> Glory and majesty belong to the Lord (96:6; 111:3).<\/p>","summary_ro":"45:3 Glory and majesty belong to the Lord (96:6; 111:3).","summary_en":"45:3 Glory and majesty belong to the Lord (96:6; 111:3).","source":"StudyNotes.xml","external_url":null,"has_map":false,"has_picture":false},{"id":104522,"type":"study_note","type_label":"Notă de studiu","type_icon":"📝","type_color":"#06b6d4","title_ro":"Notă de studiu: Psalmi 45:3","title_en":"Study Note: Psalmi 45:3","content_ro":"45:3-5<\/strong> The psalmist expounds on the royal splendor the king showed when fighting his enemies.<\/p>","content_en":"45:3-5<\/strong> The psalmist expounds on the royal splendor the king showed when fighting his enemies.<\/p>","summary_ro":"45:3-5 The psalmist expounds on the royal splendor the king showed when fighting his enemies.","summary_en":"45:3-5 The psalmist expounds on the royal splendor the king showed when fighting his enemies.","source":"StudyNotes.xml","external_url":null,"has_map":false,"has_picture":false},{"id":104523,"type":"study_note","type_label":"Notă de studiu","type_icon":"📝","type_color":"#06b6d4","title_ro":"Notă de studiu: Psalmi 45:3","title_en":"Study Note: Psalmi 45:3","content_ro":"45:3<\/strong> Glory and majesty belong to the Lord (96:6; 111:3).<\/p>","content_en":"45:3<\/strong> Glory and majesty belong to the Lord (96:6; 111:3).<\/p>","summary_ro":"45:3 Glory and majesty belong to the Lord (96:6; 111:3).","summary_en":"45:3 Glory and majesty belong to the Lord (96:6; 111:3).","source":"StudyNotes.xml","external_url":null,"has_map":false,"has_picture":false},{"id":132148,"type":"study_note","type_label":"Notă de studiu","type_icon":"📝","type_color":"#06b6d4","title_ro":"Notă de studiu: Psalmi 45:3","title_en":"Study Note: Psalmi 45:3","content_ro":"45:3-5<\/strong> The psalmist expounds on the royal splendor the king showed when fighting his enemies.<\/p>","content_en":"45:3-5<\/strong> The psalmist expounds on the royal splendor the king showed when fighting his enemies.<\/p>","summary_ro":"45:3-5 The psalmist expounds on the royal splendor the king showed when fighting his enemies.","summary_en":"45:3-5 The psalmist expounds on the royal splendor the king showed when fighting his enemies.","source":"StudyNotes.xml","external_url":null,"has_map":false,"has_picture":false},{"id":132149,"type":"study_note","type_label":"Notă de studiu","type_icon":"📝","type_color":"#06b6d4","title_ro":"Notă de studiu: Psalmi 45:3","title_en":"Study Note: Psalmi 45:3","content_ro":"45:3<\/strong> Glory and majesty belong to the Lord (96:6; 111:3).<\/p>","content_en":"45:3<\/strong> Glory and majesty belong to the Lord (96:6; 111:3).<\/p>","summary_ro":"45:3 Glory and majesty belong to the Lord (96:6; 111:3).","summary_en":"45:3 Glory and majesty belong to the Lord (96:6; 111:3).","source":"StudyNotes.xml","external_url":null,"has_map":false,"has_picture":false}],"4":[{"id":14251,"type":"article","type_label":"Articol","type_icon":"📖","type_color":"#d4af37","title_ro":"Names of God","title_en":"Names of God","content_ro":"<h3>GOD, Names of<\/h3>\nGod’s self-identifications expressing various aspects of his being.<\/p>\nPreview<\/p>\n• The Biblical Idea of Name<\/p>\n• The Names of God in the Old Testament<\/p>\n• The Names of God in the New Testament<\/p>\nThe Biblical Idea of Name<\/p>\nIn the Scriptures the name and person of God are inseparably related. This is in keeping with the biblical conception of what a name signifies.<\/p>\nIn the Hebrew language, the term for “name” most probably meant “sign” or “distinctive mark.” In the Greek language, “name” (<\/em>onoma<\/span>)<\/em> is derived from a verb that means “to know.” A name, therefore, indicates that by which a person or object is to be known. But the idea of name is not to be taken in the sense of a label or an arbitrary means of identifying or specifying a person, place, or object. “Name” in biblical usage correctly describes the person, place, or object and indicates the essential character of that to which the name is given. Adam named the animals according to their nature (Gn 2:19-20); Noah means “one who brings relief and comfort” (5:29); Jesus means “savior” (Mt 1:21). When a person was given a new position or a radical change took place in his life, a new name was given to indicate that new aspect—for example, Abraham (“father of many,” Gn 17:5), and Israel (“one who strives with God” or “God strives,” 32:28). The name of a person or people expressed what the person or people thought the proper description or statement of character was.<\/p>\nWith regard to the names of God, there are considerable differences, and these are most clearly seen when biblical scholars and theologians confront the question of whether the names of God are ascriptions given by God concerning himself or they are ascriptions given to God by people who observed his acts and reflected on his character as discerned through a study of divine deeds. Here are some examples of various kinds of divine names:<\/p>\n1. Proper names: El, Yahweh, Adonai, Theos (God), Kurios (Lord).<\/p>\n<li>2. Personal names: Father, Abba, Son, Jesus, Holy Spirit.<\/li>\n<li>3. Titles: Creator, Messiah\/Christ, Paraclete\/Comforter.<\/li>\n<li>4. Essential names: Light, Love, Spirit.<\/li>\n<li>5. Descriptive names: Rock, Ba’al, Master, Rabboni, Shepherd.<\/li>\nThe Names of God in the Old Testament<\/p>\n<h5>El and Related Names<\/h5>\nThe name ’El<\/span> is found over 200 times in the Hebrew Bible. It is best translated as “God.” The term ’el<\/span> has a number of possible meanings. The root is thought by some to be ’ul<\/span>,<\/em> which means “to be first” or “to be strong.” Others suggest the root is ’alah<\/span>,<\/em> which means “to precede” and suggests “leader” or “commander.” It can also mean “to be afraid.” Thus God as ’alah<\/span>,<\/em> as the strong one, is to be feared. Still others suggest the preposition ’el<\/span> (“to, toward”) as the root; the idea then is of “one giving self to others” or of “one to whom others go for help.” Some scholars suggest that the word ’alim<\/span>,<\/em> meaning “to bind,” should be considered as a root also—that is, “the strong one binds and holds firm control.” Common to these four suggested root meanings is the idea of strength, power, and of supreme excellence and greatness.<\/p>\n’El<\/span> in the OT is used particularly in the earlier books, where it describes God’s exercising dynamic power as distinguished from authority. ’El<\/span> speaks of God as the great doer and producer. He is the One who exercises such power that whatever is made, done, kept, or destroyed is his doing (cf. Ex 15). ’El<\/span> is also used to express the idea that God is not to be identified as part of creation but as the One who is above, behind, and beyond creation (Ps 19:1).<\/p>\n’Elohim<\/span> is also commonly used as the name of God, occurring over 2,500 times in the OT. There are differences of opinion concerning the exact origin and meaning of this plural name. Some have suggested that ’Elohim<\/span> is the plural form of ’El<\/span>,<\/em> but it seems more likely that it is a plural of ’Eloah<\/span>,<\/em> which appears in the poetical writings. Some critical writers have suggested that this plural form is borrowed from pagan polytheistic sources, but no such plural form is found among pagans as the name of a deity. Others have suggested that the plural form is used to indicate the triune nature of God, and support for this has been seen in the use of a singular verb with this plural noun. The biblical doctrine of the Trinity, as it is developed throughout the Scriptures, does not appear to be based on the use of this plural form of God’s name, even though the two positions are not contradictory.<\/p>\nThe plural form, ’Elohim<\/span>,<\/em> is best understood as expressing intensity. God makes himself known by this name as the Lord of intense and extensive glory and richness as he exercises his preeminence and power in the created cosmos. Hence, when the Scripture speaks of creation, it states, “In the beginning ’Elohim<\/span> created the heavens and the earth” (Gn 1:1). This name is repeated 35 times in Genesis 1 and 2 in connection with God’s power as revealed in Creation. In the book of Deuteronomy the name ’Elohim<\/span> is used repeatedly to stress the majestic power of God that was shown in Israel’s release from bondage in Egypt, preservation in the wilderness, and preparation for entrance into the Promised Land. In this context, God (<\/em>’Elohim<\/span>)<\/em> is also recognized as the Lawgiver who will powerfully execute judgment on covenant breakers. The psalmists also used this named repeatedly as they acknowledged and praised God the majestic ruler who had demonstrated his omnipotence in many dimensions of life (see Ps 68, in which ’Elohim<\/span> appears 26 times.)<\/p>\nSome scholars point to the use of ’Elohim<\/span> when God spoke to Abraham and said he would be ’Elohim<\/span> to the patriarch and his seed; that is, God would be in a covenant relationship to them (Gn 17:1-8). Included in this relationship is the idea that God is ever ready to use his power on behalf of those who are in covenant with him. Thus, ’<\/span>Elohim<\/span> also expresses the concept of God’s faithfulness in regard to the covenant and the promises and blessings involved in it.<\/p>\nThe name ’<\/span>Eloah<\/span> occurs mainly in the poetical writings, no fewer than 41 times in Job. Isaiah used it to express the incomparable character of God (Is 44:8). In like manner David asked, “Who is God [’<\/span>Eloah<\/span>], but the Lord<\/span>?” (2 Sm 22:32). Moses was the first to use the name ’<\/span>Eloah<\/span> in his song (Dt 32:15-17), referring to Israel’s God in the context of the “no-gods,” which had been chosen in place of the Rock of salvation and the incomparable One. This name was probably used to stress the fact that God is the only true and living One, the One to be adored and worshiped; he is to be revered with a holy fear.<\/p>\nAnother closely related name is ’Elah<\/span>,<\/em> found in Ezra and Daniel. Some think ’Elah<\/span> is a Chaldee or Aramaic form of ’Eloah<\/span>.<\/em> Its root is said to be ’alah<\/span>,<\/em> which means “to fear” or “to be perplexed.” God as ’Elah<\/span> is the God to be feared and worshiped accordingly. In view of this meaning, it can be understood why, in the time of Israel’s exile and immediately after their return, this name was commonly used.<\/p>\nThree other names of God include the term ’El<\/span>:<\/em><\/p>\n’El ‘Elyon<\/span> is the name used to designate the God of Melchizedek (Gn 14:18-22) as God Most High. In Psalms 57:2 and 78:56 the Hebrew reads ’Elohim ‘Elyon<\/span>.<\/em> It is believed that the term ‘Elyon<\/span> is derived from the verb ‘alah<\/span>,<\/em> meaning “go up, be elevated, to be exalted.” There are a number of instances where the term ‘Elyon<\/span> is used alone, but the context indicates that it is then used as a synonym for God (e.g., Nm 24:16; Ps 83:18; Is 14:14). The term ‘elyon<\/span> is used quite frequently as an adjective; it is then translated as “high, highest, upper, uppermost.” The basic ascription given to God when this name is employed is to One who is above all things as the maker, possessor, and ruler. He is incomparable in every way; he is subject to no one and no thing; he is the Exalted One.<\/p>\n’El Shaddai<\/span> is used in the longer form seven times in the Scriptures (Gn 17:1; 28:3; 35:11; 43:14; 48:3; Ex 6:3; Ez 10:5). In the shorter form (<\/em>Shaddai<\/span>),<\/em> it appears more frequently: in Job 30 times; in Psalms 19:1 and 68:14; once in Ruth (1:21), Isaiah (13:6), Ezekiel (1:24), and Joel (1:15). In these passages the combined ideas of God as the all-powerful, all-sufficient, transcendent, sovereign ruler and disposer are present. This meaning is generally accepted, but there are differences as to the exact meaning of the term Shaddai<\/span>.<\/em> Some have begun with shad<\/span> as the first concept to be considered; its meaning is “breast, pap, or teat,” and it is considered a “precious metaphor” of the God who nourishes, supplies, and satisfies. The root of shad<\/span> (<\/em>shadah<\/span>),<\/em> in Semitic usage, is to moisten. This meaning is not the preferred one in the context of which ’El Shaddai<\/span> appears; nor is shed<\/span> (demon), which some scholars have sought to use because it appears in Deuteronomy 32:17 and Psalm 106:37 speaking of Israel’s idolatry. In addition to the fact that shed<\/span> is spelled differently, the connection between the concept of demon and God as all-powerful is difficult to establish. More acceptable is the suggestion that Shaddai<\/span> is a composite term of sha<\/span> (“the one who”) and dai<\/span> (“is sufficient”). The later Greek versions have adopted this meaning. The most preferred explanation is that Shaddai<\/span> is derived from the verb shadad<\/span> (“to overpower, to deal violently, or to devastate”). A clear connection between shadad<\/span> and Shaddai<\/span> is said to be found in Isaiah 13:6 and Joel 1:15. God as ’El Shaddai<\/span> is presented as the all-powerful One, totally self-sufficient, absolute ruler, and the One who can and does make final disposition. The Septuagint has adapted this meaning; it translates ’El Shaddai<\/span> as Pantokrator<\/span>,<\/em> the “All-Ruler” or “Sovereign One.”<\/p>\n’El ‘Olam<\/span> is used to refer to God as the everlasting or eternal One, a clear instance where the name of God and an attribute of God are combined. The term ‘olam<\/span> has a wide range of uses. It is usually defined in lexicons as meaning “long duration, antiquity, and indefinite futurity.” It is used to speak of God’s existence, of God’s covenant and promises, and of the Messiah’s reign. Speaking to God, the psalmist said, “You are from ‘olam<\/span> (everlasting) to ‘olam<\/span> (everlasting)” (Ps 90:2), and the prophet Isaiah spoke of God as the everlasting Creator (Is 40:28) and as everlasting strength (26:4), and Jeremiah spoke of God as everlasting King (Jer 10:10). God’s everlastingness or eternity speaks of his infinity in relation to time. ‘Olam<\/span>,<\/em> as ascribed to God, should not be thought of as duration prolonged indefinitely backward and forward. Rather, the word speaks to God’s transcending all temporal limits; in addition, ‘olam<\/span> refers to the quality of God that differs essentially from time. The Scriptures speak of ’El ‘Olam<\/span> in contexts where the believer’s assurance of well-being, security, and hope are presented as prized possessions.<\/p>\n’El Gibbor<\/span> is a name that speaks of God’s power and might. Gibbor<\/span> alone is used in reference to mighty and heroic men. The two terms together always refer to God, and in some instances Haggadol<\/span> (“the greatest”) is added (Dt 10:17; Jer 32:18) to emphasize the greatness and awesome majesty of God. ’El Gibbor<\/span> is also used to describe the Messiah in Isaiah 9:6 (cf. Ps 45:4).<\/p>\n’El Ro’i<\/span> is used once to describe God as the seeing One. Hagar described the Lord this way when she was found in the wilderness (Gn 16:13). Psalm 139:1-2 expresses this concept of God as the all-seeing One from whose eye nothing is hidden (cf. Ps 33:18).<\/p>\nYahweh<\/span> is a distinctly proper name of God. It is never used to refer to any pagan gods; neither is it used in regard to men. It appears 6,823 times in the OT, occurring first in Genesis 2:4, where it is joined with ’Elohim<\/span>.<\/em> Yahweh<\/span> is used 164 times in Genesis, and it appears 1,800 times in Exodus through Joshua. It never appears in a declined form in the Hebrew language, and it never occurs in the plural form or with suffixes. It is abbreviated as Yah<\/span> and Yahu<\/span> (cf. Ex 15:2; Ps 68:4; Is 12:2; etc.).<\/p>\nThe exact meaning of the name Yahweh<\/span> is difficult to determine. Some have sought the root in the verb hayah<\/span> (“to be”) or in an ancient form of that same verb, hawah<\/span>.<\/em> There is no agreement as to whether the qal<\/span> or hiphil<\/span> form of the verb should be considered as the root. Those who opt for the hiphil<\/span> form read Yahweh<\/span> to mean “cause to be”; thus Exodus 3:14 would read, “I will cause to be what has come to be.” Others look to the qal<\/span> form and then translate the name as “I Am” or “I Shall Be.” Still others are inclined to disassociate the name from the verb hayah<\/span> and regard it as an original and independent term, expressing the uniqueness of Israel’s gracious God.<\/p>\n\nTranslators of the OT have not agreed upon the correct translation of the name Yahweh<\/span>.<\/em> Since it is translated into the Greek as kurios<\/span>,<\/em> which means “Lord,” many have rendered Yahweh<\/span> as “Lord<\/span>.” But ’Adonai<\/span>,<\/em> which is best rendered “Lord,” appears with Yahweh<\/span> in various instances. The kjv<\/span>, for example, translates Yahweh<\/span> as “God,” and ’Adonai<\/span> as “Lord.” Some modern translators have chosen to use Yahweh<\/span> (see jb<\/span> and njb<\/span>). The name Jehovah, as used in the asv<\/span> (1901), has been judged unacceptable. This name arose due to the Jewish practice of not pronouncing Yahweh<\/span> because of Leviticus 24:16, “He that blasphemes the name of Yahweh<\/span> shall surely be put to death.” This warning against a vain or blasphemous use of the name was taken in an absolute sense, especially after Israel’s deportation (cf. Am 6:10). Hence, when reading the OT the Jews substituted either ’Elohim<\/span> or ’Adonai<\/span> for Yahweh<\/span>.<\/em> From this, the practice of adding the vowels of ’Adonai<\/span> to YHWH (JeHoWaH) became established.<\/p>\nThe interpretation of Exodus 6:2-3 has caused much debate. “And God said to Moses, ‘I am Yahweh<\/span>;<\/em> I appeared to Abraham, to Isaac, and to Jacob, as ’<\/span>El Shaddai<\/span>,<\/em> but by my name Yahweh<\/span> I did not make myself known to them.’ ” This passage has been understood to mean that the name Yahweh<\/span> was not known or used prior to the time of Moses. But that is not what the passage states; rather, it speaks of the patriarchs not knowing God as Yahweh<\/span>.<\/em> They knew him as ’El Shaddai<\/span> in actual revelatory historical deeds. They had not come to know God according to his unique character, that is, as Yahweh<\/span>.<\/em> In other words, God had always been Yahweh<\/span>;<\/em> he is saying to Moses that the descendants of the patriarchs would come to know the full, rich meaning of the name by the way God dealt with them.<\/p>\nThis name Yahweh<\/span> reveals God’s nature in the highest and fullest sense possible. It includes, or presupposes, the meaning of the other names. Yahweh<\/span> particularly stresses the absolute faithfulness of God. God had promised the patriarchs that he would be their God, that he would be with them and deliver and bless them, keep them, and give them a land as a place of service and inheritance. Moses is told by God that Israel is about to behold and experience the unchangeableness of God as he steadfastly and wondrously remembers his word and executes it to the fullest degree. God would prove to be a faithful, redeeming, upholding, restoring God. In working out this redemption, God would demonstrate that he is all that his name implies: merciful, gracious, patient, full of loving-kindness, truthful, faithful, forgiving, just, and righteous (Ex 34:5-6). Truly, Jacob had received an insight into the meaning of the name when he exclaimed, “I wait for thy salvation, O Yahweh<\/span>” (Gn 49:18).<\/p>\nYahweh<\/span>,<\/em> then, is the name par excellence of Israel’s God. As Yahweh<\/span>,<\/em> he is a faithful covenant God who, having given his word of love and life, keeps that word by bestowing love and life abundantly on his own.<\/p>\nIn view of the richness of the name Yahweh<\/span>,<\/em> it can be understood why there were stringent rules regarding its proper use (Lv 24:11, 16). It also explains why thankful, rejoicing, worshiping Israelites used the abbreviated form of Yahweh<\/span> in song when they sang Hallelujah: “Praise Yah” (Pss 104:35; 106:1; 149:1; 150:1).<\/p>\nYahweh<\/span> is used in a number of phrases that are considered names of or ascriptions of God. The most common of these compound names is Yahweh Tseba’oth<\/span> (“hosts”). The word “hosts” is used frequently in the Pentateuch to refer to the armies of Israel (cf. Nm 10:14-28). This is because the word is derived from the verb saba<\/span>’<\/span>,<\/em> which means “to wage” war. It also means “to serve” in some contexts; for example, Numbers 8:24 clearly has reference to the service performed in the tabernacle. The noun tseba’oth<\/span> first occurs in Genesis 2:1, where it refers to the many components of the earth and heaven. Some would limit the reference in these contexts to the stars. Still others would suggest that the tseba’oth<\/span> refers to the angels, appealing to Psalm 33:6 for confirmation.<\/p>\nThe compound name Yahweh Tseba’oth<\/span> first appears in 1 Samuel 1:3. In view of the frequent use of tseba’oth<\/span> in 1—2 Samuel to refer to armies (1 Sm 12:9; 14:50; 17:55; 2 Sm 2:8; 8:16; 10:16), it is thought that the compound name refers to Yahweh<\/span> as the God of armies, that is, God has his armies to serve him. These are considered to be armies of angels who are ministering servants to God. It has been correctly pointed out that the compound name Yahweh Tseba’oth<\/span> is used most frequently by the prophets (Jeremiah, 88 times; Zechariah, 55 times; Malachi, 25 times; Haggai, 14 times) at times when God’s people had either suffered defeat at the hands of enemy armies or were threatened by defeat. Therefore, the compound name was used to remind them that their covenant God had great hosts to fight and work for him on behalf of his people. Thus, though Israel’s armies failed, their covenant God was sufficient for every possible circumstance. And it was to this Yahweh Tseba’oth<\/span> that Israel’s commanders were to give allegiance (Jos 5:14-15), and in whose name Israel was blessed (2 Sm 6:18).<\/p>\nSeveral other compound names occur infrequently:<\/p>\nYahweh-Nissi<\/span> (nissi<\/span>,<\/em> “my banner”) is the name that Moses called on when he built an altar celebrating Israel’s God-given victory over the Amalekites (Ex 17:15). Isaiah uses the term nissi<\/span> when speaking of the coming Messiah who is to be the conqueror (Is 11:10).<\/p>\nYahweh-Rapha<\/span> (rapha’<\/span>,<\/em> “healer”) appears in Exodus 15:26, when Israel is assured that God, their healer, will prevent the diseases of Egypt from affecting Israel. Although the name is only used once, God was often called upon and praised as the healing One (e.g., Ps 103:3; Is 30:26; Jer 6:14).<\/p>\nYahweh-Rohi<\/span> (ro‘i<\/span>,<\/em> “my shepherd”) appears in Psalm 23:1. The concept of Yahweh<\/span> as shepherd is explicated in Ezekiel 34. “I myself will be the Shepherd of my sheep” (v 15). Jesus demonstrated this concept’s full meaning when as a shepherd he gave his life for his sheep.<\/p>\nYahweh-Jireh<\/span> (yir’eh<\/span>,<\/em> “to see ahead or to provide”) appears in Genesis 22:14. Abraham gave this name to the place where God provided a substitute for his son Isaac, whom Abraham was to offer as a sacrifice to God. Yahweh-Shalom<\/span> (shalom<\/span>,<\/em> “peace”) is the name Gideon gave to the altar he built when the angel of the Lord came to give him orders to fight the Midianites (Jgs 6:24).<\/p>\nYahweh<\/span> appears with a few forms of the term tsadaq<\/span>,<\/em> “righteousness.” Yahweh<\/span> is spoken of as our righteousness in Jeremiah 23:6; the thought evidently is that David’s Righteous Branch (the Messiah) will attribute God’s righteousness to those who are incorporated in the new covenant. This concept is expressed in the Pentateuch a number of times when it is said that God has provided a way for living righteously; that is, God provides a way of sanctification (cf. Lv 20:8; 22:9).<\/p>\n’Adonai<\/span> as a name for God appears about 360 times in the OT, though it is not uniformly used. It is first found in Genesis 15:2 and 8, when Abram requests more definite information concerning a son and the Promised Land. It appears only 14 times after that in the Pentateuch. It appears repeatedly in the Psalms (over 50 times), and certain of the prophets use it frequently (Isaiah, 47 times; Jeremiah, 29 times; Ezekiel, over 150 times; and Amos, 27 times).<\/p>\nThe word ’adan<\/span>,<\/em> meaning “master, ruler, owner, lord,” is thought to be the root of the noun ’adon<\/span>,<\/em> which is frequently used of men. For example, in Genesis and 1—2 Samuel the term is used often for men who own slaves or are in positions of authority. ’Adonai<\/span> is correctly described as the name of personal communication between the believer and God. In such communication the worshiper acknowledged God’s intense majesty and greatness and also the sense of belonging to this God. ’Adonai<\/span>,<\/em> coming from human lips, expressed honor for God and humble submission on the part of the believing person. ’Adonai<\/span>,<\/em> thus, is the name that expresses faith, assurance, security, ready service, and thanksgiving (Pss 16:2; 57:9-10).<\/p>\n<h5>Old Testament Name Combinations<\/h5>\nIn the OT the names of God appear in various combinations. For example ’Elohim-Yahweh<\/span>,<\/em> ’Elohim-Yahweh-’Adonai<\/span>,<\/em> and ’Elohim-’Adonai<\/span> are very common. These combinations were an effort to express the fullness of God’s being and character as these had been revealed. Names of God in combination with “Israel” occur also as, for example, with Yahweh<\/span>-God-Israel (Jgs 5:3; Is 17:6). God is also invoked in relation to Israel without the mention of one of his names—for example, Qedosh Yisrael<\/span> (“Holy One of Israel,” Is 43:14) and ’Abir Yisrael<\/span> (“Mighty One of Israel,” Gn 49:24; Ps 132:2; Is 49:26). By means of these phrases, the covenantal relationship between God and his people was expressed and God’s unchanging character was positively acknowledged.<\/p>\n<h5>Old Testament Personal Names<\/h5>\nThe personal names of God are Father, Son, and Holy Spirit and variations of these.<\/p>\nThe term ’Abh<\/span> (“father”) appears more frequently in Genesis than in any other book, and in the Pentateuch more than in any other division of the OT. But it is not used there of God but rather of one who has generated children (i.e., the male parent), the progenitor—head, chief, and ruler of the family group or clan. It is used often in the sense of the responsible one through whom God has spoken, with whom God has dealt, and through whom he has given a rich heritage to the children and descendants of the patriarchs.<\/p>\nIn the poetical books, God is referred to as Father but is not directly named as such. Job is asked, “Has the rain a father?” (Jb 38:28). The reference is to God as the maker, source, and controller of rain. In Psalm 68:5 God in his holy dwelling place is the “Father of the fatherless”; the parallel phrase, “protector of widows,” indicates the sense. Psalm 89:26 says that David will cry to God, “Thou art my Father,” and the parallels use the terms “God” and “Rock of my salvation.” The idea here is of God as Creator and Savior who raised up, delivered, and protected David. In Psalm 103:13, “Father” is used analogously, “As a father pities his children.”<\/p>\nIsaiah uses the term “Father” in relation to God four times. Three times it refers to the One who has made, saved, formed, kept, and directed Israel (Is 63:16; 64:8). Isaiah says the promised child is to be named Everlasting Father (9:6). Used in this sense, the term establishes the Son’s equality with the Father in stature, function, ability, and responsibility. Jeremiah also refers to God as Father in Jeremiah 3:4, 19, meaning the origin, keeper, and friend of his people Israel. Malachi 1:6 and 2:10 speak of God as the parent who deserves honor from his children and as the origin and ruler of all people.<\/p>\nThe term “son” is one of the most-used terms in the OT; it commonly occurs in the sense of offspring and descendant. It also appears in the sense of follower or successor. There are a few indirect references to the second person of the Trinity.<\/p>\nThe messianic Psalm 2 has such a reference: “You are my son” (v 7). It is stated in the context of the king speaking to one who rules and is to rule with and under the sovereign. The immediate reference may be to the theocratic king; however, the reference is revealed in the NT to be the second person of the Trinity (Acts 13:33). Thus, the term “son” is applied to the promised Messiah who is set forth as the divine sovereign ruler and judge of the nations. The Son is perceived to be equal with the Father in deity and function. Not all biblical scholars accept this interpretation, but support is found in such NT passages as Hebrews 1:8 which quotes Psalm 45:6. As stated above, Isaiah speaks of the son to be given (Is 9:6), the One born of the virgin (7:14), who is Immanuel, Mighty God, Everlasting Father, Prince of Peace.<\/p>\nThe name “Holy Spirit” occurs only a few times in the OT. The Spirit is referred to frequently by terms and phrases such as “the Spirit of God” (Gn 1:2), “the Spirit of the Lord God” (Is 61:1), “the Spirit of the Lord” (Ez 37:1), “the Spirit” (Nm 11:17; 27:18), “my Spirit” (Gn 6:3), and “your Spirit” (Ps 51:11). Though the character of the Spirit is not developed as clearly in the OT as in the NT, it can be safely stated that the relationship posited between God and the Spirit is such that there is no doubt that the OT teaches the deity of the Spirit. The character and function of the Spirit is referred to especially in relation to the work of creation (Gn 1:2; Ps 33:6; etc.) and the equipping of servants for the service of God—for example, craftsmanship (Ex 35:31), leadership (Nm 11:17; 27:18), and prophecy (1 Sm 10:6; 2 Sm 23:2; 2 Chr 15:1; Ez 11:5).<\/p>\nThe Names of God in the New Testament<\/p>\n<h5>Proper Names of God<\/h5>\nTheos<\/span> is the NT equivalent of the OT names ’El<\/span>and ’Elohim<\/span>;<\/em> ‘Elyon<\/span> appears in the NT as Hupsistos<\/span>,<\/em> the Highest (Mk 5:7; Lk 1:32, 76). Pantokrator<\/span> (‘El Shaddai<\/span>) appears with Theos<\/span> (2 Cor 6:18; Rv 16:7). This name was used not only to express God’s transcendency, power, sovereignty, and lordship, but also to express that God is one who has a close relationship with his people. This fact is established by the very frequent use of personal pronouns with Theos<\/span>.<\/em> The name Theos<\/span> appears over 1,000 times in the NT.<\/p>\nKurios<\/span>,<\/em> “Lord,” is used to express the OT names Yahweh<\/span> and ‘Adonai<\/span> in the Septuagint, and the NT follows it. Kurios<\/span> means “power,” so the meaning is not the same as with Yahweh<\/span>;<\/em> yet the NT does give Kurios<\/span> the full weight of meaning that the OT gave to Yahweh<\/span>,<\/em> especially when used of Jesus Christ (cf. Acts 2:36; Phil 2:9-11; etc.)<\/p>\nDespotes<\/span> is used five times of God or Jesus in the NT (Lk 2:29; Acts 4:24; 2 Pt 2:11; Jude 1:4; Rv 6:10). It expresses the idea of authority. The idea of brutality conveyed by the modern concept “despot” is absent from the NT usage even when applied to men, where its central thought is ownership (2 Tm 2:21).<\/p>\n<h5>Personal Names of God<\/h5>\nIn the baptismal formula, which is part of the Great Commission (Mt 28:19-20), the three personal names of God appear: Father, Son, and Holy Spirit. These names carry the OT meaning, but since the relationship of the three Persons is explicated, the NT meaning of the names is enriched.<\/p>\n“Jesus” is the personal name of the Son, the second person of the triune Godhead. It means “savior” (Mt 1:21). The root of this name “to save” gave rise to names such as Joshua, Hoshea, and Hosea. The basic meaning of the OT root is “to bring into a safe, wide-open place.” Joshua, bringing Israel into Canaan, personally did what his name meant. The NT explanation (“save from sin”) is not contrary to the OT meaning. To be saved from sin is to be restored to fellowship with God and to enter into the paradise of the heavenly kingdom.<\/p>\nSee also<\/em> Christology; God, Being and Attributes of; Holy Spirit; Jesus Christ, Life and Teachings of; Messiah; Names, Significance of.<\/p>","content_en":"<h3>GOD, Names of<\/h3>\nGod’s self-identifications expressing various aspects of his being.<\/p>\nPreview<\/p>\n• The Biblical Idea of Name<\/p>\n• The Names of God in the Old Testament<\/p>\n• The Names of God in the New Testament<\/p>\nThe Biblical Idea of Name<\/p>\nIn the Scriptures the name and person of God are inseparably related. This is in keeping with the biblical conception of what a name signifies.<\/p>\nIn the Hebrew language, the term for “name” most probably meant “sign” or “distinctive mark.” In the Greek language, “name” (<\/em>onoma<\/span>)<\/em> is derived from a verb that means “to know.” A name, therefore, indicates that by which a person or object is to be known. But the idea of name is not to be taken in the sense of a label or an arbitrary means of identifying or specifying a person, place, or object. “Name” in biblical usage correctly describes the person, place, or object and indicates the essential character of that to which the name is given. Adam named the animals according to their nature (Gn 2:19-20); Noah means “one who brings relief and comfort” (5:29); Jesus means “savior” (Mt 1:21). When a person was given a new position or a radical change took place in his life, a new name was given to indicate that new aspect—for example, Abraham (“father of many,” Gn 17:5), and Israel (“one who strives with God” or “God strives,” 32:28). The name of a person or people expressed what the person or people thought the proper description or statement of character was.<\/p>\nWith regard to the names of God, there are considerable differences, and these are most clearly seen when biblical scholars and theologians confront the question of whether the names of God are ascriptions given by God concerning himself or they are ascriptions given to God by people who observed his acts and reflected on his character as discerned through a study of divine deeds. Here are some examples of various kinds of divine names:<\/p>\n1. Proper names: El, Yahweh, Adonai, Theos (God), Kurios (Lord).<\/p>\n<li>2. Personal names: Father, Abba, Son, Jesus, Holy Spirit.<\/li>\n<li>3. Titles: Creator, Messiah\/Christ, Paraclete\/Comforter.<\/li>\n<li>4. Essential names: Light, Love, Spirit.<\/li>\n<li>5. Descriptive names: Rock, Ba’al, Master, Rabboni, Shepherd.<\/li>\nThe Names of God in the Old Testament<\/p>\n<h5>El and Related Names<\/h5>\nThe name ’El<\/span> is found over 200 times in the Hebrew Bible. It is best translated as “God.” The term ’el<\/span> has a number of possible meanings. The root is thought by some to be ’ul<\/span>,<\/em> which means “to be first” or “to be strong.” Others suggest the root is ’alah<\/span>,<\/em> which means “to precede” and suggests “leader” or “commander.” It can also mean “to be afraid.” Thus God as ’alah<\/span>,<\/em> as the strong one, is to be feared. Still others suggest the preposition ’el<\/span> (“to, toward”) as the root; the idea then is of “one giving self to others” or of “one to whom others go for help.” Some scholars suggest that the word ’alim<\/span>,<\/em> meaning “to bind,” should be considered as a root also—that is, “the strong one binds and holds firm control.” Common to these four suggested root meanings is the idea of strength, power, and of supreme excellence and greatness.<\/p>\n’El<\/span> in the OT is used particularly in the earlier books, where it describes God’s exercising dynamic power as distinguished from authority. ’El<\/span> speaks of God as the great doer and producer. He is the One who exercises such power that whatever is made, done, kept, or destroyed is his doing (cf. Ex 15). ’El<\/span> is also used to express the idea that God is not to be identified as part of creation but as the One who is above, behind, and beyond creation (Ps 19:1).<\/p>\n’Elohim<\/span> is also commonly used as the name of God, occurring over 2,500 times in the OT. There are differences of opinion concerning the exact origin and meaning of this plural name. Some have suggested that ’Elohim<\/span> is the plural form of ’El<\/span>,<\/em> but it seems more likely that it is a plural of ’Eloah<\/span>,<\/em> which appears in the poetical writings. Some critical writers have suggested that this plural form is borrowed from pagan polytheistic sources, but no such plural form is found among pagans as the name of a deity. Others have suggested that the plural form is used to indicate the triune nature of God, and support for this has been seen in the use of a singular verb with this plural noun. The biblical doctrine of the Trinity, as it is developed throughout the Scriptures, does not appear to be based on the use of this plural form of God’s name, even though the two positions are not contradictory.<\/p>\nThe plural form, ’Elohim<\/span>,<\/em> is best understood as expressing intensity. God makes himself known by this name as the Lord of intense and extensive glory and richness as he exercises his preeminence and power in the created cosmos. Hence, when the Scripture speaks of creation, it states, “In the beginning ’Elohim<\/span> created the heavens and the earth” (Gn 1:1). This name is repeated 35 times in Genesis 1 and 2 in connection with God’s power as revealed in Creation. In the book of Deuteronomy the name ’Elohim<\/span> is used repeatedly to stress the majestic power of God that was shown in Israel’s release from bondage in Egypt, preservation in the wilderness, and preparation for entrance into the Promised Land. In this context, God (<\/em>’Elohim<\/span>)<\/em> is also recognized as the Lawgiver who will powerfully execute judgment on covenant breakers. The psalmists also used this named repeatedly as they acknowledged and praised God the majestic ruler who had demonstrated his omnipotence in many dimensions of life (see Ps 68, in which ’Elohim<\/span> appears 26 times.)<\/p>\nSome scholars point to the use of ’Elohim<\/span> when God spoke to Abraham and said he would be ’Elohim<\/span> to the patriarch and his seed; that is, God would be in a covenant relationship to them (Gn 17:1-8). Included in this relationship is the idea that God is ever ready to use his power on behalf of those who are in covenant with him. Thus, ’<\/span>Elohim<\/span> also expresses the concept of God’s faithfulness in regard to the covenant and the promises and blessings involved in it.<\/p>\nThe name ’<\/span>Eloah<\/span> occurs mainly in the poetical writings, no fewer than 41 times in Job. Isaiah used it to express the incomparable character of God (Is 44:8). In like manner David asked, “Who is God [’<\/span>Eloah<\/span>], but the Lord<\/span>?” (2 Sm 22:32). Moses was the first to use the name ’<\/span>Eloah<\/span> in his song (Dt 32:15-17), referring to Israel’s God in the context of the “no-gods,” which had been chosen in place of the Rock of salvation and the incomparable One. This name was probably used to stress the fact that God is the only true and living One, the One to be adored and worshiped; he is to be revered with a holy fear.<\/p>\nAnother closely related name is ’Elah<\/span>,<\/em> found in Ezra and Daniel. Some think ’Elah<\/span> is a Chaldee or Aramaic form of ’Eloah<\/span>.<\/em> Its root is said to be ’alah<\/span>,<\/em> which means “to fear” or “to be perplexed.” God as ’Elah<\/span> is the God to be feared and worshiped accordingly. In view of this meaning, it can be understood why, in the time of Israel’s exile and immediately after their return, this name was commonly used.<\/p>\nThree other names of God include the term ’El<\/span>:<\/em><\/p>\n’El ‘Elyon<\/span> is the name used to designate the God of Melchizedek (Gn 14:18-22) as God Most High. In Psalms 57:2 and 78:56 the Hebrew reads ’Elohim ‘Elyon<\/span>.<\/em> It is believed that the term ‘Elyon<\/span> is derived from the verb ‘alah<\/span>,<\/em> meaning “go up, be elevated, to be exalted.” There are a number of instances where the term ‘Elyon<\/span> is used alone, but the context indicates that it is then used as a synonym for God (e.g., Nm 24:16; Ps 83:18; Is 14:14). The term ‘elyon<\/span> is used quite frequently as an adjective; it is then translated as “high, highest, upper, uppermost.” The basic ascription given to God when this name is employed is to One who is above all things as the maker, possessor, and ruler. He is incomparable in every way; he is subject to no one and no thing; he is the Exalted One.<\/p>\n’El Shaddai<\/span> is used in the longer form seven times in the Scriptures (Gn 17:1; 28:3; 35:11; 43:14; 48:3; Ex 6:3; Ez 10:5). In the shorter form (<\/em>Shaddai<\/span>),<\/em> it appears more frequently: in Job 30 times; in Psalms 19:1 and 68:14; once in Ruth (1:21), Isaiah (13:6), Ezekiel (1:24), and Joel (1:15). In these passages the combined ideas of God as the all-powerful, all-sufficient, transcendent, sovereign ruler and disposer are present. This meaning is generally accepted, but there are differences as to the exact meaning of the term Shaddai<\/span>.<\/em> Some have begun with shad<\/span> as the first concept to be considered; its meaning is “breast, pap, or teat,” and it is considered a “precious metaphor” of the God who nourishes, supplies, and satisfies. The root of shad<\/span> (<\/em>shadah<\/span>),<\/em> in Semitic usage, is to moisten. This meaning is not the preferred one in the context of which ’El Shaddai<\/span> appears; nor is shed<\/span> (demon), which some scholars have sought to use because it appears in Deuteronomy 32:17 and Psalm 106:37 speaking of Israel’s idolatry. In addition to the fact that shed<\/span> is spelled differently, the connection between the concept of demon and God as all-powerful is difficult to establish. More acceptable is the suggestion that Shaddai<\/span> is a composite term of sha<\/span> (“the one who”) and dai<\/span> (“is sufficient”). The later Greek versions have adopted this meaning. The most preferred explanation is that Shaddai<\/span> is derived from the verb shadad<\/span> (“to overpower, to deal violently, or to devastate”). A clear connection between shadad<\/span> and Shaddai<\/span> is said to be found in Isaiah 13:6 and Joel 1:15. God as ’El Shaddai<\/span> is presented as the all-powerful One, totally self-sufficient, absolute ruler, and the One who can and does make final disposition. The Septuagint has adapted this meaning; it translates ’El Shaddai<\/span> as Pantokrator<\/span>,<\/em> the “All-Ruler” or “Sovereign One.”<\/p>\n’El ‘Olam<\/span> is used to refer to God as the everlasting or eternal One, a clear instance where the name of God and an attribute of God are combined. The term ‘olam<\/span> has a wide range of uses. It is usually defined in lexicons as meaning “long duration, antiquity, and indefinite futurity.” It is used to speak of God’s existence, of God’s covenant and promises, and of the Messiah’s reign. Speaking to God, the psalmist said, “You are from ‘olam<\/span> (everlasting) to ‘olam<\/span> (everlasting)” (Ps 90:2), and the prophet Isaiah spoke of God as the everlasting Creator (Is 40:28) and as everlasting strength (26:4), and Jeremiah spoke of God as everlasting King (Jer 10:10). God’s everlastingness or eternity speaks of his infinity in relation to time. ‘Olam<\/span>,<\/em> as ascribed to God, should not be thought of as duration prolonged indefinitely backward and forward. Rather, the word speaks to God’s transcending all temporal limits; in addition, ‘olam<\/span> refers to the quality of God that differs essentially from time. The Scriptures speak of ’El ‘Olam<\/span> in contexts where the believer’s assurance of well-being, security, and hope are presented as prized possessions.<\/p>\n’El Gibbor<\/span> is a name that speaks of God’s power and might. Gibbor<\/span> alone is used in reference to mighty and heroic men. The two terms together always refer to God, and in some instances Haggadol<\/span> (“the greatest”) is added (Dt 10:17; Jer 32:18) to emphasize the greatness and awesome majesty of God. ’El Gibbor<\/span> is also used to describe the Messiah in Isaiah 9:6 (cf. Ps 45:4).<\/p>\n’El Ro’i<\/span> is used once to describe God as the seeing One. Hagar described the Lord this way when she was found in the wilderness (Gn 16:13). Psalm 139:1-2 expresses this concept of God as the all-seeing One from whose eye nothing is hidden (cf. Ps 33:18).<\/p>\nYahweh<\/span> is a distinctly proper name of God. It is never used to refer to any pagan gods; neither is it used in regard to men. It appears 6,823 times in the OT, occurring first in Genesis 2:4, where it is joined with ’Elohim<\/span>.<\/em> Yahweh<\/span> is used 164 times in Genesis, and it appears 1,800 times in Exodus through Joshua. It never appears in a declined form in the Hebrew language, and it never occurs in the plural form or with suffixes. It is abbreviated as Yah<\/span> and Yahu<\/span> (cf. Ex 15:2; Ps 68:4; Is 12:2; etc.).<\/p>\nThe exact meaning of the name Yahweh<\/span> is difficult to determine. Some have sought the root in the verb hayah<\/span> (“to be”) or in an ancient form of that same verb, hawah<\/span>.<\/em> There is no agreement as to whether the qal<\/span> or hiphil<\/span> form of the verb should be considered as the root. Those who opt for the hiphil<\/span> form read Yahweh<\/span> to mean “cause to be”; thus Exodus 3:14 would read, “I will cause to be what has come to be.” Others look to the qal<\/span> form and then translate the name as “I Am” or “I Shall Be.” Still others are inclined to disassociate the name from the verb hayah<\/span> and regard it as an original and independent term, expressing the uniqueness of Israel’s gracious God.<\/p>\n\nTranslators of the OT have not agreed upon the correct translation of the name Yahweh<\/span>.<\/em> Since it is translated into the Greek as kurios<\/span>,<\/em> which means “Lord,” many have rendered Yahweh<\/span> as “Lord<\/span>.” But ’Adonai<\/span>,<\/em> which is best rendered “Lord,” appears with Yahweh<\/span> in various instances. The kjv<\/span>, for example, translates Yahweh<\/span> as “God,” and ’Adonai<\/span> as “Lord.” Some modern translators have chosen to use Yahweh<\/span> (see jb<\/span> and njb<\/span>). The name Jehovah, as used in the asv<\/span> (1901), has been judged unacceptable. This name arose due to the Jewish practice of not pronouncing Yahweh<\/span> because of Leviticus 24:16, “He that blasphemes the name of Yahweh<\/span> shall surely be put to death.” This warning against a vain or blasphemous use of the name was taken in an absolute sense, especially after Israel’s deportation (cf. Am 6:10). Hence, when reading the OT the Jews substituted either ’Elohim<\/span> or ’Adonai<\/span> for Yahweh<\/span>.<\/em> From this, the practice of adding the vowels of ’Adonai<\/span> to YHWH (JeHoWaH) became established.<\/p>\nThe interpretation of Exodus 6:2-3 has caused much debate. “And God said to Moses, ‘I am Yahweh<\/span>;<\/em> I appeared to Abraham, to Isaac, and to Jacob, as ’<\/span>El Shaddai<\/span>,<\/em> but by my name Yahweh<\/span> I did not make myself known to them.’ ” This passage has been understood to mean that the name Yahweh<\/span> was not known or used prior to the time of Moses. But that is not what the passage states; rather, it speaks of the patriarchs not knowing God as Yahweh<\/span>.<\/em> They knew him as ’El Shaddai<\/span> in actual revelatory historical deeds. They had not come to know God according to his unique character, that is, as Yahweh<\/span>.<\/em> In other words, God had always been Yahweh<\/span>;<\/em> he is saying to Moses that the descendants of the patriarchs would come to know the full, rich meaning of the name by the way God dealt with them.<\/p>\nThis name Yahweh<\/span> reveals God’s nature in the highest and fullest sense possible. It includes, or presupposes, the meaning of the other names. Yahweh<\/span> particularly stresses the absolute faithfulness of God. God had promised the patriarchs that he would be their God, that he would be with them and deliver and bless them, keep them, and give them a land as a place of service and inheritance. Moses is told by God that Israel is about to behold and experience the unchangeableness of God as he steadfastly and wondrously remembers his word and executes it to the fullest degree. God would prove to be a faithful, redeeming, upholding, restoring God. In working out this redemption, God would demonstrate that he is all that his name implies: merciful, gracious, patient, full of loving-kindness, truthful, faithful, forgiving, just, and righteous (Ex 34:5-6). Truly, Jacob had received an insight into the meaning of the name when he exclaimed, “I wait for thy salvation, O Yahweh<\/span>” (Gn 49:18).<\/p>\nYahweh<\/span>,<\/em> then, is the name par excellence of Israel’s God. As Yahweh<\/span>,<\/em> he is a faithful covenant God who, having given his word of love and life, keeps that word by bestowing love and life abundantly on his own.<\/p>\nIn view of the richness of the name Yahweh<\/span>,<\/em> it can be understood why there were stringent rules regarding its proper use (Lv 24:11, 16). It also explains why thankful, rejoicing, worshiping Israelites used the abbreviated form of Yahweh<\/span> in song when they sang Hallelujah: “Praise Yah” (Pss 104:35; 106:1; 149:1; 150:1).<\/p>\nYahweh<\/span> is used in a number of phrases that are considered names of or ascriptions of God. The most common of these compound names is Yahweh Tseba’oth<\/span> (“hosts”). The word “hosts” is used frequently in the Pentateuch to refer to the armies of Israel (cf. Nm 10:14-28). This is because the word is derived from the verb saba<\/span>’<\/span>,<\/em> which means “to wage” war. It also means “to serve” in some contexts; for example, Numbers 8:24 clearly has reference to the service performed in the tabernacle. The noun tseba’oth<\/span> first occurs in Genesis 2:1, where it refers to the many components of the earth and heaven. Some would limit the reference in these contexts to the stars. Still others would suggest that the tseba’oth<\/span> refers to the angels, appealing to Psalm 33:6 for confirmation.<\/p>\nThe compound name Yahweh Tseba’oth<\/span> first appears in 1 Samuel 1:3. In view of the frequent use of tseba’oth<\/span> in 1—2 Samuel to refer to armies (1 Sm 12:9; 14:50; 17:55; 2 Sm 2:8; 8:16; 10:16), it is thought that the compound name refers to Yahweh<\/span> as the God of armies, that is, God has his armies to serve him. These are considered to be armies of angels who are ministering servants to God. It has been correctly pointed out that the compound name Yahweh Tseba’oth<\/span> is used most frequently by the prophets (Jeremiah, 88 times; Zechariah, 55 times; Malachi, 25 times; Haggai, 14 times) at times when God’s people had either suffered defeat at the hands of enemy armies or were threatened by defeat. Therefore, the compound name was used to remind them that their covenant God had great hosts to fight and work for him on behalf of his people. Thus, though Israel’s armies failed, their covenant God was sufficient for every possible circumstance. And it was to this Yahweh Tseba’oth<\/span> that Israel’s commanders were to give allegiance (Jos 5:14-15), and in whose name Israel was blessed (2 Sm 6:18).<\/p>\nSeveral other compound names occur infrequently:<\/p>\nYahweh-Nissi<\/span> (nissi<\/span>,<\/em> “my banner”) is the name that Moses called on when he built an altar celebrating Israel’s God-given victory over the Amalekites (Ex 17:15). Isaiah uses the term nissi<\/span> when speaking of the coming Messiah who is to be the conqueror (Is 11:10).<\/p>\nYahweh-Rapha<\/span> (rapha’<\/span>,<\/em> “healer”) appears in Exodus 15:26, when Israel is assured that God, their healer, will prevent the diseases of Egypt from affecting Israel. Although the name is only used once, God was often called upon and praised as the healing One (e.g., Ps 103:3; Is 30:26; Jer 6:14).<\/p>\nYahweh-Rohi<\/span> (ro‘i<\/span>,<\/em> “my shepherd”) appears in Psalm 23:1. The concept of Yahweh<\/span> as shepherd is explicated in Ezekiel 34. “I myself will be the Shepherd of my sheep” (v 15). Jesus demonstrated this concept’s full meaning when as a shepherd he gave his life for his sheep.<\/p>\nYahweh-Jireh<\/span> (yir’eh<\/span>,<\/em> “to see ahead or to provide”) appears in Genesis 22:14. Abraham gave this name to the place where God provided a substitute for his son Isaac, whom Abraham was to offer as a sacrifice to God. Yahweh-Shalom<\/span> (shalom<\/span>,<\/em> “peace”) is the name Gideon gave to the altar he built when the angel of the Lord came to give him orders to fight the Midianites (Jgs 6:24).<\/p>\nYahweh<\/span> appears with a few forms of the term tsadaq<\/span>,<\/em> “righteousness.” Yahweh<\/span> is spoken of as our righteousness in Jeremiah 23:6; the thought evidently is that David’s Righteous Branch (the Messiah) will attribute God’s righteousness to those who are incorporated in the new covenant. This concept is expressed in the Pentateuch a number of times when it is said that God has provided a way for living righteously; that is, God provides a way of sanctification (cf. Lv 20:8; 22:9).<\/p>\n’Adonai<\/span> as a name for God appears about 360 times in the OT, though it is not uniformly used. It is first found in Genesis 15:2 and 8, when Abram requests more definite information concerning a son and the Promised Land. It appears only 14 times after that in the Pentateuch. It appears repeatedly in the Psalms (over 50 times), and certain of the prophets use it frequently (Isaiah, 47 times; Jeremiah, 29 times; Ezekiel, over 150 times; and Amos, 27 times).<\/p>\nThe word ’adan<\/span>,<\/em> meaning “master, ruler, owner, lord,” is thought to be the root of the noun ’adon<\/span>,<\/em> which is frequently used of men. For example, in Genesis and 1—2 Samuel the term is used often for men who own slaves or are in positions of authority. ’Adonai<\/span> is correctly described as the name of personal communication between the believer and God. In such communication the worshiper acknowledged God’s intense majesty and greatness and also the sense of belonging to this God. ’Adonai<\/span>,<\/em> coming from human lips, expressed honor for God and humble submission on the part of the believing person. ’Adonai<\/span>,<\/em> thus, is the name that expresses faith, assurance, security, ready service, and thanksgiving (Pss 16:2; 57:9-10).<\/p>\n<h5>Old Testament Name Combinations<\/h5>\nIn the OT the names of God appear in various combinations. For example ’Elohim-Yahweh<\/span>,<\/em> ’Elohim-Yahweh-’Adonai<\/span>,<\/em> and ’Elohim-’Adonai<\/span> are very common. These combinations were an effort to express the fullness of God’s being and character as these had been revealed. Names of God in combination with “Israel” occur also as, for example, with Yahweh<\/span>-God-Israel (Jgs 5:3; Is 17:6). God is also invoked in relation to Israel without the mention of one of his names—for example, Qedosh Yisrael<\/span> (“Holy One of Israel,” Is 43:14) and ’Abir Yisrael<\/span> (“Mighty One of Israel,” Gn 49:24; Ps 132:2; Is 49:26). By means of these phrases, the covenantal relationship between God and his people was expressed and God’s unchanging character was positively acknowledged.<\/p>\n<h5>Old Testament Personal Names<\/h5>\nThe personal names of God are Father, Son, and Holy Spirit and variations of these.<\/p>\nThe term ’Abh<\/span> (“father”) appears more frequently in Genesis than in any other book, and in the Pentateuch more than in any other division of the OT. But it is not used there of God but rather of one who has generated children (i.e., the male parent), the progenitor—head, chief, and ruler of the family group or clan. It is used often in the sense of the responsible one through whom God has spoken, with whom God has dealt, and through whom he has given a rich heritage to the children and descendants of the patriarchs.<\/p>\nIn the poetical books, God is referred to as Father but is not directly named as such. Job is asked, “Has the rain a father?” (Jb 38:28). The reference is to God as the maker, source, and controller of rain. In Psalm 68:5 God in his holy dwelling place is the “Father of the fatherless”; the parallel phrase, “protector of widows,” indicates the sense. Psalm 89:26 says that David will cry to God, “Thou art my Father,” and the parallels use the terms “God” and “Rock of my salvation.” The idea here is of God as Creator and Savior who raised up, delivered, and protected David. In Psalm 103:13, “Father” is used analogously, “As a father pities his children.”<\/p>\nIsaiah uses the term “Father” in relation to God four times. Three times it refers to the One who has made, saved, formed, kept, and directed Israel (Is 63:16; 64:8). Isaiah says the promised child is to be named Everlasting Father (9:6). Used in this sense, the term establishes the Son’s equality with the Father in stature, function, ability, and responsibility. Jeremiah also refers to God as Father in Jeremiah 3:4, 19, meaning the origin, keeper, and friend of his people Israel. Malachi 1:6 and 2:10 speak of God as the parent who deserves honor from his children and as the origin and ruler of all people.<\/p>\nThe term “son” is one of the most-used terms in the OT; it commonly occurs in the sense of offspring and descendant. It also appears in the sense of follower or successor. There are a few indirect references to the second person of the Trinity.<\/p>\nThe messianic Psalm 2 has such a reference: “You are my son” (v 7). It is stated in the context of the king speaking to one who rules and is to rule with and under the sovereign. The immediate reference may be to the theocratic king; however, the reference is revealed in the NT to be the second person of the Trinity (Acts 13:33). Thus, the term “son” is applied to the promised Messiah who is set forth as the divine sovereign ruler and judge of the nations. The Son is perceived to be equal with the Father in deity and function. Not all biblical scholars accept this interpretation, but support is found in such NT passages as Hebrews 1:8 which quotes Psalm 45:6. As stated above, Isaiah speaks of the son to be given (Is 9:6), the One born of the virgin (7:14), who is Immanuel, Mighty God, Everlasting Father, Prince of Peace.<\/p>\nThe name “Holy Spirit” occurs only a few times in the OT. The Spirit is referred to frequently by terms and phrases such as “the Spirit of God” (Gn 1:2), “the Spirit of the Lord God” (Is 61:1), “the Spirit of the Lord” (Ez 37:1), “the Spirit” (Nm 11:17; 27:18), “my Spirit” (Gn 6:3), and “your Spirit” (Ps 51:11). Though the character of the Spirit is not developed as clearly in the OT as in the NT, it can be safely stated that the relationship posited between God and the Spirit is such that there is no doubt that the OT teaches the deity of the Spirit. The character and function of the Spirit is referred to especially in relation to the work of creation (Gn 1:2; Ps 33:6; etc.) and the equipping of servants for the service of God—for example, craftsmanship (Ex 35:31), leadership (Nm 11:17; 27:18), and prophecy (1 Sm 10:6; 2 Sm 23:2; 2 Chr 15:1; Ez 11:5).<\/p>\nThe Names of God in the New Testament<\/p>\n<h5>Proper Names of God<\/h5>\nTheos<\/span> is the NT equivalent of the OT names ’El<\/span>and ’Elohim<\/span>;<\/em> ‘Elyon<\/span> appears in the NT as Hupsistos<\/span>,<\/em> the Highest (Mk 5:7; Lk 1:32, 76). Pantokrator<\/span> (‘El Shaddai<\/span>) appears with Theos<\/span> (2 Cor 6:18; Rv 16:7). This name was used not only to express God’s transcendency, power, sovereignty, and lordship, but also to express that God is one who has a close relationship with his people. This fact is established by the very frequent use of personal pronouns with Theos<\/span>.<\/em> The name Theos<\/span> appears over 1,000 times in the NT.<\/p>\nKurios<\/span>,<\/em> “Lord,” is used to express the OT names Yahweh<\/span> and ‘Adonai<\/span> in the Septuagint, and the NT follows it. Kurios<\/span> means “power,” so the meaning is not the same as with Yahweh<\/span>;<\/em> yet the NT does give Kurios<\/span> the full weight of meaning that the OT gave to Yahweh<\/span>,<\/em> especially when used of Jesus Christ (cf. Acts 2:36; Phil 2:9-11; etc.)<\/p>\nDespotes<\/span> is used five times of God or Jesus in the NT (Lk 2:29; Acts 4:24; 2 Pt 2:11; Jude 1:4; Rv 6:10). It expresses the idea of authority. The idea of brutality conveyed by the modern concept “despot” is absent from the NT usage even when applied to men, where its central thought is ownership (2 Tm 2:21).<\/p>\n<h5>Personal Names of God<\/h5>\nIn the baptismal formula, which is part of the Great Commission (Mt 28:19-20), the three personal names of God appear: Father, Son, and Holy Spirit. These names carry the OT meaning, but since the relationship of the three Persons is explicated, the NT meaning of the names is enriched.<\/p>\n“Jesus” is the personal name of the Son, the second person of the triune Godhead. It means “savior” (Mt 1:21). The root of this name “to save” gave rise to names such as Joshua, Hoshea, and Hosea. The basic meaning of the OT root is “to bring into a safe, wide-open place.” Joshua, bringing Israel into Canaan, personally did what his name meant. The NT explanation (“save from sin”) is not contrary to the OT meaning. To be saved from sin is to be restored to fellowship with God and to enter into the paradise of the heavenly kingdom.<\/p>\nSee also<\/em> Christology; God, Being and Attributes of; Holy Spirit; Jesus Christ, Life and Teachings of; Messiah; Names, Significance of.<\/p>","summary_ro":"GOD, Names of God’s self-identifications expressing various aspects of his being. Preview • The Biblical Idea of Name • The Names of God in the Old Testament • The Names of God in the New Testament The Biblical Idea of Name In the Scriptures the name and person of God are inseparably related. This is in keeping with the biblical conception of what a name signifies. In the Hebrew language, the term for “name” most probably meant “sign” or “distinctive mark.” In the Greek language, “name” (onom...","summary_en":"GOD, Names of God’s self-identifications expressing various aspects of his being. Preview • The Biblical Idea of Name • The Names of God in the Old Testament • The Names of God in the New Testament The Biblical Idea of Name In the Scriptures the name and person of God are inseparably related. This is in keeping with the biblical conception of what a name signifies. In the Hebrew language, the term for “name” most probably meant “sign” or “distinctive mark.” In the Greek language, “name” (onom...","source":"Articles\/G.xml","external_url":null,"has_map":false,"has_picture":false},{"id":49272,"type":"study_note","type_label":"Notă de studiu","type_icon":"📝","type_color":"#06b6d4","title_ro":"Notă de studiu: Psalmi 45:4","title_en":"Study Note: Psalmi 45:4","content_ro":"45:4<\/strong> As God’s agent of truth, humility, and justice<\/em> (see 72:1-2, 4, 7), the king can carry out awe-inspiring deeds<\/em> (65:5; 96:4).<\/p>","content_en":"45:4<\/strong> As God’s agent of truth, humility, and justice<\/em> (see 72:1-2, 4, 7), the king can carry out awe-inspiring deeds<\/em> (65:5; 96:4).<\/p>","summary_ro":"45:4 As God’s agent of truth, humility, and justice (see 72:1-2, 4, 7), the king can carry out awe-inspiring deeds (65:5; 96:4).","summary_en":"45:4 As God’s agent of truth, humility, and justice (see 72:1-2, 4, 7), the king can carry out awe-inspiring deeds (65:5; 96:4).","source":"StudyNotes.xml","external_url":null,"has_map":false,"has_picture":false},{"id":76898,"type":"study_note","type_label":"Notă de studiu","type_icon":"📝","type_color":"#06b6d4","title_ro":"Notă de studiu: Psalmi 45:4","title_en":"Study Note: Psalmi 45:4","content_ro":"45:4<\/strong> As God’s agent of truth, humility, and justice<\/em> (see 72:1-2, 4, 7), the king can carry out awe-inspiring deeds<\/em> (65:5; 96:4).<\/p>","content_en":"45:4<\/strong> As God’s agent of truth, humility, and justice<\/em> (see 72:1-2, 4, 7), the king can carry out awe-inspiring deeds<\/em> (65:5; 96:4).<\/p>","summary_ro":"45:4 As God’s agent of truth, humility, and justice (see 72:1-2, 4, 7), the king can carry out awe-inspiring deeds (65:5; 96:4).","summary_en":"45:4 As God’s agent of truth, humility, and justice (see 72:1-2, 4, 7), the king can carry out awe-inspiring deeds (65:5; 96:4).","source":"StudyNotes.xml","external_url":null,"has_map":false,"has_picture":false},{"id":104524,"type":"study_note","type_label":"Notă de studiu","type_icon":"📝","type_color":"#06b6d4","title_ro":"Notă de studiu: Psalmi 45:4","title_en":"Study Note: Psalmi 45:4","content_ro":"45:4<\/strong> As God’s agent of truth, humility, and justice<\/em> (see 72:1-2, 4, 7), the king can carry out awe-inspiring deeds<\/em> (65:5; 96:4).<\/p>","content_en":"45:4<\/strong> As God’s agent of truth, humility, and justice<\/em> (see 72:1-2, 4, 7), the king can carry out awe-inspiring deeds<\/em> (65:5; 96:4).<\/p>","summary_ro":"45:4 As God’s agent of truth, humility, and justice (see 72:1-2, 4, 7), the king can carry out awe-inspiring deeds (65:5; 96:4).","summary_en":"45:4 As God’s agent of truth, humility, and justice (see 72:1-2, 4, 7), the king can carry out awe-inspiring deeds (65:5; 96:4).","source":"StudyNotes.xml","external_url":null,"has_map":false,"has_picture":false},{"id":132150,"type":"study_note","type_label":"Notă de studiu","type_icon":"📝","type_color":"#06b6d4","title_ro":"Notă de studiu: Psalmi 45:4","title_en":"Study Note: Psalmi 45:4","content_ro":"45:4<\/strong> As God’s agent of truth, humility, and justice<\/em> (see 72:1-2, 4, 7), the king can carry out awe-inspiring deeds<\/em> (65:5; 96:4).<\/p>","content_en":"45:4<\/strong> As God’s agent of truth, humility, and justice<\/em> (see 72:1-2, 4, 7), the king can carry out awe-inspiring deeds<\/em> (65:5; 96:4).<\/p>","summary_ro":"45:4 As God’s agent of truth, humility, and justice (see 72:1-2, 4, 7), the king can carry out awe-inspiring deeds (65:5; 96:4).","summary_en":"45:4 As God’s agent of truth, humility, and justice (see 72:1-2, 4, 7), the king can carry out awe-inspiring deeds (65:5; 96:4).","source":"StudyNotes.xml","external_url":null,"has_map":false,"has_picture":false}],"6":[{"id":14319,"type":"article","type_label":"Articol","type_icon":"📖","type_color":"#d4af37","title_ro":"Names of God","title_en":"Names of God","content_ro":"<h3>GOD, Names of<\/h3>\nGod’s self-identifications expressing various aspects of his being.<\/p>\nPreview<\/p>\n• The Biblical Idea of Name<\/p>\n• The Names of God in the Old Testament<\/p>\n• The Names of God in the New Testament<\/p>\nThe Biblical Idea of Name<\/p>\nIn the Scriptures the name and person of God are inseparably related. This is in keeping with the biblical conception of what a name signifies.<\/p>\nIn the Hebrew language, the term for “name” most probably meant “sign” or “distinctive mark.” In the Greek language, “name” (<\/em>onoma<\/span>)<\/em> is derived from a verb that means “to know.” A name, therefore, indicates that by which a person or object is to be known. But the idea of name is not to be taken in the sense of a label or an arbitrary means of identifying or specifying a person, place, or object. “Name” in biblical usage correctly describes the person, place, or object and indicates the essential character of that to which the name is given. Adam named the animals according to their nature (Gn 2:19-20); Noah means “one who brings relief and comfort” (5:29); Jesus means “savior” (Mt 1:21). When a person was given a new position or a radical change took place in his life, a new name was given to indicate that new aspect—for example, Abraham (“father of many,” Gn 17:5), and Israel (“one who strives with God” or “God strives,” 32:28). The name of a person or people expressed what the person or people thought the proper description or statement of character was.<\/p>\nWith regard to the names of God, there are considerable differences, and these are most clearly seen when biblical scholars and theologians confront the question of whether the names of God are ascriptions given by God concerning himself or they are ascriptions given to God by people who observed his acts and reflected on his character as discerned through a study of divine deeds. Here are some examples of various kinds of divine names:<\/p>\n1. Proper names: El, Yahweh, Adonai, Theos (God), Kurios (Lord).<\/p>\n<li>2. Personal names: Father, Abba, Son, Jesus, Holy Spirit.<\/li>\n<li>3. Titles: Creator, Messiah\/Christ, Paraclete\/Comforter.<\/li>\n<li>4. Essential names: Light, Love, Spirit.<\/li>\n<li>5. Descriptive names: Rock, Ba’al, Master, Rabboni, Shepherd.<\/li>\nThe Names of God in the Old Testament<\/p>\n<h5>El and Related Names<\/h5>\nThe name ’El<\/span> is found over 200 times in the Hebrew Bible. It is best translated as “God.” The term ’el<\/span> has a number of possible meanings. The root is thought by some to be ’ul<\/span>,<\/em> which means “to be first” or “to be strong.” Others suggest the root is ’alah<\/span>,<\/em> which means “to precede” and suggests “leader” or “commander.” It can also mean “to be afraid.” Thus God as ’alah<\/span>,<\/em> as the strong one, is to be feared. Still others suggest the preposition ’el<\/span> (“to, toward”) as the root; the idea then is of “one giving self to others” or of “one to whom others go for help.” Some scholars suggest that the word ’alim<\/span>,<\/em> meaning “to bind,” should be considered as a root also—that is, “the strong one binds and holds firm control.” Common to these four suggested root meanings is the idea of strength, power, and of supreme excellence and greatness.<\/p>\n’El<\/span> in the OT is used particularly in the earlier books, where it describes God’s exercising dynamic power as distinguished from authority. ’El<\/span> speaks of God as the great doer and producer. He is the One who exercises such power that whatever is made, done, kept, or destroyed is his doing (cf. Ex 15). ’El<\/span> is also used to express the idea that God is not to be identified as part of creation but as the One who is above, behind, and beyond creation (Ps 19:1).<\/p>\n’Elohim<\/span> is also commonly used as the name of God, occurring over 2,500 times in the OT. There are differences of opinion concerning the exact origin and meaning of this plural name. Some have suggested that ’Elohim<\/span> is the plural form of ’El<\/span>,<\/em> but it seems more likely that it is a plural of ’Eloah<\/span>,<\/em> which appears in the poetical writings. Some critical writers have suggested that this plural form is borrowed from pagan polytheistic sources, but no such plural form is found among pagans as the name of a deity. Others have suggested that the plural form is used to indicate the triune nature of God, and support for this has been seen in the use of a singular verb with this plural noun. The biblical doctrine of the Trinity, as it is developed throughout the Scriptures, does not appear to be based on the use of this plural form of God’s name, even though the two positions are not contradictory.<\/p>\nThe plural form, ’Elohim<\/span>,<\/em> is best understood as expressing intensity. God makes himself known by this name as the Lord of intense and extensive glory and richness as he exercises his preeminence and power in the created cosmos. Hence, when the Scripture speaks of creation, it states, “In the beginning ’Elohim<\/span> created the heavens and the earth” (Gn 1:1). This name is repeated 35 times in Genesis 1 and 2 in connection with God’s power as revealed in Creation. In the book of Deuteronomy the name ’Elohim<\/span> is used repeatedly to stress the majestic power of God that was shown in Israel’s release from bondage in Egypt, preservation in the wilderness, and preparation for entrance into the Promised Land. In this context, God (<\/em>’Elohim<\/span>)<\/em> is also recognized as the Lawgiver who will powerfully execute judgment on covenant breakers. The psalmists also used this named repeatedly as they acknowledged and praised God the majestic ruler who had demonstrated his omnipotence in many dimensions of life (see Ps 68, in which ’Elohim<\/span> appears 26 times.)<\/p>\nSome scholars point to the use of ’Elohim<\/span> when God spoke to Abraham and said he would be ’Elohim<\/span> to the patriarch and his seed; that is, God would be in a covenant relationship to them (Gn 17:1-8). Included in this relationship is the idea that God is ever ready to use his power on behalf of those who are in covenant with him. Thus, ’<\/span>Elohim<\/span> also expresses the concept of God’s faithfulness in regard to the covenant and the promises and blessings involved in it.<\/p>\nThe name ’<\/span>Eloah<\/span> occurs mainly in the poetical writings, no fewer than 41 times in Job. Isaiah used it to express the incomparable character of God (Is 44:8). In like manner David asked, “Who is God [’<\/span>Eloah<\/span>], but the Lord<\/span>?” (2 Sm 22:32). Moses was the first to use the name ’<\/span>Eloah<\/span> in his song (Dt 32:15-17), referring to Israel’s God in the context of the “no-gods,” which had been chosen in place of the Rock of salvation and the incomparable One. This name was probably used to stress the fact that God is the only true and living One, the One to be adored and worshiped; he is to be revered with a holy fear.<\/p>\nAnother closely related name is ’Elah<\/span>,<\/em> found in Ezra and Daniel. Some think ’Elah<\/span> is a Chaldee or Aramaic form of ’Eloah<\/span>.<\/em> Its root is said to be ’alah<\/span>,<\/em> which means “to fear” or “to be perplexed.” God as ’Elah<\/span> is the God to be feared and worshiped accordingly. In view of this meaning, it can be understood why, in the time of Israel’s exile and immediately after their return, this name was commonly used.<\/p>\nThree other names of God include the term ’El<\/span>:<\/em><\/p>\n’El ‘Elyon<\/span> is the name used to designate the God of Melchizedek (Gn 14:18-22) as God Most High. In Psalms 57:2 and 78:56 the Hebrew reads ’Elohim ‘Elyon<\/span>.<\/em> It is believed that the term ‘Elyon<\/span> is derived from the verb ‘alah<\/span>,<\/em> meaning “go up, be elevated, to be exalted.” There are a number of instances where the term ‘Elyon<\/span> is used alone, but the context indicates that it is then used as a synonym for God (e.g., Nm 24:16; Ps 83:18; Is 14:14). The term ‘elyon<\/span> is used quite frequently as an adjective; it is then translated as “high, highest, upper, uppermost.” The basic ascription given to God when this name is employed is to One who is above all things as the maker, possessor, and ruler. He is incomparable in every way; he is subject to no one and no thing; he is the Exalted One.<\/p>\n’El Shaddai<\/span> is used in the longer form seven times in the Scriptures (Gn 17:1; 28:3; 35:11; 43:14; 48:3; Ex 6:3; Ez 10:5). In the shorter form (<\/em>Shaddai<\/span>),<\/em> it appears more frequently: in Job 30 times; in Psalms 19:1 and 68:14; once in Ruth (1:21), Isaiah (13:6), Ezekiel (1:24), and Joel (1:15). In these passages the combined ideas of God as the all-powerful, all-sufficient, transcendent, sovereign ruler and disposer are present. This meaning is generally accepted, but there are differences as to the exact meaning of the term Shaddai<\/span>.<\/em> Some have begun with shad<\/span> as the first concept to be considered; its meaning is “breast, pap, or teat,” and it is considered a “precious metaphor” of the God who nourishes, supplies, and satisfies. The root of shad<\/span> (<\/em>shadah<\/span>),<\/em> in Semitic usage, is to moisten. This meaning is not the preferred one in the context of which ’El Shaddai<\/span> appears; nor is shed<\/span> (demon), which some scholars have sought to use because it appears in Deuteronomy 32:17 and Psalm 106:37 speaking of Israel’s idolatry. In addition to the fact that shed<\/span> is spelled differently, the connection between the concept of demon and God as all-powerful is difficult to establish. More acceptable is the suggestion that Shaddai<\/span> is a composite term of sha<\/span> (“the one who”) and dai<\/span> (“is sufficient”). The later Greek versions have adopted this meaning. The most preferred explanation is that Shaddai<\/span> is derived from the verb shadad<\/span> (“to overpower, to deal violently, or to devastate”). A clear connection between shadad<\/span> and Shaddai<\/span> is said to be found in Isaiah 13:6 and Joel 1:15. God as ’El Shaddai<\/span> is presented as the all-powerful One, totally self-sufficient, absolute ruler, and the One who can and does make final disposition. The Septuagint has adapted this meaning; it translates ’El Shaddai<\/span> as Pantokrator<\/span>,<\/em> the “All-Ruler” or “Sovereign One.”<\/p>\n’El ‘Olam<\/span> is used to refer to God as the everlasting or eternal One, a clear instance where the name of God and an attribute of God are combined. The term ‘olam<\/span> has a wide range of uses. It is usually defined in lexicons as meaning “long duration, antiquity, and indefinite futurity.” It is used to speak of God’s existence, of God’s covenant and promises, and of the Messiah’s reign. Speaking to God, the psalmist said, “You are from ‘olam<\/span> (everlasting) to ‘olam<\/span> (everlasting)” (Ps 90:2), and the prophet Isaiah spoke of God as the everlasting Creator (Is 40:28) and as everlasting strength (26:4), and Jeremiah spoke of God as everlasting King (Jer 10:10). God’s everlastingness or eternity speaks of his infinity in relation to time. ‘Olam<\/span>,<\/em> as ascribed to God, should not be thought of as duration prolonged indefinitely backward and forward. Rather, the word speaks to God’s transcending all temporal limits; in addition, ‘olam<\/span> refers to the quality of God that differs essentially from time. The Scriptures speak of ’El ‘Olam<\/span> in contexts where the believer’s assurance of well-being, security, and hope are presented as prized possessions.<\/p>\n’El Gibbor<\/span> is a name that speaks of God’s power and might. Gibbor<\/span> alone is used in reference to mighty and heroic men. The two terms together always refer to God, and in some instances Haggadol<\/span> (“the greatest”) is added (Dt 10:17; Jer 32:18) to emphasize the greatness and awesome majesty of God. ’El Gibbor<\/span> is also used to describe the Messiah in Isaiah 9:6 (cf. Ps 45:4).<\/p>\n’El Ro’i<\/span> is used once to describe God as the seeing One. Hagar described the Lord this way when she was found in the wilderness (Gn 16:13). Psalm 139:1-2 expresses this concept of God as the all-seeing One from whose eye nothing is hidden (cf. Ps 33:18).<\/p>\nYahweh<\/span> is a distinctly proper name of God. It is never used to refer to any pagan gods; neither is it used in regard to men. It appears 6,823 times in the OT, occurring first in Genesis 2:4, where it is joined with ’Elohim<\/span>.<\/em> Yahweh<\/span> is used 164 times in Genesis, and it appears 1,800 times in Exodus through Joshua. It never appears in a declined form in the Hebrew language, and it never occurs in the plural form or with suffixes. It is abbreviated as Yah<\/span> and Yahu<\/span> (cf. Ex 15:2; Ps 68:4; Is 12:2; etc.).<\/p>\nThe exact meaning of the name Yahweh<\/span> is difficult to determine. Some have sought the root in the verb hayah<\/span> (“to be”) or in an ancient form of that same verb, hawah<\/span>.<\/em> There is no agreement as to whether the qal<\/span> or hiphil<\/span> form of the verb should be considered as the root. Those who opt for the hiphil<\/span> form read Yahweh<\/span> to mean “cause to be”; thus Exodus 3:14 would read, “I will cause to be what has come to be.” Others look to the qal<\/span> form and then translate the name as “I Am” or “I Shall Be.” Still others are inclined to disassociate the name from the verb hayah<\/span> and regard it as an original and independent term, expressing the uniqueness of Israel’s gracious God.<\/p>\n\nTranslators of the OT have not agreed upon the correct translation of the name Yahweh<\/span>.<\/em> Since it is translated into the Greek as kurios<\/span>,<\/em> which means “Lord,” many have rendered Yahweh<\/span> as “Lord<\/span>.” But ’Adonai<\/span>,<\/em> which is best rendered “Lord,” appears with Yahweh<\/span> in various instances. The kjv<\/span>, for example, translates Yahweh<\/span> as “God,” and ’Adonai<\/span> as “Lord.” Some modern translators have chosen to use Yahweh<\/span> (see jb<\/span> and njb<\/span>). The name Jehovah, as used in the asv<\/span> (1901), has been judged unacceptable. This name arose due to the Jewish practice of not pronouncing Yahweh<\/span> because of Leviticus 24:16, “He that blasphemes the name of Yahweh<\/span> shall surely be put to death.” This warning against a vain or blasphemous use of the name was taken in an absolute sense, especially after Israel’s deportation (cf. Am 6:10). Hence, when reading the OT the Jews substituted either ’Elohim<\/span> or ’Adonai<\/span> for Yahweh<\/span>.<\/em> From this, the practice of adding the vowels of ’Adonai<\/span> to YHWH (JeHoWaH) became established.<\/p>\nThe interpretation of Exodus 6:2-3 has caused much debate. “And God said to Moses, ‘I am Yahweh<\/span>;<\/em> I appeared to Abraham, to Isaac, and to Jacob, as ’<\/span>El Shaddai<\/span>,<\/em> but by my name Yahweh<\/span> I did not make myself known to them.’ ” This passage has been understood to mean that the name Yahweh<\/span> was not known or used prior to the time of Moses. But that is not what the passage states; rather, it speaks of the patriarchs not knowing God as Yahweh<\/span>.<\/em> They knew him as ’El Shaddai<\/span> in actual revelatory historical deeds. They had not come to know God according to his unique character, that is, as Yahweh<\/span>.<\/em> In other words, God had always been Yahweh<\/span>;<\/em> he is saying to Moses that the descendants of the patriarchs would come to know the full, rich meaning of the name by the way God dealt with them.<\/p>\nThis name Yahweh<\/span> reveals God’s nature in the highest and fullest sense possible. It includes, or presupposes, the meaning of the other names. Yahweh<\/span> particularly stresses the absolute faithfulness of God. God had promised the patriarchs that he would be their God, that he would be with them and deliver and bless them, keep them, and give them a land as a place of service and inheritance. Moses is told by God that Israel is about to behold and experience the unchangeableness of God as he steadfastly and wondrously remembers his word and executes it to the fullest degree. God would prove to be a faithful, redeeming, upholding, restoring God. In working out this redemption, God would demonstrate that he is all that his name implies: merciful, gracious, patient, full of loving-kindness, truthful, faithful, forgiving, just, and righteous (Ex 34:5-6). Truly, Jacob had received an insight into the meaning of the name when he exclaimed, “I wait for thy salvation, O Yahweh<\/span>” (Gn 49:18).<\/p>\nYahweh<\/span>,<\/em> then, is the name par excellence of Israel’s God. As Yahweh<\/span>,<\/em> he is a faithful covenant God who, having given his word of love and life, keeps that word by bestowing love and life abundantly on his own.<\/p>\nIn view of the richness of the name Yahweh<\/span>,<\/em> it can be understood why there were stringent rules regarding its proper use (Lv 24:11, 16). It also explains why thankful, rejoicing, worshiping Israelites used the abbreviated form of Yahweh<\/span> in song when they sang Hallelujah: “Praise Yah” (Pss 104:35; 106:1; 149:1; 150:1).<\/p>\nYahweh<\/span> is used in a number of phrases that are considered names of or ascriptions of God. The most common of these compound names is Yahweh Tseba’oth<\/span> (“hosts”). The word “hosts” is used frequently in the Pentateuch to refer to the armies of Israel (cf. Nm 10:14-28). This is because the word is derived from the verb saba<\/span>’<\/span>,<\/em> which means “to wage” war. It also means “to serve” in some contexts; for example, Numbers 8:24 clearly has reference to the service performed in the tabernacle. The noun tseba’oth<\/span> first occurs in Genesis 2:1, where it refers to the many components of the earth and heaven. Some would limit the reference in these contexts to the stars. Still others would suggest that the tseba’oth<\/span> refers to the angels, appealing to Psalm 33:6 for confirmation.<\/p>\nThe compound name Yahweh Tseba’oth<\/span> first appears in 1 Samuel 1:3. In view of the frequent use of tseba’oth<\/span> in 1—2 Samuel to refer to armies (1 Sm 12:9; 14:50; 17:55; 2 Sm 2:8; 8:16; 10:16), it is thought that the compound name refers to Yahweh<\/span> as the God of armies, that is, God has his armies to serve him. These are considered to be armies of angels who are ministering servants to God. It has been correctly pointed out that the compound name Yahweh Tseba’oth<\/span> is used most frequently by the prophets (Jeremiah, 88 times; Zechariah, 55 times; Malachi, 25 times; Haggai, 14 times) at times when God’s people had either suffered defeat at the hands of enemy armies or were threatened by defeat. Therefore, the compound name was used to remind them that their covenant God had great hosts to fight and work for him on behalf of his people. Thus, though Israel’s armies failed, their covenant God was sufficient for every possible circumstance. And it was to this Yahweh Tseba’oth<\/span> that Israel’s commanders were to give allegiance (Jos 5:14-15), and in whose name Israel was blessed (2 Sm 6:18).<\/p>\nSeveral other compound names occur infrequently:<\/p>\nYahweh-Nissi<\/span> (nissi<\/span>,<\/em> “my banner”) is the name that Moses called on when he built an altar celebrating Israel’s God-given victory over the Amalekites (Ex 17:15). Isaiah uses the term nissi<\/span> when speaking of the coming Messiah who is to be the conqueror (Is 11:10).<\/p>\nYahweh-Rapha<\/span> (rapha’<\/span>,<\/em> “healer”) appears in Exodus 15:26, when Israel is assured that God, their healer, will prevent the diseases of Egypt from affecting Israel. Although the name is only used once, God was often called upon and praised as the healing One (e.g., Ps 103:3; Is 30:26; Jer 6:14).<\/p>\nYahweh-Rohi<\/span> (ro‘i<\/span>,<\/em> “my shepherd”) appears in Psalm 23:1. The concept of Yahweh<\/span> as shepherd is explicated in Ezekiel 34. “I myself will be the Shepherd of my sheep” (v 15). Jesus demonstrated this concept’s full meaning when as a shepherd he gave his life for his sheep.<\/p>\nYahweh-Jireh<\/span> (yir’eh<\/span>,<\/em> “to see ahead or to provide”) appears in Genesis 22:14. Abraham gave this name to the place where God provided a substitute for his son Isaac, whom Abraham was to offer as a sacrifice to God. Yahweh-Shalom<\/span> (shalom<\/span>,<\/em> “peace”) is the name Gideon gave to the altar he built when the angel of the Lord came to give him orders to fight the Midianites (Jgs 6:24).<\/p>\nYahweh<\/span> appears with a few forms of the term tsadaq<\/span>,<\/em> “righteousness.” Yahweh<\/span> is spoken of as our righteousness in Jeremiah 23:6; the thought evidently is that David’s Righteous Branch (the Messiah) will attribute God’s righteousness to those who are incorporated in the new covenant. This concept is expressed in the Pentateuch a number of times when it is said that God has provided a way for living righteously; that is, God provides a way of sanctification (cf. Lv 20:8; 22:9).<\/p>\n’Adonai<\/span> as a name for God appears about 360 times in the OT, though it is not uniformly used. It is first found in Genesis 15:2 and 8, when Abram requests more definite information concerning a son and the Promised Land. It appears only 14 times after that in the Pentateuch. It appears repeatedly in the Psalms (over 50 times), and certain of the prophets use it frequently (Isaiah, 47 times; Jeremiah, 29 times; Ezekiel, over 150 times; and Amos, 27 times).<\/p>\nThe word ’adan<\/span>,<\/em> meaning “master, ruler, owner, lord,” is thought to be the root of the noun ’adon<\/span>,<\/em> which is frequently used of men. For example, in Genesis and 1—2 Samuel the term is used often for men who own slaves or are in positions of authority. ’Adonai<\/span> is correctly described as the name of personal communication between the believer and God. In such communication the worshiper acknowledged God’s intense majesty and greatness and also the sense of belonging to this God. ’Adonai<\/span>,<\/em> coming from human lips, expressed honor for God and humble submission on the part of the believing person. ’Adonai<\/span>,<\/em> thus, is the name that expresses faith, assurance, security, ready service, and thanksgiving (Pss 16:2; 57:9-10).<\/p>\n<h5>Old Testament Name Combinations<\/h5>\nIn the OT the names of God appear in various combinations. For example ’Elohim-Yahweh<\/span>,<\/em> ’Elohim-Yahweh-’Adonai<\/span>,<\/em> and ’Elohim-’Adonai<\/span> are very common. These combinations were an effort to express the fullness of God’s being and character as these had been revealed. Names of God in combination with “Israel” occur also as, for example, with Yahweh<\/span>-God-Israel (Jgs 5:3; Is 17:6). God is also invoked in relation to Israel without the mention of one of his names—for example, Qedosh Yisrael<\/span> (“Holy One of Israel,” Is 43:14) and ’Abir Yisrael<\/span> (“Mighty One of Israel,” Gn 49:24; Ps 132:2; Is 49:26). By means of these phrases, the covenantal relationship between God and his people was expressed and God’s unchanging character was positively acknowledged.<\/p>\n<h5>Old Testament Personal Names<\/h5>\nThe personal names of God are Father, Son, and Holy Spirit and variations of these.<\/p>\nThe term ’Abh<\/span> (“father”) appears more frequently in Genesis than in any other book, and in the Pentateuch more than in any other division of the OT. But it is not used there of God but rather of one who has generated children (i.e., the male parent), the progenitor—head, chief, and ruler of the family group or clan. It is used often in the sense of the responsible one through whom God has spoken, with whom God has dealt, and through whom he has given a rich heritage to the children and descendants of the patriarchs.<\/p>\nIn the poetical books, God is referred to as Father but is not directly named as such. Job is asked, “Has the rain a father?” (Jb 38:28). The reference is to God as the maker, source, and controller of rain. In Psalm 68:5 God in his holy dwelling place is the “Father of the fatherless”; the parallel phrase, “protector of widows,” indicates the sense. Psalm 89:26 says that David will cry to God, “Thou art my Father,” and the parallels use the terms “God” and “Rock of my salvation.” The idea here is of God as Creator and Savior who raised up, delivered, and protected David. In Psalm 103:13, “Father” is used analogously, “As a father pities his children.”<\/p>\nIsaiah uses the term “Father” in relation to God four times. Three times it refers to the One who has made, saved, formed, kept, and directed Israel (Is 63:16; 64:8). Isaiah says the promised child is to be named Everlasting Father (9:6). Used in this sense, the term establishes the Son’s equality with the Father in stature, function, ability, and responsibility. Jeremiah also refers to God as Father in Jeremiah 3:4, 19, meaning the origin, keeper, and friend of his people Israel. Malachi 1:6 and 2:10 speak of God as the parent who deserves honor from his children and as the origin and ruler of all people.<\/p>\nThe term “son” is one of the most-used terms in the OT; it commonly occurs in the sense of offspring and descendant. It also appears in the sense of follower or successor. There are a few indirect references to the second person of the Trinity.<\/p>\nThe messianic Psalm 2 has such a reference: “You are my son” (v 7). It is stated in the context of the king speaking to one who rules and is to rule with and under the sovereign. The immediate reference may be to the theocratic king; however, the reference is revealed in the NT to be the second person of the Trinity (Acts 13:33). Thus, the term “son” is applied to the promised Messiah who is set forth as the divine sovereign ruler and judge of the nations. The Son is perceived to be equal with the Father in deity and function. Not all biblical scholars accept this interpretation, but support is found in such NT passages as Hebrews 1:8 which quotes Psalm 45:6. As stated above, Isaiah speaks of the son to be given (Is 9:6), the One born of the virgin (7:14), who is Immanuel, Mighty God, Everlasting Father, Prince of Peace.<\/p>\nThe name “Holy Spirit” occurs only a few times in the OT. The Spirit is referred to frequently by terms and phrases such as “the Spirit of God” (Gn 1:2), “the Spirit of the Lord God” (Is 61:1), “the Spirit of the Lord” (Ez 37:1), “the Spirit” (Nm 11:17; 27:18), “my Spirit” (Gn 6:3), and “your Spirit” (Ps 51:11). Though the character of the Spirit is not developed as clearly in the OT as in the NT, it can be safely stated that the relationship posited between God and the Spirit is such that there is no doubt that the OT teaches the deity of the Spirit. The character and function of the Spirit is referred to especially in relation to the work of creation (Gn 1:2; Ps 33:6; etc.) and the equipping of servants for the service of God—for example, craftsmanship (Ex 35:31), leadership (Nm 11:17; 27:18), and prophecy (1 Sm 10:6; 2 Sm 23:2; 2 Chr 15:1; Ez 11:5).<\/p>\nThe Names of God in the New Testament<\/p>\n<h5>Proper Names of God<\/h5>\nTheos<\/span> is the NT equivalent of the OT names ’El<\/span>and ’Elohim<\/span>;<\/em> ‘Elyon<\/span> appears in the NT as Hupsistos<\/span>,<\/em> the Highest (Mk 5:7; Lk 1:32, 76). Pantokrator<\/span> (‘El Shaddai<\/span>) appears with Theos<\/span> (2 Cor 6:18; Rv 16:7). This name was used not only to express God’s transcendency, power, sovereignty, and lordship, but also to express that God is one who has a close relationship with his people. This fact is established by the very frequent use of personal pronouns with Theos<\/span>.<\/em> The name Theos<\/span> appears over 1,000 times in the NT.<\/p>\nKurios<\/span>,<\/em> “Lord,” is used to express the OT names Yahweh<\/span> and ‘Adonai<\/span> in the Septuagint, and the NT follows it. Kurios<\/span> means “power,” so the meaning is not the same as with Yahweh<\/span>;<\/em> yet the NT does give Kurios<\/span> the full weight of meaning that the OT gave to Yahweh<\/span>,<\/em> especially when used of Jesus Christ (cf. Acts 2:36; Phil 2:9-11; etc.)<\/p>\nDespotes<\/span> is used five times of God or Jesus in the NT (Lk 2:29; Acts 4:24; 2 Pt 2:11; Jude 1:4; Rv 6:10). It expresses the idea of authority. The idea of brutality conveyed by the modern concept “despot” is absent from the NT usage even when applied to men, where its central thought is ownership (2 Tm 2:21).<\/p>\n<h5>Personal Names of God<\/h5>\nIn the baptismal formula, which is part of the Great Commission (Mt 28:19-20), the three personal names of God appear: Father, Son, and Holy Spirit. These names carry the OT meaning, but since the relationship of the three Persons is explicated, the NT meaning of the names is enriched.<\/p>\n“Jesus” is the personal name of the Son, the second person of the triune Godhead. It means “savior” (Mt 1:21). The root of this name “to save” gave rise to names such as Joshua, Hoshea, and Hosea. The basic meaning of the OT root is “to bring into a safe, wide-open place.” Joshua, bringing Israel into Canaan, personally did what his name meant. The NT explanation (“save from sin”) is not contrary to the OT meaning. To be saved from sin is to be restored to fellowship with God and to enter into the paradise of the heavenly kingdom.<\/p>\nSee also<\/em> Christology; God, Being and Attributes of; Holy Spirit; Jesus Christ, Life and Teachings of; Messiah; Names, Significance of.<\/p>","content_en":"<h3>GOD, Names of<\/h3>\nGod’s self-identifications expressing various aspects of his being.<\/p>\nPreview<\/p>\n• The Biblical Idea of Name<\/p>\n• The Names of God in the Old Testament<\/p>\n• The Names of God in the New Testament<\/p>\nThe Biblical Idea of Name<\/p>\nIn the Scriptures the name and person of God are inseparably related. This is in keeping with the biblical conception of what a name signifies.<\/p>\nIn the Hebrew language, the term for “name” most probably meant “sign” or “distinctive mark.” In the Greek language, “name” (<\/em>onoma<\/span>)<\/em> is derived from a verb that means “to know.” A name, therefore, indicates that by which a person or object is to be known. But the idea of name is not to be taken in the sense of a label or an arbitrary means of identifying or specifying a person, place, or object. “Name” in biblical usage correctly describes the person, place, or object and indicates the essential character of that to which the name is given. Adam named the animals according to their nature (Gn 2:19-20); Noah means “one who brings relief and comfort” (5:29); Jesus means “savior” (Mt 1:21). When a person was given a new position or a radical change took place in his life, a new name was given to indicate that new aspect—for example, Abraham (“father of many,” Gn 17:5), and Israel (“one who strives with God” or “God strives,” 32:28). The name of a person or people expressed what the person or people thought the proper description or statement of character was.<\/p>\nWith regard to the names of God, there are considerable differences, and these are most clearly seen when biblical scholars and theologians confront the question of whether the names of God are ascriptions given by God concerning himself or they are ascriptions given to God by people who observed his acts and reflected on his character as discerned through a study of divine deeds. Here are some examples of various kinds of divine names:<\/p>\n1. Proper names: El, Yahweh, Adonai, Theos (God), Kurios (Lord).<\/p>\n<li>2. Personal names: Father, Abba, Son, Jesus, Holy Spirit.<\/li>\n<li>3. Titles: Creator, Messiah\/Christ, Paraclete\/Comforter.<\/li>\n<li>4. Essential names: Light, Love, Spirit.<\/li>\n<li>5. Descriptive names: Rock, Ba’al, Master, Rabboni, Shepherd.<\/li>\nThe Names of God in the Old Testament<\/p>\n<h5>El and Related Names<\/h5>\nThe name ’El<\/span> is found over 200 times in the Hebrew Bible. It is best translated as “God.” The term ’el<\/span> has a number of possible meanings. The root is thought by some to be ’ul<\/span>,<\/em> which means “to be first” or “to be strong.” Others suggest the root is ’alah<\/span>,<\/em> which means “to precede” and suggests “leader” or “commander.” It can also mean “to be afraid.” Thus God as ’alah<\/span>,<\/em> as the strong one, is to be feared. Still others suggest the preposition ’el<\/span> (“to, toward”) as the root; the idea then is of “one giving self to others” or of “one to whom others go for help.” Some scholars suggest that the word ’alim<\/span>,<\/em> meaning “to bind,” should be considered as a root also—that is, “the strong one binds and holds firm control.” Common to these four suggested root meanings is the idea of strength, power, and of supreme excellence and greatness.<\/p>\n’El<\/span> in the OT is used particularly in the earlier books, where it describes God’s exercising dynamic power as distinguished from authority. ’El<\/span> speaks of God as the great doer and producer. He is the One who exercises such power that whatever is made, done, kept, or destroyed is his doing (cf. Ex 15). ’El<\/span> is also used to express the idea that God is not to be identified as part of creation but as the One who is above, behind, and beyond creation (Ps 19:1).<\/p>\n’Elohim<\/span> is also commonly used as the name of God, occurring over 2,500 times in the OT. There are differences of opinion concerning the exact origin and meaning of this plural name. Some have suggested that ’Elohim<\/span> is the plural form of ’El<\/span>,<\/em> but it seems more likely that it is a plural of ’Eloah<\/span>,<\/em> which appears in the poetical writings. Some critical writers have suggested that this plural form is borrowed from pagan polytheistic sources, but no such plural form is found among pagans as the name of a deity. Others have suggested that the plural form is used to indicate the triune nature of God, and support for this has been seen in the use of a singular verb with this plural noun. The biblical doctrine of the Trinity, as it is developed throughout the Scriptures, does not appear to be based on the use of this plural form of God’s name, even though the two positions are not contradictory.<\/p>\nThe plural form, ’Elohim<\/span>,<\/em> is best understood as expressing intensity. God makes himself known by this name as the Lord of intense and extensive glory and richness as he exercises his preeminence and power in the created cosmos. Hence, when the Scripture speaks of creation, it states, “In the beginning ’Elohim<\/span> created the heavens and the earth” (Gn 1:1). This name is repeated 35 times in Genesis 1 and 2 in connection with God’s power as revealed in Creation. In the book of Deuteronomy the name ’Elohim<\/span> is used repeatedly to stress the majestic power of God that was shown in Israel’s release from bondage in Egypt, preservation in the wilderness, and preparation for entrance into the Promised Land. In this context, God (<\/em>’Elohim<\/span>)<\/em> is also recognized as the Lawgiver who will powerfully execute judgment on covenant breakers. The psalmists also used this named repeatedly as they acknowledged and praised God the majestic ruler who had demonstrated his omnipotence in many dimensions of life (see Ps 68, in which ’Elohim<\/span> appears 26 times.)<\/p>\nSome scholars point to the use of ’Elohim<\/span> when God spoke to Abraham and said he would be ’Elohim<\/span> to the patriarch and his seed; that is, God would be in a covenant relationship to them (Gn 17:1-8). Included in this relationship is the idea that God is ever ready to use his power on behalf of those who are in covenant with him. Thus, ’<\/span>Elohim<\/span> also expresses the concept of God’s faithfulness in regard to the covenant and the promises and blessings involved in it.<\/p>\nThe name ’<\/span>Eloah<\/span> occurs mainly in the poetical writings, no fewer than 41 times in Job. Isaiah used it to express the incomparable character of God (Is 44:8). In like manner David asked, “Who is God [’<\/span>Eloah<\/span>], but the Lord<\/span>?” (2 Sm 22:32). Moses was the first to use the name ’<\/span>Eloah<\/span> in his song (Dt 32:15-17), referring to Israel’s God in the context of the “no-gods,” which had been chosen in place of the Rock of salvation and the incomparable One. This name was probably used to stress the fact that God is the only true and living One, the One to be adored and worshiped; he is to be revered with a holy fear.<\/p>\nAnother closely related name is ’Elah<\/span>,<\/em> found in Ezra and Daniel. Some think ’Elah<\/span> is a Chaldee or Aramaic form of ’Eloah<\/span>.<\/em> Its root is said to be ’alah<\/span>,<\/em> which means “to fear” or “to be perplexed.” God as ’Elah<\/span> is the God to be feared and worshiped accordingly. In view of this meaning, it can be understood why, in the time of Israel’s exile and immediately after their return, this name was commonly used.<\/p>\nThree other names of God include the term ’El<\/span>:<\/em><\/p>\n’El ‘Elyon<\/span> is the name used to designate the God of Melchizedek (Gn 14:18-22) as God Most High. In Psalms 57:2 and 78:56 the Hebrew reads ’Elohim ‘Elyon<\/span>.<\/em> It is believed that the term ‘Elyon<\/span> is derived from the verb ‘alah<\/span>,<\/em> meaning “go up, be elevated, to be exalted.” There are a number of instances where the term ‘Elyon<\/span> is used alone, but the context indicates that it is then used as a synonym for God (e.g., Nm 24:16; Ps 83:18; Is 14:14). The term ‘elyon<\/span> is used quite frequently as an adjective; it is then translated as “high, highest, upper, uppermost.” The basic ascription given to God when this name is employed is to One who is above all things as the maker, possessor, and ruler. He is incomparable in every way; he is subject to no one and no thing; he is the Exalted One.<\/p>\n’El Shaddai<\/span> is used in the longer form seven times in the Scriptures (Gn 17:1; 28:3; 35:11; 43:14; 48:3; Ex 6:3; Ez 10:5). In the shorter form (<\/em>Shaddai<\/span>),<\/em> it appears more frequently: in Job 30 times; in Psalms 19:1 and 68:14; once in Ruth (1:21), Isaiah (13:6), Ezekiel (1:24), and Joel (1:15). In these passages the combined ideas of God as the all-powerful, all-sufficient, transcendent, sovereign ruler and disposer are present. This meaning is generally accepted, but there are differences as to the exact meaning of the term Shaddai<\/span>.<\/em> Some have begun with shad<\/span> as the first concept to be considered; its meaning is “breast, pap, or teat,” and it is considered a “precious metaphor” of the God who nourishes, supplies, and satisfies. The root of shad<\/span> (<\/em>shadah<\/span>),<\/em> in Semitic usage, is to moisten. This meaning is not the preferred one in the context of which ’El Shaddai<\/span> appears; nor is shed<\/span> (demon), which some scholars have sought to use because it appears in Deuteronomy 32:17 and Psalm 106:37 speaking of Israel’s idolatry. In addition to the fact that shed<\/span> is spelled differently, the connection between the concept of demon and God as all-powerful is difficult to establish. More acceptable is the suggestion that Shaddai<\/span> is a composite term of sha<\/span> (“the one who”) and dai<\/span> (“is sufficient”). The later Greek versions have adopted this meaning. The most preferred explanation is that Shaddai<\/span> is derived from the verb shadad<\/span> (“to overpower, to deal violently, or to devastate”). A clear connection between shadad<\/span> and Shaddai<\/span> is said to be found in Isaiah 13:6 and Joel 1:15. God as ’El Shaddai<\/span> is presented as the all-powerful One, totally self-sufficient, absolute ruler, and the One who can and does make final disposition. The Septuagint has adapted this meaning; it translates ’El Shaddai<\/span> as Pantokrator<\/span>,<\/em> the “All-Ruler” or “Sovereign One.”<\/p>\n’El ‘Olam<\/span> is used to refer to God as the everlasting or eternal One, a clear instance where the name of God and an attribute of God are combined. The term ‘olam<\/span> has a wide range of uses. It is usually defined in lexicons as meaning “long duration, antiquity, and indefinite futurity.” It is used to speak of God’s existence, of God’s covenant and promises, and of the Messiah’s reign. Speaking to God, the psalmist said, “You are from ‘olam<\/span> (everlasting) to ‘olam<\/span> (everlasting)” (Ps 90:2), and the prophet Isaiah spoke of God as the everlasting Creator (Is 40:28) and as everlasting strength (26:4), and Jeremiah spoke of God as everlasting King (Jer 10:10). God’s everlastingness or eternity speaks of his infinity in relation to time. ‘Olam<\/span>,<\/em> as ascribed to God, should not be thought of as duration prolonged indefinitely backward and forward. Rather, the word speaks to God’s transcending all temporal limits; in addition, ‘olam<\/span> refers to the quality of God that differs essentially from time. The Scriptures speak of ’El ‘Olam<\/span> in contexts where the believer’s assurance of well-being, security, and hope are presented as prized possessions.<\/p>\n’El Gibbor<\/span> is a name that speaks of God’s power and might. Gibbor<\/span> alone is used in reference to mighty and heroic men. The two terms together always refer to God, and in some instances Haggadol<\/span> (“the greatest”) is added (Dt 10:17; Jer 32:18) to emphasize the greatness and awesome majesty of God. ’El Gibbor<\/span> is also used to describe the Messiah in Isaiah 9:6 (cf. Ps 45:4).<\/p>\n’El Ro’i<\/span> is used once to describe God as the seeing One. Hagar described the Lord this way when she was found in the wilderness (Gn 16:13). Psalm 139:1-2 expresses this concept of God as the all-seeing One from whose eye nothing is hidden (cf. Ps 33:18).<\/p>\nYahweh<\/span> is a distinctly proper name of God. It is never used to refer to any pagan gods; neither is it used in regard to men. It appears 6,823 times in the OT, occurring first in Genesis 2:4, where it is joined with ’Elohim<\/span>.<\/em> Yahweh<\/span> is used 164 times in Genesis, and it appears 1,800 times in Exodus through Joshua. It never appears in a declined form in the Hebrew language, and it never occurs in the plural form or with suffixes. It is abbreviated as Yah<\/span> and Yahu<\/span> (cf. Ex 15:2; Ps 68:4; Is 12:2; etc.).<\/p>\nThe exact meaning of the name Yahweh<\/span> is difficult to determine. Some have sought the root in the verb hayah<\/span> (“to be”) or in an ancient form of that same verb, hawah<\/span>.<\/em> There is no agreement as to whether the qal<\/span> or hiphil<\/span> form of the verb should be considered as the root. Those who opt for the hiphil<\/span> form read Yahweh<\/span> to mean “cause to be”; thus Exodus 3:14 would read, “I will cause to be what has come to be.” Others look to the qal<\/span> form and then translate the name as “I Am” or “I Shall Be.” Still others are inclined to disassociate the name from the verb hayah<\/span> and regard it as an original and independent term, expressing the uniqueness of Israel’s gracious God.<\/p>\n\nTranslators of the OT have not agreed upon the correct translation of the name Yahweh<\/span>.<\/em> Since it is translated into the Greek as kurios<\/span>,<\/em> which means “Lord,” many have rendered Yahweh<\/span> as “Lord<\/span>.” But ’Adonai<\/span>,<\/em> which is best rendered “Lord,” appears with Yahweh<\/span> in various instances. The kjv<\/span>, for example, translates Yahweh<\/span> as “God,” and ’Adonai<\/span> as “Lord.” Some modern translators have chosen to use Yahweh<\/span> (see jb<\/span> and njb<\/span>). The name Jehovah, as used in the asv<\/span> (1901), has been judged unacceptable. This name arose due to the Jewish practice of not pronouncing Yahweh<\/span> because of Leviticus 24:16, “He that blasphemes the name of Yahweh<\/span> shall surely be put to death.” This warning against a vain or blasphemous use of the name was taken in an absolute sense, especially after Israel’s deportation (cf. Am 6:10). Hence, when reading the OT the Jews substituted either ’Elohim<\/span> or ’Adonai<\/span> for Yahweh<\/span>.<\/em> From this, the practice of adding the vowels of ’Adonai<\/span> to YHWH (JeHoWaH) became established.<\/p>\nThe interpretation of Exodus 6:2-3 has caused much debate. “And God said to Moses, ‘I am Yahweh<\/span>;<\/em> I appeared to Abraham, to Isaac, and to Jacob, as ’<\/span>El Shaddai<\/span>,<\/em> but by my name Yahweh<\/span> I did not make myself known to them.’ ” This passage has been understood to mean that the name Yahweh<\/span> was not known or used prior to the time of Moses. But that is not what the passage states; rather, it speaks of the patriarchs not knowing God as Yahweh<\/span>.<\/em> They knew him as ’El Shaddai<\/span> in actual revelatory historical deeds. They had not come to know God according to his unique character, that is, as Yahweh<\/span>.<\/em> In other words, God had always been Yahweh<\/span>;<\/em> he is saying to Moses that the descendants of the patriarchs would come to know the full, rich meaning of the name by the way God dealt with them.<\/p>\nThis name Yahweh<\/span> reveals God’s nature in the highest and fullest sense possible. It includes, or presupposes, the meaning of the other names. Yahweh<\/span> particularly stresses the absolute faithfulness of God. God had promised the patriarchs that he would be their God, that he would be with them and deliver and bless them, keep them, and give them a land as a place of service and inheritance. Moses is told by God that Israel is about to behold and experience the unchangeableness of God as he steadfastly and wondrously remembers his word and executes it to the fullest degree. God would prove to be a faithful, redeeming, upholding, restoring God. In working out this redemption, God would demonstrate that he is all that his name implies: merciful, gracious, patient, full of loving-kindness, truthful, faithful, forgiving, just, and righteous (Ex 34:5-6). Truly, Jacob had received an insight into the meaning of the name when he exclaimed, “I wait for thy salvation, O Yahweh<\/span>” (Gn 49:18).<\/p>\nYahweh<\/span>,<\/em> then, is the name par excellence of Israel’s God. As Yahweh<\/span>,<\/em> he is a faithful covenant God who, having given his word of love and life, keeps that word by bestowing love and life abundantly on his own.<\/p>\nIn view of the richness of the name Yahweh<\/span>,<\/em> it can be understood why there were stringent rules regarding its proper use (Lv 24:11, 16). It also explains why thankful, rejoicing, worshiping Israelites used the abbreviated form of Yahweh<\/span> in song when they sang Hallelujah: “Praise Yah” (Pss 104:35; 106:1; 149:1; 150:1).<\/p>\nYahweh<\/span> is used in a number of phrases that are considered names of or ascriptions of God. The most common of these compound names is Yahweh Tseba’oth<\/span> (“hosts”). The word “hosts” is used frequently in the Pentateuch to refer to the armies of Israel (cf. Nm 10:14-28). This is because the word is derived from the verb saba<\/span>’<\/span>,<\/em> which means “to wage” war. It also means “to serve” in some contexts; for example, Numbers 8:24 clearly has reference to the service performed in the tabernacle. The noun tseba’oth<\/span> first occurs in Genesis 2:1, where it refers to the many components of the earth and heaven. Some would limit the reference in these contexts to the stars. Still others would suggest that the tseba’oth<\/span> refers to the angels, appealing to Psalm 33:6 for confirmation.<\/p>\nThe compound name Yahweh Tseba’oth<\/span> first appears in 1 Samuel 1:3. In view of the frequent use of tseba’oth<\/span> in 1—2 Samuel to refer to armies (1 Sm 12:9; 14:50; 17:55; 2 Sm 2:8; 8:16; 10:16), it is thought that the compound name refers to Yahweh<\/span> as the God of armies, that is, God has his armies to serve him. These are considered to be armies of angels who are ministering servants to God. It has been correctly pointed out that the compound name Yahweh Tseba’oth<\/span> is used most frequently by the prophets (Jeremiah, 88 times; Zechariah, 55 times; Malachi, 25 times; Haggai, 14 times) at times when God’s people had either suffered defeat at the hands of enemy armies or were threatened by defeat. Therefore, the compound name was used to remind them that their covenant God had great hosts to fight and work for him on behalf of his people. Thus, though Israel’s armies failed, their covenant God was sufficient for every possible circumstance. And it was to this Yahweh Tseba’oth<\/span> that Israel’s commanders were to give allegiance (Jos 5:14-15), and in whose name Israel was blessed (2 Sm 6:18).<\/p>\nSeveral other compound names occur infrequently:<\/p>\nYahweh-Nissi<\/span> (nissi<\/span>,<\/em> “my banner”) is the name that Moses called on when he built an altar celebrating Israel’s God-given victory over the Amalekites (Ex 17:15). Isaiah uses the term nissi<\/span> when speaking of the coming Messiah who is to be the conqueror (Is 11:10).<\/p>\nYahweh-Rapha<\/span> (rapha’<\/span>,<\/em> “healer”) appears in Exodus 15:26, when Israel is assured that God, their healer, will prevent the diseases of Egypt from affecting Israel. Although the name is only used once, God was often called upon and praised as the healing One (e.g., Ps 103:3; Is 30:26; Jer 6:14).<\/p>\nYahweh-Rohi<\/span> (ro‘i<\/span>,<\/em> “my shepherd”) appears in Psalm 23:1. The concept of Yahweh<\/span> as shepherd is explicated in Ezekiel 34. “I myself will be the Shepherd of my sheep” (v 15). Jesus demonstrated this concept’s full meaning when as a shepherd he gave his life for his sheep.<\/p>\nYahweh-Jireh<\/span> (yir’eh<\/span>,<\/em> “to see ahead or to provide”) appears in Genesis 22:14. Abraham gave this name to the place where God provided a substitute for his son Isaac, whom Abraham was to offer as a sacrifice to God. Yahweh-Shalom<\/span> (shalom<\/span>,<\/em> “peace”) is the name Gideon gave to the altar he built when the angel of the Lord came to give him orders to fight the Midianites (Jgs 6:24).<\/p>\nYahweh<\/span> appears with a few forms of the term tsadaq<\/span>,<\/em> “righteousness.” Yahweh<\/span> is spoken of as our righteousness in Jeremiah 23:6; the thought evidently is that David’s Righteous Branch (the Messiah) will attribute God’s righteousness to those who are incorporated in the new covenant. This concept is expressed in the Pentateuch a number of times when it is said that God has provided a way for living righteously; that is, God provides a way of sanctification (cf. Lv 20:8; 22:9).<\/p>\n’Adonai<\/span> as a name for God appears about 360 times in the OT, though it is not uniformly used. It is first found in Genesis 15:2 and 8, when Abram requests more definite information concerning a son and the Promised Land. It appears only 14 times after that in the Pentateuch. It appears repeatedly in the Psalms (over 50 times), and certain of the prophets use it frequently (Isaiah, 47 times; Jeremiah, 29 times; Ezekiel, over 150 times; and Amos, 27 times).<\/p>\nThe word ’adan<\/span>,<\/em> meaning “master, ruler, owner, lord,” is thought to be the root of the noun ’adon<\/span>,<\/em> which is frequently used of men. For example, in Genesis and 1—2 Samuel the term is used often for men who own slaves or are in positions of authority. ’Adonai<\/span> is correctly described as the name of personal communication between the believer and God. In such communication the worshiper acknowledged God’s intense majesty and greatness and also the sense of belonging to this God. ’Adonai<\/span>,<\/em> coming from human lips, expressed honor for God and humble submission on the part of the believing person. ’Adonai<\/span>,<\/em> thus, is the name that expresses faith, assurance, security, ready service, and thanksgiving (Pss 16:2; 57:9-10).<\/p>\n<h5>Old Testament Name Combinations<\/h5>\nIn the OT the names of God appear in various combinations. For example ’Elohim-Yahweh<\/span>,<\/em> ’Elohim-Yahweh-’Adonai<\/span>,<\/em> and ’Elohim-’Adonai<\/span> are very common. These combinations were an effort to express the fullness of God’s being and character as these had been revealed. Names of God in combination with “Israel” occur also as, for example, with Yahweh<\/span>-God-Israel (Jgs 5:3; Is 17:6). God is also invoked in relation to Israel without the mention of one of his names—for example, Qedosh Yisrael<\/span> (“Holy One of Israel,” Is 43:14) and ’Abir Yisrael<\/span> (“Mighty One of Israel,” Gn 49:24; Ps 132:2; Is 49:26). By means of these phrases, the covenantal relationship between God and his people was expressed and God’s unchanging character was positively acknowledged.<\/p>\n<h5>Old Testament Personal Names<\/h5>\nThe personal names of God are Father, Son, and Holy Spirit and variations of these.<\/p>\nThe term ’Abh<\/span> (“father”) appears more frequently in Genesis than in any other book, and in the Pentateuch more than in any other division of the OT. But it is not used there of God but rather of one who has generated children (i.e., the male parent), the progenitor—head, chief, and ruler of the family group or clan. It is used often in the sense of the responsible one through whom God has spoken, with whom God has dealt, and through whom he has given a rich heritage to the children and descendants of the patriarchs.<\/p>\nIn the poetical books, God is referred to as Father but is not directly named as such. Job is asked, “Has the rain a father?” (Jb 38:28). The reference is to God as the maker, source, and controller of rain. In Psalm 68:5 God in his holy dwelling place is the “Father of the fatherless”; the parallel phrase, “protector of widows,” indicates the sense. Psalm 89:26 says that David will cry to God, “Thou art my Father,” and the parallels use the terms “God” and “Rock of my salvation.” The idea here is of God as Creator and Savior who raised up, delivered, and protected David. In Psalm 103:13, “Father” is used analogously, “As a father pities his children.”<\/p>\nIsaiah uses the term “Father” in relation to God four times. Three times it refers to the One who has made, saved, formed, kept, and directed Israel (Is 63:16; 64:8). Isaiah says the promised child is to be named Everlasting Father (9:6). Used in this sense, the term establishes the Son’s equality with the Father in stature, function, ability, and responsibility. Jeremiah also refers to God as Father in Jeremiah 3:4, 19, meaning the origin, keeper, and friend of his people Israel. Malachi 1:6 and 2:10 speak of God as the parent who deserves honor from his children and as the origin and ruler of all people.<\/p>\nThe term “son” is one of the most-used terms in the OT; it commonly occurs in the sense of offspring and descendant. It also appears in the sense of follower or successor. There are a few indirect references to the second person of the Trinity.<\/p>\nThe messianic Psalm 2 has such a reference: “You are my son” (v 7). It is stated in the context of the king speaking to one who rules and is to rule with and under the sovereign. The immediate reference may be to the theocratic king; however, the reference is revealed in the NT to be the second person of the Trinity (Acts 13:33). Thus, the term “son” is applied to the promised Messiah who is set forth as the divine sovereign ruler and judge of the nations. The Son is perceived to be equal with the Father in deity and function. Not all biblical scholars accept this interpretation, but support is found in such NT passages as Hebrews 1:8 which quotes Psalm 45:6. As stated above, Isaiah speaks of the son to be given (Is 9:6), the One born of the virgin (7:14), who is Immanuel, Mighty God, Everlasting Father, Prince of Peace.<\/p>\nThe name “Holy Spirit” occurs only a few times in the OT. The Spirit is referred to frequently by terms and phrases such as “the Spirit of God” (Gn 1:2), “the Spirit of the Lord God” (Is 61:1), “the Spirit of the Lord” (Ez 37:1), “the Spirit” (Nm 11:17; 27:18), “my Spirit” (Gn 6:3), and “your Spirit” (Ps 51:11). Though the character of the Spirit is not developed as clearly in the OT as in the NT, it can be safely stated that the relationship posited between God and the Spirit is such that there is no doubt that the OT teaches the deity of the Spirit. The character and function of the Spirit is referred to especially in relation to the work of creation (Gn 1:2; Ps 33:6; etc.) and the equipping of servants for the service of God—for example, craftsmanship (Ex 35:31), leadership (Nm 11:17; 27:18), and prophecy (1 Sm 10:6; 2 Sm 23:2; 2 Chr 15:1; Ez 11:5).<\/p>\nThe Names of God in the New Testament<\/p>\n<h5>Proper Names of God<\/h5>\nTheos<\/span> is the NT equivalent of the OT names ’El<\/span>and ’Elohim<\/span>;<\/em> ‘Elyon<\/span> appears in the NT as Hupsistos<\/span>,<\/em> the Highest (Mk 5:7; Lk 1:32, 76). Pantokrator<\/span> (‘El Shaddai<\/span>) appears with Theos<\/span> (2 Cor 6:18; Rv 16:7). This name was used not only to express God’s transcendency, power, sovereignty, and lordship, but also to express that God is one who has a close relationship with his people. This fact is established by the very frequent use of personal pronouns with Theos<\/span>.<\/em> The name Theos<\/span> appears over 1,000 times in the NT.<\/p>\nKurios<\/span>,<\/em> “Lord,” is used to express the OT names Yahweh<\/span> and ‘Adonai<\/span> in the Septuagint, and the NT follows it. Kurios<\/span> means “power,” so the meaning is not the same as with Yahweh<\/span>;<\/em> yet the NT does give Kurios<\/span> the full weight of meaning that the OT gave to Yahweh<\/span>,<\/em> especially when used of Jesus Christ (cf. Acts 2:36; Phil 2:9-11; etc.)<\/p>\nDespotes<\/span> is used five times of God or Jesus in the NT (Lk 2:29; Acts 4:24; 2 Pt 2:11; Jude 1:4; Rv 6:10). It expresses the idea of authority. The idea of brutality conveyed by the modern concept “despot” is absent from the NT usage even when applied to men, where its central thought is ownership (2 Tm 2:21).<\/p>\n<h5>Personal Names of God<\/h5>\nIn the baptismal formula, which is part of the Great Commission (Mt 28:19-20), the three personal names of God appear: Father, Son, and Holy Spirit. These names carry the OT meaning, but since the relationship of the three Persons is explicated, the NT meaning of the names is enriched.<\/p>\n“Jesus” is the personal name of the Son, the second person of the triune Godhead. It means “savior” (Mt 1:21). The root of this name “to save” gave rise to names such as Joshua, Hoshea, and Hosea. The basic meaning of the OT root is “to bring into a safe, wide-open place.” Joshua, bringing Israel into Canaan, personally did what his name meant. The NT explanation (“save from sin”) is not contrary to the OT meaning. To be saved from sin is to be restored to fellowship with God and to enter into the paradise of the heavenly kingdom.<\/p>\nSee also<\/em> Christology; God, Being and Attributes of; Holy Spirit; Jesus Christ, Life and Teachings of; Messiah; Names, Significance of.<\/p>","summary_ro":"GOD, Names of God’s self-identifications expressing various aspects of his being. Preview • The Biblical Idea of Name • The Names of God in the Old Testament • The Names of God in the New Testament The Biblical Idea of Name In the Scriptures the name and person of God are inseparably related. This is in keeping with the biblical conception of what a name signifies. In the Hebrew language, the term for “name” most probably meant “sign” or “distinctive mark.” In the Greek language, “name” (onom...","summary_en":"GOD, Names of God’s self-identifications expressing various aspects of his being. Preview • The Biblical Idea of Name • The Names of God in the Old Testament • The Names of God in the New Testament The Biblical Idea of Name In the Scriptures the name and person of God are inseparably related. This is in keeping with the biblical conception of what a name signifies. In the Hebrew language, the term for “name” most probably meant “sign” or “distinctive mark.” In the Greek language, “name” (onom...","source":"Articles\/G.xml","external_url":null,"has_map":false,"has_picture":false},{"id":25425,"type":"article","type_label":"Articol","type_icon":"📖","type_color":"#d4af37","title_ro":"Messiah","title_en":"Messiah","content_ro":"<h3>MESSIAH<\/h3>\nTitle derived from the Hebrew, mashiach<\/span>,<\/em> a verbal adjective meaning “anointed one.” Along with its NT equivalent, christos<\/span> (Christ), it refers to an act of consecration whereby an individual is set apart to serve God and then anointed with oil. The verbal root (<\/em>mashach<\/span>)<\/em> conveys this idea as well.<\/p>\nIsrael’s practice of ceremonially anointing with oil is present in several contexts. Priests were regularly anointed prior to their divinely given service at the altar of sacrifice (Lv 4:3). While there is evidence for a literal anointing of prophets (1 Kgs 19:16), this does not appear to have been a standard practice. The anointing of Saul and David by Samuel established the act as a significant prerequisite for Hebrew kings before they assumed their positions of royal leadership. The king was especially considered to be the Lord’s anointed and as such was viewed to hold a secure position before men (1 Sm 12:14; 2 Sm 19:21) and God (Pss 2:2; 20:6). Along with numerous messianic prophecies, these proceedings helped inform the Jews of the Anointed One, par excellence, who would eventually come to bring salvation to Israel.<\/p>\nConcluding the 13 articles of Hebraic faith attributed to Moses Maimonides (13th century AD<\/span>) is the statement still found in many Hebrew prayer books: “I believe with a perfect heart that the Messiah will come; and although his coming be delayed, I will still wait patiently for his speedy appearance.”<\/p>\nMessiah in the Old Testament<\/p>\nJewish hope for the advent of the Messiah developed dynamically from the period of David’s reign, when it was prophesied that his kingdom would endure to the end of time (2 Sm 7:16). Israel was told that, through David’s descendants, his throne would exert a never-ending dominion over all the earth (2 Sm 22:48-51; Jer 33). It is with this aspect of messianic salvation that Jewish minds have traditionally been preoccupied (cf. Acts 1:6).<\/p>\nAmong Orthodox rabbis there has never been a lack of conjecture respecting the details of the Messiah’s ministry. At one time the rabbis applied no less than 456 passages of Scripture to his person and salvation. Preoccupation with the Messiah is evident in the tractate Sanhedrin<\/em> (Babylonian Talmud), where passages state that the world was created for him and that all the prophets prophesied of his days (Sanhedrin<\/em> 98b, 99a). By and large, Orthodoxy still retains its time-worn belief in the Messiah’s reign in Jerusalem, the rebuilding of the temple, and the reestablishment of both priesthood and sacrifice.<\/p>\nWhile later Judaism looked for the Messiah as an eschatological figure who will reign at the end of time, modern Jewish thought has largely jettisoned the traditional notion of a personal Messiah in favor of belief in a messianic age. Prevalent liberal Judaism envisions the world ultimately perfected through the influence of the twin Judaic ideals of justice and compassion. Such conviction, ignoring the plight of fallen humans and the teaching of Scripture, substitutes humanistic thinking for miraculous heavenly intervention.<\/p>\nWhile the Messiah’s origin is linked firmly to the house of David (2 Sm 7:14; Hos 3:5), the promise for a Messiah was given long before David lived. In fact, the hope for the Messiah is implicit in the first promise of the establishment of the kingdom of God. Addressed to Satan, Genesis 3:15 declares that God will place hostility between the serpent and the woman until, in the fullness of time, the “seed” of the woman inflicts a fatal blow to the head of the serpent.<\/p>\nThe nature of messianic prophecy is progressive; each prophecy casts more light on the subject. This occurs, for example, respecting the concept of the “seed”: Messiah is to be born of a woman (Gn 3:15), through the line of Shem (9:26) and specifically through Abraham (22:18). Yet even as late as Genesis 22:18, the “seed” is not clearly presented as a person, since zerah<\/span> (seed) may indicate a singular or plural object. Still less apparent in these early stages of messianic prophecy is the nature of the “bruising” that is to occur. Yet the idea of the Messiah being crushed for sin is implicit in the Genesis pronouncement, as is the violence associated with that act. Chief among the messianic prophets, Isaiah gives full range to the axiom that the Anointed One must endure extensive suffering (Is 53:1). Under the figure “the Servant of the Lord,” four “servant songs” delineate the mission of the future deliverer (Is 42:1-7; 49:1-9; 50:4-11; 52:13–53:12). While it is true that Isaiah does not explicitly link the title Messiah with the Servant of the Lord, identifying both figures as one and the same person is justifiable. Both figures are uniquely anointed (61:1); each brings light to the Gentiles (55:4; cf. 49:6); neither is pretentious in his first appearance (7:14-15; 11:1; cf. 42:3; 53:1); and the title of Davidic “branch” rests upon them both (11:1-4). Equally significant are the dual facts of their humiliation and exaltation (49:7; 52:13-15). Jewish scholars of the early Christian era in the Aramaic Targum on the prophets paraphrase Isaiah 42:1, “Behold my Servant Messiah” and begin Isaiah 53, “Behold my Servant Messiah will prosper.” While Cyrus may be spoken of as “anointed,” no final salvific work is attributed to him (45:1-5). Israel, although elect and loved by God (41:8), is ill-equipped as God’s servant to bring his redeeming work to mankind (42:18). The collapse of David’s dynasty points eloquently to Israel’s need for an anointed monarch who will heal the apostasy and disobedience (Ex 33:5; Hos 4:1). More and more, OT history presents Israel’s comprehensive moral failure. Her problem, which she shares with mankind, can only be solved by the making of a covenant whose surety and focal point is both a personal Savior and sovereign Lord (Jer 31:31-34). The advent of such a champion lives in the recorded promise of a shoot from the stump of Jesse’s fallen tree, who will bring the light of life to God’s benighted people (Is 9:2; 11:1).<\/p>\nIt is difficult to get away from the idea that the concept of servanthood and lowliness belongs within the sphere of royalty (Zec 9:9). The concept of the Messiah filling the complementary offices of priest and king is incontrovertible (Ps 110:1-4); a suffering priest-king is far less obvious. Some among the Talmudic writers apparently recognized the likelihood that the Messiah would have to suffer. In the Babylonian Talmud, tractate Sanhedrin<\/em> 98b, the Messiah is said to bear sicknesses and pain. Among the prayers for the Day of Atonement may be found the words of Eleazar ben Qalir (perhaps as late as AD<\/span> 1000): “Our righteous Messiah has departed from us; we are horror-stricken, and there is none to justify us. Our iniquities and the yoke of our transgressions he carries, and is wounded for our transgressions. He bears on his shoulders our sins to find pardon for our iniquities. May we be healed by his stripes.” In a similar vein Rabbi Eliyya de Vidas writes, “The meaning of ‘He was wounded for our transgressions, bruised for our iniquities,’ is that since the Messiah bears our iniquities, which produce the effect of His being bruised, it follows that whosoever will not admit that the Messiah thus suffers for our iniquities must endure and suffer for them himself.” For all this, it is highly doubtful that anyone imagined the Messiah would accomplish his salvational work by means of his own death (cf. Is 53:12). When rabbinic speculation failed to satisfactorily harmonize the paradoxical facts of humiliation and exaltation, some hypothesized that God would send a Messiah to suffer as well as a Messiah to reign. Biblically, it is evident that the Anointed One’s terrible ordeal of suffering is but the necessary prelude to infinite glory. He is pictured not only as a great king (52:13; 53:12) but also as humble (53:2), humiliated (52:14), rejected (53:3), and bearing the consequences of mankind’s rebellion (vv 5-6). Yet he is raised up to intercede for, and richly bless, his people (v 12). The Messiah, having accomplished that full obedience that Adam and Israel failed to achieve, will bring Israel and the nations back to God (42:18-19; 49:3, 6).<\/p>\nThe writings of Daniel contain important messianic data. Daniel is unique in that he boldly speaks of “Messiah the Prince” (Dn 9:25), identifies him as the “Son of Man” (7:13), and says he suffers (“cut off,” 9:26). This statement of the cutting off (i.e., death) of the Messiah makes possible his work of atonement (9:24). The doctrine of a vicarious substitutionary atonement is the only doctrine of atonement found in the Bible (cf. Lv 17:11). Israel understood that to bear sin meant enduring the consequences, or penalty, for sin (cf. Nm 14:33). The same penal substitution is evident in the working principle of the Messiah’s atoning sacrifice. He is the victim’s substitute to whom is transferred the suffering due the sinner. The penalty having been thus borne vicariously, the suppliant is fully pardoned.<\/p>\nPsalm 22:1 records the plaintive cry of the Messiah bearing man’s penalty for sin (cf. Mt 27:46) as he becomes sin on behalf of his people (2 Cor 5:21). Yet his cry, “My God,” indicates an intimate relationship that cannot be radically severed. Once again the motif of messianic humiliation prior to great exaltation is in view (Ps 22:27). In the so-called “royal psalms” (e.g., 2; 72; 110) it is the priestly intercessor who is also ordained to function as monarch and judge.<\/p>\nJeremiah brings the portrait a step further. The one who will enable humans to enter into a salvational covenant with God conveys God’s imputed righteousness: the Messiah, God’s righteous branch, becomes “the Lord our Righteousness.” Paradoxically, under the law no one could be crucified who was not guilty of sin (Dt 21:22). But it is Christ the righteous one who was crucified, thereby forever undermining any supposed legalistic confidence (Dt 21:23; Gal 3:13). More than forgiven, believers are deemed righteous in him (Jer 23:5-6).<\/p>\nWhile the birthplace of the Messiah was well established (Mi 5:2), his deity was a hotly contested matter. Although few in ancient Israel disputed the belief in a superhuman Messiah, it is doubtful that anyone imagined him to be “God with us” in the fullest sense of the expression (cf. Heb 1:3).<\/p>\nMessiah in the New Testament<\/p>\nThe NT writers present the picture that he who was the child of supernatural origins (Is 7:14; Mi 5:2) carried the full weight of divinity (Is 9:6; Phil 2:6; Col 1:19). He is the Son of God, worthy to receive the worship of all people (Ps 45:6-7; cf. Heb 1:8-9).<\/p>\nThe Jews of first-century Palestine knew that the messianic promise would be fulfilled in the coming of one like Moses (Dt 18:18). Parallels between Jesus and Moses are abundant. As mediators, innovators, and propagators of new phases of spiritual life for the people, they are unexcelled. Specifically, both are miraculously spared in infancy (Ex 2; Mt 2:13-23); both renounce a royal court for the sake of serving the people of God (Phil 2:5-8; Heb 11:24-28); both exhibit intense compassion for others (Nm 27:17; Mt 9:36); both commune “face to face” with God (Ex 34:29-30; 2 Cor 3:7); and each mediates a covenant of redemption (Dt 29:1; Heb 8:6-7). But, as Luther observes, “Christ is no Moses.” In the final analysis Moses is but a household servant; the Messiah is the maker and master of all things (Heb 3:3-6; cf. Jn 1:1-2, 18).<\/p>\nFamily genealogies are important in Scripture. Rabbis agreed upon the absolute necessity of the Messiah’s Davidic lineage based on Hosea 3:5 and Jeremiah 30:9. The angelic announcement immediately establishes the correct lineage for Jesus (Lk 1:32-33; cf. 2:4), as does Matthew’s (Mt 1:1-17). The Lukan list, like that of Matthew, sets forth the exclusive kingly descent verifying Jesus as Messiah (Lk 3:23-38). Although variations occur between the two genealogies, there is a firm solidarity emphasizing an ancestry within the unique messianic stock. Fully aware of the messianic focus of Scripture (Jn 5:46; 8:56), Jesus acknowledged himself to be the Christ on numerous occasions. He accepted the title from blind Bartimaeus (Mk 10:46-48); from the crowds when he entered Jerusalem (Mt 21:9); from the children at the temple (v 15); and in other contexts as well (Mt 16:16-18; Mk 14:61-62; Lk 4:21; Jn 4:25-26). Nonetheless, he warned his disciples not to broadcast his mighty acts as Messiah prior to his resurrection (Mt 17:9; cf. Lk 9:20-21). Owing to the commonly held (but false) notion that the Messiah’s role was primarily that of a political liberator, Jesus actually avoided use of that term and preferred to identify himself as “the Son of Man.” It was by no means assumed that both designations referred to the same person (cf. Mk 14:61-62). Borrowing essentially from Daniel’s vision of a heavenly conqueror (Dn 7:13-14), Jesus consistently employed this less-known title and filled it with the true character and scope of messianic salvation. Jesus’ teaching in this regard enabled his disciples to correct their erroneous views concerning his mission (Mt 16:21-23). In the fullness of time they would come to see him not only as Messiah but also as the theme of the entire OT (Mt 5:17; Lk 24:27, 44; Jn 5:39; cf. Heb 10:7). When Jesus expounded the Scriptures beginning with the Torah (Lk 24:27), he did so as the living exegesis of God, the Word made flesh (Jn 1:14, 18). Legitimate messianic exposition is found in a host of texts, such as Psalms 2; 16; 22; 40; 110; Isaiah 7:14; 9:6; 11:1; 40:10-11; 50:6; 52:13–53:12; 61:1; 63:1-6; Jeremiah 23:5-6; 33:14-16; Ezekiel 34:23; 37:25; Daniel 9:24-27; Hosea 11:1; Micah 5:2; Zechariah 9:9; 11:13; 12:10; 13:7; Malachi 3:1; 4:2.<\/p>\nThe messiahship of Jesus is firmly proclaimed by all four evangelists (Mt 1:1; Mk 1:1; Lk 24:26; Jn 20:31). Peter on Pentecost, Philip before the Ethiopian eunuch, and Apollos in open debate all argue convincingly that Jesus is the Messiah (Acts 2:36; 8:35; 28:28). Peter says he was “made” both Lord and Christ (2:36), signifying that the resurrection rightfully confirms him as such. Similarly, the apostle Paul speaks of Jesus’ resurrection as a patent declaration of his inalienable right to the title (Rom 1:4). For the ex-Pharisee and former persecutor of the church, “Jesus the Christ” is the very heart and soul of Paul’s preaching. Nothing is worthy to be compared to the glory of the Messiah; everything pales by comparison (Phil 3:5-10). The apostle’s all-consuming passion is for others to know the fullness of God in the person of his only Son (Eph 3:14-19).<\/p>\nThe Holy Spirit in Scripture speaks of Jesus with wide-ranging appellatives—Holy One, Judge, Righteous One, King, Son of God, and Lord—but these are not exhaustive. In him all the lines of messianic prediction converge; he is the touchstone whereby their validity is firmly established. The Lord Jesus Christ is himself the heart and substance of that covenant through which sinful people may be reconciled to a holy God (Is 42:6; Jn 14:6). That Jesus is the Messiah of Israel, God incarnate, exhaustively fulfills prophecy, type, and symbol—all shadows of his coming. Therefore, all should trust in him, the source of all grace, the only abiding treasure (Mt 12:21; Jn 1:16-17; Col 2:3). Anointed as prophet, he leads us into all truth (Jn 6:14; 7:16); as priest he intercedes for us (Heb 7:21); and as king he reigns over us (Phil 2:9-10).<\/p>\nSee also<\/em> Atonement; Branch; Christology; Jesus Christ, Life and Teachings of; Redeemer, Redemption; Son of God; Son of Man.<\/p>","content_en":"<h3>MESSIAH<\/h3>\nTitle derived from the Hebrew, mashiach<\/span>,<\/em> a verbal adjective meaning “anointed one.” Along with its NT equivalent, christos<\/span> (Christ), it refers to an act of consecration whereby an individual is set apart to serve God and then anointed with oil. The verbal root (<\/em>mashach<\/span>)<\/em> conveys this idea as well.<\/p>\nIsrael’s practice of ceremonially anointing with oil is present in several contexts. Priests were regularly anointed prior to their divinely given service at the altar of sacrifice (Lv 4:3). While there is evidence for a literal anointing of prophets (1 Kgs 19:16), this does not appear to have been a standard practice. The anointing of Saul and David by Samuel established the act as a significant prerequisite for Hebrew kings before they assumed their positions of royal leadership. The king was especially considered to be the Lord’s anointed and as such was viewed to hold a secure position before men (1 Sm 12:14; 2 Sm 19:21) and God (Pss 2:2; 20:6). Along with numerous messianic prophecies, these proceedings helped inform the Jews of the Anointed One, par excellence, who would eventually come to bring salvation to Israel.<\/p>\nConcluding the 13 articles of Hebraic faith attributed to Moses Maimonides (13th century AD<\/span>) is the statement still found in many Hebrew prayer books: “I believe with a perfect heart that the Messiah will come; and although his coming be delayed, I will still wait patiently for his speedy appearance.”<\/p>\nMessiah in the Old Testament<\/p>\nJewish hope for the advent of the Messiah developed dynamically from the period of David’s reign, when it was prophesied that his kingdom would endure to the end of time (2 Sm 7:16). Israel was told that, through David’s descendants, his throne would exert a never-ending dominion over all the earth (2 Sm 22:48-51; Jer 33). It is with this aspect of messianic salvation that Jewish minds have traditionally been preoccupied (cf. Acts 1:6).<\/p>\nAmong Orthodox rabbis there has never been a lack of conjecture respecting the details of the Messiah’s ministry. At one time the rabbis applied no less than 456 passages of Scripture to his person and salvation. Preoccupation with the Messiah is evident in the tractate Sanhedrin<\/em> (Babylonian Talmud), where passages state that the world was created for him and that all the prophets prophesied of his days (Sanhedrin<\/em> 98b, 99a). By and large, Orthodoxy still retains its time-worn belief in the Messiah’s reign in Jerusalem, the rebuilding of the temple, and the reestablishment of both priesthood and sacrifice.<\/p>\nWhile later Judaism looked for the Messiah as an eschatological figure who will reign at the end of time, modern Jewish thought has largely jettisoned the traditional notion of a personal Messiah in favor of belief in a messianic age. Prevalent liberal Judaism envisions the world ultimately perfected through the influence of the twin Judaic ideals of justice and compassion. Such conviction, ignoring the plight of fallen humans and the teaching of Scripture, substitutes humanistic thinking for miraculous heavenly intervention.<\/p>\nWhile the Messiah’s origin is linked firmly to the house of David (2 Sm 7:14; Hos 3:5), the promise for a Messiah was given long before David lived. In fact, the hope for the Messiah is implicit in the first promise of the establishment of the kingdom of God. Addressed to Satan, Genesis 3:15 declares that God will place hostility between the serpent and the woman until, in the fullness of time, the “seed” of the woman inflicts a fatal blow to the head of the serpent.<\/p>\nThe nature of messianic prophecy is progressive; each prophecy casts more light on the subject. This occurs, for example, respecting the concept of the “seed”: Messiah is to be born of a woman (Gn 3:15), through the line of Shem (9:26) and specifically through Abraham (22:18). Yet even as late as Genesis 22:18, the “seed” is not clearly presented as a person, since zerah<\/span> (seed) may indicate a singular or plural object. Still less apparent in these early stages of messianic prophecy is the nature of the “bruising” that is to occur. Yet the idea of the Messiah being crushed for sin is implicit in the Genesis pronouncement, as is the violence associated with that act. Chief among the messianic prophets, Isaiah gives full range to the axiom that the Anointed One must endure extensive suffering (Is 53:1). Under the figure “the Servant of the Lord,” four “servant songs” delineate the mission of the future deliverer (Is 42:1-7; 49:1-9; 50:4-11; 52:13–53:12). While it is true that Isaiah does not explicitly link the title Messiah with the Servant of the Lord, identifying both figures as one and the same person is justifiable. Both figures are uniquely anointed (61:1); each brings light to the Gentiles (55:4; cf. 49:6); neither is pretentious in his first appearance (7:14-15; 11:1; cf. 42:3; 53:1); and the title of Davidic “branch” rests upon them both (11:1-4). Equally significant are the dual facts of their humiliation and exaltation (49:7; 52:13-15). Jewish scholars of the early Christian era in the Aramaic Targum on the prophets paraphrase Isaiah 42:1, “Behold my Servant Messiah” and begin Isaiah 53, “Behold my Servant Messiah will prosper.” While Cyrus may be spoken of as “anointed,” no final salvific work is attributed to him (45:1-5). Israel, although elect and loved by God (41:8), is ill-equipped as God’s servant to bring his redeeming work to mankind (42:18). The collapse of David’s dynasty points eloquently to Israel’s need for an anointed monarch who will heal the apostasy and disobedience (Ex 33:5; Hos 4:1). More and more, OT history presents Israel’s comprehensive moral failure. Her problem, which she shares with mankind, can only be solved by the making of a covenant whose surety and focal point is both a personal Savior and sovereign Lord (Jer 31:31-34). The advent of such a champion lives in the recorded promise of a shoot from the stump of Jesse’s fallen tree, who will bring the light of life to God’s benighted people (Is 9:2; 11:1).<\/p>\nIt is difficult to get away from the idea that the concept of servanthood and lowliness belongs within the sphere of royalty (Zec 9:9). The concept of the Messiah filling the complementary offices of priest and king is incontrovertible (Ps 110:1-4); a suffering priest-king is far less obvious. Some among the Talmudic writers apparently recognized the likelihood that the Messiah would have to suffer. In the Babylonian Talmud, tractate Sanhedrin<\/em> 98b, the Messiah is said to bear sicknesses and pain. Among the prayers for the Day of Atonement may be found the words of Eleazar ben Qalir (perhaps as late as AD<\/span> 1000): “Our righteous Messiah has departed from us; we are horror-stricken, and there is none to justify us. Our iniquities and the yoke of our transgressions he carries, and is wounded for our transgressions. He bears on his shoulders our sins to find pardon for our iniquities. May we be healed by his stripes.” In a similar vein Rabbi Eliyya de Vidas writes, “The meaning of ‘He was wounded for our transgressions, bruised for our iniquities,’ is that since the Messiah bears our iniquities, which produce the effect of His being bruised, it follows that whosoever will not admit that the Messiah thus suffers for our iniquities must endure and suffer for them himself.” For all this, it is highly doubtful that anyone imagined the Messiah would accomplish his salvational work by means of his own death (cf. Is 53:12). When rabbinic speculation failed to satisfactorily harmonize the paradoxical facts of humiliation and exaltation, some hypothesized that God would send a Messiah to suffer as well as a Messiah to reign. Biblically, it is evident that the Anointed One’s terrible ordeal of suffering is but the necessary prelude to infinite glory. He is pictured not only as a great king (52:13; 53:12) but also as humble (53:2), humiliated (52:14), rejected (53:3), and bearing the consequences of mankind’s rebellion (vv 5-6). Yet he is raised up to intercede for, and richly bless, his people (v 12). The Messiah, having accomplished that full obedience that Adam and Israel failed to achieve, will bring Israel and the nations back to God (42:18-19; 49:3, 6).<\/p>\nThe writings of Daniel contain important messianic data. Daniel is unique in that he boldly speaks of “Messiah the Prince” (Dn 9:25), identifies him as the “Son of Man” (7:13), and says he suffers (“cut off,” 9:26). This statement of the cutting off (i.e., death) of the Messiah makes possible his work of atonement (9:24). The doctrine of a vicarious substitutionary atonement is the only doctrine of atonement found in the Bible (cf. Lv 17:11). Israel understood that to bear sin meant enduring the consequences, or penalty, for sin (cf. Nm 14:33). The same penal substitution is evident in the working principle of the Messiah’s atoning sacrifice. He is the victim’s substitute to whom is transferred the suffering due the sinner. The penalty having been thus borne vicariously, the suppliant is fully pardoned.<\/p>\nPsalm 22:1 records the plaintive cry of the Messiah bearing man’s penalty for sin (cf. Mt 27:46) as he becomes sin on behalf of his people (2 Cor 5:21). Yet his cry, “My God,” indicates an intimate relationship that cannot be radically severed. Once again the motif of messianic humiliation prior to great exaltation is in view (Ps 22:27). In the so-called “royal psalms” (e.g., 2; 72; 110) it is the priestly intercessor who is also ordained to function as monarch and judge.<\/p>\nJeremiah brings the portrait a step further. The one who will enable humans to enter into a salvational covenant with God conveys God’s imputed righteousness: the Messiah, God’s righteous branch, becomes “the Lord our Righteousness.” Paradoxically, under the law no one could be crucified who was not guilty of sin (Dt 21:22). But it is Christ the righteous one who was crucified, thereby forever undermining any supposed legalistic confidence (Dt 21:23; Gal 3:13). More than forgiven, believers are deemed righteous in him (Jer 23:5-6).<\/p>\nWhile the birthplace of the Messiah was well established (Mi 5:2), his deity was a hotly contested matter. Although few in ancient Israel disputed the belief in a superhuman Messiah, it is doubtful that anyone imagined him to be “God with us” in the fullest sense of the expression (cf. Heb 1:3).<\/p>\nMessiah in the New Testament<\/p>\nThe NT writers present the picture that he who was the child of supernatural origins (Is 7:14; Mi 5:2) carried the full weight of divinity (Is 9:6; Phil 2:6; Col 1:19). He is the Son of God, worthy to receive the worship of all people (Ps 45:6-7; cf. Heb 1:8-9).<\/p>\nThe Jews of first-century Palestine knew that the messianic promise would be fulfilled in the coming of one like Moses (Dt 18:18). Parallels between Jesus and Moses are abundant. As mediators, innovators, and propagators of new phases of spiritual life for the people, they are unexcelled. Specifically, both are miraculously spared in infancy (Ex 2; Mt 2:13-23); both renounce a royal court for the sake of serving the people of God (Phil 2:5-8; Heb 11:24-28); both exhibit intense compassion for others (Nm 27:17; Mt 9:36); both commune “face to face” with God (Ex 34:29-30; 2 Cor 3:7); and each mediates a covenant of redemption (Dt 29:1; Heb 8:6-7). But, as Luther observes, “Christ is no Moses.” In the final analysis Moses is but a household servant; the Messiah is the maker and master of all things (Heb 3:3-6; cf. Jn 1:1-2, 18).<\/p>\nFamily genealogies are important in Scripture. Rabbis agreed upon the absolute necessity of the Messiah’s Davidic lineage based on Hosea 3:5 and Jeremiah 30:9. The angelic announcement immediately establishes the correct lineage for Jesus (Lk 1:32-33; cf. 2:4), as does Matthew’s (Mt 1:1-17). The Lukan list, like that of Matthew, sets forth the exclusive kingly descent verifying Jesus as Messiah (Lk 3:23-38). Although variations occur between the two genealogies, there is a firm solidarity emphasizing an ancestry within the unique messianic stock. Fully aware of the messianic focus of Scripture (Jn 5:46; 8:56), Jesus acknowledged himself to be the Christ on numerous occasions. He accepted the title from blind Bartimaeus (Mk 10:46-48); from the crowds when he entered Jerusalem (Mt 21:9); from the children at the temple (v 15); and in other contexts as well (Mt 16:16-18; Mk 14:61-62; Lk 4:21; Jn 4:25-26). Nonetheless, he warned his disciples not to broadcast his mighty acts as Messiah prior to his resurrection (Mt 17:9; cf. Lk 9:20-21). Owing to the commonly held (but false) notion that the Messiah’s role was primarily that of a political liberator, Jesus actually avoided use of that term and preferred to identify himself as “the Son of Man.” It was by no means assumed that both designations referred to the same person (cf. Mk 14:61-62). Borrowing essentially from Daniel’s vision of a heavenly conqueror (Dn 7:13-14), Jesus consistently employed this less-known title and filled it with the true character and scope of messianic salvation. Jesus’ teaching in this regard enabled his disciples to correct their erroneous views concerning his mission (Mt 16:21-23). In the fullness of time they would come to see him not only as Messiah but also as the theme of the entire OT (Mt 5:17; Lk 24:27, 44; Jn 5:39; cf. Heb 10:7). When Jesus expounded the Scriptures beginning with the Torah (Lk 24:27), he did so as the living exegesis of God, the Word made flesh (Jn 1:14, 18). Legitimate messianic exposition is found in a host of texts, such as Psalms 2; 16; 22; 40; 110; Isaiah 7:14; 9:6; 11:1; 40:10-11; 50:6; 52:13–53:12; 61:1; 63:1-6; Jeremiah 23:5-6; 33:14-16; Ezekiel 34:23; 37:25; Daniel 9:24-27; Hosea 11:1; Micah 5:2; Zechariah 9:9; 11:13; 12:10; 13:7; Malachi 3:1; 4:2.<\/p>\nThe messiahship of Jesus is firmly proclaimed by all four evangelists (Mt 1:1; Mk 1:1; Lk 24:26; Jn 20:31). Peter on Pentecost, Philip before the Ethiopian eunuch, and Apollos in open debate all argue convincingly that Jesus is the Messiah (Acts 2:36; 8:35; 28:28). Peter says he was “made” both Lord and Christ (2:36), signifying that the resurrection rightfully confirms him as such. Similarly, the apostle Paul speaks of Jesus’ resurrection as a patent declaration of his inalienable right to the title (Rom 1:4). For the ex-Pharisee and former persecutor of the church, “Jesus the Christ” is the very heart and soul of Paul’s preaching. Nothing is worthy to be compared to the glory of the Messiah; everything pales by comparison (Phil 3:5-10). The apostle’s all-consuming passion is for others to know the fullness of God in the person of his only Son (Eph 3:14-19).<\/p>\nThe Holy Spirit in Scripture speaks of Jesus with wide-ranging appellatives—Holy One, Judge, Righteous One, King, Son of God, and Lord—but these are not exhaustive. In him all the lines of messianic prediction converge; he is the touchstone whereby their validity is firmly established. The Lord Jesus Christ is himself the heart and substance of that covenant through which sinful people may be reconciled to a holy God (Is 42:6; Jn 14:6). That Jesus is the Messiah of Israel, God incarnate, exhaustively fulfills prophecy, type, and symbol—all shadows of his coming. Therefore, all should trust in him, the source of all grace, the only abiding treasure (Mt 12:21; Jn 1:16-17; Col 2:3). Anointed as prophet, he leads us into all truth (Jn 6:14; 7:16); as priest he intercedes for us (Heb 7:21); and as king he reigns over us (Phil 2:9-10).<\/p>\nSee also<\/em> Atonement; Branch; Christology; Jesus Christ, Life and Teachings of; Redeemer, Redemption; Son of God; Son of Man.<\/p>","summary_ro":"MESSIAH Title derived from the Hebrew, mashiach, a verbal adjective meaning “anointed one.” Along with its NT equivalent, christos (Christ), it refers to an act of consecration whereby an individual is set apart to serve God and then anointed with oil. The verbal root (mashach) conveys this idea as well. Israel’s practice of ceremonially anointing with oil is present in several contexts. Priests were regularly anointed prior to their divinely given service at the altar of sacrifice (Lv 4:3). ...","summary_en":"MESSIAH Title derived from the Hebrew, mashiach, a verbal adjective meaning “anointed one.” Along with its NT equivalent, christos (Christ), it refers to an act of consecration whereby an individual is set apart to serve God and then anointed with oil. The verbal root (mashach) conveys this idea as well. Israel’s practice of ceremonially anointing with oil is present in several contexts. Priests were regularly anointed prior to their divinely given service at the altar of sacrifice (Lv 4:3). ...","source":"Articles\/M.xml","external_url":null,"has_map":false,"has_picture":false},{"id":32077,"type":"article","type_label":"Articol","type_icon":"📖","type_color":"#d4af37","title_ro":"Book of Psalms","title_en":"Book of Psalms","content_ro":"<h3>PSALMS, Book of<\/h3>\nPoems sung to musical accompaniment, originally the harp. The alternative title, the Psalter, refers to a collection of songs sung to harp accompaniment. The English title, therefore, broadly defines the form employed, whereas the Hebrew title of the book, “Praises,” or “Book of Praises,” suggests the content.<\/p>\nPreview<\/p>\n• Authors<\/p>\n• Date<\/p>\n• Background<\/p>\n• Structure<\/p>\n• Canonicity<\/p>\n• Purpose and Theology<\/p>\n• Content<\/p>\nAuthors<\/p>\n<h5>The Evidence of the Titles<\/h5>\nThe Hebrew Bible credits David with 73 psalms, compared with 84 in the Septuagint and 85 in the Latin Vulgate. Korah and Asaph, the leaders of the Levitical singing groups, are connected with 11 and 12 psalms, respectively (although Ps 43 is almost certainly to be attributed to Korah also). Two psalms are ascribed to Solomon (Pss 72; 127), one to Moses (Ps 90), and one to Ethan (Ps 89), while Heman shares the credit for one psalm with the sons of Korah (Ps 88). The remainder are sometimes called “orphan psalms” because of their anonymity.<\/p>\nThe preposition “of” found in the titles (for example, “A Psalm of David”) usually indicates authorship. But in the case of groups, such as the sons of Asaph or Korah, it may simply indicate that the psalms were included in their repertoire. Less plausible is the idea that it may also be rendered “for the use of.” For example, some of the “Psalms of David” might be “for the use of” the Davidic king on some occasion.<\/p>\n<h5>Historical Allusions in the Titles<\/h5>\nMany of the titles refer to specific events in the life of David (e.g., Pss 3; 7; 18; 30; 34; 51). There is evidence that the titles were added at an early date. When the psalms were translated into Greek, there appears to have been some difficulty in translating the titles, possibly because of their antiquity. If the historical references were added at a late date, there is no reason why plausible backgrounds could not have been supplied for all the Davidic psalms, instead of only a few. Moreover, the apparent disparity between the title and the actual content of some psalms (e.g., Ps 30) indicates that the titles were supplied by those who knew about a connection unknown to a later editor. Admittedly, there are minor discrepancies between the titles and the references in the historical books. For example, in Psalm 34 David acts the madman before Abimelech, whereas in 1 Samuel it is before Achish. But probably Abimelech was the general name (like Pharaoh for the kings of Egypt) for all the Philistine kings (e.g., Gn 21:32; 26:26).<\/p>\nEvidence of authorship and historical background in the titles, therefore, may be taken as a reasonably reliable guide. But the internal difficulties, together with the freedom exercised by successive translators into Greek, Syriac, and Latin, indicates that they were not regarded as inspired.<\/p>\n<h5>The Case for Davidic Authorship<\/h5>\nFive points can be offered to support David’s authorship of several psalms:<\/p>\n1. The authenticity of David’s lament over Saul and Jonathan (2 Sm 1:19-27) is generally accepted. This indicates a deeply poetic spirit and a generous temperament that prepares us to accept those psalms ascribed to David that evidence similar characteristics. “The last words of David” is another Davidic poem in the historical books (2 Sm 23:1-7).<\/p>\n<li>2. David had a reputation as a skillful musician at Saul’s court (1 Sm 16:16-18). Amos comments on his inventiveness as a musician (Am 6:5), while the Chronicler repeatedly stresses his contribution to the musical aspect of temple worship (e.g., 1 Chr 6:31; 16:7; Ezr 3:10). The Jewish historian Josephus said that David composed songs and hymns to God in varied meters. The probability is that David, as well as amassing materials and preparing the plans for Solomon’s temple, also gave attention to the temple worship. This is his place in Jewish tradition.<\/li>\n<li>3. The early monarchy, with a freshly secured independence, national prestige, and a new prosperity, would most likely be a time of artistic creativity. David was at the heart of this movement.<\/li>\n<li>4. There is a close correspondence between David’s life as described in the historical books and certain psalms, for example, his sin concerning Bathsheba and Uriah (2 Sm 11:2–12:25) and Psalm 51, as witnessed in the title. David’s lapses and genuine repentance, as well as the varied aspects of his career—shepherd, fugitive, warrior, and so on—find expression in many of the psalms attributed to him. The correspondence between the David of the psalms and the David of the historical books is close, especially in the display of strong faith in God.<\/li>\n<li>5. Although some scholars believe that when “David” is mentioned in the NT, it is simply a reference to the book of Psalms and not an ascription of authorship, a straightforward interpretation of the NT text strengthens the case for Davidic authorship. David is specifically named as the author of various psalms in Matthew 22:41-45; Acts 1:16; 2:25, 34; Romans 4:6; 11:9.<\/li>\nIn conclusion, there is strong support for the view that the substantial nucleus of the Psalter is Davidic. Moreover, it is probable that some of the anonymous psalms were the work of the “sweet psalmist of Israel” (2 Sm 23:1). Hebrews 4:7 refers one of these, Psalm 95, to David (see also Acts 4:25 and Ps 2).<\/p>\nDate<\/p>\nOnce David’s authorship of several psalms is established, then it must follow that these psalms are dated during David’s life. Thus, most of the psalms formed the hymnbook of Israel in the period of the monarchy. Other psalms were written later. For example, Psalm 137 is clearly exilic, and Psalms 107:2-3 and 126:1 allude to the return from captivity. Psalms 44 and 79 are probably, but not conclusively, postexilic.<\/p>\nThe book of Psalms was probably the product of a considerable period of growth. The incidence of Davidic psalms in the first section indicates that it was completed early, possibly toward the end of David’s reign. The remainder of the process of compilation is difficult to reconstruct, but the fact that the titles, with their allusions to authors, events, and musical directions, become less frequent in the two final collections (Pss 90–150) lends support to the probability that the collections were combined chronologically in the sequence in which they are found today. Ezra is traditionally credited with the final grouping and editing of the psalms, a hypothesis that appears reasonable in light of his vital contribution to the systematic reshaping of the national religious life. In any case, the process was completed before the translation of the Psalter into Greek (the Septuagint) at the end of the third century BC<\/span>, since the traditional order is found there. General, but not complete, support comes also from the evidence of the Dead Sea Scrolls. At some point minor dislocations occurred. Psalms 9 and 10 may have originally formed one psalm (as in the Septuagint), and there is a strong case for combining Psalms 42 and 43.<\/p>\nBackground<\/p>\nAs the book of Psalms lies before us, its connection with temple worship is apparent. Fifty-five psalms are addressed to the choirmaster, and as we have noted, 23 or 24 are linked with the two main guilds of Levitical singers, Asaph and Korah. The musical instruments, such as stringed instruments (Ps 55 title) and flutes (Ps 5 title) are noted. Probably other terms concern musical directions: Selah<\/span>,<\/em> which occurs 71 times, may indicate a pause or crescendo; Higgaion<\/span> (Ps 9:16) may recommend a meditative attitude. Seemingly obscure references like “The Hind of the Dawn” (Ps 22 title), “Lilies” (Pss 45 title; 80 title) and “The Dove on Far-off Terebinths” (Ps 56 title) may indicate the tunes to which the psalms were to be sung. The precise meaning of other terms, such as Shiggaion<\/span> (Ps 7 title) or Alamoth<\/span> (conjecturally a choir of ladies, Ps 46 title), may also be in the realm of musical directions.<\/p>\nStructure<\/p>\nThe Psalter, possibly in conscious imitation of the five books of Moses in the Law, is divided into five sections (Pss 1–41; 42–72; 73–89; 90–106; 107–150), separated by four doxologies (41:13; 72:18-19; 89:52; 106:48). While the editorial comment in Psalm 72:20 notes that the psalms of David were ended, Davidic psalms are found later in the book (Pss 86; 101; 103), suggesting that at least some of these sections circulated independently until their inclusion in the final collection. Such independence is further indicated by the duplications in the various sections (e.g., Pss 14 and 53; 40:13-17 and 70) and by the use of different names for God, who is usually referred to as “Lord” in the first collection and as “God” in the second.<\/p>\nCanonicity<\/p>\nIn the various recensions of the third section of the Hebrew canon, the Writings or Holy Books, the book of Psalms is almost invariably placed first. It was clearly regarded as the most important book in this section, and in Luke 24:44, “Psalms” is synonymous with “Writings” as its title. While the canonicity of all the contents of the Writings was not finalized until the end of the first century AD<\/span>, it is likely that the book of Psalms was accepted as inspired long before this, probably by 300 BC<\/span>.<\/p>\nIt must not be inferred that all the psalms had their origin in the cultic life of the community, but the sanctuary was the focal point of Israel’s worship for the greater part of the OT period. Prayer was possible elsewhere, but whenever practicable, it was customary for the worshiper to present his petitions at the main sanctuary. And thanksgiving in ancient Israel was almost invariably connected with a thank offering, vow offering, or freewill offering. The psalms could have been composed by individuals, like David, who had the requisite technical ability. And it must be appreciated that poetry, an unfamiliar medium to most Western civilizations, was the natural way for the ancient Easterner to express his emotions. Or the individual could have engaged a member of the Levitical guilds of musicians to frame either his supplication or his thanksgiving. Gradually, a comprehensive collection of psalms would be available for the use of individuals, the congregation, and even the entire nation in any conceivable situation. Once finalized, this collection served not only the subsequent needs of Israel but the devotional requirements of successive generations of Christians as well. Whatever the origin of an individual psalm, each has finally been incorporated in a cultic setting, and it may be assumed that the best of Israel’s psalmody has thus been preserved.<\/p>\nPurpose and Theology<\/p>\n<h5>The Doctrine of God<\/h5>\nIn both adversity and prosperity, the psalmists indicate a strong faith in God and a clear conception of his attributes. Understandably, anthropomorphisms (ascribing human characteristics to nonhuman things) abound, with references to God’s voice, words, ears, eyes, face, or hands and fingers. No exception needs to be taken to this. Anthropomorphisms of this kind are, in fact, widely used by present-day Christians. Their great value is that they make God real to the worshiper. How else could humans describe God, except in terms of their own understanding?<\/p>\nThe monotheism of the psalms emerges clearly in Psalms 115:3-8; 135:15-18; 139. God is viewed as the Creator (Pss 8:3; 89:11; 95:3-5), with references to the creation mythology of surrounding nations (e.g., Ps 89:10) serving merely as illustrations of his almighty creative power. He is proclaimed as the Lord of history (Pss 44, 78, 80, 81, 105, 106) and as the sovereign controller of nature (Pss 18:7; 19:1-6; 65:8-13; 105:26-42; 135:5-7). The psalmists never tired of celebrating God’s absolute greatness.<\/p>\n<h5>The Human Perspective<\/h5>\nThe Psalter is a God-centered book, but humanity has a worthy place, in spite of the vast gulf between them and their Creator (Pss 8:3-4; 145:3-4) and the limitations of their earthly life (Ps 90:9-10). By the will of God, humans occupy a responsible, mediating position between God and all other created beings (Ps 8:5-8). The relationship with a righteous God is endangered by sin (Ps 106), but God is gracious and long-suffering (Ps 103), faithful and forgiving (Ps 130). While references to the sacrificial system are not lacking (Pss 20:3; 50:8-9), the emphasis is upon a personal piety that demands obedience and a surrendered heart (Ps 40:6-8). Psalm 51 indicates a depth of sin with which the sacrificial system was totally inadequate to cope; the psalmist could only cast himself, in total penitence, upon God’s mercy. Man’s moral obligations (Pss 15; 24:3-5) and loyalty to the law (Pss 19:7-11; 119) are fully accepted. Throughout, there is the revelation of a strong personal relationship that encourages prayer and praise and invites trust.<\/p>\n<h5>The Afterlife<\/h5>\nThe Psalms maintain the traditional Hebrew view of Sheol as the abode of the departed, without distinction between the good and evil, where all but mere existence has perished. The chief complaint of the devout man was that, in Sheol, all meaningful relationship with God ceased (Pss 6:5; 88:10-12). However, it was recognized that, since God was almighty, even Sheol was not exempt from his reach (Ps 139:8). Added to this was the preciousness and strength of fellowship with God, which could not be terminated even by death. Psalms 16:9-11, 49:15, and 73:23-26 well illustrate this insight. The Psalter, therefore, witnesses to an important transitional phase in Israel’s belief.<\/p>\n<h5>Universal Recognition of God<\/h5>\nPassages like Psalms 9:11; 47:1-2, 7-9; 66:8; 67; and 117:1 call upon all nations to acknowledge and praise God and show an awareness of his sovereignty over all nations. But this universalism does not appear to involve any desire to convert the heathen nations and, indeed, it is balanced by strong particularistic elements. God’s covenant relationship with his people and his mighty deeds on their behalf are the chief items for which the praise of all nations is summoned (Pss 47:3-4; 66:8-9; 126:2). As elsewhere in the OT, the role of Israel is passive; her continued existence witnesses to God’s faithfulness and brings glory to him.<\/p>\n<h5>Lasting Value<\/h5>\nWhatever the emotion of the psalmists, be it bitter complaint, anguished lament, or joyous exultation, all the psalms reflect one or other of the many aspects of communion with God. The reader may look “into the heart of all the saints” (so said Luther) as they faced life’s experiences in the awareness of a God who was all-seeing, all-knowing, and all-powerful. The strength of that personal relationship with God that typified OT worship at its best is exemplified here, and the many echoes of the psalms elsewhere in Israel’s literature show the powerful influence of these testimonies on the faithful. The fact that, almost invariably, little specific detail is given of the psalmists’ actual conditions has made it easier for the Psalter to become the universal hymnbook and devotional treasury of God’s people, in both public and private worship, until and including the present day. Modern life, materially, is vastly different from that of ancient Israel, but God remains unchanged and so do the basic needs of the human heart. The Holy Spirit, therefore, can still use this spiritual treasury as a means of revelation and communication between God and man. Few books in the Bible have exercised so profound an influence or been so widely used.<\/p>\nContent<\/p>\n<h5>Introduction<\/h5>\nIt is more helpful to describe the psalms in categories than to explain them one by one in canonical order. The psalms can be categorized as follows:<\/p>\nPsalms of praise<\/p>\nRoyal, messianic psalms<\/p>\nPassion psalms<\/p>\nPsalms about Zion<\/p>\nLaments<\/p>\nImprecatory psalms<\/p>\nPenitential psalms<\/p>\nWisdom psalms and historical psalms<\/p>\nPsalms of trust<\/p>\n<h5>Psalms of Praise<\/h5>\nThe Hebrew title, “Praises,” defines accurately a large part of the contents of the book. Each of the first four sections concludes with a doxology, while the fifth section concludes with five psalms, each of which begins and ends with one or two “Hallelujahs.” The last of these, Psalm 150, sounds the call to total praise. God is to be praised for his being, for his great acts in creation, nature, and history on both the individual and the communal level.<\/p>\n1. Individual praise. In comparison with the number of individual laments, there are relatively few psalms in this category. Those normally included are Psalms 9, 18, 32, 34, 116, and 138. This may, in part, be due to the universal tendency to complain rather than to express thanks. But a number of the laments do, in fact, include the note of thanksgiving for the anticipated deliverance, and the normal round of congregational thanksgiving would allow the individual to express his personal praise. However, it was customary in temple worship to give a verbal act of thanksgiving before the whole assembly whenever a vow offering or a thank offering was made. Such public testimony, and the communal meal associated with this type of sacrifice, is indicated in Psalms 22:22-26; 66:13-20; 116:17-19. The inclusion of such opportunities for personal praise and testimony must have added warmth and significance to worship. Each act of deliverance and every experience of God’s mercy became part of salvation history, which was a cumulative, ongoing concept, not simply a recital of God’s deeds in earlier centuries.<\/p>\n<li>2. General communal praise. This is sometimes entitled “hymns” or “descriptive praise,” its main feature being linked to a particular act of deliverance. God is usually referred to in the third person, not directly. Psalm 103 may be taken as representative of this group. It begins and ends with individual references (vv 1-5, 22b), but the central section (esp. vv 6-14) shows that the psalmist was part of a worshiping community. There is first of all the imperative call to praise God for the full range of his mercy to each individual, including physical and spiritual deliverance and his sustaining and satisfying grace. Then the focus changes to his great works in history (vv 6-7). This forms a natural basis for the recital of those gracious qualities revealed so consistently during the course of the national history, especially his tender, fatherly care (vv 8-14). The frailty of humanity contrasts with God’s constancy (vv 15-18), and his rule, being universal and absolute (v 19), merits the praise of all things, living and inanimate, in heaven and on earth (vv 19-22). There is, however, a great number of possible variations in the way in which God is celebrated, as Psalms 113 and 136, which come within this class, illustrate.<\/li>\n<li>3. Specific communal praise. Occasionally termed “declarative praise,” this type of psalm connects with a particular outstanding evidence of God’s mercy and would most naturally follow soon after the event itself. Deliverance from an enemy provides the occasion for most of the psalms in this category (e.g., Pss 124, 129). Psalm 66:8-12, now the nucleus of an expanded recital of God’s goodness, was possibly once complete in itself. Psalms 46–48 may form a trilogy connected with the remarkable deliverance of Jerusalem from Sennacherib’s Assyrians in 701 BC<\/span> (2 Kgs 18:17–19:37). Psalm 67 was probably composed in gratitude for a particular harvest. It is easy to see how psalms of this type could, in the process of time, acquire a more general usage.<\/li>\n<li>4. Praise for the God of nature. The first part of Psalm 19 pictures the praise of God sounding from the heavens; Psalm 29 celebrates him as the God of the thunderstorm, which, sweeping in from the Mediterranean near Lebanon, pursues its awe-inspiring path southward into the wilderness of Kadesh, with the result that “in his temple” (the created world?) all are praising, “Glory, glory to the Lord<\/span>” (v 9). His sovereignty and self-sufficiency in this world are celebrated in Psalm 50:10-12; he is the God of growth and harvest (Ps 65:9-13); in Psalm 104, often called the “Hymn of Creation,” he sustains and supplies everything on the earth and in the seas and is the absolute Lord of all life (vv 29-30). There is no confusion between God and his creation; even the seemingly permanent heaven and earth will perish, but “you go on forever” (Ps 102:25-27). Nature’s role is to proclaim the glory of God (Ps 19:1) and to praise him (Ps 148). People see themselves as insignificant when set against those forces of nature, which are themselves dwarfed by God—hence, the awareness of the immeasurable gulf between God and people that God has bridged by his grace (Ps 8).<\/li>\n<li>5. Praise for God’s kingship. A relatively small group of psalms (Pss 47, 93, 96–99) celebrate the kingship of God in a way that goes beyond the ascription of praise noted in the foregoing groups. They are marked by acclamation, by both shouting and clapping when God “ascends.” Presumably, the reference is to his throne (Ps 47:1-5; cf. 99:1-2). “The Lord<\/span> reigns” (Pss 93:1; 97:1; 99:1) is the frequent cry, and the nature of his reign is extolled (Ps 99:4-5).<\/li>\n<h5>Royal, Messianic Psalms<\/h5>\nPsalms 2, 18, 20, 21, 45, 61, 72, 89, 101, 110, 132, and 144 are usually included as the royal psalms. They do not form a literary category, since psalms of various types are included, but they all have some reference to the king, the nature of his rule, and his relationship to God. Since the Davidic monarchy was terminated in 586 BC<\/span>, these psalms, almost certainly, were composed before that date. The language in these psalms often shows the king as being God’s vice-regent. For example, Psalm 45, a royal marriage psalm, contains the assertion “Your throne, O God, endures for ever and ever” (45:6). But this is best understood in terms of the throne being regarded as the Lord’s, occupied by the king as his representative. Similarly, the wording in Psalm 110:1, “Sit at my right hand,” indicates the privileges and prerogatives that the king enjoys as God’s vice-regent. The balance of the OT evidence concerning the king shows that the monarchy in Israel was qualified by the nature of God’s covenantal relationship with his people; the king did not enjoy the absolutism claimed by most of the rulers of surrounding kingdoms.<\/p>\nMost of the royal psalms can also be called messianic psalms. They were interpreted as such in the early Christian church, as witnessed in Jesus Christ’s general statement that the psalmists wrote of him (Lk 24:44) and by particular NT quotations. The main psalms concerned, and the NT references, are the following:<\/p>\n1. Psalm 2 (Acts 13:33; Heb 1:5; 5:5), while linked with the Davidic king, nevertheless speaks of a universal vindication and rule, which far transcended even David’s rule. Further, the picture of the Davidic king, anointed to rule on the earth as the representative of God, who is enthroned in heaven, strongly suggests Christ’s mediating, incarnate ministry.<\/p>\n<li>2. Psalm 45 (Heb 1:8-9), a marriage psalm for one of the Davidic kings, possibly Solomon, speaks not only of love and marriage but also a permanence and quality of rule. In the most obvious translation of verse 6, the writer addresses God, “Your divine throne endures for ever and ever.” The writer to the Hebrews clearly accepted this interpretation (Heb 1:8-9) and used it in contrast to the exalted status of even the angels, reinforcing it with two other quotations from the psalms that originally applied to God (Ps 97:7; 102:25-27; cf. Heb 1:6, 10-12).<\/li>\n<li>3. Psalm 110 is the most frequently quoted messianic psalm (Mt 22:43-45; Acts 2:34-35; Heb 1:13; 5:5-10; 6:20; 7:21). The language, speaking of the privileges, universal victory and continuing priesthood of David and his successors, would be considered hyperbolic and possibly misleading except for its fulfillment in “great David’s greater Son.” In contrast to the angels, who are privileged to stand in God’s presence (Lk 1:19), Christ the Son sits in the place of power and authority (Heb 1:13).<\/li>\nOther psalms that could also be designated messianic but are not specifically included among the royal psalms are Psalm 8 (1 Cor 15:27); Psalm 40 (Heb 10:5-10); Psalm 72, with its idealized picture of the nature, consequences, and extent of the rule of God’s representative; Psalm 118:22-23; and Psalm 132 (Acts 2:30).<\/p>\n\n<h5>Passion Psalms<\/h5>\nThe four psalms in this group (Pss 16; 22; 40; 69; some scholars would also include Pss 102; 109) may also be regarded as messianic. They connect with that line of OT prophecy that interprets the Messiah’s ministry in terms of the Suffering Servant who features prominently in Isaiah (e.g., Is 42:1-9; 52:13–53:12). Of these four, Psalm 22 is the most remarkable. Jesus recited part of it when he was on the cross (Ps 22:1; cf. Mt 27:46), and other connections with the crucifixion scene are noteworthy (e.g., Ps 22:6-8, 14-18). Some further considerations are even more significant: there is no suggestion of any awareness of sin; the suffering of the psalmist appears completely unjustified; there is no imprecatory element, even in the face of bitter persecution. This connects with the sinless Christ (2 Cor 5:21), who could even pray for his executioners (Lk 23:34). Psalm 16:10 anticipates the triumph of the incorruptible Christ over the grave (cf. Acts 2:24-31). Psalm 40:6-8 foreshadows the Incarnation and self-giving redemptive work of Christ (Heb 10:5-10). Psalm 69 refers to the isolation resulting from a commitment to God’s cause (Ps 69:8-9) and anticipates the part played by Judas in what was fundamentally God’s work in Christ (Ps 69:25-26; cf. Ps 109:8; Is 53:10; Acts 1:20).<\/p>\n<h5>Psalms about Zion<\/h5>\nThis group could have been classified as a subsection of communal praise, but due to the close historical connection between God’s choice of the house of David and Jerusalem (Pss 78:68-72; 132:11-13), and their subsequent interrelated fortunes, we consider them at this point. There was a biting satire in the request of the Babylonians to the refugees of a shattered city to “Sing us one of the songs of Zion!” (Ps 137:3, niv<\/span>), but it witnesses to the existence of such a collection. Praise of Zion was, in fact, almost synonymous with the praise of the Lord who dwelt there. Jerusalem’s continued survival, in spite of its difficulties, was ample demonstration of God’s enduring greatness (Ps 48:11-14) and peculiar affection for the city that housed his temple (Ps 87:1-3). Psalms 48, 76, 84, 87 and 122 are the main psalms in this category, but the theme itself appears widely throughout the psalms (e.g., 102:16; 125:1; 126:1-3; 133:3; 147:2). The basis of the NT concept of a heavenly Jerusalem, the spiritual home of the regenerate of all nations, finds its origin in this concept, especially in Psalm 87.<\/p>\n<h5>Laments<\/h5>\nThese are associated with specific occasions of distress and are of two types:<\/p>\n1. National. The prophetic and historical books give several examples of the kind of occasion, such as drought, locust infestation, or enemy attack, that could prompt national laments, and also the inward and outward attitudes that accompanied them (e.g., Jgs 20:23, 26; Jer 14:1-12; 36:9; Jl 1:13-14; 2:12-17; Jon 3:5). There is a regular structure in the psalms of this class: the distressing situation is first described; God is petitioned to come to the aid of his people, often with the reminder of his past mercies for Israel; finally, there is often an expression of confidence that God would heed their cry. Israel’s adversaries are clearly in mind in Psalms 14, 44, 60, 74, 80, and 83, while Psalms 58, 106, and 125 reflect situations less critical.<\/p>\n<li>2. Individual. There are so many of this type (approximately 50) that it is frequently described as the backbone of the Psalter. Their most obvious features are the sharpness of complaint and the bitterness of attack upon those responsible. As in the national laments, there is often complaint against God, especially for his lack of attention or his tardiness in intervening. The basic components of this type are almost identical to the national laments, except that they often conclude with the avowal to praise God in anticipation of deliverance (e.g., Ps 13:5-6). Frequently, the lament is accompanied by thanksgiving for the deliverance sought and experienced, as illustrated in the two sections of Psalms 22:1-21 and 28:1-9.<\/li>\n<h5>Imprecatory Psalms<\/h5>\nApproximately 20 psalms contain passionate pleas for the overthrow of the wicked, in language that is often shocking. Any instant condemnation of this attitude must, however, be tempered by certain relevant considerations:<\/p>\nThe cry for vengeance was not purely personal; it was firmly believed that God’s honor was at stake (e.g., Ps 109:21). In an age where there was a less developed view of an afterlife, it was axiomatic that rewards and punishments resulting from obedience or disobedience to God, must be observable within this lifetime. Whenever this was not apparent, it would seem that no righteous God existed, and the name of God was dishonored (e.g., Ps 74:10). This burning desire for the eradication of evil and evil men sprang from a consciousness of a moral God and virtually demanded the triumph of truth.<\/p>\nThe poetic language is also prone to hyperbole—a feature not confined to the psalms (e.g., Neh 4:4-5; Jer 20:14-18; Am 7:17). Such language is startling; indeed, part of its function was probably to startle—to express and promote a sense of outrage.<\/p>\nIn the pre-Christian period, therefore, such outbursts were not completely unjustifiable. But in the light of the fuller revelation in the NT, such an attitude cannot be condoned. The Christian is to love as Christ loved (Jn 13:34), to pray for his enemies and to forgive them (Mt 5:38-48; Col 3:13). The theme of judgment continues into the NT and is indeed heightened there, since Christ’s coming has left people without excuse to live in sin (Jn 16:8-11), but there can be no place for purely private vengeance.<\/p>\n<h5>Penitential Psalms<\/h5>\nPsalms 32, 38, 51, and 130 are the clearest examples of penitential psalms, although traditionally the church has also included Psalms 6, 102, 143, where there is no explicit confession of sin. In an age when adversity in its various forms was seen as God’s judgment for wrongdoing, the admission of distress was tantamount to a confession of guilt. In the four main examples there is an intensity of feeling and a deep sense of the enormity of sin in God’s sight, although, as elsewhere, there is no indication of specific sin, even in Psalm 51, which is surely to be connected with David’s sin against Bathsheba (2 Sm 11–12). Significantly, David bypasses the sacrificial system, which was totally inefficacious in his case, casting himself entirely on the mercy of God (Ps 51:1, 16). The burden of unconfessed sin is clearly revealed in Psalm 32, and sin’s searing and corrupting effect in Psalm 38.<\/p>\n<h5>Wisdom Psalms and Historical Psalms<\/h5>\nWhile it is accepted that prophets, priests, and wise men all functioned at the major sanctuaries, some overlap in their modes of expression is to be expected. Proverbial forms are not infrequently found in the psalms (Pss 37:5, 8, 16, 21-22; 111:10; 127:1-5). Psalm 1, probably an introduction to the whole Psalter, contrasts the diverging paths of the righteous and ungodly (cf. Ps 112), while Psalms 127 and 128 concentrate on the blessings given to the godly. Psalm 133 is written in praise of unity. The problem of explaining the sufferings of a righteous person and the apparent prosperity of evil people, dealt with in the Wisdom Literature in the book of Job and in the prophets also (e.g., Jer 12:1-4), is taken up in Psalms 37, 49, and 73.<\/p>\nThe historical psalms should be included in this category, since they underscore the lessons arising from the favored nation’s often bitter experience. It is apparent that Israel delighted in the recital of salvation history. The main psalms, and the periods covered are Psalm 78, from the exodus to the establishment of the Davidic monarchy (note the declared intention to teach in vv 1-4); Psalm 105, from Abraham to the conquest of Canaan; Psalm 106, from Egypt to the judges; and Psalm 136, from the Creation to the Promised Land.<\/p>\n<h5>Psalms of Trust<\/h5>\nWhile some of these may also be classified as laments, the dominant feature of this group is the serene trust in God revealed, which makes them particularly suitable for devotional use. Many of these psalms begin with an affirmation of gratitude to and affection for God. Psalms 23 and 27 are the outstanding examples of this type, which could also include Psalms 11, 16, 62, 116, 131, and 138.<\/p>\nConclusion<\/p>\nThe difficulties in any precise categorization of psalms are obvious; many do not neatly fall into one group—hence, the occasional overlap. What is clearly evident is a pulsating, vital devotional life that has found its clearest expression in the book of Psalms. To say that it expresses the worship and devotion of the ordinary person is a simplification; kings and priests, wise men and prophets all contributed to this remarkable collection. Yet there remains the truth that, in God’s sight, all people, regardless of human achievement or privilege, are “ordinary,” for all are sinners in need of God’s grace and goodness. So the worshiping community of ancient Israel, and the saints of every succeeding generation, in the vastness of their diversity, have found the expression of their own hearts’ condition, desires, and devotion in this unique treasury—the Psalms.<\/p>\nSee also<\/em> David; Messiah; Music; Poetry, Biblical; Singers in the Temple; Tabernacle; Temple; Wisdom; Wisdom Literature.<\/p>","content_en":"<h3>PSALMS, Book of<\/h3>\nPoems sung to musical accompaniment, originally the harp. The alternative title, the Psalter, refers to a collection of songs sung to harp accompaniment. The English title, therefore, broadly defines the form employed, whereas the Hebrew title of the book, “Praises,” or “Book of Praises,” suggests the content.<\/p>\nPreview<\/p>\n• Authors<\/p>\n• Date<\/p>\n• Background<\/p>\n• Structure<\/p>\n• Canonicity<\/p>\n• Purpose and Theology<\/p>\n• Content<\/p>\nAuthors<\/p>\n<h5>The Evidence of the Titles<\/h5>\nThe Hebrew Bible credits David with 73 psalms, compared with 84 in the Septuagint and 85 in the Latin Vulgate. Korah and Asaph, the leaders of the Levitical singing groups, are connected with 11 and 12 psalms, respectively (although Ps 43 is almost certainly to be attributed to Korah also). Two psalms are ascribed to Solomon (Pss 72; 127), one to Moses (Ps 90), and one to Ethan (Ps 89), while Heman shares the credit for one psalm with the sons of Korah (Ps 88). The remainder are sometimes called “orphan psalms” because of their anonymity.<\/p>\nThe preposition “of” found in the titles (for example, “A Psalm of David”) usually indicates authorship. But in the case of groups, such as the sons of Asaph or Korah, it may simply indicate that the psalms were included in their repertoire. Less plausible is the idea that it may also be rendered “for the use of.” For example, some of the “Psalms of David” might be “for the use of” the Davidic king on some occasion.<\/p>\n<h5>Historical Allusions in the Titles<\/h5>\nMany of the titles refer to specific events in the life of David (e.g., Pss 3; 7; 18; 30; 34; 51). There is evidence that the titles were added at an early date. When the psalms were translated into Greek, there appears to have been some difficulty in translating the titles, possibly because of their antiquity. If the historical references were added at a late date, there is no reason why plausible backgrounds could not have been supplied for all the Davidic psalms, instead of only a few. Moreover, the apparent disparity between the title and the actual content of some psalms (e.g., Ps 30) indicates that the titles were supplied by those who knew about a connection unknown to a later editor. Admittedly, there are minor discrepancies between the titles and the references in the historical books. For example, in Psalm 34 David acts the madman before Abimelech, whereas in 1 Samuel it is before Achish. But probably Abimelech was the general name (like Pharaoh for the kings of Egypt) for all the Philistine kings (e.g., Gn 21:32; 26:26).<\/p>\nEvidence of authorship and historical background in the titles, therefore, may be taken as a reasonably reliable guide. But the internal difficulties, together with the freedom exercised by successive translators into Greek, Syriac, and Latin, indicates that they were not regarded as inspired.<\/p>\n<h5>The Case for Davidic Authorship<\/h5>\nFive points can be offered to support David’s authorship of several psalms:<\/p>\n1. The authenticity of David’s lament over Saul and Jonathan (2 Sm 1:19-27) is generally accepted. This indicates a deeply poetic spirit and a generous temperament that prepares us to accept those psalms ascribed to David that evidence similar characteristics. “The last words of David” is another Davidic poem in the historical books (2 Sm 23:1-7).<\/p>\n<li>2. David had a reputation as a skillful musician at Saul’s court (1 Sm 16:16-18). Amos comments on his inventiveness as a musician (Am 6:5), while the Chronicler repeatedly stresses his contribution to the musical aspect of temple worship (e.g., 1 Chr 6:31; 16:7; Ezr 3:10). The Jewish historian Josephus said that David composed songs and hymns to God in varied meters. The probability is that David, as well as amassing materials and preparing the plans for Solomon’s temple, also gave attention to the temple worship. This is his place in Jewish tradition.<\/li>\n<li>3. The early monarchy, with a freshly secured independence, national prestige, and a new prosperity, would most likely be a time of artistic creativity. David was at the heart of this movement.<\/li>\n<li>4. There is a close correspondence between David’s life as described in the historical books and certain psalms, for example, his sin concerning Bathsheba and Uriah (2 Sm 11:2–12:25) and Psalm 51, as witnessed in the title. David’s lapses and genuine repentance, as well as the varied aspects of his career—shepherd, fugitive, warrior, and so on—find expression in many of the psalms attributed to him. The correspondence between the David of the psalms and the David of the historical books is close, especially in the display of strong faith in God.<\/li>\n<li>5. Although some scholars believe that when “David” is mentioned in the NT, it is simply a reference to the book of Psalms and not an ascription of authorship, a straightforward interpretation of the NT text strengthens the case for Davidic authorship. David is specifically named as the author of various psalms in Matthew 22:41-45; Acts 1:16; 2:25, 34; Romans 4:6; 11:9.<\/li>\nIn conclusion, there is strong support for the view that the substantial nucleus of the Psalter is Davidic. Moreover, it is probable that some of the anonymous psalms were the work of the “sweet psalmist of Israel” (2 Sm 23:1). Hebrews 4:7 refers one of these, Psalm 95, to David (see also Acts 4:25 and Ps 2).<\/p>\nDate<\/p>\nOnce David’s authorship of several psalms is established, then it must follow that these psalms are dated during David’s life. Thus, most of the psalms formed the hymnbook of Israel in the period of the monarchy. Other psalms were written later. For example, Psalm 137 is clearly exilic, and Psalms 107:2-3 and 126:1 allude to the return from captivity. Psalms 44 and 79 are probably, but not conclusively, postexilic.<\/p>\nThe book of Psalms was probably the product of a considerable period of growth. The incidence of Davidic psalms in the first section indicates that it was completed early, possibly toward the end of David’s reign. The remainder of the process of compilation is difficult to reconstruct, but the fact that the titles, with their allusions to authors, events, and musical directions, become less frequent in the two final collections (Pss 90–150) lends support to the probability that the collections were combined chronologically in the sequence in which they are found today. Ezra is traditionally credited with the final grouping and editing of the psalms, a hypothesis that appears reasonable in light of his vital contribution to the systematic reshaping of the national religious life. In any case, the process was completed before the translation of the Psalter into Greek (the Septuagint) at the end of the third century BC<\/span>, since the traditional order is found there. General, but not complete, support comes also from the evidence of the Dead Sea Scrolls. At some point minor dislocations occurred. Psalms 9 and 10 may have originally formed one psalm (as in the Septuagint), and there is a strong case for combining Psalms 42 and 43.<\/p>\nBackground<\/p>\nAs the book of Psalms lies before us, its connection with temple worship is apparent. Fifty-five psalms are addressed to the choirmaster, and as we have noted, 23 or 24 are linked with the two main guilds of Levitical singers, Asaph and Korah. The musical instruments, such as stringed instruments (Ps 55 title) and flutes (Ps 5 title) are noted. Probably other terms concern musical directions: Selah<\/span>,<\/em> which occurs 71 times, may indicate a pause or crescendo; Higgaion<\/span> (Ps 9:16) may recommend a meditative attitude. Seemingly obscure references like “The Hind of the Dawn” (Ps 22 title), “Lilies” (Pss 45 title; 80 title) and “The Dove on Far-off Terebinths” (Ps 56 title) may indicate the tunes to which the psalms were to be sung. The precise meaning of other terms, such as Shiggaion<\/span> (Ps 7 title) or Alamoth<\/span> (conjecturally a choir of ladies, Ps 46 title), may also be in the realm of musical directions.<\/p>\nStructure<\/p>\nThe Psalter, possibly in conscious imitation of the five books of Moses in the Law, is divided into five sections (Pss 1–41; 42–72; 73–89; 90–106; 107–150), separated by four doxologies (41:13; 72:18-19; 89:52; 106:48). While the editorial comment in Psalm 72:20 notes that the psalms of David were ended, Davidic psalms are found later in the book (Pss 86; 101; 103), suggesting that at least some of these sections circulated independently until their inclusion in the final collection. Such independence is further indicated by the duplications in the various sections (e.g., Pss 14 and 53; 40:13-17 and 70) and by the use of different names for God, who is usually referred to as “Lord” in the first collection and as “God” in the second.<\/p>\nCanonicity<\/p>\nIn the various recensions of the third section of the Hebrew canon, the Writings or Holy Books, the book of Psalms is almost invariably placed first. It was clearly regarded as the most important book in this section, and in Luke 24:44, “Psalms” is synonymous with “Writings” as its title. While the canonicity of all the contents of the Writings was not finalized until the end of the first century AD<\/span>, it is likely that the book of Psalms was accepted as inspired long before this, probably by 300 BC<\/span>.<\/p>\nIt must not be inferred that all the psalms had their origin in the cultic life of the community, but the sanctuary was the focal point of Israel’s worship for the greater part of the OT period. Prayer was possible elsewhere, but whenever practicable, it was customary for the worshiper to present his petitions at the main sanctuary. And thanksgiving in ancient Israel was almost invariably connected with a thank offering, vow offering, or freewill offering. The psalms could have been composed by individuals, like David, who had the requisite technical ability. And it must be appreciated that poetry, an unfamiliar medium to most Western civilizations, was the natural way for the ancient Easterner to express his emotions. Or the individual could have engaged a member of the Levitical guilds of musicians to frame either his supplication or his thanksgiving. Gradually, a comprehensive collection of psalms would be available for the use of individuals, the congregation, and even the entire nation in any conceivable situation. Once finalized, this collection served not only the subsequent needs of Israel but the devotional requirements of successive generations of Christians as well. Whatever the origin of an individual psalm, each has finally been incorporated in a cultic setting, and it may be assumed that the best of Israel’s psalmody has thus been preserved.<\/p>\nPurpose and Theology<\/p>\n<h5>The Doctrine of God<\/h5>\nIn both adversity and prosperity, the psalmists indicate a strong faith in God and a clear conception of his attributes. Understandably, anthropomorphisms (ascribing human characteristics to nonhuman things) abound, with references to God’s voice, words, ears, eyes, face, or hands and fingers. No exception needs to be taken to this. Anthropomorphisms of this kind are, in fact, widely used by present-day Christians. Their great value is that they make God real to the worshiper. How else could humans describe God, except in terms of their own understanding?<\/p>\nThe monotheism of the psalms emerges clearly in Psalms 115:3-8; 135:15-18; 139. God is viewed as the Creator (Pss 8:3; 89:11; 95:3-5), with references to the creation mythology of surrounding nations (e.g., Ps 89:10) serving merely as illustrations of his almighty creative power. He is proclaimed as the Lord of history (Pss 44, 78, 80, 81, 105, 106) and as the sovereign controller of nature (Pss 18:7; 19:1-6; 65:8-13; 105:26-42; 135:5-7). The psalmists never tired of celebrating God’s absolute greatness.<\/p>\n<h5>The Human Perspective<\/h5>\nThe Psalter is a God-centered book, but humanity has a worthy place, in spite of the vast gulf between them and their Creator (Pss 8:3-4; 145:3-4) and the limitations of their earthly life (Ps 90:9-10). By the will of God, humans occupy a responsible, mediating position between God and all other created beings (Ps 8:5-8). The relationship with a righteous God is endangered by sin (Ps 106), but God is gracious and long-suffering (Ps 103), faithful and forgiving (Ps 130). While references to the sacrificial system are not lacking (Pss 20:3; 50:8-9), the emphasis is upon a personal piety that demands obedience and a surrendered heart (Ps 40:6-8). Psalm 51 indicates a depth of sin with which the sacrificial system was totally inadequate to cope; the psalmist could only cast himself, in total penitence, upon God’s mercy. Man’s moral obligations (Pss 15; 24:3-5) and loyalty to the law (Pss 19:7-11; 119) are fully accepted. Throughout, there is the revelation of a strong personal relationship that encourages prayer and praise and invites trust.<\/p>\n<h5>The Afterlife<\/h5>\nThe Psalms maintain the traditional Hebrew view of Sheol as the abode of the departed, without distinction between the good and evil, where all but mere existence has perished. The chief complaint of the devout man was that, in Sheol, all meaningful relationship with God ceased (Pss 6:5; 88:10-12). However, it was recognized that, since God was almighty, even Sheol was not exempt from his reach (Ps 139:8). Added to this was the preciousness and strength of fellowship with God, which could not be terminated even by death. Psalms 16:9-11, 49:15, and 73:23-26 well illustrate this insight. The Psalter, therefore, witnesses to an important transitional phase in Israel’s belief.<\/p>\n<h5>Universal Recognition of God<\/h5>\nPassages like Psalms 9:11; 47:1-2, 7-9; 66:8; 67; and 117:1 call upon all nations to acknowledge and praise God and show an awareness of his sovereignty over all nations. But this universalism does not appear to involve any desire to convert the heathen nations and, indeed, it is balanced by strong particularistic elements. God’s covenant relationship with his people and his mighty deeds on their behalf are the chief items for which the praise of all nations is summoned (Pss 47:3-4; 66:8-9; 126:2). As elsewhere in the OT, the role of Israel is passive; her continued existence witnesses to God’s faithfulness and brings glory to him.<\/p>\n<h5>Lasting Value<\/h5>\nWhatever the emotion of the psalmists, be it bitter complaint, anguished lament, or joyous exultation, all the psalms reflect one or other of the many aspects of communion with God. The reader may look “into the heart of all the saints” (so said Luther) as they faced life’s experiences in the awareness of a God who was all-seeing, all-knowing, and all-powerful. The strength of that personal relationship with God that typified OT worship at its best is exemplified here, and the many echoes of the psalms elsewhere in Israel’s literature show the powerful influence of these testimonies on the faithful. The fact that, almost invariably, little specific detail is given of the psalmists’ actual conditions has made it easier for the Psalter to become the universal hymnbook and devotional treasury of God’s people, in both public and private worship, until and including the present day. Modern life, materially, is vastly different from that of ancient Israel, but God remains unchanged and so do the basic needs of the human heart. The Holy Spirit, therefore, can still use this spiritual treasury as a means of revelation and communication between God and man. Few books in the Bible have exercised so profound an influence or been so widely used.<\/p>\nContent<\/p>\n<h5>Introduction<\/h5>\nIt is more helpful to describe the psalms in categories than to explain them one by one in canonical order. The psalms can be categorized as follows:<\/p>\nPsalms of praise<\/p>\nRoyal, messianic psalms<\/p>\nPassion psalms<\/p>\nPsalms about Zion<\/p>\nLaments<\/p>\nImprecatory psalms<\/p>\nPenitential psalms<\/p>\nWisdom psalms and historical psalms<\/p>\nPsalms of trust<\/p>\n<h5>Psalms of Praise<\/h5>\nThe Hebrew title, “Praises,” defines accurately a large part of the contents of the book. Each of the first four sections concludes with a doxology, while the fifth section concludes with five psalms, each of which begins and ends with one or two “Hallelujahs.” The last of these, Psalm 150, sounds the call to total praise. God is to be praised for his being, for his great acts in creation, nature, and history on both the individual and the communal level.<\/p>\n1. Individual praise. In comparison with the number of individual laments, there are relatively few psalms in this category. Those normally included are Psalms 9, 18, 32, 34, 116, and 138. This may, in part, be due to the universal tendency to complain rather than to express thanks. But a number of the laments do, in fact, include the note of thanksgiving for the anticipated deliverance, and the normal round of congregational thanksgiving would allow the individual to express his personal praise. However, it was customary in temple worship to give a verbal act of thanksgiving before the whole assembly whenever a vow offering or a thank offering was made. Such public testimony, and the communal meal associated with this type of sacrifice, is indicated in Psalms 22:22-26; 66:13-20; 116:17-19. The inclusion of such opportunities for personal praise and testimony must have added warmth and significance to worship. Each act of deliverance and every experience of God’s mercy became part of salvation history, which was a cumulative, ongoing concept, not simply a recital of God’s deeds in earlier centuries.<\/p>\n<li>2. General communal praise. This is sometimes entitled “hymns” or “descriptive praise,” its main feature being linked to a particular act of deliverance. God is usually referred to in the third person, not directly. Psalm 103 may be taken as representative of this group. It begins and ends with individual references (vv 1-5, 22b), but the central section (esp. vv 6-14) shows that the psalmist was part of a worshiping community. There is first of all the imperative call to praise God for the full range of his mercy to each individual, including physical and spiritual deliverance and his sustaining and satisfying grace. Then the focus changes to his great works in history (vv 6-7). This forms a natural basis for the recital of those gracious qualities revealed so consistently during the course of the national history, especially his tender, fatherly care (vv 8-14). The frailty of humanity contrasts with God’s constancy (vv 15-18), and his rule, being universal and absolute (v 19), merits the praise of all things, living and inanimate, in heaven and on earth (vv 19-22). There is, however, a great number of possible variations in the way in which God is celebrated, as Psalms 113 and 136, which come within this class, illustrate.<\/li>\n<li>3. Specific communal praise. Occasionally termed “declarative praise,” this type of psalm connects with a particular outstanding evidence of God’s mercy and would most naturally follow soon after the event itself. Deliverance from an enemy provides the occasion for most of the psalms in this category (e.g., Pss 124, 129). Psalm 66:8-12, now the nucleus of an expanded recital of God’s goodness, was possibly once complete in itself. Psalms 46–48 may form a trilogy connected with the remarkable deliverance of Jerusalem from Sennacherib’s Assyrians in 701 BC<\/span> (2 Kgs 18:17–19:37). Psalm 67 was probably composed in gratitude for a particular harvest. It is easy to see how psalms of this type could, in the process of time, acquire a more general usage.<\/li>\n<li>4. Praise for the God of nature. The first part of Psalm 19 pictures the praise of God sounding from the heavens; Psalm 29 celebrates him as the God of the thunderstorm, which, sweeping in from the Mediterranean near Lebanon, pursues its awe-inspiring path southward into the wilderness of Kadesh, with the result that “in his temple” (the created world?) all are praising, “Glory, glory to the Lord<\/span>” (v 9). His sovereignty and self-sufficiency in this world are celebrated in Psalm 50:10-12; he is the God of growth and harvest (Ps 65:9-13); in Psalm 104, often called the “Hymn of Creation,” he sustains and supplies everything on the earth and in the seas and is the absolute Lord of all life (vv 29-30). There is no confusion between God and his creation; even the seemingly permanent heaven and earth will perish, but “you go on forever” (Ps 102:25-27). Nature’s role is to proclaim the glory of God (Ps 19:1) and to praise him (Ps 148). People see themselves as insignificant when set against those forces of nature, which are themselves dwarfed by God—hence, the awareness of the immeasurable gulf between God and people that God has bridged by his grace (Ps 8).<\/li>\n<li>5. Praise for God’s kingship. A relatively small group of psalms (Pss 47, 93, 96–99) celebrate the kingship of God in a way that goes beyond the ascription of praise noted in the foregoing groups. They are marked by acclamation, by both shouting and clapping when God “ascends.” Presumably, the reference is to his throne (Ps 47:1-5; cf. 99:1-2). “The Lord<\/span> reigns” (Pss 93:1; 97:1; 99:1) is the frequent cry, and the nature of his reign is extolled (Ps 99:4-5).<\/li>\n<h5>Royal, Messianic Psalms<\/h5>\nPsalms 2, 18, 20, 21, 45, 61, 72, 89, 101, 110, 132, and 144 are usually included as the royal psalms. They do not form a literary category, since psalms of various types are included, but they all have some reference to the king, the nature of his rule, and his relationship to God. Since the Davidic monarchy was terminated in 586 BC<\/span>, these psalms, almost certainly, were composed before that date. The language in these psalms often shows the king as being God’s vice-regent. For example, Psalm 45, a royal marriage psalm, contains the assertion “Your throne, O God, endures for ever and ever” (45:6). But this is best understood in terms of the throne being regarded as the Lord’s, occupied by the king as his representative. Similarly, the wording in Psalm 110:1, “Sit at my right hand,” indicates the privileges and prerogatives that the king enjoys as God’s vice-regent. The balance of the OT evidence concerning the king shows that the monarchy in Israel was qualified by the nature of God’s covenantal relationship with his people; the king did not enjoy the absolutism claimed by most of the rulers of surrounding kingdoms.<\/p>\nMost of the royal psalms can also be called messianic psalms. They were interpreted as such in the early Christian church, as witnessed in Jesus Christ’s general statement that the psalmists wrote of him (Lk 24:44) and by particular NT quotations. The main psalms concerned, and the NT references, are the following:<\/p>\n1. Psalm 2 (Acts 13:33; Heb 1:5; 5:5), while linked with the Davidic king, nevertheless speaks of a universal vindication and rule, which far transcended even David’s rule. Further, the picture of the Davidic king, anointed to rule on the earth as the representative of God, who is enthroned in heaven, strongly suggests Christ’s mediating, incarnate ministry.<\/p>\n<li>2. Psalm 45 (Heb 1:8-9), a marriage psalm for one of the Davidic kings, possibly Solomon, speaks not only of love and marriage but also a permanence and quality of rule. In the most obvious translation of verse 6, the writer addresses God, “Your divine throne endures for ever and ever.” The writer to the Hebrews clearly accepted this interpretation (Heb 1:8-9) and used it in contrast to the exalted status of even the angels, reinforcing it with two other quotations from the psalms that originally applied to God (Ps 97:7; 102:25-27; cf. Heb 1:6, 10-12).<\/li>\n<li>3. Psalm 110 is the most frequently quoted messianic psalm (Mt 22:43-45; Acts 2:34-35; Heb 1:13; 5:5-10; 6:20; 7:21). The language, speaking of the privileges, universal victory and continuing priesthood of David and his successors, would be considered hyperbolic and possibly misleading except for its fulfillment in “great David’s greater Son.” In contrast to the angels, who are privileged to stand in God’s presence (Lk 1:19), Christ the Son sits in the place of power and authority (Heb 1:13).<\/li>\nOther psalms that could also be designated messianic but are not specifically included among the royal psalms are Psalm 8 (1 Cor 15:27); Psalm 40 (Heb 10:5-10); Psalm 72, with its idealized picture of the nature, consequences, and extent of the rule of God’s representative; Psalm 118:22-23; and Psalm 132 (Acts 2:30).<\/p>\n\n<h5>Passion Psalms<\/h5>\nThe four psalms in this group (Pss 16; 22; 40; 69; some scholars would also include Pss 102; 109) may also be regarded as messianic. They connect with that line of OT prophecy that interprets the Messiah’s ministry in terms of the Suffering Servant who features prominently in Isaiah (e.g., Is 42:1-9; 52:13–53:12). Of these four, Psalm 22 is the most remarkable. Jesus recited part of it when he was on the cross (Ps 22:1; cf. Mt 27:46), and other connections with the crucifixion scene are noteworthy (e.g., Ps 22:6-8, 14-18). Some further considerations are even more significant: there is no suggestion of any awareness of sin; the suffering of the psalmist appears completely unjustified; there is no imprecatory element, even in the face of bitter persecution. This connects with the sinless Christ (2 Cor 5:21), who could even pray for his executioners (Lk 23:34). Psalm 16:10 anticipates the triumph of the incorruptible Christ over the grave (cf. Acts 2:24-31). Psalm 40:6-8 foreshadows the Incarnation and self-giving redemptive work of Christ (Heb 10:5-10). Psalm 69 refers to the isolation resulting from a commitment to God’s cause (Ps 69:8-9) and anticipates the part played by Judas in what was fundamentally God’s work in Christ (Ps 69:25-26; cf. Ps 109:8; Is 53:10; Acts 1:20).<\/p>\n<h5>Psalms about Zion<\/h5>\nThis group could have been classified as a subsection of communal praise, but due to the close historical connection between God’s choice of the house of David and Jerusalem (Pss 78:68-72; 132:11-13), and their subsequent interrelated fortunes, we consider them at this point. There was a biting satire in the request of the Babylonians to the refugees of a shattered city to “Sing us one of the songs of Zion!” (Ps 137:3, niv<\/span>), but it witnesses to the existence of such a collection. Praise of Zion was, in fact, almost synonymous with the praise of the Lord who dwelt there. Jerusalem’s continued survival, in spite of its difficulties, was ample demonstration of God’s enduring greatness (Ps 48:11-14) and peculiar affection for the city that housed his temple (Ps 87:1-3). Psalms 48, 76, 84, 87 and 122 are the main psalms in this category, but the theme itself appears widely throughout the psalms (e.g., 102:16; 125:1; 126:1-3; 133:3; 147:2). The basis of the NT concept of a heavenly Jerusalem, the spiritual home of the regenerate of all nations, finds its origin in this concept, especially in Psalm 87.<\/p>\n<h5>Laments<\/h5>\nThese are associated with specific occasions of distress and are of two types:<\/p>\n1. National. The prophetic and historical books give several examples of the kind of occasion, such as drought, locust infestation, or enemy attack, that could prompt national laments, and also the inward and outward attitudes that accompanied them (e.g., Jgs 20:23, 26; Jer 14:1-12; 36:9; Jl 1:13-14; 2:12-17; Jon 3:5). There is a regular structure in the psalms of this class: the distressing situation is first described; God is petitioned to come to the aid of his people, often with the reminder of his past mercies for Israel; finally, there is often an expression of confidence that God would heed their cry. Israel’s adversaries are clearly in mind in Psalms 14, 44, 60, 74, 80, and 83, while Psalms 58, 106, and 125 reflect situations less critical.<\/p>\n<li>2. Individual. There are so many of this type (approximately 50) that it is frequently described as the backbone of the Psalter. Their most obvious features are the sharpness of complaint and the bitterness of attack upon those responsible. As in the national laments, there is often complaint against God, especially for his lack of attention or his tardiness in intervening. The basic components of this type are almost identical to the national laments, except that they often conclude with the avowal to praise God in anticipation of deliverance (e.g., Ps 13:5-6). Frequently, the lament is accompanied by thanksgiving for the deliverance sought and experienced, as illustrated in the two sections of Psalms 22:1-21 and 28:1-9.<\/li>\n<h5>Imprecatory Psalms<\/h5>\nApproximately 20 psalms contain passionate pleas for the overthrow of the wicked, in language that is often shocking. Any instant condemnation of this attitude must, however, be tempered by certain relevant considerations:<\/p>\nThe cry for vengeance was not purely personal; it was firmly believed that God’s honor was at stake (e.g., Ps 109:21). In an age where there was a less developed view of an afterlife, it was axiomatic that rewards and punishments resulting from obedience or disobedience to God, must be observable within this lifetime. Whenever this was not apparent, it would seem that no righteous God existed, and the name of God was dishonored (e.g., Ps 74:10). This burning desire for the eradication of evil and evil men sprang from a consciousness of a moral God and virtually demanded the triumph of truth.<\/p>\nThe poetic language is also prone to hyperbole—a feature not confined to the psalms (e.g., Neh 4:4-5; Jer 20:14-18; Am 7:17). Such language is startling; indeed, part of its function was probably to startle—to express and promote a sense of outrage.<\/p>\nIn the pre-Christian period, therefore, such outbursts were not completely unjustifiable. But in the light of the fuller revelation in the NT, such an attitude cannot be condoned. The Christian is to love as Christ loved (Jn 13:34), to pray for his enemies and to forgive them (Mt 5:38-48; Col 3:13). The theme of judgment continues into the NT and is indeed heightened there, since Christ’s coming has left people without excuse to live in sin (Jn 16:8-11), but there can be no place for purely private vengeance.<\/p>\n<h5>Penitential Psalms<\/h5>\nPsalms 32, 38, 51, and 130 are the clearest examples of penitential psalms, although traditionally the church has also included Psalms 6, 102, 143, where there is no explicit confession of sin. In an age when adversity in its various forms was seen as God’s judgment for wrongdoing, the admission of distress was tantamount to a confession of guilt. In the four main examples there is an intensity of feeling and a deep sense of the enormity of sin in God’s sight, although, as elsewhere, there is no indication of specific sin, even in Psalm 51, which is surely to be connected with David’s sin against Bathsheba (2 Sm 11–12). Significantly, David bypasses the sacrificial system, which was totally inefficacious in his case, casting himself entirely on the mercy of God (Ps 51:1, 16). The burden of unconfessed sin is clearly revealed in Psalm 32, and sin’s searing and corrupting effect in Psalm 38.<\/p>\n<h5>Wisdom Psalms and Historical Psalms<\/h5>\nWhile it is accepted that prophets, priests, and wise men all functioned at the major sanctuaries, some overlap in their modes of expression is to be expected. Proverbial forms are not infrequently found in the psalms (Pss 37:5, 8, 16, 21-22; 111:10; 127:1-5). Psalm 1, probably an introduction to the whole Psalter, contrasts the diverging paths of the righteous and ungodly (cf. Ps 112), while Psalms 127 and 128 concentrate on the blessings given to the godly. Psalm 133 is written in praise of unity. The problem of explaining the sufferings of a righteous person and the apparent prosperity of evil people, dealt with in the Wisdom Literature in the book of Job and in the prophets also (e.g., Jer 12:1-4), is taken up in Psalms 37, 49, and 73.<\/p>\nThe historical psalms should be included in this category, since they underscore the lessons arising from the favored nation’s often bitter experience. It is apparent that Israel delighted in the recital of salvation history. The main psalms, and the periods covered are Psalm 78, from the exodus to the establishment of the Davidic monarchy (note the declared intention to teach in vv 1-4); Psalm 105, from Abraham to the conquest of Canaan; Psalm 106, from Egypt to the judges; and Psalm 136, from the Creation to the Promised Land.<\/p>\n<h5>Psalms of Trust<\/h5>\nWhile some of these may also be classified as laments, the dominant feature of this group is the serene trust in God revealed, which makes them particularly suitable for devotional use. Many of these psalms begin with an affirmation of gratitude to and affection for God. Psalms 23 and 27 are the outstanding examples of this type, which could also include Psalms 11, 16, 62, 116, 131, and 138.<\/p>\nConclusion<\/p>\nThe difficulties in any precise categorization of psalms are obvious; many do not neatly fall into one group—hence, the occasional overlap. What is clearly evident is a pulsating, vital devotional life that has found its clearest expression in the book of Psalms. To say that it expresses the worship and devotion of the ordinary person is a simplification; kings and priests, wise men and prophets all contributed to this remarkable collection. Yet there remains the truth that, in God’s sight, all people, regardless of human achievement or privilege, are “ordinary,” for all are sinners in need of God’s grace and goodness. So the worshiping community of ancient Israel, and the saints of every succeeding generation, in the vastness of their diversity, have found the expression of their own hearts’ condition, desires, and devotion in this unique treasury—the Psalms.<\/p>\nSee also<\/em> David; Messiah; Music; Poetry, Biblical; Singers in the Temple; Tabernacle; Temple; Wisdom; Wisdom Literature.<\/p>","summary_ro":"PSALMS, Book of Poems sung to musical accompaniment, originally the harp. The alternative title, the Psalter, refers to a collection of songs sung to harp accompaniment. The English title, therefore, broadly defines the form employed, whereas the Hebrew title of the book, “Praises,” or “Book of Praises,” suggests the content. Preview • Authors • Date • Background • Structure • Canonicity • Purpose and Theology • Content Authors The Evidence of the Titles The Hebrew Bible credits David with 73...","summary_en":"PSALMS, Book of Poems sung to musical accompaniment, originally the harp. The alternative title, the Psalter, refers to a collection of songs sung to harp accompaniment. The English title, therefore, broadly defines the form employed, whereas the Hebrew title of the book, “Praises,” or “Book of Praises,” suggests the content. Preview • Authors • Date • Background • Structure • Canonicity • Purpose and Theology • Content Authors The Evidence of the Titles The Hebrew Bible credits David with 73...","source":"Articles\/P.xml","external_url":null,"has_map":false,"has_picture":false},{"id":34074,"type":"article","type_label":"Articol","type_icon":"📖","type_color":"#d4af37","title_ro":"Scepter","title_en":"Scepter","content_ro":"<h3>SCEPTER<\/h3>\nLong staff with an ornamental head and other decorations used to represent royal authority; a shorter staff was used as a battle mace to symbolize royal military power. It is of more than passing interest that those two ideas are also conveyed by the Bible when the word “scepter” appears in a passage. The scepter of royal authority is referred to in Genesis 49:10, indicating that Judah’s descendants would exercise royal authority (so also in Ps 45:6, two times, and quoted in Heb 1:8). Amos (Am 1:5, 8) refers to the royal authority of the kings of Syria and Philistia, and Zechariah (Zec 10:11) refers to that of Egypt. King Ahasuerus held out this type of scepter to Esther (Est 4:11; 5:2; 8:4). The scepter of royal military power is referred to in Numbers 24:17 in reference to the coming messianic King. In Isaiah 14:5 it refers to the means by which Babylon exercised its oppressive military power, which was to be destroyed by God. Ezekiel 19:11, 14 uses “scepter” to refer to the authority, power, and dominion that Israel lost and was not able to regain.<\/p>","content_en":"<h3>SCEPTER<\/h3>\nLong staff with an ornamental head and other decorations used to represent royal authority; a shorter staff was used as a battle mace to symbolize royal military power. It is of more than passing interest that those two ideas are also conveyed by the Bible when the word “scepter” appears in a passage. The scepter of royal authority is referred to in Genesis 49:10, indicating that Judah’s descendants would exercise royal authority (so also in Ps 45:6, two times, and quoted in Heb 1:8). Amos (Am 1:5, 8) refers to the royal authority of the kings of Syria and Philistia, and Zechariah (Zec 10:11) refers to that of Egypt. King Ahasuerus held out this type of scepter to Esther (Est 4:11; 5:2; 8:4). The scepter of royal military power is referred to in Numbers 24:17 in reference to the coming messianic King. In Isaiah 14:5 it refers to the means by which Babylon exercised its oppressive military power, which was to be destroyed by God. Ezekiel 19:11, 14 uses “scepter” to refer to the authority, power, and dominion that Israel lost and was not able to regain.<\/p>","summary_ro":"SCEPTER Long staff with an ornamental head and other decorations used to represent royal authority; a shorter staff was used as a battle mace to symbolize royal military power. It is of more than passing interest that those two ideas are also conveyed by the Bible when the word “scepter” appears in a passage. The scepter of royal authority is referred to in Genesis 49:10, indicating that Judah’s descendants would exercise royal authority (so also in Ps 45:6, two times, and quoted in Heb 1:8)....","summary_en":"SCEPTER Long staff with an ornamental head and other decorations used to represent royal authority; a shorter staff was used as a battle mace to symbolize royal military power. It is of more than passing interest that those two ideas are also conveyed by the Bible when the word “scepter” appears in a passage. The scepter of royal authority is referred to in Genesis 49:10, indicating that Judah’s descendants would exercise royal authority (so also in Ps 45:6, two times, and quoted in Heb 1:8)....","source":"Articles\/S.xml","external_url":null,"has_map":false,"has_picture":false},{"id":49273,"type":"study_note","type_label":"Notă de studiu","type_icon":"📝","type_color":"#06b6d4","title_ro":"Notă de studiu: Psalmi 45:6","title_en":"Study Note: Psalmi 45:6","content_ro":"45:6-9<\/strong> The king is like a god among humans; he is anointed by God, he has received a mighty throne, and he dispenses justice as he rules forever. • The writer to the Hebrews applies 45:6-7 to Jesus as he argues that the Son is greater than the angels (Heb 1:8-9).<\/p>","content_en":"45:6-9<\/strong> The king is like a god among humans; he is anointed by God, he has received a mighty throne, and he dispenses justice as he rules forever. • The writer to the Hebrews applies 45:6-7 to Jesus as he argues that the Son is greater than the angels (Heb 1:8-9).<\/p>","summary_ro":"45:6-9 The king is like a god among humans; he is anointed by God, he has received a mighty throne, and he dispenses justice as he rules forever. • The writer to the Hebrews applies 45:6-7 to Jesus as he argues that the Son is greater than the angels (Heb 1:8-9).","summary_en":"45:6-9 The king is like a god among humans; he is anointed by God, he has received a mighty throne, and he dispenses justice as he rules forever. • The writer to the Hebrews applies 45:6-7 to Jesus as he argues that the Son is greater than the angels (Heb 1:8-9).","source":"StudyNotes.xml","external_url":null,"has_map":false,"has_picture":false},{"id":49274,"type":"study_note","type_label":"Notă de studiu","type_icon":"📝","type_color":"#06b6d4","title_ro":"Notă de studiu: Psalmi 45:6","title_en":"Study Note: Psalmi 45:6","content_ro":"45:6<\/strong> Justice<\/em> characterizes God’s rule<\/em>,<\/em> as it should characterize the king’s administration.<\/p>","content_en":"45:6<\/strong> Justice<\/em> characterizes God’s rule<\/em>,<\/em> as it should characterize the king’s administration.<\/p>","summary_ro":"45:6 Justice characterizes God’s rule, as it should characterize the king’s administration.","summary_en":"45:6 Justice characterizes God’s rule, as it should characterize the king’s administration.","source":"StudyNotes.xml","external_url":null,"has_map":false,"has_picture":false},{"id":76899,"type":"study_note","type_label":"Notă de studiu","type_icon":"📝","type_color":"#06b6d4","title_ro":"Notă de studiu: Psalmi 45:6","title_en":"Study Note: Psalmi 45:6","content_ro":"45:6-9<\/strong> The king is like a god among humans; he is anointed by God, he has received a mighty throne, and he dispenses justice as he rules forever. • The writer to the Hebrews applies 45:6-7 to Jesus as he argues that the Son is greater than the angels (Heb 1:8-9).<\/p>","content_en":"45:6-9<\/strong> The king is like a god among humans; he is anointed by God, he has received a mighty throne, and he dispenses justice as he rules forever. • The writer to the Hebrews applies 45:6-7 to Jesus as he argues that the Son is greater than the angels (Heb 1:8-9).<\/p>","summary_ro":"45:6-9 The king is like a god among humans; he is anointed by God, he has received a mighty throne, and he dispenses justice as he rules forever. • The writer to the Hebrews applies 45:6-7 to Jesus as he argues that the Son is greater than the angels (Heb 1:8-9).","summary_en":"45:6-9 The king is like a god among humans; he is anointed by God, he has received a mighty throne, and he dispenses justice as he rules forever. • The writer to the Hebrews applies 45:6-7 to Jesus as he argues that the Son is greater than the angels (Heb 1:8-9).","source":"StudyNotes.xml","external_url":null,"has_map":false,"has_picture":false},{"id":76900,"type":"study_note","type_label":"Notă de studiu","type_icon":"📝","type_color":"#06b6d4","title_ro":"Notă de studiu: Psalmi 45:6","title_en":"Study Note: Psalmi 45:6","content_ro":"45:6<\/strong> Justice<\/em> characterizes God’s rule<\/em>,<\/em> as it should characterize the king’s administration.<\/p>","content_en":"45:6<\/strong> Justice<\/em> characterizes God’s rule<\/em>,<\/em> as it should characterize the king’s administration.<\/p>","summary_ro":"45:6 Justice characterizes God’s rule, as it should characterize the king’s administration.","summary_en":"45:6 Justice characterizes God’s rule, as it should characterize the king’s administration.","source":"StudyNotes.xml","external_url":null,"has_map":false,"has_picture":false},{"id":104525,"type":"study_note","type_label":"Notă de studiu","type_icon":"📝","type_color":"#06b6d4","title_ro":"Notă de studiu: Psalmi 45:6","title_en":"Study Note: Psalmi 45:6","content_ro":"45:6-9<\/strong> The king is like a god among humans; he is anointed by God, he has received a mighty throne, and he dispenses justice as he rules forever. • The writer to the Hebrews applies 45:6-7 to Jesus as he argues that the Son is greater than the angels (Heb 1:8-9).<\/p>","content_en":"45:6-9<\/strong> The king is like a god among humans; he is anointed by God, he has received a mighty throne, and he dispenses justice as he rules forever. • The writer to the Hebrews applies 45:6-7 to Jesus as he argues that the Son is greater than the angels (Heb 1:8-9).<\/p>","summary_ro":"45:6-9 The king is like a god among humans; he is anointed by God, he has received a mighty throne, and he dispenses justice as he rules forever. • The writer to the Hebrews applies 45:6-7 to Jesus as he argues that the Son is greater than the angels (Heb 1:8-9).","summary_en":"45:6-9 The king is like a god among humans; he is anointed by God, he has received a mighty throne, and he dispenses justice as he rules forever. • The writer to the Hebrews applies 45:6-7 to Jesus as he argues that the Son is greater than the angels (Heb 1:8-9).","source":"StudyNotes.xml","external_url":null,"has_map":false,"has_picture":false},{"id":104526,"type":"study_note","type_label":"Notă de studiu","type_icon":"📝","type_color":"#06b6d4","title_ro":"Notă de studiu: Psalmi 45:6","title_en":"Study Note: Psalmi 45:6","content_ro":"45:6<\/strong> Justice<\/em> characterizes God’s rule<\/em>,<\/em> as it should characterize the king’s administration.<\/p>","content_en":"45:6<\/strong> Justice<\/em> characterizes God’s rule<\/em>,<\/em> as it should characterize the king’s administration.<\/p>","summary_ro":"45:6 Justice characterizes God’s rule, as it should characterize the king’s administration.","summary_en":"45:6 Justice characterizes God’s rule, as it should characterize the king’s administration.","source":"StudyNotes.xml","external_url":null,"has_map":false,"has_picture":false},{"id":132151,"type":"study_note","type_label":"Notă de studiu","type_icon":"📝","type_color":"#06b6d4","title_ro":"Notă de studiu: Psalmi 45:6","title_en":"Study Note: Psalmi 45:6","content_ro":"45:6-9<\/strong> The king is like a god among humans; he is anointed by God, he has received a mighty throne, and he dispenses justice as he rules forever. • The writer to the Hebrews applies 45:6-7 to Jesus as he argues that the Son is greater than the angels (Heb 1:8-9).<\/p>","content_en":"45:6-9<\/strong> The king is like a god among humans; he is anointed by God, he has received a mighty throne, and he dispenses justice as he rules forever. • The writer to the Hebrews applies 45:6-7 to Jesus as he argues that the Son is greater than the angels (Heb 1:8-9).<\/p>","summary_ro":"45:6-9 The king is like a god among humans; he is anointed by God, he has received a mighty throne, and he dispenses justice as he rules forever. • The writer to the Hebrews applies 45:6-7 to Jesus as he argues that the Son is greater than the angels (Heb 1:8-9).","summary_en":"45:6-9 The king is like a god among humans; he is anointed by God, he has received a mighty throne, and he dispenses justice as he rules forever. • The writer to the Hebrews applies 45:6-7 to Jesus as he argues that the Son is greater than the angels (Heb 1:8-9).","source":"StudyNotes.xml","external_url":null,"has_map":false,"has_picture":false},{"id":132152,"type":"study_note","type_label":"Notă de studiu","type_icon":"📝","type_color":"#06b6d4","title_ro":"Notă de studiu: Psalmi 45:6","title_en":"Study Note: Psalmi 45:6","content_ro":"45:6<\/strong> Justice<\/em> characterizes God’s rule<\/em>,<\/em> as it should characterize the king’s administration.<\/p>","content_en":"45:6<\/strong> Justice<\/em> characterizes God’s rule<\/em>,<\/em> as it should characterize the king’s administration.<\/p>","summary_ro":"45:6 Justice characterizes God’s rule, as it should characterize the king’s administration.","summary_en":"45:6 Justice characterizes God’s rule, as it should characterize the king’s administration.","source":"StudyNotes.xml","external_url":null,"has_map":false,"has_picture":false},{"id":62583,"type":"theme_note","type_label":"Temă biblică","type_icon":"🎯","type_color":"#ef4444","title_ro":"Royal Psalms","title_en":"Royal Psalms","content_ro":"<h3>Royal Psalms<\/h3>\nThe royal psalms<\/em> all have some reference to the king, the nature of his rule, and his relationship to God. Psalms 2, 18, 20, 21, 45, 61, 72, 89, 101, 110, 132, and 144 are usually regarded as the royal psalms.<\/p>\nBelief in God’s kingship is the foundation of the royal psalms (see Ps 2). Each king in David’s dynasty served as messianic agent—i.e., he represented God’s kingship. As God’s representative, the Davidic king was expected to uphold the qualities of justice, righteousness, faithfulness, and peace (72:1-3).<\/p>\nThe royal psalms express the hope and aspirations of the dynasty of David. But with its corruption and failure, the dynasty came to an apparent end (89:38-45). Yet hope remained alive for the future of a king descended from David who would serve as God’s agent. The royal psalms maintain this hope for a king whose perfect obedience would guarantee the continuity of David’s dynasty and the perpetual benefits of his reign.<\/p>\nIn this sense, the royal psalms may also be called messianic psalms<\/em> in that they express hope in a messianic agent, an ideal king descended from David. Jesus stated that the psalmists wrote of him (Luke 24:44), and other NT writers affirmed the identification of Jesus as the Messiah. Some of the most significant links to Christ are as follows:<\/p>\n<li>Psalm 2 is associated with Israel’s king, the descendant of David. Nevertheless, it speaks of a universal vindication and rule that far transcends even David’s or Solomon’s reigns (see Acts 13:33; Heb 1:5; 5:5).<\/li>\n<li>Psalm 45 is a marriage psalm for one of the Davidic kings, possibly Solomon, yet it speaks of a permanent rule (45:6).<\/li>\n<li>Psalm 110 is the most frequently quoted messianic psalm (see Matt 22:43-45; Acts 2:34-35; Heb 1:13; 5:5-10; 6:20; 7:21). It speaks of the privileges, universal victory, and continuing priesthood of David and his successors. Such language would be hyperbole, and possibly misleading, except for its fulfillment in Jesus. In contrast to the angels who are privileged to stand in God’s presence (see Luke 1:19), Christ the Son sits in the place of power and authority over all things at God’s right hand (Heb 1:13).<\/li>\nPassages for Further Study<\/strong><\/p>\nPss 2; 18; 20; 21; 45; 61; 72; 89; 101; 110; 132; 144; Acts 2:34-35; 13:33; Heb 1:5, 13; 5:5-10<\/p>","content_en":"<h3>Royal Psalms<\/h3>\nThe royal psalms<\/em> all have some reference to the king, the nature of his rule, and his relationship to God. Psalms 2, 18, 20, 21, 45, 61, 72, 89, 101, 110, 132, and 144 are usually regarded as the royal psalms.<\/p>\nBelief in God’s kingship is the foundation of the royal psalms (see Ps 2). Each king in David’s dynasty served as messianic agent—i.e., he represented God’s kingship. As God’s representative, the Davidic king was expected to uphold the qualities of justice, righteousness, faithfulness, and peace (72:1-3).<\/p>\nThe royal psalms express the hope and aspirations of the dynasty of David. But with its corruption and failure, the dynasty came to an apparent end (89:38-45). Yet hope remained alive for the future of a king descended from David who would serve as God’s agent. The royal psalms maintain this hope for a king whose perfect obedience would guarantee the continuity of David’s dynasty and the perpetual benefits of his reign.<\/p>\nIn this sense, the royal psalms may also be called messianic psalms<\/em> in that they express hope in a messianic agent, an ideal king descended from David. Jesus stated that the psalmists wrote of him (Luke 24:44), and other NT writers affirmed the identification of Jesus as the Messiah. Some of the most significant links to Christ are as follows:<\/p>\n<li>Psalm 2 is associated with Israel’s king, the descendant of David. Nevertheless, it speaks of a universal vindication and rule that far transcends even David’s or Solomon’s reigns (see Acts 13:33; Heb 1:5; 5:5).<\/li>\n<li>Psalm 45 is a marriage psalm for one of the Davidic kings, possibly Solomon, yet it speaks of a permanent rule (45:6).<\/li>\n<li>Psalm 110 is the most frequently quoted messianic psalm (see Matt 22:43-45; Acts 2:34-35; Heb 1:13; 5:5-10; 6:20; 7:21). It speaks of the privileges, universal victory, and continuing priesthood of David and his successors. Such language would be hyperbole, and possibly misleading, except for its fulfillment in Jesus. In contrast to the angels who are privileged to stand in God’s presence (see Luke 1:19), Christ the Son sits in the place of power and authority over all things at God’s right hand (Heb 1:13).<\/li>\nPassages for Further Study<\/strong><\/p>\nPss 2; 18; 20; 21; 45; 61; 72; 89; 101; 110; 132; 144; Acts 2:34-35; 13:33; Heb 1:5, 13; 5:5-10<\/p>","summary_ro":"Royal Psalms The royal psalms all have some reference to the king, the nature of his rule, and his relationship to God. Psalms 2, 18, 20, 21, 45, 61, 72, 89, 101, 110, 132, and 144 are usually regarded as the royal psalms. Belief in God’s kingship is the foundation of the royal psalms (see Ps 2). Each king in David’s dynasty served as messianic agent—i.e., he represented God’s kingship. As God’s representative, the Davidic king was expected to uphold the qualities of justice, righteousness, f...","summary_en":"Royal Psalms The royal psalms all have some reference to the king, the nature of his rule, and his relationship to God. Psalms 2, 18, 20, 21, 45, 61, 72, 89, 101, 110, 132, and 144 are usually regarded as the royal psalms. Belief in God’s kingship is the foundation of the royal psalms (see Ps 2). Each king in David’s dynasty served as messianic agent—i.e., he represented God’s kingship. As God’s representative, the Davidic king was expected to uphold the qualities of justice, righteousness, f...","source":"ThemeNotes.xml","external_url":null,"has_map":false,"has_picture":false},{"id":90209,"type":"theme_note","type_label":"Temă biblică","type_icon":"🎯","type_color":"#ef4444","title_ro":"Royal Psalms","title_en":"Royal Psalms","content_ro":"<h3>Royal Psalms<\/h3>\nThe royal psalms<\/em> all have some reference to the king, the nature of his rule, and his relationship to God. Psalms 2, 18, 20, 21, 45, 61, 72, 89, 101, 110, 132, and 144 are usually regarded as the royal psalms.<\/p>\nBelief in God’s kingship is the foundation of the royal psalms (see Ps 2). Each king in David’s dynasty served as messianic agent—i.e., he represented God’s kingship. As God’s representative, the Davidic king was expected to uphold the qualities of justice, righteousness, faithfulness, and peace (72:1-3).<\/p>\nThe royal psalms express the hope and aspirations of the dynasty of David. But with its corruption and failure, the dynasty came to an apparent end (89:38-45). Yet hope remained alive for the future of a king descended from David who would serve as God’s agent. The royal psalms maintain this hope for a king whose perfect obedience would guarantee the continuity of David’s dynasty and the perpetual benefits of his reign.<\/p>\nIn this sense, the royal psalms may also be called messianic psalms<\/em> in that they express hope in a messianic agent, an ideal king descended from David. Jesus stated that the psalmists wrote of him (Luke 24:44), and other NT writers affirmed the identification of Jesus as the Messiah. Some of the most significant links to Christ are as follows:<\/p>\n<li>Psalm 2 is associated with Israel’s king, the descendant of David. Nevertheless, it speaks of a universal vindication and rule that far transcends even David’s or Solomon’s reigns (see Acts 13:33; Heb 1:5; 5:5).<\/li>\n<li>Psalm 45 is a marriage psalm for one of the Davidic kings, possibly Solomon, yet it speaks of a permanent rule (45:6).<\/li>\n<li>Psalm 110 is the most frequently quoted messianic psalm (see Matt 22:43-45; Acts 2:34-35; Heb 1:13; 5:5-10; 6:20; 7:21). It speaks of the privileges, universal victory, and continuing priesthood of David and his successors. Such language would be hyperbole, and possibly misleading, except for its fulfillment in Jesus. In contrast to the angels who are privileged to stand in God’s presence (see Luke 1:19), Christ the Son sits in the place of power and authority over all things at God’s right hand (Heb 1:13).<\/li>\nPassages for Further Study<\/strong><\/p>\nPss 2; 18; 20; 21; 45; 61; 72; 89; 101; 110; 132; 144; Acts 2:34-35; 13:33; Heb 1:5, 13; 5:5-10<\/p>","content_en":"<h3>Royal Psalms<\/h3>\nThe royal psalms<\/em> all have some reference to the king, the nature of his rule, and his relationship to God. Psalms 2, 18, 20, 21, 45, 61, 72, 89, 101, 110, 132, and 144 are usually regarded as the royal psalms.<\/p>\nBelief in God’s kingship is the foundation of the royal psalms (see Ps 2). Each king in David’s dynasty served as messianic agent—i.e., he represented God’s kingship. As God’s representative, the Davidic king was expected to uphold the qualities of justice, righteousness, faithfulness, and peace (72:1-3).<\/p>\nThe royal psalms express the hope and aspirations of the dynasty of David. But with its corruption and failure, the dynasty came to an apparent end (89:38-45). Yet hope remained alive for the future of a king descended from David who would serve as God’s agent. The royal psalms maintain this hope for a king whose perfect obedience would guarantee the continuity of David’s dynasty and the perpetual benefits of his reign.<\/p>\nIn this sense, the royal psalms may also be called messianic psalms<\/em> in that they express hope in a messianic agent, an ideal king descended from David. Jesus stated that the psalmists wrote of him (Luke 24:44), and other NT writers affirmed the identification of Jesus as the Messiah. Some of the most significant links to Christ are as follows:<\/p>\n<li>Psalm 2 is associated with Israel’s king, the descendant of David. Nevertheless, it speaks of a universal vindication and rule that far transcends even David’s or Solomon’s reigns (see Acts 13:33; Heb 1:5; 5:5).<\/li>\n<li>Psalm 45 is a marriage psalm for one of the Davidic kings, possibly Solomon, yet it speaks of a permanent rule (45:6).<\/li>\n<li>Psalm 110 is the most frequently quoted messianic psalm (see Matt 22:43-45; Acts 2:34-35; Heb 1:13; 5:5-10; 6:20; 7:21). It speaks of the privileges, universal victory, and continuing priesthood of David and his successors. Such language would be hyperbole, and possibly misleading, except for its fulfillment in Jesus. In contrast to the angels who are privileged to stand in God’s presence (see Luke 1:19), Christ the Son sits in the place of power and authority over all things at God’s right hand (Heb 1:13).<\/li>\nPassages for Further Study<\/strong><\/p>\nPss 2; 18; 20; 21; 45; 61; 72; 89; 101; 110; 132; 144; Acts 2:34-35; 13:33; Heb 1:5, 13; 5:5-10<\/p>","summary_ro":"Royal Psalms The royal psalms all have some reference to the king, the nature of his rule, and his relationship to God. Psalms 2, 18, 20, 21, 45, 61, 72, 89, 101, 110, 132, and 144 are usually regarded as the royal psalms. Belief in God’s kingship is the foundation of the royal psalms (see Ps 2). Each king in David’s dynasty served as messianic agent—i.e., he represented God’s kingship. As God’s representative, the Davidic king was expected to uphold the qualities of justice, righteousness, f...","summary_en":"Royal Psalms The royal psalms all have some reference to the king, the nature of his rule, and his relationship to God. Psalms 2, 18, 20, 21, 45, 61, 72, 89, 101, 110, 132, and 144 are usually regarded as the royal psalms. Belief in God’s kingship is the foundation of the royal psalms (see Ps 2). Each king in David’s dynasty served as messianic agent—i.e., he represented God’s kingship. As God’s representative, the Davidic king was expected to uphold the qualities of justice, righteousness, f...","source":"ThemeNotes.xml","external_url":null,"has_map":false,"has_picture":false},{"id":117835,"type":"theme_note","type_label":"Temă biblică","type_icon":"🎯","type_color":"#ef4444","title_ro":"Royal Psalms","title_en":"Royal Psalms","content_ro":"<h3>Royal Psalms<\/h3>\nThe royal psalms<\/em> all have some reference to the king, the nature of his rule, and his relationship to God. Psalms 2, 18, 20, 21, 45, 61, 72, 89, 101, 110, 132, and 144 are usually regarded as the royal psalms.<\/p>\nBelief in God’s kingship is the foundation of the royal psalms (see Ps 2). Each king in David’s dynasty served as messianic agent—i.e., he represented God’s kingship. As God’s representative, the Davidic king was expected to uphold the qualities of justice, righteousness, faithfulness, and peace (72:1-3).<\/p>\nThe royal psalms express the hope and aspirations of the dynasty of David. But with its corruption and failure, the dynasty came to an apparent end (89:38-45). Yet hope remained alive for the future of a king descended from David who would serve as God’s agent. The royal psalms maintain this hope for a king whose perfect obedience would guarantee the continuity of David’s dynasty and the perpetual benefits of his reign.<\/p>\nIn this sense, the royal psalms may also be called messianic psalms<\/em> in that they express hope in a messianic agent, an ideal king descended from David. Jesus stated that the psalmists wrote of him (Luke 24:44), and other NT writers affirmed the identification of Jesus as the Messiah. Some of the most significant links to Christ are as follows:<\/p>\n<li>Psalm 2 is associated with Israel’s king, the descendant of David. Nevertheless, it speaks of a universal vindication and rule that far transcends even David’s or Solomon’s reigns (see Acts 13:33; Heb 1:5; 5:5).<\/li>\n<li>Psalm 45 is a marriage psalm for one of the Davidic kings, possibly Solomon, yet it speaks of a permanent rule (45:6).<\/li>\n<li>Psalm 110 is the most frequently quoted messianic psalm (see Matt 22:43-45; Acts 2:34-35; Heb 1:13; 5:5-10; 6:20; 7:21). It speaks of the privileges, universal victory, and continuing priesthood of David and his successors. Such language would be hyperbole, and possibly misleading, except for its fulfillment in Jesus. In contrast to the angels who are privileged to stand in God’s presence (see Luke 1:19), Christ the Son sits in the place of power and authority over all things at God’s right hand (Heb 1:13).<\/li>\nPassages for Further Study<\/strong><\/p>\nPss 2; 18; 20; 21; 45; 61; 72; 89; 101; 110; 132; 144; Acts 2:34-35; 13:33; Heb 1:5, 13; 5:5-10<\/p>","content_en":"<h3>Royal Psalms<\/h3>\nThe royal psalms<\/em> all have some reference to the king, the nature of his rule, and his relationship to God. Psalms 2, 18, 20, 21, 45, 61, 72, 89, 101, 110, 132, and 144 are usually regarded as the royal psalms.<\/p>\nBelief in God’s kingship is the foundation of the royal psalms (see Ps 2). Each king in David’s dynasty served as messianic agent—i.e., he represented God’s kingship. As God’s representative, the Davidic king was expected to uphold the qualities of justice, righteousness, faithfulness, and peace (72:1-3).<\/p>\nThe royal psalms express the hope and aspirations of the dynasty of David. But with its corruption and failure, the dynasty came to an apparent end (89:38-45). Yet hope remained alive for the future of a king descended from David who would serve as God’s agent. The royal psalms maintain this hope for a king whose perfect obedience would guarantee the continuity of David’s dynasty and the perpetual benefits of his reign.<\/p>\nIn this sense, the royal psalms may also be called messianic psalms<\/em> in that they express hope in a messianic agent, an ideal king descended from David. Jesus stated that the psalmists wrote of him (Luke 24:44), and other NT writers affirmed the identification of Jesus as the Messiah. Some of the most significant links to Christ are as follows:<\/p>\n<li>Psalm 2 is associated with Israel’s king, the descendant of David. Nevertheless, it speaks of a universal vindication and rule that far transcends even David’s or Solomon’s reigns (see Acts 13:33; Heb 1:5; 5:5).<\/li>\n<li>Psalm 45 is a marriage psalm for one of the Davidic kings, possibly Solomon, yet it speaks of a permanent rule (45:6).<\/li>\n<li>Psalm 110 is the most frequently quoted messianic psalm (see Matt 22:43-45; Acts 2:34-35; Heb 1:13; 5:5-10; 6:20; 7:21). It speaks of the privileges, universal victory, and continuing priesthood of David and his successors. Such language would be hyperbole, and possibly misleading, except for its fulfillment in Jesus. In contrast to the angels who are privileged to stand in God’s presence (see Luke 1:19), Christ the Son sits in the place of power and authority over all things at God’s right hand (Heb 1:13).<\/li>\nPassages for Further Study<\/strong><\/p>\nPss 2; 18; 20; 21; 45; 61; 72; 89; 101; 110; 132; 144; Acts 2:34-35; 13:33; Heb 1:5, 13; 5:5-10<\/p>","summary_ro":"Royal Psalms The royal psalms all have some reference to the king, the nature of his rule, and his relationship to God. Psalms 2, 18, 20, 21, 45, 61, 72, 89, 101, 110, 132, and 144 are usually regarded as the royal psalms. Belief in God’s kingship is the foundation of the royal psalms (see Ps 2). Each king in David’s dynasty served as messianic agent—i.e., he represented God’s kingship. As God’s representative, the Davidic king was expected to uphold the qualities of justice, righteousness, f...","summary_en":"Royal Psalms The royal psalms all have some reference to the king, the nature of his rule, and his relationship to God. Psalms 2, 18, 20, 21, 45, 61, 72, 89, 101, 110, 132, and 144 are usually regarded as the royal psalms. Belief in God’s kingship is the foundation of the royal psalms (see Ps 2). Each king in David’s dynasty served as messianic agent—i.e., he represented God’s kingship. As God’s representative, the Davidic king was expected to uphold the qualities of justice, righteousness, f...","source":"ThemeNotes.xml","external_url":null,"has_map":false,"has_picture":false},{"id":145461,"type":"theme_note","type_label":"Temă biblică","type_icon":"🎯","type_color":"#ef4444","title_ro":"Royal Psalms","title_en":"Royal Psalms","content_ro":"<h3>Royal Psalms<\/h3>\nThe royal psalms<\/em> all have some reference to the king, the nature of his rule, and his relationship to God. Psalms 2, 18, 20, 21, 45, 61, 72, 89, 101, 110, 132, and 144 are usually regarded as the royal psalms.<\/p>\nBelief in God’s kingship is the foundation of the royal psalms (see Ps 2). Each king in David’s dynasty served as messianic agent—i.e., he represented God’s kingship. As God’s representative, the Davidic king was expected to uphold the qualities of justice, righteousness, faithfulness, and peace (72:1-3).<\/p>\nThe royal psalms express the hope and aspirations of the dynasty of David. But with its corruption and failure, the dynasty came to an apparent end (89:38-45). Yet hope remained alive for the future of a king descended from David who would serve as God’s agent. The royal psalms maintain this hope for a king whose perfect obedience would guarantee the continuity of David’s dynasty and the perpetual benefits of his reign.<\/p>\nIn this sense, the royal psalms may also be called messianic psalms<\/em> in that they express hope in a messianic agent, an ideal king descended from David. Jesus stated that the psalmists wrote of him (Luke 24:44), and other NT writers affirmed the identification of Jesus as the Messiah. Some of the most significant links to Christ are as follows:<\/p>\n<li>Psalm 2 is associated with Israel’s king, the descendant of David. Nevertheless, it speaks of a universal vindication and rule that far transcends even David’s or Solomon’s reigns (see Acts 13:33; Heb 1:5; 5:5).<\/li>\n<li>Psalm 45 is a marriage psalm for one of the Davidic kings, possibly Solomon, yet it speaks of a permanent rule (45:6).<\/li>\n<li>Psalm 110 is the most frequently quoted messianic psalm (see Matt 22:43-45; Acts 2:34-35; Heb 1:13; 5:5-10; 6:20; 7:21). It speaks of the privileges, universal victory, and continuing priesthood of David and his successors. Such language would be hyperbole, and possibly misleading, except for its fulfillment in Jesus. In contrast to the angels who are privileged to stand in God’s presence (see Luke 1:19), Christ the Son sits in the place of power and authority over all things at God’s right hand (Heb 1:13).<\/li>\nPassages for Further Study<\/strong><\/p>\nPss 2; 18; 20; 21; 45; 61; 72; 89; 101; 110; 132; 144; Acts 2:34-35; 13:33; Heb 1:5, 13; 5:5-10<\/p>","content_en":"<h3>Royal Psalms<\/h3>\nThe royal psalms<\/em> all have some reference to the king, the nature of his rule, and his relationship to God. Psalms 2, 18, 20, 21, 45, 61, 72, 89, 101, 110, 132, and 144 are usually regarded as the royal psalms.<\/p>\nBelief in God’s kingship is the foundation of the royal psalms (see Ps 2). Each king in David’s dynasty served as messianic agent—i.e., he represented God’s kingship. As God’s representative, the Davidic king was expected to uphold the qualities of justice, righteousness, faithfulness, and peace (72:1-3).<\/p>\nThe royal psalms express the hope and aspirations of the dynasty of David. But with its corruption and failure, the dynasty came to an apparent end (89:38-45). Yet hope remained alive for the future of a king descended from David who would serve as God’s agent. The royal psalms maintain this hope for a king whose perfect obedience would guarantee the continuity of David’s dynasty and the perpetual benefits of his reign.<\/p>\nIn this sense, the royal psalms may also be called messianic psalms<\/em> in that they express hope in a messianic agent, an ideal king descended from David. Jesus stated that the psalmists wrote of him (Luke 24:44), and other NT writers affirmed the identification of Jesus as the Messiah. Some of the most significant links to Christ are as follows:<\/p>\n<li>Psalm 2 is associated with Israel’s king, the descendant of David. Nevertheless, it speaks of a universal vindication and rule that far transcends even David’s or Solomon’s reigns (see Acts 13:33; Heb 1:5; 5:5).<\/li>\n<li>Psalm 45 is a marriage psalm for one of the Davidic kings, possibly Solomon, yet it speaks of a permanent rule (45:6).<\/li>\n<li>Psalm 110 is the most frequently quoted messianic psalm (see Matt 22:43-45; Acts 2:34-35; Heb 1:13; 5:5-10; 6:20; 7:21). It speaks of the privileges, universal victory, and continuing priesthood of David and his successors. Such language would be hyperbole, and possibly misleading, except for its fulfillment in Jesus. In contrast to the angels who are privileged to stand in God’s presence (see Luke 1:19), Christ the Son sits in the place of power and authority over all things at God’s right hand (Heb 1:13).<\/li>\nPassages for Further Study<\/strong><\/p>\nPss 2; 18; 20; 21; 45; 61; 72; 89; 101; 110; 132; 144; Acts 2:34-35; 13:33; Heb 1:5, 13; 5:5-10<\/p>","summary_ro":"Royal Psalms The royal psalms all have some reference to the king, the nature of his rule, and his relationship to God. Psalms 2, 18, 20, 21, 45, 61, 72, 89, 101, 110, 132, and 144 are usually regarded as the royal psalms. Belief in God’s kingship is the foundation of the royal psalms (see Ps 2). Each king in David’s dynasty served as messianic agent—i.e., he represented God’s kingship. As God’s representative, the Davidic king was expected to uphold the qualities of justice, righteousness, f...","summary_en":"Royal Psalms The royal psalms all have some reference to the king, the nature of his rule, and his relationship to God. Psalms 2, 18, 20, 21, 45, 61, 72, 89, 101, 110, 132, and 144 are usually regarded as the royal psalms. Belief in God’s kingship is the foundation of the royal psalms (see Ps 2). Each king in David’s dynasty served as messianic agent—i.e., he represented God’s kingship. As God’s representative, the Davidic king was expected to uphold the qualities of justice, righteousness, f...","source":"ThemeNotes.xml","external_url":null,"has_map":false,"has_picture":false}],"7":[{"id":28415,"type":"article","type_label":"Articol","type_icon":"📖","type_color":"#d4af37","title_ro":"Ointment","title_en":"Ointment","content_ro":"<h3>OINTMENT<\/h3>\nVarious preparations, generally of a spicy nature with an oil base. In Palestine, olive oil was the chief base of ointments and was itself considered an ointment. The OT does not distinguish between “oil” and “ointment.” In Egypt and Mesopotamia, numerous vegetable oils and animal fats formed the basis of ointments. Among the vegetable oils, some of the more important include castor oil, sesame oil, linseed oil, radish oil, colocynth oil, and oil from various nuts.<\/p>\nOintments played an important and visible role in antiquity. In the hot and dry climate of the Near East, ointments gave a measure of protection. Widespread medicinal uses, soothing qualities, and effectiveness in masking odors made the use of ointments a virtual necessity among all classes. The OT mentions apothecaries or perfumers (1 Sm 8:13; 2 Chr 16:14), artisans who were organized into guilds (Neh 3:8).<\/p>\nIn general, ointments were made by boiling aromatic substances in oil (cf. Jb 41:31). Perfumed ointments were combinations of certain raw materials with specially prepared oil. In the OT, qualifying terms such as “fragrant” (Sg 1:3) or “precious” (Eccl 7:1) signify perfumed oils. Ointments could be stored in a variety of vessels, but flasks made of alabaster were preferred. An alabaster jar held the expensive ointment with which Mary anointed Jesus in Bethany (Mk 14:3).<\/p>\nOintments had a variety of uses. Among the Semites in particular, ointments acquired important associations. Aaron, his sons, the tabernacle, and its furnishings were all consecrated by holy anointing oil. This compound consisted of myrrh, cinnamon, calamus, and cassia mixed with olive oil (Ex 30:23-25). Kings and prophets were anointed, but not with the holy anointing oil mixture.<\/p>\nAs a cosmetic, perfumed ointments controlled unpleasant odors. Applications were made to the body (2 Sm 12:20), clothing (Ps 45:8), or personal objects (Prv 7:17). Women utilized ointments for cleansing the skin and enhancing the attractiveness of their skin (Est 2:12). The fragrance of certain ointments attracted the attention of the opposite sex (Sg 4:10). Not surprisingly, the Song of Songs has several references to fragrant ointments.<\/p>\nThe use of ointments to refresh and soothe guests was a mark of hospitality in the ancient Near East. Cones of ointment placed on the heads of guests and allowed to drip down over the body were used by the Egyptians (cf. Ps 133:2). As a sign of respect and honor, the head of a guest was anointed with oil. Jesus chided a Pharisee who neglected this traditional mark of hospitality (Lk 7:37-40). Mary anointed Jesus with a costly flask of nard, a fragrant ointment obtained from the roots of an aromatic herb from India (Mk 14:3).<\/p>\nOintments were used in the burial process. In the NT a corpse would be washed (Acts 9:37) and anointed with ointments (Mk 16:1). The body was wrapped in linen garments with spices and ointments (Lk 23:56; Jn 19:40). Both the Jews and the Romans utilized nard for burials. A mixture of myrrh and aloes was used in the burial of Jesus.<\/p>\nMedicinal uses of ointment were frequent. Oil was applied to wounds (Lk 10:34). Balm (probably an aromatic gum) had well-known medicinal uses and is associated with Gilead (Jer 8:22). Balm was an item of export from Palestine (Gn 37:25; Ez 27:17). Biblical reference is made to a famous eye ointment produced and exported by the city of Laodicea (Rv 3:18). Ointments formed an important commodity for merchants in the Roman period (18:13).<\/p>\nAnointing with oil came to be associated with gladness and joy (Ps 45:7; Is 61:3). Thus, one was to refrain from anointing during times of mourning (2 Sm 14:2). The lack of oil for anointing was viewed as judgment (Mi 6:15). Shields were anointed with oil to make them supple and possibly to help deflect projectiles (2 Sm 1:21).<\/p>\nSee also<\/em> Medicine and Medical Practice; Oil; Plants (Olive, Olive Tree).<\/p>","content_en":"<h3>OINTMENT<\/h3>\nVarious preparations, generally of a spicy nature with an oil base. In Palestine, olive oil was the chief base of ointments and was itself considered an ointment. The OT does not distinguish between “oil” and “ointment.” In Egypt and Mesopotamia, numerous vegetable oils and animal fats formed the basis of ointments. Among the vegetable oils, some of the more important include castor oil, sesame oil, linseed oil, radish oil, colocynth oil, and oil from various nuts.<\/p>\nOintments played an important and visible role in antiquity. In the hot and dry climate of the Near East, ointments gave a measure of protection. Widespread medicinal uses, soothing qualities, and effectiveness in masking odors made the use of ointments a virtual necessity among all classes. The OT mentions apothecaries or perfumers (1 Sm 8:13; 2 Chr 16:14), artisans who were organized into guilds (Neh 3:8).<\/p>\nIn general, ointments were made by boiling aromatic substances in oil (cf. Jb 41:31). Perfumed ointments were combinations of certain raw materials with specially prepared oil. In the OT, qualifying terms such as “fragrant” (Sg 1:3) or “precious” (Eccl 7:1) signify perfumed oils. Ointments could be stored in a variety of vessels, but flasks made of alabaster were preferred. An alabaster jar held the expensive ointment with which Mary anointed Jesus in Bethany (Mk 14:3).<\/p>\nOintments had a variety of uses. Among the Semites in particular, ointments acquired important associations. Aaron, his sons, the tabernacle, and its furnishings were all consecrated by holy anointing oil. This compound consisted of myrrh, cinnamon, calamus, and cassia mixed with olive oil (Ex 30:23-25). Kings and prophets were anointed, but not with the holy anointing oil mixture.<\/p>\nAs a cosmetic, perfumed ointments controlled unpleasant odors. Applications were made to the body (2 Sm 12:20), clothing (Ps 45:8), or personal objects (Prv 7:17). Women utilized ointments for cleansing the skin and enhancing the attractiveness of their skin (Est 2:12). The fragrance of certain ointments attracted the attention of the opposite sex (Sg 4:10). Not surprisingly, the Song of Songs has several references to fragrant ointments.<\/p>\nThe use of ointments to refresh and soothe guests was a mark of hospitality in the ancient Near East. Cones of ointment placed on the heads of guests and allowed to drip down over the body were used by the Egyptians (cf. Ps 133:2). As a sign of respect and honor, the head of a guest was anointed with oil. Jesus chided a Pharisee who neglected this traditional mark of hospitality (Lk 7:37-40). Mary anointed Jesus with a costly flask of nard, a fragrant ointment obtained from the roots of an aromatic herb from India (Mk 14:3).<\/p>\nOintments were used in the burial process. In the NT a corpse would be washed (Acts 9:37) and anointed with ointments (Mk 16:1). The body was wrapped in linen garments with spices and ointments (Lk 23:56; Jn 19:40). Both the Jews and the Romans utilized nard for burials. A mixture of myrrh and aloes was used in the burial of Jesus.<\/p>\nMedicinal uses of ointment were frequent. Oil was applied to wounds (Lk 10:34). Balm (probably an aromatic gum) had well-known medicinal uses and is associated with Gilead (Jer 8:22). Balm was an item of export from Palestine (Gn 37:25; Ez 27:17). Biblical reference is made to a famous eye ointment produced and exported by the city of Laodicea (Rv 3:18). Ointments formed an important commodity for merchants in the Roman period (18:13).<\/p>\nAnointing with oil came to be associated with gladness and joy (Ps 45:7; Is 61:3). Thus, one was to refrain from anointing during times of mourning (2 Sm 14:2). The lack of oil for anointing was viewed as judgment (Mi 6:15). Shields were anointed with oil to make them supple and possibly to help deflect projectiles (2 Sm 1:21).<\/p>\nSee also<\/em> Medicine and Medical Practice; Oil; Plants (Olive, Olive Tree).<\/p>","summary_ro":"OINTMENT Various preparations, generally of a spicy nature with an oil base. In Palestine, olive oil was the chief base of ointments and was itself considered an ointment. The OT does not distinguish between “oil” and “ointment.” In Egypt and Mesopotamia, numerous vegetable oils and animal fats formed the basis of ointments. Among the vegetable oils, some of the more important include castor oil, sesame oil, linseed oil, radish oil, colocynth oil, and oil from various nuts. Ointments played a...","summary_en":"OINTMENT Various preparations, generally of a spicy nature with an oil base. In Palestine, olive oil was the chief base of ointments and was itself considered an ointment. The OT does not distinguish between “oil” and “ointment.” In Egypt and Mesopotamia, numerous vegetable oils and animal fats formed the basis of ointments. Among the vegetable oils, some of the more important include castor oil, sesame oil, linseed oil, radish oil, colocynth oil, and oil from various nuts. Ointments played a...","source":"Articles\/O.xml","external_url":null,"has_map":false,"has_picture":false}],"8":[{"id":18118,"type":"article","type_label":"Articol","type_icon":"📖","type_color":"#d4af37","title_ro":"Ivory","title_en":"Ivory","content_ro":"<h3>IVORY<\/h3>\nOpaque dentine substance, often mentioned along with precious metals and gems in the Bible and ancient Near Eastern writings. As such, ivory was used for combs, small boxes, jars, and other cosmetic articles; for figurines and amulets; for games; and for the adornment of articles of furniture, buildings, and perhaps even ships (Ez 27:6). It is frequently mentioned in Egyptian and Assyrian annals of conquest as part of the spoils of war. Some excellent examples of work with ivory can be found in the famed collection of Tutankhamen.<\/p>\nIn the Bible ivory is spoken of as the adornment of Solomon’s throne (1 Kgs 10:18; 2 Chr 9:17) and of beds in the time of Amos (Am 6:4). Both references are probably to ivory inlay. The ivory palaces of 1 Kings 22:39, Psalm 45:8, and Amos 3:15, however, may refer to forms of decoration other than inlay. Whether Ezekiel 27:6 actually implies that ships were decorated with ivory is debatable, since that passage forms part of the whole picture of Tyre as an extravagant ship. The articles of ivory that earth’s merchants can no longer sell to Babylon (Rv 18:12) include smaller objects of the kind found at various archaeological sites (Megiddo, Samaria, Nimrud).<\/p>\nOriginally ivory was available in northern Syria, where Assyrian monarchs hunted elephants. By Solomon’s time, however, it was imported (1 Kgs 10:22; 2 Chr 9:21), probably from the east (India) or south (Africa), while the ships of Tarshish may represent the seagoing capability of the ships rather than the source of the ivory. Tyre received its ivory in trade from the “coastlands” (Ez 27:15).<\/p>","content_en":"<h3>IVORY<\/h3>\nOpaque dentine substance, often mentioned along with precious metals and gems in the Bible and ancient Near Eastern writings. As such, ivory was used for combs, small boxes, jars, and other cosmetic articles; for figurines and amulets; for games; and for the adornment of articles of furniture, buildings, and perhaps even ships (Ez 27:6). It is frequently mentioned in Egyptian and Assyrian annals of conquest as part of the spoils of war. Some excellent examples of work with ivory can be found in the famed collection of Tutankhamen.<\/p>\nIn the Bible ivory is spoken of as the adornment of Solomon’s throne (1 Kgs 10:18; 2 Chr 9:17) and of beds in the time of Amos (Am 6:4). Both references are probably to ivory inlay. The ivory palaces of 1 Kings 22:39, Psalm 45:8, and Amos 3:15, however, may refer to forms of decoration other than inlay. Whether Ezekiel 27:6 actually implies that ships were decorated with ivory is debatable, since that passage forms part of the whole picture of Tyre as an extravagant ship. The articles of ivory that earth’s merchants can no longer sell to Babylon (Rv 18:12) include smaller objects of the kind found at various archaeological sites (Megiddo, Samaria, Nimrud).<\/p>\nOriginally ivory was available in northern Syria, where Assyrian monarchs hunted elephants. By Solomon’s time, however, it was imported (1 Kgs 10:22; 2 Chr 9:21), probably from the east (India) or south (Africa), while the ships of Tarshish may represent the seagoing capability of the ships rather than the source of the ivory. Tyre received its ivory in trade from the “coastlands” (Ez 27:15).<\/p>","summary_ro":"IVORY Opaque dentine substance, often mentioned along with precious metals and gems in the Bible and ancient Near Eastern writings. As such, ivory was used for combs, small boxes, jars, and other cosmetic articles; for figurines and amulets; for games; and for the adornment of articles of furniture, buildings, and perhaps even ships (Ez 27:6). It is frequently mentioned in Egyptian and Assyrian annals of conquest as part of the spoils of war. Some excellent examples of work with ivory can be ...","summary_en":"IVORY Opaque dentine substance, often mentioned along with precious metals and gems in the Bible and ancient Near Eastern writings. As such, ivory was used for combs, small boxes, jars, and other cosmetic articles; for figurines and amulets; for games; and for the adornment of articles of furniture, buildings, and perhaps even ships (Ez 27:6). It is frequently mentioned in Egyptian and Assyrian annals of conquest as part of the spoils of war. Some excellent examples of work with ivory can be ...","source":"Articles\/I.xml","external_url":null,"has_map":false,"has_picture":false},{"id":28399,"type":"article","type_label":"Articol","type_icon":"📖","type_color":"#d4af37","title_ro":"Ointment","title_en":"Ointment","content_ro":"<h3>OINTMENT<\/h3>\nVarious preparations, generally of a spicy nature with an oil base. In Palestine, olive oil was the chief base of ointments and was itself considered an ointment. The OT does not distinguish between “oil” and “ointment.” In Egypt and Mesopotamia, numerous vegetable oils and animal fats formed the basis of ointments. Among the vegetable oils, some of the more important include castor oil, sesame oil, linseed oil, radish oil, colocynth oil, and oil from various nuts.<\/p>\nOintments played an important and visible role in antiquity. In the hot and dry climate of the Near East, ointments gave a measure of protection. Widespread medicinal uses, soothing qualities, and effectiveness in masking odors made the use of ointments a virtual necessity among all classes. The OT mentions apothecaries or perfumers (1 Sm 8:13; 2 Chr 16:14), artisans who were organized into guilds (Neh 3:8).<\/p>\nIn general, ointments were made by boiling aromatic substances in oil (cf. Jb 41:31). Perfumed ointments were combinations of certain raw materials with specially prepared oil. In the OT, qualifying terms such as “fragrant” (Sg 1:3) or “precious” (Eccl 7:1) signify perfumed oils. Ointments could be stored in a variety of vessels, but flasks made of alabaster were preferred. An alabaster jar held the expensive ointment with which Mary anointed Jesus in Bethany (Mk 14:3).<\/p>\nOintments had a variety of uses. Among the Semites in particular, ointments acquired important associations. Aaron, his sons, the tabernacle, and its furnishings were all consecrated by holy anointing oil. This compound consisted of myrrh, cinnamon, calamus, and cassia mixed with olive oil (Ex 30:23-25). Kings and prophets were anointed, but not with the holy anointing oil mixture.<\/p>\nAs a cosmetic, perfumed ointments controlled unpleasant odors. Applications were made to the body (2 Sm 12:20), clothing (Ps 45:8), or personal objects (Prv 7:17). Women utilized ointments for cleansing the skin and enhancing the attractiveness of their skin (Est 2:12). The fragrance of certain ointments attracted the attention of the opposite sex (Sg 4:10). Not surprisingly, the Song of Songs has several references to fragrant ointments.<\/p>\nThe use of ointments to refresh and soothe guests was a mark of hospitality in the ancient Near East. Cones of ointment placed on the heads of guests and allowed to drip down over the body were used by the Egyptians (cf. Ps 133:2). As a sign of respect and honor, the head of a guest was anointed with oil. Jesus chided a Pharisee who neglected this traditional mark of hospitality (Lk 7:37-40). Mary anointed Jesus with a costly flask of nard, a fragrant ointment obtained from the roots of an aromatic herb from India (Mk 14:3).<\/p>\nOintments were used in the burial process. In the NT a corpse would be washed (Acts 9:37) and anointed with ointments (Mk 16:1). The body was wrapped in linen garments with spices and ointments (Lk 23:56; Jn 19:40). Both the Jews and the Romans utilized nard for burials. A mixture of myrrh and aloes was used in the burial of Jesus.<\/p>\nMedicinal uses of ointment were frequent. Oil was applied to wounds (Lk 10:34). Balm (probably an aromatic gum) had well-known medicinal uses and is associated with Gilead (Jer 8:22). Balm was an item of export from Palestine (Gn 37:25; Ez 27:17). Biblical reference is made to a famous eye ointment produced and exported by the city of Laodicea (Rv 3:18). Ointments formed an important commodity for merchants in the Roman period (18:13).<\/p>\nAnointing with oil came to be associated with gladness and joy (Ps 45:7; Is 61:3). Thus, one was to refrain from anointing during times of mourning (2 Sm 14:2). The lack of oil for anointing was viewed as judgment (Mi 6:15). Shields were anointed with oil to make them supple and possibly to help deflect projectiles (2 Sm 1:21).<\/p>\nSee also<\/em> Medicine and Medical Practice; Oil; Plants (Olive, Olive Tree).<\/p>","content_en":"<h3>OINTMENT<\/h3>\nVarious preparations, generally of a spicy nature with an oil base. In Palestine, olive oil was the chief base of ointments and was itself considered an ointment. The OT does not distinguish between “oil” and “ointment.” In Egypt and Mesopotamia, numerous vegetable oils and animal fats formed the basis of ointments. Among the vegetable oils, some of the more important include castor oil, sesame oil, linseed oil, radish oil, colocynth oil, and oil from various nuts.<\/p>\nOintments played an important and visible role in antiquity. In the hot and dry climate of the Near East, ointments gave a measure of protection. Widespread medicinal uses, soothing qualities, and effectiveness in masking odors made the use of ointments a virtual necessity among all classes. The OT mentions apothecaries or perfumers (1 Sm 8:13; 2 Chr 16:14), artisans who were organized into guilds (Neh 3:8).<\/p>\nIn general, ointments were made by boiling aromatic substances in oil (cf. Jb 41:31). Perfumed ointments were combinations of certain raw materials with specially prepared oil. In the OT, qualifying terms such as “fragrant” (Sg 1:3) or “precious” (Eccl 7:1) signify perfumed oils. Ointments could be stored in a variety of vessels, but flasks made of alabaster were preferred. An alabaster jar held the expensive ointment with which Mary anointed Jesus in Bethany (Mk 14:3).<\/p>\nOintments had a variety of uses. Among the Semites in particular, ointments acquired important associations. Aaron, his sons, the tabernacle, and its furnishings were all consecrated by holy anointing oil. This compound consisted of myrrh, cinnamon, calamus, and cassia mixed with olive oil (Ex 30:23-25). Kings and prophets were anointed, but not with the holy anointing oil mixture.<\/p>\nAs a cosmetic, perfumed ointments controlled unpleasant odors. Applications were made to the body (2 Sm 12:20), clothing (Ps 45:8), or personal objects (Prv 7:17). Women utilized ointments for cleansing the skin and enhancing the attractiveness of their skin (Est 2:12). The fragrance of certain ointments attracted the attention of the opposite sex (Sg 4:10). Not surprisingly, the Song of Songs has several references to fragrant ointments.<\/p>\nThe use of ointments to refresh and soothe guests was a mark of hospitality in the ancient Near East. Cones of ointment placed on the heads of guests and allowed to drip down over the body were used by the Egyptians (cf. Ps 133:2). As a sign of respect and honor, the head of a guest was anointed with oil. Jesus chided a Pharisee who neglected this traditional mark of hospitality (Lk 7:37-40). Mary anointed Jesus with a costly flask of nard, a fragrant ointment obtained from the roots of an aromatic herb from India (Mk 14:3).<\/p>\nOintments were used in the burial process. In the NT a corpse would be washed (Acts 9:37) and anointed with ointments (Mk 16:1). The body was wrapped in linen garments with spices and ointments (Lk 23:56; Jn 19:40). Both the Jews and the Romans utilized nard for burials. A mixture of myrrh and aloes was used in the burial of Jesus.<\/p>\nMedicinal uses of ointment were frequent. Oil was applied to wounds (Lk 10:34). Balm (probably an aromatic gum) had well-known medicinal uses and is associated with Gilead (Jer 8:22). Balm was an item of export from Palestine (Gn 37:25; Ez 27:17). Biblical reference is made to a famous eye ointment produced and exported by the city of Laodicea (Rv 3:18). Ointments formed an important commodity for merchants in the Roman period (18:13).<\/p>\nAnointing with oil came to be associated with gladness and joy (Ps 45:7; Is 61:3). Thus, one was to refrain from anointing during times of mourning (2 Sm 14:2). The lack of oil for anointing was viewed as judgment (Mi 6:15). Shields were anointed with oil to make them supple and possibly to help deflect projectiles (2 Sm 1:21).<\/p>\nSee also<\/em> Medicine and Medical Practice; Oil; Plants (Olive, Olive Tree).<\/p>","summary_ro":"OINTMENT Various preparations, generally of a spicy nature with an oil base. In Palestine, olive oil was the chief base of ointments and was itself considered an ointment. The OT does not distinguish between “oil” and “ointment.” In Egypt and Mesopotamia, numerous vegetable oils and animal fats formed the basis of ointments. Among the vegetable oils, some of the more important include castor oil, sesame oil, linseed oil, radish oil, colocynth oil, and oil from various nuts. Ointments played a...","summary_en":"OINTMENT Various preparations, generally of a spicy nature with an oil base. In Palestine, olive oil was the chief base of ointments and was itself considered an ointment. The OT does not distinguish between “oil” and “ointment.” In Egypt and Mesopotamia, numerous vegetable oils and animal fats formed the basis of ointments. Among the vegetable oils, some of the more important include castor oil, sesame oil, linseed oil, radish oil, colocynth oil, and oil from various nuts. Ointments played a...","source":"Articles\/O.xml","external_url":null,"has_map":false,"has_picture":false},{"id":29632,"type":"article","type_label":"Articol","type_icon":"📖","type_color":"#d4af37","title_ro":"Perfume","title_en":"Perfume","content_ro":"<h3>PERFUME<\/h3>\nTerm covering a wide range of materials prepared from ground-up minerals, vegetable oils, and roots, which were used from the earliest times to enhance one’s personal presentation or to produce pleasing fragrances both for secular and religious purposes. The Bible mentions a wide variety of perfumes, such as aloes, balm, balsam, bdellium, cassia, cinnamon, frankincense, gum, myrrh, nard, sweet cane, spice, ointment, and so on. There must have been a vigorous perfume trade with such lands as Arabia (frankincense, myrrh), India (aloes, nard), Ceylon (cinnamon), Persia (the spice galbanum), and Somaliland (frankincense). In the Bible there are several references to those who traded in these items; for example, the Arabian (Ishmaelite) merchants who took Joseph to Egypt (Gn 37:25), the caravans of the queen of Sheba (1 Kgs 10:10), and the traders of Sheba and Raamah who brought spices to Tyre (Ez 27:22).<\/p>\nThere are several biblical references to those who prepared perfumes. For example, Bezalel prepared holy anointing oil and sacred incense for the tabernacle (Ex 37:29). The holy anointing oil was a mixture of four constituents (30:22-25): myrrh, cinnamon, aromatic cane, and cassia mixed in olive oil. In postexilic times, some priests were given the responsibility of mixing perfumes for incense (1 Chr 9:30), and a perfumer is mentioned among those who built Nehemiah’s wall (Neh 3:8).<\/p>\nModern excavation has produced tangible evidence of a variety of cosmetic vessels and appliances, although, strangely enough, little is said in the Bible about these (Is 3:20; Mt 26:7; Mk 14:3; Lk 7:37). The reference to alabaster containers gains support from their use in Egypt and from archaeology. Some ancient sites in Palestine have yielded numerous small decorated cosmetic bowls, often made of alabaster; small bottles for scents and oils; and palettes for mixing cosmetics. Some of these items are imports from lands like Egypt.<\/p>\nThere was a wide range of uses for the various perfumes, whether powders or oils. Perfumed oils were regularly used to anoint the body in order to soothe sun-dried skin (2 Sm 12:20; Ru 3:3). On one occasion, King Ahaz clothed, fed, and anointed men who returned home from captivity (2 Chr 28:15). The rich in the land could afford the “finest oils” (Am 6:6), although such extravagance could be costly (Prv 21:17). This biblical picture is corroborated by evidence from Egypt and Mesopotamia. In particular, there was a lavish use of oils and ointments in the royal palaces of the East.<\/p>\n\nOintments and oils of various kinds that gave off a pleasing fragrance were regularly used. The Song of Songs has many references to such ointments (Sg 1:3), some of which are specifically named: spikenard (1:12; 4:13-14), myrrh (1:13; 3:6; 4:6; 5:1, 5, 13), frankincense (3:6; 4:6), spices (5:13; 6:2; 8:14), henna (1:14; 4:13), fragrant powders (3:6), saffron (4:14), calamus, and cinnamon (4:14). And there are references in other parts of the Bible to perfumes and ointments of various kinds (1 Kgs 10:2, 10; 2 Kgs 20:13; Prv 27:9; Is 3:24).<\/p>\nPerfumes were put on clothes (Ps 45:8; Sg 4:11) and sprinkled on couches (Prv 7:17). Perfumes and spices also played an important role in the burial of the dead. They were used in embalming (Gn 50:2-3, 26) and were sprinkled on the bier or burned in the fire at some funerals (2 Chr 16:14). Nicodemus brought a mixture of myrrh and aloes to be used in wrapping the body of Jesus (Jn 19:39-40). In the funeral of Herod the Great, 500 slaves carried the spices (Josephus’s Antiquities<\/em> 17.8.3).<\/p>\nBesides the personal use of such materials, there was a wide range of oils, perfumes, and incense used in worship. A holy anointing oil was used to anoint the tabernacle and its furnishings and the Aaronic priests at their induction (Ex 30:22-25; Ps 133). An interesting prescription for the sacred incense to be prepared by the perfumer is given in Exodus 30:34-35. The items listed are well known both in Israel and in other parts of the ancient East.<\/p>\nThe NT contains a number of figurative references. Christ gave himself as a fragrant offering to God (Eph 5:2). The gifts of the Philippians to Paul were described as a fragrant offering (Phil 4:18) and the prayers of the saints are described as bowls of incense (Rv 5:8).<\/p>\nSee also<\/em> Cosmetics; Oil; Ointment; Perfumer.<\/p>","content_en":"<h3>PERFUME<\/h3>\nTerm covering a wide range of materials prepared from ground-up minerals, vegetable oils, and roots, which were used from the earliest times to enhance one’s personal presentation or to produce pleasing fragrances both for secular and religious purposes. The Bible mentions a wide variety of perfumes, such as aloes, balm, balsam, bdellium, cassia, cinnamon, frankincense, gum, myrrh, nard, sweet cane, spice, ointment, and so on. There must have been a vigorous perfume trade with such lands as Arabia (frankincense, myrrh), India (aloes, nard), Ceylon (cinnamon), Persia (the spice galbanum), and Somaliland (frankincense). In the Bible there are several references to those who traded in these items; for example, the Arabian (Ishmaelite) merchants who took Joseph to Egypt (Gn 37:25), the caravans of the queen of Sheba (1 Kgs 10:10), and the traders of Sheba and Raamah who brought spices to Tyre (Ez 27:22).<\/p>\nThere are several biblical references to those who prepared perfumes. For example, Bezalel prepared holy anointing oil and sacred incense for the tabernacle (Ex 37:29). The holy anointing oil was a mixture of four constituents (30:22-25): myrrh, cinnamon, aromatic cane, and cassia mixed in olive oil. In postexilic times, some priests were given the responsibility of mixing perfumes for incense (1 Chr 9:30), and a perfumer is mentioned among those who built Nehemiah’s wall (Neh 3:8).<\/p>\nModern excavation has produced tangible evidence of a variety of cosmetic vessels and appliances, although, strangely enough, little is said in the Bible about these (Is 3:20; Mt 26:7; Mk 14:3; Lk 7:37). The reference to alabaster containers gains support from their use in Egypt and from archaeology. Some ancient sites in Palestine have yielded numerous small decorated cosmetic bowls, often made of alabaster; small bottles for scents and oils; and palettes for mixing cosmetics. Some of these items are imports from lands like Egypt.<\/p>\nThere was a wide range of uses for the various perfumes, whether powders or oils. Perfumed oils were regularly used to anoint the body in order to soothe sun-dried skin (2 Sm 12:20; Ru 3:3). On one occasion, King Ahaz clothed, fed, and anointed men who returned home from captivity (2 Chr 28:15). The rich in the land could afford the “finest oils” (Am 6:6), although such extravagance could be costly (Prv 21:17). This biblical picture is corroborated by evidence from Egypt and Mesopotamia. In particular, there was a lavish use of oils and ointments in the royal palaces of the East.<\/p>\n\nOintments and oils of various kinds that gave off a pleasing fragrance were regularly used. The Song of Songs has many references to such ointments (Sg 1:3), some of which are specifically named: spikenard (1:12; 4:13-14), myrrh (1:13; 3:6; 4:6; 5:1, 5, 13), frankincense (3:6; 4:6), spices (5:13; 6:2; 8:14), henna (1:14; 4:13), fragrant powders (3:6), saffron (4:14), calamus, and cinnamon (4:14). And there are references in other parts of the Bible to perfumes and ointments of various kinds (1 Kgs 10:2, 10; 2 Kgs 20:13; Prv 27:9; Is 3:24).<\/p>\nPerfumes were put on clothes (Ps 45:8; Sg 4:11) and sprinkled on couches (Prv 7:17). Perfumes and spices also played an important role in the burial of the dead. They were used in embalming (Gn 50:2-3, 26) and were sprinkled on the bier or burned in the fire at some funerals (2 Chr 16:14). Nicodemus brought a mixture of myrrh and aloes to be used in wrapping the body of Jesus (Jn 19:39-40). In the funeral of Herod the Great, 500 slaves carried the spices (Josephus’s Antiquities<\/em> 17.8.3).<\/p>\nBesides the personal use of such materials, there was a wide range of oils, perfumes, and incense used in worship. A holy anointing oil was used to anoint the tabernacle and its furnishings and the Aaronic priests at their induction (Ex 30:22-25; Ps 133). An interesting prescription for the sacred incense to be prepared by the perfumer is given in Exodus 30:34-35. The items listed are well known both in Israel and in other parts of the ancient East.<\/p>\nThe NT contains a number of figurative references. Christ gave himself as a fragrant offering to God (Eph 5:2). The gifts of the Philippians to Paul were described as a fragrant offering (Phil 4:18) and the prayers of the saints are described as bowls of incense (Rv 5:8).<\/p>\nSee also<\/em> Cosmetics; Oil; Ointment; Perfumer.<\/p>","summary_ro":"PERFUME Term covering a wide range of materials prepared from ground-up minerals, vegetable oils, and roots, which were used from the earliest times to enhance one’s personal presentation or to produce pleasing fragrances both for secular and religious purposes. The Bible mentions a wide variety of perfumes, such as aloes, balm, balsam, bdellium, cassia, cinnamon, frankincense, gum, myrrh, nard, sweet cane, spice, ointment, and so on. There must have been a vigorous perfume trade with such la...","summary_en":"PERFUME Term covering a wide range of materials prepared from ground-up minerals, vegetable oils, and roots, which were used from the earliest times to enhance one’s personal presentation or to produce pleasing fragrances both for secular and religious purposes. The Bible mentions a wide variety of perfumes, such as aloes, balm, balsam, bdellium, cassia, cinnamon, frankincense, gum, myrrh, nard, sweet cane, spice, ointment, and so on. There must have been a vigorous perfume trade with such la...","source":"Articles\/P.xml","external_url":null,"has_map":false,"has_picture":false},{"id":30535,"type":"article","type_label":"Articol","type_icon":"📖","type_color":"#d4af37","title_ro":"Plants","title_en":"Plants","content_ro":"<h3>PLANTS<\/h3>\nIdentifying biblical plants has always been a difficult task, partly because people continue to identify the biblical elm, sycamore, lily, rose, and vine with modern plants, and also because they assume that all the plants now growing in the Holy Land were there in ancient biblical days, or that the plants referred to in the Bible are still to be found there today. Unfortunately, many plants now quite common in the Holy Land were not there in biblical days. Many plants that once grew in abundance in the Holy Land are now extinct. Some have been driven out by foreign invaders; others have been exterminated or nearly exterminated by overcultivation of the land, the destruction of forests, and the resulting changes in climatic and other environmental conditions. At one time the Holy Land was a land of palm trees, with the date palm as abundant and characteristic there as it was in Egypt, but today the date palm is much less common. Similarly, in antiquity, the towering cedars clothed the slopes of Lebanon and other mountain ranges. Now the few remaining specimens must be carefully fenced in to protect them against trampling and the ravages of goats.<\/p>\nPreview<\/p>\n• Acacia<\/p>\n• Acanthus<\/p>\n• Algum<\/p>\n• Almond<\/p>\n• Almug<\/p>\n• Aloe<\/p>\n• Apple<\/p>\n• Apricot<\/p>\n• Ash<\/p>\n• Aspen<\/p>\n• Balm<\/p>\n• Barley<\/p>\n• Bdellium<\/p>\n• Bean<\/p>\n• Bitter Herbs<\/p>\n• Boxthorn, European<\/p>\n• Box Tree<\/p>\n• Bramble<\/p>\n• Broom<\/p>\n• Buckthorn<\/p>\n• Bush<\/p>\n• Buttercup<\/p>\n• Calamus<\/p>\n• Cane<\/p>\n• Caper Plant<\/p>\n• Carob Tree<\/p>\n• Cassia<\/p>\n• Castor Oil Plant<\/p>\n• Cedar<\/p>\n• Chicory<\/p>\n• Cinnamon<\/p>\n• Citron Tree<\/p>\n• Coriander<\/p>\n• Cotton<\/p>\n• Cucumber<\/p>\n• Cummin<\/p>\n• Cypress<\/p>\n• Dandelion<\/p>\n• Darnel Grass<\/p>\n• Dill<\/p>\n• Ebony<\/p>\n• Endive<\/p>\n• Fig, Fig Tree<\/p>\n• Fir Tree<\/p>\n• Flax<\/p>\n• Frankincense<\/p>\n• Galbanum<\/p>\n• Garlic<\/p>\n• Gourd, Wild<\/p>\n• Hedge<\/p>\n• Henna<\/p>\n• Hyacinth<\/p>\n• Hyssop<\/p>\n• Juniper<\/p>\n• Laurel or Sweet Bay<\/p>\n• Leek<\/p>\n• Lentil<\/p>\n• Lettuce<\/p>\n• Lily<\/p>\n• Lotus Bush<\/p>\n• Mallow<\/p>\n• Mandrake<\/p>\n• Melon<\/p>\n• Millet<\/p>\n• Mint<\/p>\n• Mulberry<\/p>\n• Mustard<\/p>\n• Myrrh<\/p>\n• Myrtle<\/p>\n• Narcissus<\/p>\n• Nard<\/p>\n• Nettle<\/p>\n• Nutmeg Flower<\/p>\n• Oak<\/p>\n• Oil Tree, Oleaster<\/p>\n• Oleander<\/p>\n• Olive, Olive Tree<\/p>\n• Onion<\/p>\n• Palm<\/p>\n• Papyrus<\/p>\n• Pine Tree<\/p>\n• Pistachio<\/p>\n• Plane Tree<\/p>\n• Pomegranate<\/p>\n• Poplar<\/p>\n• Quince<\/p>\n• Reed<\/p>\n• Rue<\/p>\n• Rush<\/p>\n• Saffron<\/p>\n• Sage<\/p>\n• Spelt<\/p>\n• Storax Tree<\/p>\n• Sycamore<\/p>\n• Tamarisk<\/p>\n• Terebinth<\/p>\n• Thistle, Thorn<\/p>\n• Tulip<\/p>\n• Tumbleweed<\/p>\n• Vegetable<\/p>\n• Vine<\/p>\n• Walnut<\/p>\n• Water Lily<\/p>\n• Wheat<\/p>\n• Wormwood<\/p>\nAcacia (Acacia tortilis<\/em> and A. seyal)<\/em><\/p>\nAny tree or shrub of the mimosa family of plants growing in warm regions. The plant referred to in the kjv<\/span> as “shittah” (singular) or “shittim” (plural) is undoubtedly the acacia tree, the only timber tree of any considerable size in the Arabian desert. Acacia tortilis<\/em> is by far the largest and most common tree in the desert in which the Israelites wandered for 40 years. It is especially conspicuous on Mt Sinai and was probably the species used for the tabernacle furnishings. A. seyal<\/em> is less common, at least today. It can grow as high as 25 feet (7.6 meters), and bears yellow flowers on twisted branches. The wood is close grained, heavy and hard, orange-brown in color, and much valued in cabinetwork. The ancient Egyptians clamped shut mummy coffins with acacia wood.<\/p>\nAcanthus (Acanthus syriacus)<\/em><\/p>\nThe acanthus, perhaps referred to in Job 30:7 and Zephaniah 2:9, is a perennial thistlelike herb or small shrub about three feet (.9 meter) tall, and is a common weed in all Eastern countries. It has been used since time immemorial as a model for the leaf or scroll decorations in art.<\/p>\nAlgum (Juniperus excelsa Bieb)<\/em><\/p>\nThe timber from Lebanon referred to in 2 Chronicles 2:8 is probably the juniper. Some translators hold, however, that algum and almug are Hebrew variants for the same tree (see nlt<\/span> mg, 2 Chr 2:8).<\/p>\nSee also<\/em> Almug (below).<\/p>\nAlmond (Amygdalus communis)<\/em><\/p>\nThe almond is a peachlike tree with saw-toothed pointed leaves and gray bark. It grows to a height of from 10 to 25 feet (3 to 7.6 meters). It blooms very early in the year; its Hebrew name has its roots in “watch for.” To the Jews it was a welcome harbinger of spring (Jer 1:11).<\/p>\n\nAlmug (Pterocarpus santalinus)<\/em><\/p>\nThe precious wood imported by King Solomon and used in making the pillars for the temple and for making harps and psalteries (1 Kgs 10:11-12). This timber was brought by sea from Ophir to Ezion-geber, near Elath. Modern authorities suggest that Ophir was either in Arabia, India, or East Africa near Mozambique. The reference to “algum“ in 2 Chronicles 2:8 is possibly to this tree. See<\/em> Algum (above).<\/p>\nAloe (Aloe succotrina, Aquilaria agallocha)<\/em><\/p>\nChiefly African, lilylike plant of the genus Aloes,<\/em> certain species of which yield a drug and a fiber. Aloe is an aromatic substance mentioned in the Bible, together with myrrh, balm, and other fragrant plants (Ps 45:8; Prv 7:17; Sg 4:14; Jn 19:39). Most scholars think these passages refer to two different plants. The OT plant is likely to have been Aquilaria agallocha,<\/em> the eaglewood, a large tree growing up to 120 feet (36.6 meters) tall with a trunk 12 feet (3.7 meters) in circumference. It is native to northern India, Malaya, and Indochina. The decaying wood is highly fragrant, and as such is highly valued as perfume and incense and for fumigation.<\/p>\nThe aloe of John 19:39 is thought to be the true aloe (Aloe succotrina),<\/em> the juice of which was used by the Egyptians in embalming. Its smell, however, is not very agreeable, and it has a bitter taste. It is sometimes used by veterinarians as a horse medicine.<\/p>\nApple (Malus sylvestris)<\/em><\/p>\nThe identity of the fruit identified by the Hebrew word tappuach<\/span> (Prv 25:11; Sg 2:3, 5; 7:8; 8:5) continues to be debated. In most English translations it has been rendered “apple” because of its close linguistic tie to the Arabic word tuffah.<\/em> Many scholars identify this tree as the apricot, questioning whether apples fit the biblical description “apples of gold” and whether the apple tree was cultivated in ancient Palestine. Recent excavations at Kadesh-barnea, however, have uncovered carbonized apples, probably a crab apple (Malus sylvestris),<\/em> dating to the ninth century BC<\/span>. This would certainly allow for this ornamental apple’s cultivation in Solomon’s gardens.<\/p>\nSee also<\/em> Apricot (below).<\/p>\nApricot (Prunus armeniaca)<\/em><\/p>\nThe identification of the Hebrew word tappuach<\/span> with the apricot continues to be debated. The apricot tree produces yellow-orange peachlike edible fruit and is native to western Asia and Africa. It is abundant in the Holy Land and probably has been so since early biblical times. The tree is a round-headed reddish-barked tree growing 30 feet (9.1 meters) tall. Most translations render this Hebrew word “apple,” though many scholars identify it with the apricot because of its descriptions in the biblical text (see Prv 25:11; Sg 2:3, 5; 7:8; 8:5; Jl 1:12).<\/p>\nSee also<\/em> Apple (above).<\/p>\nAsh (Alhagi maurorum, Fraxinus ornus, Tamarix mannifera)<\/em><\/p>\nThere are several ash trees found in the Near East. One of these, the prickly alhagi (Alhagi maurorum),<\/em> is a member of the pea family. It is a low, many-stemmed, much-branched shrub growing about three feet (.9 meter) tall with somewhat hairy twigs and pealike flowers. During the heat of the day, leaves exude a sweet, gummy substance that hardens in the air and is collected by shaking the bushes over a spread-out cloth.<\/p>\nThe manna tamarisk (Tamarix mannifera)<\/em> is a multibranched shrub or a small tree 9 to 15 feet (2.7 to 4.6 meters) tall with rigid branches that have tiny pink flowers. It is found on deserts from the Holy Land to Arabia and the Sinai.<\/p>\nThe flowering or manna ash (Fraxinus ornus)<\/em> is a tree that grows from 15 to 50 feet (4.6 to 15.2 meters) tall. The fruits are very similar to those produced by our species of ash. The ash of Isaiah 44:14 (kjv<\/span>) is believed to be the Aleppo pine.<\/p>\nAspen (Populus euphratica<\/em> or P. tremula)<\/em><\/p>\nAny of several trees of the genus Populus<\/em> with leaves attached by flattened leafstalks so that they tremble or “quake” in the wind.<\/p>\nBalm (Balanites aegyptiaca, Pistacia lentiscus, Commiphora opobalsamum<\/em>)<\/em><\/p>\nAn oily aromatic resin exuded by chiefly tropical trees and shrubs and used medicinally; trees and shrubs producing this substance. References in Genesis 37:25, Jeremiah 8:22, 46:11, and 51:8 are thought to be either the Jericho balsam (Balanites aegyptiaca)<\/em> or the lentisk or mastic tree (Pistacia lentiscus).<\/em> The Jericho balsam is very common in Egypt, North Africa, the plains of Jericho, and the hot plains bordering on the Dead Sea. It is a small desert-loving plant, 9 to 15 feet (2.7 to 4.6 meters) tall, with slender, thorny branches and small clusters of green flowers.<\/p>\nThe lentisk or mastic tree is native to the Holy Land, and the reference in Genesis 43:11 is probably to this plant, since the implication is that this is a native product of the Holy Land unknown in Egypt at the time. This tree is a shrubby or bushy tree 3 to 10 feet (.9 to 3 meters) tall with evergreen leaves. The “balm” is a fragrant gummy exudation of the sap secured by making incisions in the stems and branches, usually in August. The best grades are in the form of yellow-white translucent tears or drops; they are employed in medicine as an astringent. The poorer grades are used extensively as a varnish. Children in the East use it as chewing gum.<\/p>\nReferences to spices in 1 Kings 10:10, 2 Kings 20:13, Song of Songs 3:6, Isaiah 39:2, and Ezekiel 27:17 are thought to be the balm of Gilead (Commiphora opobalsamum),<\/em> which in spite of its name is not a native of Gilead or even of the Holy Land but is indigenous to Arabia, especially the mountainous regions of Yemen. The trees were still in existence on the plain of Jericho at the time of the Roman conquest. The Roman conquerors carried branches to Rome as trophies of their victory over the Jews.<\/p>\nThis tree is a small, stiff-branched evergreen tree seldom more than 15 feet (4.6 meters) high with straggling branches. The “balm” is obtained by making incisions in the stem and branches of the tree. The sap soon hardens into small irregular nodules that are collected. Gum is also procured from green and ripe fruit.<\/p>\nSee also<\/em> Myrrh (below).<\/p>\nBarley (Hordeum distichon)<\/em><\/p>\nA cereal grass bearing bearded flower spikes and edible seeds. The common barley (Hordeum distichon),<\/em> the winter barley (H. hex<\/em>astichon),<\/em> and the spring barley (H. vulgare)<\/em> have been cultivated in temperate regions of the world since time immemorial and today still constitute one of the principal grain foods. Barley and wheat were the two staple cereal crops of Egypt and the Holy Land. Being less expensive, barley was mostly used for feeding cattle, although it was also used by itself or mixed with wheat and other seed as food for man (Ez 4:9-12). Barley is mentioned in the Bible over 30 times, either as a plant growing in the fields or in reference to products made from it, such as barley meal, barley bread, barley cakes, and barley loaves. As the common food of the poor, barley was also regarded as a symbol of poverty and cheapness or worthlessness (Hos 3:2).<\/p>\nBdellium (Commiphora africana)<\/em><\/p>\nAromatic gum resin similar to myrrh, produced by various trees of the genus Commiphora<\/em> of Africa and western Asia. The reference in Genesis 2:12 and Numbers 11:7 to bdellium is thought by most scholars today to refer to a gum resin, obtained from a shrub, Commiphora africana<\/em>, that grows in south Arabia and northeastern Africa. The resin is yellowish, transparent, and fragrant, and looks like a pearl.<\/p>\nBean (Faba vulgaris)<\/em><\/p>\nThe references in 2 Samuel 17:27-28 and Ezekiel 4:9 are generally regarded as referring to the broad bean. This species, an annual plant, is thought originally to have grown in northern Persia, but it was extensively cultivated in western Asia in very early times as a food plant. Beans have been found in the mummy coffins of Egyptian tombs, and they were also cultivated by the Greeks and Romans.<\/p>\nBitter Herbs (Cichorium endivia, Taraxacum officinale, Lactuca sativa)<\/em><\/p>\nThe “bitter herbs” of Exodus 12:8 and Numbers 9:11 seem to have been plants like endive (Cichorium endivia),<\/em> the common chicory (Cichorium intybus),<\/em> lettuce (Lactuca sativa),<\/em> or the common dandelion (Taraxacum officinale).<\/em> These are all weedy plants common in modern Egypt and western Asia and are still eaten by people living there. The leaves of the ordinary garden lettuce are intensely bitter when bleached. This is also true of the common dandelion. Others suggest that the bitter herbs were derived from thorns and thistles.<\/p>\nBoxthorn, European (Lycium europaeum)<\/em><\/p>\nVarious thorny shrubs, some species of which bear purplish flowers and brightly colored berries. The reference in Judges 9:14-15 is thought to be to the European boxthorn or desert-thorn. It is a thorny shrub 6 to 12 feet (1.8 to 3.7 meters) tall with clustered leaves and small violet flowers eventually producing small globular red berries. It is native to and common throughout the Holy Land, especially in the region from Lebanon to the Dead Sea.<\/p>\nBox Tree (Buxus longifolia)<\/em><\/p>\nThe long-leaved box tree is a hardy evergreen tree found in the mountainous regions of the northern part of the Holy Land, the Galilean hills, and Lebanon. It grows to a height of about 20 feet (6.1 meters) with a slender trunk seldom more than six to eight inches (15.2 to 20.3 centimeters) in diameter. Its wood is very hard and takes a fine polish. It was cultivated by the Romans for its hard wood, which they inlaid with ivory for cabinets and jewel caskets. Scriptural references include Isaiah 41:19 and 60:13.<\/p>\nBramble (Rubus sanctus, R. ulmifolius)<\/em><\/p>\nThe Palestinian bramble (Rubus sanctus)<\/em> and the closely related elm-leaf bramble (R. ulmifolius)<\/em> are prickly evergreen shrubs that spread by means of suckers. The stems and young shoots are covered with a characteristic bloom or whitish powder and short hairs. The prickles are strong, erect, and hairy. The flowers are white, pink, rose, or purple in color, and the fruit is round and black.<\/p>\nSee also<\/em> Thistle, Thorn (below).<\/p>\nBroom (Retama raetam)<\/em><\/p>\nA shrub native to Eurasia. The word translated “juniper” in the kjv<\/span> has nothing to do with the true junipers but refers rather to a species of broom, known as the white broom (Retama raetam).<\/em> Its branches are longer and flexible, forming an erect, dense bush 3 to 12 feet (.9 to 3.7 meters) tall. The leaves are small and sparse, yet it forms an agreeable shade in a desert region. The white pealike flowers are sweet and very fragrant and are borne in clusters along the twigs. It is a beautiful shrub that grows in the desert regions of Palestine, Syria, and Persia. In many desert areas it is the only bush that affords any shade (1 Kgs 19:4-5).<\/p>\nThe “juniper roots” of Job 30:4 are not the roots of either the juniper or white broom. The roots of the latter are very nauseating and could not be eaten in the manner described by Job. Job’s “juniper roots” were probably an edible parasitic plant (Cynomorium coccineum).<\/em> This plant grows in salt marshes and maritime sands. It is frequently eaten in times of food scarcity and at one time was highly prized for its supposed medicinal value in the treatment of dysentery.<\/p>\nBuckthorn (Rhamnus palaestina)<\/em><\/p>\nThe Palestinian buckthorn is a shrub or small tree attaining a height of three to six feet (.9 to 1.8 meters) with velvety, thorny branches, evergreen leaves, and clusters of small flowers blooming in March or April. It grows in thickets and on hillsides from Syria and Lebanon through the Holy Land to Arabia and the Sinai.<\/p>\nBush (Acacia nilotica, Loranthus acaciae)<\/em><\/p>\nLow, branching, woody plant, usually smaller than a tree. There are differences of opinion in regard to the bush out of which the Lord appeared to Moses (Ex 3:2-4). From the biblical account, it seems most likely that the event was a miraculous one. However, some seek a natural explanation and believe that the burning bush may have been the crimson-flowered mistletoe or acacia strap flower (Loranthus acaciae),<\/em> which grows in great profusion as a partial parasite on the various acacia shrubs, such as the thorny acacia (Acacia nilotica),<\/em> in the Holy Land and Sinai. When in full bloom, the mistletoe imparts to the shrub or tree the appearance of being on fire because its brilliant flame-colored blossoms stand out against the green foliage and yellow flowers of the host plants.<\/p>\nButtercup (Ranunculus asiaticus)<\/em><\/p>\nThe Persian buttercup is one of the flowers or grasses of the field (Mt 6:28-30). It is a showy plant blooming in all brilliant colors except blue, with double flowers sometimes measuring two inches (5.1 centimeters) across.<\/p>\nCalamus (Acorus calamus, Andropogon aroma<\/em>ticus)<\/em><\/p>\nA plant, or its aromatic root; any of a variety of tropical Asiatic palms. One of the plants that grew in Solomon’s garden (Sg 4:14). The sweet flag (Acorus<\/em> calamus)<\/em> and the beardgrass (Andropogon aromaticus)<\/em> have been suggested as the plants from which calamus came. The sweet flag is highly aromatic and grows in Europe and Asia, but it is not known in the Holy Land. Indigenous to India, beardgrass is highly odoriferous when bruised and is thought to have furnished the calamus of the Bible. It yields an oil known as ginger-grass oil.<\/p>\nCane (Saccharum officinarum)<\/em><\/p>\nIt is thought that there were two species of sugarcane indigenous to and growing wild in the Holy Land. One of these, Saccharum sara,<\/em> is known to be only from Lebanon. The other native species is S. biflorum,<\/em> which grows on the banks of ditches and streams from Syria and Lebanon through the Holy Land south to Stony Arabia and the Sinai. This may be the wild cane familiar to the Jews. Most authorities, however, think that the “sweet cane” of Isaiah 43:24 was the true sugarcane (S. officinarum).<\/em> This plant is thought to have originated in the tropics of the eastern hemisphere. It has been cultivated by people since time immemorial and is not now known in the wild state anywhere. It is a tall, stout perennial grass, maizelike in aspect with many jointed stems and a large plumelike terminal cluster of flowers.<\/p>\nCaper Plant (Capparis sincula)<\/em><\/p>\nSpiny, trailing shrub of Mediterranean region; the flower bud of this shrub. The word “desire” in Ecclesiastes 12:5 may actually refer to the caper berry. The common caper or caper berry grows profusely in Syria, Lebanon, the Holy Land, and in the mountain valleys of Sinai. The plant may sometimes grow upright but more generally spreads itself weakly over the ground like a vine, covering rocks, ruins, and old walls like ivy. The young flower buds, pickled in vinegar, were used by the ancients as a condiment for meat. The berries were also used in cooking.<\/p>\nCarob Tree (Ceratonia siliqua)<\/em><\/p>\nEvergreen of the Mediterranean region having edible pods. Scholars generally agree that the pods of the carob or locust tree were the “husks” of Jesus’ parable of the prodigal son (Lk 15:16). The carob is an attractive evergreen leguminous tree that is very common throughout the Holy Land, Syria, and Egypt. The pods are most abundant in April and May and contain numerous pealike seeds embedded in an agreeably flavored mucilaginous sweetish pulp. The pods are also used abundantly now as they were in antiquity for feeding cattle, horses, and pigs. In time of scarcity, they are used as human food and perhaps even regularly by the very poor. The carob is frequently mentioned in the Talmud as a source of good food for domestic animals. The seeds of the carob were formerly employed as a standard of weight and are the source of the term “carat.” Some commentators suggest that the “locusts” eaten by John the Baptist (Mt 3:4) were not insects but the fruit of the carob tree.<\/p>\nCassia (Cinnamomum cassia, Saussurea lappa)<\/em><\/p>\nTree of tropical Asia with bark similar but inferior to cinnamon. The “cassia” of Exodus 30:24 and Ezekiel 27:19 is the cassia bark tree, Cinnamomum cassia.<\/em> In Psalm 45:8 the reference seems to be to the Indian orris, Saussurea lappa.<\/em><\/p>\nCastor Oil Plant (Ricinus communis)<\/em><\/p>\nLarge plant, native to tropical Africa and Asia, cultivated for ornamental reasons and for extraction of oil from its seeds. The gourd of Jonah 4:6-7 was probably the ordinary castor bean. The castor bean is a tender shrub, growing 3 to 12 or more feet (.9 to 3.7 meters) tall with huge leaves that resemble the outstretched human hand. The castor bean plant is found in waste places, especially near water, in both Lebanon and the Holy Land and often is cultivated. In hot climates it becomes treelike and affords a dense shade by the abundance of its huge, umbrella-like leaves. It is known in the Orient for the rapidity of its growth. The oil extracted from the seeds of the castor bean was used by the Jews in ceremonial rites and is mentioned among the five kinds of oil that rabbinical tradition sanctioned for such use. The seeds themselves are poisonous when eaten.<\/p>\nCedar (Cedrus libani)<\/em><\/p>\nAny of several coniferous evergreen trees of the genus native to the Old World. With few exceptions, the references to “cedar” are to the well-known cedar of Lebanon. This is a noble tree, the tallest and most massive with which the Israelites were acquainted. It grows quite rapidly, attaining a height of up to 120 feet (36.6 meters) with a trunk diameter of as much as 8 feet (2.4 meters). In Solomon’s day these trees were obviously abundant on the mountains of Lebanon, but now, because of excessive lumbering, they are very rare. The cedar of Lebanon was held in high esteem not only for its vigor, beauty, and age but also for the fragrance and remarkable lasting qualities of the wood. It symbolizes grandeur, might, majesty, dignity, lofty stature, and wide expansion. References in Ezekiel 17:3, 22-24, and 31:3-18 beautifully illustrate how these lofty kings of the forest symbolize and typify worldly strength, power, and glory.<\/p>\nChicory (Cichorium intybus)<\/em><\/p>\nSee<\/em> Bitter Herbs (above).<\/p>\nCinnamon (Cinnamomum zeylanicum)<\/em><\/p>\nTwo varieties of trees of this genus, native to tropical Asia, with aromatic bark that, when ground, is used as a spice. The cinnamon of Exodus 30:23, Proverbs 7:17, Song of Songs 4:14, and Revelation 18:13 is undoubtedly Cinnamomum zeylanicum.<\/em> The tree is a rather low-growing one, never getting more than 30 feet (9.1 meters) high, with a smooth, ash-colored bark and widespread branches and white flowers. Its shiny, beautifully veined evergreen leaves grow about nine inches (22.9 centimeters) long and two inches (5.1 centimeters) wide.<\/p>\nThe Jews always regarded cinnamon as a deliciously fragrant substance and valued it highly as a spice and a perfume. It was one of the principal ingredients used in the manufacture of the precious ointments, or “holy oil,” that Moses was commanded to use in the tabernacle for anointing the sacred vessels and officiating priests. It was undoubtedly very costly and precious.<\/p>\nCitron Tree (Tetraclinis articulata)<\/em><\/p>\nTree native to Asia bearing lemonlike fruit with a thick, fragrant rind. It seldom exceeds a height of 30 feet (9.1 meters) and has hard, dark-colored, durable, fragrant wood that takes a fine polish. The wood was one of the most highly prized woods of the ancients, who employed it extensively for cabinetwork. It was commonly referred to as being worth its weight in gold. The wood, owing to its resinous properties, is slow to decay and remains practically uninjured by insects.<\/p>\nCoriander (Coriandrum sativum)<\/em><\/p>\nThe references in Exodus 16:31 and Numbers 11:7 are clearly to the common coriander plant. The coriander was found quite commonly growing along with grain in cultivated fields throughout the Holy Land. It grows wild in Egypt and was used by the ancients both as condiment and as a medicine. The leaves are quite aromatic and are used in soups and for flavoring puddings, curries, and wines. The coriander is still used today as a spice by the Arabs. In Scripture it is mentioned only in connection with manna, which was said to resemble coriander seeds in size, shape, and color.<\/p>\nCotton (Gossypium herbaceum)<\/em><\/p>\nAny of various plants or shrubs of this genus grown in warm climates for the soft white fiber attached to their seeds and the oil from these seeds. The “green” of the kjv<\/span> in Esther 1:6 is undoubtedly a reference to the Levant cotton (Gossypium herbaceum)<\/em> that was cultivated since time immemorial in the Far East. Alexander the Great brought it back from India. It is probable that the Jews became acquainted with cotton during the period of their Persian captivity under King Ahasuerus.<\/p>\nCucumber (Cucumis chate, C. sativus)<\/em><\/p>\nThe cucumber is an annual climbing or trailing vine, the origin of which is unknown. It has been cultivated in all the warm countries of the Old World since prehistoric times. Cucumbers are usually eaten raw; a cucumber and a barley cake or some other kind of bread often constitute a meal. The reference to “a lodge in a garden of cucumbers” (Is 1:8) refers to the crudely built small house or lodge often set up in Palestinian cucumber fields and vineyards.<\/p>\nCummin (Cuminum cyminum)<\/em><\/p>\nThe references in Isaiah 28:25-27 and Matthew 23:23 are clearly to the cummin—a common, annual plant of the carrot family said to be native to Egypt and the region of the eastern Mediterranean. It has long been cultivated for its powerfully aromatic and pungent seeds, which are similar to caraway seeds but larger. They do not have as agreeable a taste as caraway seeds but nevertheless were used extensively as a flavor or spice and sometimes were even mixed with flour in making bread. Cummin was also used medicinally and as a condiment with fish and meats.<\/p>\nCypress (Cupressus sempervirens horizontalis)<\/em><\/p>\nThe cypress is a massive, tall-growing evergreen with scalelike leaves and is widely distributed in the mountainous regions of the Holy Land. On Mt Lebanon and Mt Hermon it grows together with the cedar and oak. Its usual height is 50 to 60 feet (15.2 to 18.3 meters), but it may grow as tall as 80 feet (24.2 meters). It is said to have been used extensively in shipbuilding by the Phoenicians, Cretans, and Greeks. There is general agreement that the “gopher wood” of Genesis 6:14 is cypress because the wood is very durable.<\/p>\nDandelion (Taraxacum officinale)<\/em><\/p>\nSee<\/em> Bitter Herbs (above).<\/p>\nDarnel Grass (Lolium temulentum)<\/em><\/p>\nIt is generally agreed that the “tares” of the kjv<\/span> (Mt 13:24-30) are the annual or bearded darnel grass. It is a strong grass closely resembling wheat or rye in appearance. The seeds are much smaller than those of wheat or rye, but it is extremely difficult to distinguish it from wheat or rye in its early stages. If it is not eradicated early but is left until the time of harvest, it is cut down with the wheat and the two are subsequently very difficult to separate. The seeds are poisonous, either due to some chemicals naturally present or because of a fungus that grows within the seeds.<\/p>\nDill (Anethum graveolens)<\/em><\/p>\nDill is a weedy annual plant resembling parsley and fennel, 12 to 20 inches (30.5 to 50.8 centimeters) tall with yellow flowers. The reference in Matthew 23:23 (kjv<\/span>) to anise is probably a reference to dill. This plant is widely cultivated for seeds that are aromatic and carminative.<\/p>\nEbony (Diospyros ebenaster, D. ebenum, D. mela<\/em>noxylon)<\/em><\/p>\nChiefly tropical tree of southern Asia with hard, dark-colored heartwood. Ebony comes from the date plum or date tree (Diospyros ebenaster<\/em> and D. melanoxylon)<\/em> of India and is quite different from the date palm. It was sent by Phoenician ships across the Arabian Sea and up the Red Sea to the market in Tyre, from which it was carried overland by camel caravans. The outer wood of these trees is white and soft, but when old, the interior wood becomes hard, black, heavy, and durable and still constitutes most of the costly ebony of commerce. Ebony takes on a fine polish and is highly valued for cabinetwork, for turnery, for the manufacture of fancy ornamental articles and instruments, and as a veneer for other woods.<\/p>\nEzekiel mentions ivory and ebony together (Ez 27:15). Ebony was and still is frequently inlaid with ivory, with which it contrasts so strikingly in color.<\/p>\nEndive (Cichorium endivia)<\/em><\/p>\nSee<\/em> Bitter Herbs (above).<\/p>\nFig, Fig Tree (Ficus carica)<\/em><\/p>\nAny of several trees or shrubs of this genus, native to the Mediterranean region; its edible fruit. The common fig, mentioned some 60 times in the Bible, is one of the most important Bible plants. Its leaves are spoken of first in Genesis 3:7. The fig is generally regarded as native to southwestern Asia and Syria, but already in early times it was also cultivated extensively in Egypt and the Holy Land, where it was one of the principal foods. First Samuel 25:18 states that a part of the gift sent by Abigail to David consisted of 200 cakes of figs.<\/p>\nThe fig tree has a very peculiar type of fruit called a syconium, which is actually a very much enlarged and fleshy receptacle. It is pollinated by a wasp, without which it cannot get its fruit; this was discovered when it was first transplanted to California.<\/p>\nThe fig puts out its earliest fruit buds before its leaves, the former in February and the latter in April or May. When the leaves are out, the fruit ought to be ripe (Mt 21:19).<\/p>\nWhenever the prophets of old berated the people for their wickedness, they often threatened that the vine and the fig crops would be destroyed. And when they held out the promise of great rewards, they said that the vine and fig crop would be restored (Jer 8:13; Hos 2:12; Jl 1:7, 12; Mi 4:4; Zec 3:10).<\/p>\nFir Tree (Abies cilicica)<\/em><\/p>\nThis a generic term for various evergreen trees having flat needles and erect cones. In all probability, most of the references in Scripture to the fir are references to the pine, cypress, or juniper. The only true fir in the Holy Land grows in the higher parts of Lebanon and the mountains northward. It attains a height of 30 to 75 feet (9.1 to 22.9 meters) and is widely cultivated.<\/p>\nFlax (Linum usitatissimum)<\/em><\/p>\nAny of several plants of this genus, one particularly being widely cultivated for the linseed oil from its seeds and the fine textile fibers from its stems. Flax is the oldest known of the textile fibers. Cotton is identified only once in the Bible (Est 1:6). There is no mention of any other fiber plant being cultivated in Egypt or the Holy Land in biblical days, and for that reason it is thought that linen was the material out of which clothes other than woolen ones were made. Linen was also used for domestic purposes such as towels (Jn 13:4-5), napkins (11:44), girdles and undergarments (Is 3:23; Mk 14:51), nets (Is 19:8-9), and measuring lines (Ez 40:3). The priests serving in the temple were to wear nothing but linen clothes; a mixed cloth of wool and flax together was strictly forbidden to the Jews (Lv 19:19; Dt 22:11).<\/p>\nAt least three kinds of linen were used in biblical times, and apparently there were particular uses for each kind. Ordinary linen of coarsest texture is mentioned in Leviticus 6:10, Ezekiel 9:2, Daniel 10:5, and Revelation 15:6. The second type of linen of superior quality is mentioned in Exodus 26:1 and 39:27. A third type of linen of finest texture and high cost is mentioned in 1 Chronicles 15:27, Esther 8:15, and Revelation 19:8.<\/p>\nThe common flax plant grows from one to four feet (.3 to 1.2 meters) tall with a simple, slender, wirelike stem and numerous small, pale, lancelike green leaves. The failure of the flax crop is listed as one of God’s punishments (Hos 2:9). The manufacture of linen from flax fibers was a domestic industry of Jewish women (Prv 31:13, 19), ranging from ordinary clothing to the robes and aprons worn by the priest and temple attendants. Linen was also used for wicks in lamps (Is 42:3).<\/p>\nFrankincense (Boswellia)<\/em><\/p>\nAromatic genus resin used chiefly as incense. Frankincense is obtained from three species of a single genus of plants that grow in southern Arabia, Ethiopia, Somaliland, India, and the East Indies. The trees are large in size, related to the turpentine or terebinth tree and to those that produce balsam and myrrh. The gum has a bitter taste and gives off a strong odor in the form of a volatile oil when warmed or burned. It is obtained by successive incisions in the bark of the trunk and in the branches of living trees. It is thought that the Hebrews imported all their frankincense from Arabia, especially from the region about Sheba.<\/p>\nFrankincense is mentioned 21 times in the Bible (e.g., Ex 30:34; 1 Chr 9:29; Neh 13:9; Sg 3:6; 4:6, 14; Mt 2:11; Rv 18:13) and was probably employed almost exclusively in the sacrificial services of the tabernacle and temple until the time of Solomon. It has always been the most important incense resin in the world.<\/p>\nGalbanum (Ferula galbaniflua)<\/em><\/p>\nGalbanum is a malodorous yellowish or brownish gum resin containing the chemical substance umbelliferone, obtained from several species of plants related to the fennel, native to Syria and Persia. The gum is a natural exudation of the stem or is obtained by making a transverse incision in the young stem a few inches above the ground. The milky juice soon hardens and forms one of the kinds of commercial galbanum. Its odor is strongly balsamic, pungent, and disagreeable when burned. Galbanum was one of the ingredients used to form the “holy incense” (Ex 30:34).<\/p>\nGarlic (Allium sativum)<\/em><\/p>\nSee<\/em> Onion (below).<\/p>\nGourd, Wild (Citrullus colocynthis)<\/em><\/p>\nThere has been considerable difference of opinion regarding the meaning of the words translated “wild gourds” (2 Kgs 4:39) or “gall” (Dt 29:18; 32:32; Ps 69:21; Jer 8:14; 9:15; 23:15; Lam 3:5, 19; Am 6:12; Mt 27:34; Acts 8:23). Most scholars today believe the plant referred to was the colocynth, a cucumber-like vine that trails on the ground or climbs over shrubs and fences. The fruit contains a soft spongy pulp, which is intensely bitter, strongly cathartic, and sometimes poisonous.<\/p>\nHedge (Rhamnus palaestina, Balanites aegyptiaca, Lycium europaeum)<\/em><\/p>\nRow of closely planted shrubs or low-growing trees forming a fence or boundary. A number of plants were used to provide hedges in Bible times. One of these was the Palestine buckthorn, Rhamnus palaestina.<\/em> This plant is a shrub or a small tree growing from three to six feet (.9 to 1.8 meters) tall with velvety, thorny branches, evergreen leaves, and clusters of small flowers blooming in March and April. It grows in thickets and on hillsides from Syria through the Holy Land to Arabia and the Sinai. The Jericho balsam (Balanites aegyptiaca)<\/em> and the European boxthorn (Lycium europaeum)<\/em> are also prickly shrubs widely used as hedges in the Holy Land and may be the plants referred to in Proverbs 15:19 and Hosea 2:6.<\/p>\nHenna (Lawsonia inermis)<\/em><\/p>\nTree or shrub of Asia and northern Africa with fragrant reddish or white flowers and leaves from which a reddish dye is made. The plant referred to in Song of Songs 1:14 and 4:13 and translated as “camphire” (kjv<\/span>) is thought by scholars today to refer to the henna plant. It is a native of northern India and grows wild in the Sudan, Egypt, Arabia, Syria, Lebanon, and the Holy Land. It grows from 4 to 12 feet (1.2 to 3.7 meters) tall, and its scent is similar to that of roses.<\/p>\nHenna leaves are dried, crushed into a powder, mixed with water, and made into a paste that has been used since time immemorial as a cosmetic. A number of mummies have been found decorated with henna. Henna was used to provide a bright yellow, orange, or red color to the fingernails, toenails, the tips of the fingers, the palms of the hand, and the soles of the feet of young girls. Men also used it for coloring their beards and the manes and tails of horses. The dye had to be renewed once every two or three weeks. This use of henna as a cosmetic was common in Egypt at the time the children of Israel were there as slaves; they were undoubtedly familiar with it.<\/p>\nHyacinth (Hyacinthus orientalis)<\/em><\/p>\nThe lily referred to in Song of Songs 2:1-2, 16; 4:5; and 6:2-4 may well be the garden hyacinth. It is native to, and very common in, the fields and rocky places in the Holy Land, Lebanon, and northward. Its flowers in the wild form are always deep blue and very fragrant.<\/p>\nSee also<\/em> Lily (below).<\/p>\nHyssop (Origanum maru)<\/em><\/p>\nWoody plant native to Asia with spikes of small blue flowers and aromatic leaves used as a condiment and in perfumery. There is little agreement among botanists as to the exact identity of the biblical “hyssop.” Some have suggested Hyssopus offici<\/em>nalis,<\/em> the well-known garden herb now called hyssop. However, this plant is not native either to the Holy Land or Egypt, being found only in southern Europe. Moreover, it does not fit the requirements of the biblical plant.<\/p>\nThe “hyssop” of the OT is likely the Syrian or Egyptian marjoram (Origanum maru).<\/em> It is referred to in Exodus 12:22; Leviticus 14:4-6, 52; Numbers 19:6, 18; 1 Kings 4:33; Psalm 51:7; and Hebrews 9:19. The marjorams are mints growing (under favorable conditions) about two or three feet (.6 to .9 meter) tall, but more often are dwarfed when growing in rock crevices and walls (cf. 1 Kgs 4:33). An aromatic substance is obtained from the crushed and dried leaves. If gathered together in a bunch with leaves and flowers, the hairy stems of the marjoram would hold liquid very well and would make an excellent sprinkler.<\/p>\n\nThe hyssop of the crucifixion passage in the NT (Jn 19:29) is probably the sorghum, a tall cereal plant grown primarily for food but also used for brushes and mops.<\/p>\nJuniper (Juniperus)<\/em><\/p>\nVariety of evergreen tree or shrub. The plant referred to in Jeremiah 17:6 and 48:6 and translated in the kjv<\/span> “heath” is probably the savin or Phoenician juniper. The Phoenician juniper, Juniperus phoenicia,<\/em> is found in the hills and rocky places of Arabia. The savin juniper, J. sabina,<\/em> is common throughout the deserts, plains, and rocky places of Syria and Palestine. These references are to the brown-berried cedar, or sharp cedar.<\/p>\nLaurel or Sweet Bay (Laurus nobilis)<\/em><\/p>\nShrub or tree native to the Mediterranean region. While the reference in Psalm 37:35 may be to the cedar of Lebanon, most scholars refer the “green bay tree” (kjv<\/span>) of the psalmist to the sweet bay, a native of the Holy Land, inhabiting thickets and woods from the coast to the middle montane zone. It is an evergreen tree attaining a height from 40 to 60 feet (12.2 to 18.3 meters).<\/p>\nEven though the tree is abundant on Mt Carmel and around Hebron, it is generally not common in the Holy Land. Its leaves are still used as a condiment, and its fruit, leaves, and bark have long been used in medicine.<\/p>\nLeek (Allium porrum)<\/em><\/p>\nSee<\/em> Onion (below).<\/p>\nLentil (Lens esculenta)<\/em><\/p>\nThe lentil plant to which Genesis 25:29-34, 2 Samuel 17:27-29, 23:11, and Ezekiel 4:9 refer is a small, erect, annual, vetchlike plant with slender stems and tendril-bearing leaves. It produces small, white, violet-striped flowers with flat, pealike pods in which the lentils are borne.<\/p>\nLettuce (Lactuca sativa)<\/em><\/p>\nSee<\/em> Bitter Herbs (above).<\/p>\nLily (Lilium)<\/em><\/p>\nAny of various plants of the genus Lilium<\/em> having large, variously colored, trumpet-shaped flowers; and related plants. The lily is one of the most famous of all the plants in the Bible, but it is also one about which there has been considerable difference of opinion. It seems probable that several kinds of plants, perhaps five or six, are called lilies in the kjv<\/span>. Most authorities regard the Palestine anemone or wind flower, Anemone coronaria,<\/em> as the “lily of the field” (Mt 6:28, kjv<\/span>) that surpassed Solomon in all his glory. These flowers are found in every part of the Holy Land in profusion; the most common forms are scarlet or yellow, but the Palestine anemone may also be blue, purple, rose, or white in color. The flower attains a diameter of two and three-quarter inches (7 centimeters).<\/p>\nAn alternative suggestion is the Palestinian chamomile, Anthemis palaestina,<\/em> a common, white, daisylike plant. The chamomile is gathered like dry grass and thrown into the furnace when it dries up.<\/p>\nAnother proposed plant is Lilium chalcedonicum,<\/em> the scarlet or Martagon lily. The statement in Song of Songs 5:13—“his lips like lilies”—would better fit this plant than the Palestine anemone. The reference is apparently to a rare plant of exceptional beauty. The scarlet lily is rare in the Holy Land; indeed, some botanists doubt that it lives there.<\/p>\nThe references in 1 Kings 7:19, 22, 26 and 2 Chronicles 4:5 are probably to the water lily, Nymphaea alba,<\/em> which served as the pattern. The water lily is quite common in Europe and also in the Holy Land and northern Africa.<\/p>\nLotus Bush (Zizyphus lotus)<\/em><\/p>\nThe “shady trees” of Job 40:21-22 (kjv<\/span>; cf. nlt<\/span> “lotus plants”) may refer to the lotus bush of the Middle East, Zizyphus lotus,<\/em> a shrub or low tree that grows to a height of about five feet (1.5 meters) with smooth, zigzag, whitish branches.<\/p>\nOther commentators believe that the shady trees of Job are large-leafed trees such as the plane tree, Platanus orientalis,<\/em> or the oleander, Nerium oleander.<\/em> This suggestion is based on the assumption that the animal described in Job 40 is the hippopotamus, and it seems unlikely that the hippopotamus would live under a lotus bush or even be found in places where this shrub grows. These individuals regard the plane tree or the oleander as more likely.<\/p>\nMallow (Atriplex)<\/em><\/p>\nThe Hebrew word used in Job 30:4 implies saltiness, and for this reason botanists believe that it refers to one of the species of the saltwort or orach. Twenty-one species of saltwort occur in the Holy Land, almost all of which are common and could well meet the requirements of the text. Atriplex halimus<\/em> is the species usually suggested, a strong-growing bushy shrub related to the spinach.<\/p>\nMandrake (Mandragora officinarum)<\/em><\/p>\nThe mandrake or love apple is a stemless herbaceous perennial related to the nightshade, potato, and tomato. It has a large, beetlike, often forked taproot from the top of which arise many dark leaves about a foot (30.5 centimeters) long and four inches (10.2 centimeters) wide. The plant is slightly poisonous, and the thick taproots have some resemblance in shape to the lower parts of the human body. For this reason certain aphrodisiac properties were ascribed to it (cf. Gn 30:14-16).<\/p>\nThe love apple was a common plant in deserted fields throughout the Holy Land. It is native to the entire Mediterranean region, southern Europe, and Asia Minor. The mandrake is mentioned in Song of Songs 7:13, though some scholars believe the writer may actually have been referring to the citron or to the common edible field mushroom, Agaricus campestris.<\/em><\/p>\nMelon (Cucumis melo, Citrullus vulgaris)<\/em><\/p>\nAny of several varieties of these two related vines having a hard rind and juicy flesh. The melons of Numbers 11:5 may be either the muskmelon (Cucumis melo)<\/em> or the watermelon (Citrullus vulgaris).<\/em> It may be that both fruits are referred to.<\/p>\n\nMillet (Panicum miliaceum)<\/em><\/p>\nA grass grown in Eurasia for its edible seed. Millet seeds are the smallest of all the grass seeds cultivated as food but are produced profusely. Millet is an annual grass seldom more that two feet (.6 meter) tall. The small seeds of the millet are used on cakes and eaten uncooked by the poor of the land.<\/p>\nMint (Mentha)<\/em><\/p>\nAny of various plants of this family with aromatic foliage that is processed for flavoring. Quite a few mints are common in the Holy Land, but the horse mint (Mentha longifolia)<\/em> is probably the one referred to in Matthew 23:23 and Luke 11:42. Mints were employed by the ancient Hebrews, Greeks, and Romans for flavoring, as a carminative in medicine, and as a condiment in cooking.<\/p>\nMulberry (Morus nigra)<\/em><\/p>\nAny tree of this family, some bearing dark-purple fruit and one bearing white fruit, having leaves used as food for silkworms. The sycamine tree of Luke 17:6 (kjv<\/span>) is evidently the black mulberry, Morus nigra.<\/em> It is a low-growing, thick-crowned, stiff-branched tree standing from 24 to 35 feet (7.3 to 10.7 meters) tall, though rarely more than 30 feet (9.1 meters) tall. Originally native to northern Persia, it is now cultivated throughout the Middle East for its fruit. The Chinese or Indian species, M. alba,<\/em> was until recently widely cultivated in Syria and the Holy Land but is not indigenous.<\/p>\nMustard (Brassica nigra, B. arvensis)<\/em><\/p>\nVarious plants of this genus are native to Eurasia, some of which are cultivated for their edible seeds. While there is disagreement about the identity of the “mustard” of Matthew 13:31-32, 17:20, Mark 4:31, Luke 13:19, and 17:6, it is generally thought to be the ordinary black mustard, Brassica nigra.<\/em><\/p>\nThe mustard Jesus referred to may be the charlock or wild mustard, B. arvensis,<\/em> which normally grows from one to three feet (.3 to .9 meter) tall. Some have suggested that it was actually Salvadora persica,<\/em> found in thickets around the Dead Sea. The plant has a pleasant aromatic taste resembling that of mustard, and if taken in considerable quantity, it will produce an irritation of the nose and eyes similar to that of mustard. However, this plant does not grow as far north as Galilee, and the fruits are rather large and stony, thus hardly fitting the description of the parable.<\/p>\nWhile the seeds of the mustard are not the smallest known, they were probably the smallest familiar to the common people who comprised Jesus’ audience in Galilee.<\/p>\nMyrrh (Commiphora myrrha, C. kataf)<\/em><\/p>\nShrub or tree exuding an aromatic gum resin used in perfume and incense. Most of the references in Scripture to myrrh are to Commiphora myrrha,<\/em> although C. kataf<\/em> may also be involved since it grows in the same region and is similar. The two trees are native to Arabia, Ethiopia, and the Somali coast of east Africa. They yield a gummy exudation that constitutes most of the myrrh of commerce. Both species are low, scrubby, thick- and stiff-branched thorny shrubs or small trees that grow in rocky places, especially on limestone hills. In the East it is highly regarded as an aromatic substance, perfume, and medicine. The ancient Egyptians burned it in their temples and embalmed their dead with it; the Jews also used it for embalming (Jn 19:39). The Hebrews held it in high regard as a perfume (Ps 45:8).<\/p>\n\nMyrtle (Myrtus communis)<\/em><\/p>\nThe myrtle tree is common in the Holy Land, especially around Bethlehem, Lebanon, Hebron, and the slopes of Mt Carmel and Mt Tabor. It is native to western Asia and in good environments grows into a small evergreen tree 20 to 30 feet (6.2 to 9.1 meters) tall. More often, however, it is a straggling bush 1½ to 4 feet (.5 to 1.2 meters) tall.<\/p>\nIn the Bible, myrtle is referred to chiefly as a symbol of God’s generosity. Branches of myrtle trees were included among those that Nehemiah ordered to be gathered for the Feast of Tabernacles (Neh 8:15). The myrtle was symbolic not only of peace but also of justice.<\/p>\n\nNarcissus (Narcissus tazetta)<\/em><\/p>\nWidely cultivated plant of this family with narrow leaves and usually white or yellow flowers with a cup-crown or trumpet-shaped crown. The polyanthus narcissus (Narcissus tazetta)<\/em> appears to be the plant referred to in Isaiah 35:1. This narcissus grows abundantly on the plains of Sharon and elsewhere in Palestine. Being sweet-smelling, it is a great favorite.<\/p>\nNard (Nardostachys jatamansi)<\/em><\/p>\nThe nard is a perennial herb with strong, pleasantly scented roots. It is native to high altitudes in the Himalayas, and its range extends from there into western Asia. The roots and spikelike wooly young stems are dried before the leaves unfold and are used for making perfume. It is still used in India as a perfume for the hair, and there is every reason to believe that the spikenard of Scripture (Sg 1:12; 4:13-14; Mk 14:3; Jn 12:3) came originally from India.<\/p>\nNettle (Urtica)<\/em><\/p>\nPlant of this genus having toothed leaves covered with hairs that exude a stinging flush. Four species of nettle are found in the Holy Land: the common or great nettle, Urtica dioica;<\/em> the Roman nettle, U. pilulifera;<\/em> the small nettle, U. urens;<\/em> and U. caudata,<\/em> which is similar to the small nettle. Some nettles attain a height of five to six feet (1.5 to 1.8 meters). They are common pests of waste places and fields. They are often seen occupying ground that was once cultivated but has since been neglected (Is 34:13; Hos 9:6).<\/p>\nNutmeg Flower (Nigella sativa)<\/em><\/p>\nThe “fitches” of Isaiah 28:25-27 (kjv<\/span>) are probably the nutmeg flower, an annual plant of the buttercup family. The plant grows wild in southern Europe, Syria, Egypt, north Africa, and other Mediterranean lands, where it is extensively cultivated for its strongly pungent, pepperlike aromatic seeds. These are sprinkled over some kinds of bread and cakes in the East and are used for flavoring curries and other dishes in the Holy Land and Egypt. Cummin and nutmeg flowers are still gathered in the Holy Land in the same way described by Isaiah.<\/p>\nOak (Quercus)<\/em><\/p>\nAt least five species of oaks are found in Palestine. One of these is the kermes oak (Quercus coccifera),<\/em> the host of the insect Coccus ilicis,<\/em> which produces the scarlet dye used in coloring linen and wool (Gn 38:28-30; Ex 25:4; 26:1; 28:33; 35:23; 39:24; Lv 14:4-6, 51-52; Nm 19:6; 2 Chr 2:7, 14; 3:14; Is 1:18; Heb 9:19; Rv 18:12). The kermes oak grows from 6 to 35 feet (1.8 to 10.7 meters) tall and is found in the mountainous regions of Syria, Lebanon, and the Holy Land. When it grows alone, the kermes oak often becomes a large tree. It was regularly planted by tombs in the East. The oak was always respected and even venerated in biblical times for its large size and strength, and great men were usually buried in its shade. Abraham’s oak in Hebron is an example.<\/p>\nA second oak is the valonia oak (Q. aegilops),<\/em> perhaps the oak of Isaiah 2:13 and 44:14. It is common in the middle montane zones and probably was abundant in the area around Bashan. The oak of Genesis 35:4, 8 is thought to have been the holm oak (Q. ilex),<\/em> an evergreen oak that grows to a height of 60 feet (18.3 meters). Still another oak is Q. lusitanica,<\/em> the cypress oak, a small deciduous tree seldom more than 20 feet (6.1 meters) tall. The very large acorns of this tree were sometimes eaten.<\/p>\nThe word translated “plain” (kjv<\/span>) in Genesis 12:6, 13:18, 14:13, and 18:1 should probably be translated “oak.”<\/p>\nThe many references to “groves” in the OT, usually in connection with the worship of Baal or other heathen gods (Ex 34:13; Dt 16:21; Jgs 3:7; 1 Kgs 14:23; 18:19; 2 Kgs 17:16—all kjv<\/span>), were probably groves of sacred oak trees.<\/p>\nOil Tree, Oleaster (Elaeagnus angustifolia)<\/em><\/p>\nSmall Eurasian tree with oblong silvery leaves, greenish flowers, and olivelike fruit. There is question as to which tree is referred to when 1 Kings 6:23, 31-33 and 1 Chronicles 27:28 refer to “olive trees.” The same word occurs in Isaiah 41:19 and Micah 6:7. The plant referred to is probably the narrow-leaved oleaster (Elaeagnus angustifolia),<\/em> a small stiff-branched tree or graceful shrub growing from 15 to 20 feet (4.6 to 6.1 meters) tall, common in all parts of the Holy Land except in the Jordan Valley. At one time it was particularly common on Mt Tabor and at Hebron and Samaria. The wood is hard and fine-grained and therefore well suited for carving of images and figures. The oil that it yields is a rather inferior type used in medication but not for food; this may be the oil of Micah 6:7.<\/p>\nOleander (Nerium oleander)<\/em><\/p>\nAny poisonous evergreen shrub of this genus growing in warm climates. One of the suggestions for the plants identified as “roses” in various translations (Ecclus 24:14, kjv<\/span>) is the oleander. This plant, originally native to the East Indies, has been cultivated throughout the warm regions of the world for centuries. It flourishes in the Holy Land today and forms dense thickets in some parts of the Jordan Valley. It is usually a shrub from 3 to 12 feet (.9 to 3.7 meters) tall. Every part of the plant is dangerously poisonous.<\/p>\nOlive, Olive Tree (Olea europaea)<\/em><\/p>\nOld world semitropical evergreen tree bearing edible fruit. The olive, Olea europaea,<\/em> was unquestionably one of the most valuable trees known to the Jews. There are innumerable references to it in Scripture, as well as to olive oil, which was used for anointing. The tree is quite common in the Holy Land, and in many places it is the only tree of any substantial size. The branches of the wild olive are rather stiff and spinescent, and the typical cultivated tree is a multi-branched evergreen, 20 or more feet (6.1 meters) tall, with a gnarled trunk and smooth, ash-colored bark. The leaves are leathery and the flowers are small, yellow or white. The fruits are large, black or violet, ripening in September, and it is the outer fleshy parts of the fruit that yield the valuable olive oil of commerce. Thirty-one percent of the ripe fruit is oil. The ripe fruit is eaten raw, as is the green, unripe fruit. The wood of the trunk and limbs is hard, rich yellow or amber in color, and fine-grained, often handsomely variegated. It is still used today for the finest cabinetwork and turnery. The tree grows very slowly, but it attains a great age. It is difficult to kill the olive tree by cutting it down, because new sprouts are sent up from the root and all around the margins of the old stump, often forming a grove of two to five trunks, all from a single root that originally supported only one tree.<\/p>\nOnion (Allium)<\/em><\/p>\nThe onions referred to in Numbers 11:5 are undoubtedly Allium cepa,<\/em> the Egyptian onion, which is made up of a compact coated bulb formed of layers consisting of broad fleshy bases of closely overlapping leaves. The leaves are slender and hollow. The entire plant has a characteristic pungent taste and odor.<\/p>\n\nClosely related to the onion is the garlic, A. sativum.<\/em> The common garlic is a hardy, bulbous perennial plant that is cultivated in Europe, western Asia, and Egypt. The leaves are narrow, flat, and ribbonlike. It is extremely popular with people of the Mediterranean region.<\/p>\nStill another one of the onions is the leek, A. porrum.<\/em> The bulb of the leek differs from that of the onion and garlic in that it is slender, cylindrical, and more than six inches (15.2 centimeters) in length. The flavor resembles that of the onion but is more pungent. The leaves are eaten as a relish or are cooked in soups. The bulbs are cut into small pieces and employed as seasoning for meat.<\/p>\nPalm (Phoenix dactylifera)<\/em><\/p>\nThe palm tree of the Bible is undoubtedly the date palm. At one time it was as characteristic of the Holy Land as it is still today of Egypt. It is characterized by a branchless, tapering stem of up to 80 feet (24.2 meters) or more in height and a large terminal cluster of feathery leaves, each six to nine feet (1.8 to 2.7 meters) or more long. Because of its height and unusual structure, it was natural that it should be used as a form of ornamentation in Eastern architecture. The stem and leaves were favorite subjects of architectural embellishment. The immense, branchlike leaves that are referred to as branches in the Bible were symbols of triumph and were used on occasions of great rejoicing (Jn 12:13; Rv 7:9). The large leaves are still used to cover the roofs and sides of houses and to give solidity to reed fences. Mats, baskets, and even dishes are made of them. Small leaves are used as dusters, and the wood of the trunk is used for timber. Rope is made from the weblike integument in the crown. The fruit, borne in an immense drooping cluster, which may weigh from 30 to 50 pounds (13.6 to 22.7 kilograms), is the chief food of many natives of Arabia and north Africa. A single tree may yield up to 200 pounds (90.7 kilograms) of dates a year. They may be dried for future use.<\/p>\nPapyrus (Cyperus papyrus)<\/em><\/p>\nThe Egyptian bulrush or papyrus (Ex 2:3-5; Jb 8:11; Is 18:2; 19:6-7; 35:7; 58:5) has smooth three-sided stems ordinarily attaining a height of 8 to 10 feet (2.4 to 3 meters), but sometimes even 16 feet (4.9 meters), and a thickness of two to three inches (5.1 to 7.6 centimeters) at the base with a large tuft of florets at the end. The papyrus formerly grew in great abundance along the banks of the Nile, forming what was almost a dense jungle. Today it is practically extinct in lower Egypt, although it is still found along the White Nile and in the Sudan. The papyrus still grows in parts of the Holy Land, especially around the north end of the plain of Galilee and the Huleh swamps.<\/p>\n\nIn addition to being used for making small vessels to float in water (Ex 2:3), for mats, and for various other domestic purposes, it is best known as the source of ancient paper. In manufacturing paper from papyrus, the stems of the plant were first peeled and the pitch then cut longitudinally into thin slices that were laid side by side. These were then sprinkled with water and pressed to unite the whole into one piece. The sheet was then dried and cut into pieces of the required size. In the better grades of papyrus paper, several layers of stem slices were laid crosswise on each other.<\/p>\nThe pale, fawn-colored, tassel-like inflorescences at the summit of the stems were used to adorn Egyptian temples and to crown the statues of gods. They were also worn as crowns by famous men and national heroes.<\/p>\nPine Tree (Pinus brutia, P. halepensis)<\/em><\/p>\nVarious evergreen trees of this family with needle-shaped leaves in clusters and seed-bearing cones. While there is considerable confusion concerning the conifers of the Bible, it seems apparent that pines are referred to in such passages as Leviticus 23:40; Nehemiah 8:15; Isaiah 41:19; and 60:13. One of the Holy Land’s pines is the Brutian pine (Pinus brutia),<\/em> a mountain-inhabiting species of the northern regions of Palestine. It attains a height of 10 to 35 feet (3 to 10.7 meters) with a rather diffuse growth and branches in whorls.<\/p>\nAnother of the pines is the Aleppo pine, Pinus halepensis.<\/em> Most of the instances of the occurrence of “fir” or “fir tree” in the kjv<\/span> probably refer to the Aleppo pine (2 Sm 6:5; 1 Kgs 5:8, 10; 6:34; 2 Kgs 19:23; 2 Chr 2:8; Ps 104:17; Sg 1:17; Is 14:8; 37:24; 55:13; 60:13; Ez 27:5; 31:8; Hos 14:8; Na 2:3; Zec 11:2). It grows from 9 to 60 feet (2.7 to 18.3 meters) tall with diffuse ascending branches and yellowish or brownish branchlets.<\/p>\nPistachio (Pistacia terebinthus, P. vera)<\/em><\/p>\nThe Palestine terebinth or turpentine tree is a large deciduous tree with straggling boughs. In the winter, without its leaves, it looks much like the oak. It grows from 12 to 25 feet (3.7 to 7.6 meters) tall. Every part of the tree contains a fragrant, resinous juice. It is common on the lower slopes of the hills throughout Syria, Lebanon, Palestine, and Arabia, generally growing as a solitary tree and found mostly in localities too warm or too dry for the oak that it generally replaces. Since it is native to Gilead, it is quite probable that its resinous juice formed part of the spicery that the Israelites carried to Egypt from Gilead (Gn 37:25).<\/p>\nThe nuts of Genesis 43:11 are apparently pistachio nuts from the pistachio tree, Pistacia vera,<\/em> closely related to the terebinth. It attains a height of 10 to 30 feet (3 to 9.1 meters) with a spreading top. It is found wild in many rocky parts of Lebanon and the Holy Land. The nut has a light-colored shell and the kernel has a sweet delicate flavor much relished wherever it grows.<\/p>\nPlane Tree (Platanus orientalis)<\/em><\/p>\nAny of several trees of this family with bell-shaped fruit clusters and usually an outer bark that flakes off in patches or strips. The references in Genesis 30:37 and Ezekiel 31:8 are apparently not to the chestnut tree, which is not indigenous to Palestine, but to the oriental plane tree, Platanus orientalis.<\/em><\/p>\nThe plane tree is a massive tree 60 feet (18.3 meters) or more tall with a trunk often of vast circumference, sometimes as much as 40 feet (12.2 meters). The outer bark peels off in sheets or scales, thus exposing a smooth whitish or yellowish inner bark. The tree is common throughout Lebanon, Syria, and the Holy Land, growing even in subalpine regions. However, it is primarily a tree of the plains and lowlands, growing on the edges of streams and lakes and in marshy places.<\/p>\nPomegranate (Punica granatum)<\/em><\/p>\nThe pomegranate is usually a small, bushlike tree but may occasionally become a large, branching shrub or small tree reaching a height of 20 to 30 feet (6.1 to 9.1 meters). The branches are often thorny. The showy bell-like flowers are usually scarlet, though sometimes yellow or white. The globular fruit is as large as an orange or medium-size apple. It has a hard rind of a bright red or yellowish color when ripe and is surmounted by the dry sepals that resemble a crown. The fruit itself is a crimson juicy pulp in which many red seeds are imbedded. The flowers of the pomegranate undoubtedly served as a pattern for the golden bells referred to in Exodus 28:33-34 and 39:24-26, and the open flowers of 1 Kings 6:32. The erect calyx lobes on the fruit served as a model for crowns of kings.<\/p>\nThe pomegranate is native to Asia, but it has been cultivated since prehistoric times and is now quite common in the Holy Land, in Egypt, and along the shores of the Mediterranean. It is listed as one of the pleasant fruits of Egypt (Nm 20:5) and one of the promised blessings of the Holy Land (Dt 8:8).<\/p>\nPoplar (Populus euphratica, P. alba)<\/em><\/p>\nFast-growing deciduous tree of the same genus as the aspen and cottonwood. The kjv<\/span> references in 2 Samuel 5:23-24 and 1 Chronicles 14:14-15 to mulberry trees are more probably to the Euphrates poplar or aspen, Populus euphratica.<\/em> This tree grows to a height of 30 to 45 feet (9.1 to 13.7 meters) with spreading branches. The Euphrates aspen is found only on rivers and stream banks throughout the area from Syria through the Holy Land to Stony Arabia. It is especially common in the Jordan Valley.<\/p>\nThe white poplar (Populus alba)<\/em> is common in wet places in Syria, Lebanon, the Holy Land, and Sinai. It attains a height of 30 to 60 feet (9.1 to 18.3 meters) with spreading branches. Some suggest that the altars of various pagan religions were usually erected on the top of a hill and in the shade of a poplar grove.<\/p>\nQuince (Cydonia oblonga)<\/em><\/p>\nTree native to western Asia, having white flowers and applelike fruit that is edible when cooked. Some believe that the “apples” of the OT were quinces, Cydonia oblonga.<\/em> The quince tree is quite common in the Holy Land, though chiefly as a cultivated tree. It may occur wild in the northern parts of Syria. It is native to northern Persia and Asia Minor. The fruit is yellowish and highly fragrant, and it is the fragrance that caused it to be held in high regard by the ancients.<\/p>\nReed (Juncus, Scirpus, Typha angustata, Arundo donax)<\/em><\/p>\nNumerous species of the rush and bulrush grow in the Holy Land. There are at least 21 varieties of rushes. The common soft rush or bog rush (Juncus effusus)<\/em> is found in wet places, even in the Sinai and other deserts. The sea or hard rush (J. maritimus)<\/em> is found in damp places throughout the Holy Land and even in Sinai.<\/p>\nAt least 15 kinds of bulrushes (Scirpus)<\/em> are known in the Holy Land. The cluster-headed club rush (Scirpus holoschoenus)<\/em> is common in damp places throughout the Holy Land to the Sinai. The lake club rush or tall bulrush (S. lacustris)<\/em> is found in swamps and ditches throughout northern Africa to the Dead Sea. The sea club rush or salt marsh club rush (S. maritimus)<\/em> is found in ditches and swamps in many places of the Holy Land. Any of these species may be the one referred to in Job 8:11; Isaiah 9:14; 19:6, 15.<\/p>\nThe reference in Genesis 41:2 to the feeding of cattle in the meadow seems to be to the tall reed (Arundo donax),<\/em> which grows 18 feet (5.5 meters) or more in height. This plant is also known as the Persian reed and is common throughout the Holy Land, Syria, and the Sinai peninsula. It is a gigantic grass that may have a stem diameter of two or three inches (5.1 to 7.6 centimeters) at the base and is terminated by a plume of white flowers similar to those of the sugarcane or pampas grass. The plant was used for many purposes by the ancients: for walking sticks, fishing rods, measuring rods, and musical pipes. It is, therefore, quite possible that the “reed” of Matthew 27:48 and Mark 15:36 was a carpenter’s reed or measuring rod.<\/p>\nSee also<\/em> Papyrus.<\/p>\nRue (Ruta chalepensis, R. graveolens)<\/em><\/p>\nAromatic Eurasian plant with evergreen leaves that yield an acrid, volatile oil once used in medicine. There is little question as to the correctness of the translation of “rue” in Luke 11:42, but there is some doubt as to the exact species. Most writers think that it was the common rue (Rue graveolens),<\/em> a perennial shrubby plant with erect stems two to three feet (.6 to .9 meter) tall and deeply cut leaves. A very strong odor emanates from the foliage. This species is native to the Mediterranean region and grows wild in the Holy Land, especially on Mt Tabor.<\/p>\nRue was highly thought of by the ancients as a medicinal, supposed to prevent dizziness, dumbness, epilepsy, eye inflammations, insanity, and the “evil eye.” Rue was also used for seasoning dishes.<\/p>\nRush (Butomus umbellatus)<\/em><\/p>\nGeneric term for any of various grasslike marsh plants having pliant, hollow, or pithy stems. There is considerable uncertainty about the identification of the plant referred to in Genesis 41:2 translated in the kjv<\/span> as “meadow,” and in Job 8:11 as “flag.” Since it is mentioned along with the papyrus in the Job passage, it seems that it refers to a specific kind of plant rather than to an aggregate of plants in a meadow. From the description in Genesis as being a plant on which Pharaoh’s cattle might feed along the banks of the Nile and yet not the papyrus, it may refer to the flowering rush or water gladiola (Butomus umbellatus),<\/em> which flourishes both in Egypt and in the Holy Land, along with the papyrus.<\/p>\nSee also<\/em> Reed.<\/p>\nSaffron (Crocus sativus)<\/em><\/p>\nSaffron, referred to in Song of Songs 4:14, is the product of several species of Crocus,<\/em> especially of the blue-flowered saffron crocus (C. sativus),<\/em> which is native to Greece and Asia Minor. The commercial product consists of the stigma and upper portions of the style, the top parts of the flower ovary, which are collected shortly after the flower opens. It requires at least 4,000 stigmas to make an ounce of saffron. After being gathered, the stigmas are dried in the sun, pounded, and made into small cakes. Saffron is used principally as a yellow dye and also as a fruit coloring for curries and stews.<\/p>\nAnother, entirely different kind of dye-producing plant (Carthamus tinctorius)<\/em> called carthamine, bastard saffron, or safflower is a member of the thistle family. Its red florets yield a dye used extensively for coloring silk, in cooking, and for adulterating genuine saffron. It is an annual spiny plant three to four and a half feet (1.4 meters) tall, native to Syria and Egypt. In Egypt the grave clothes of mummies were dyed with this material, and it is quite possible that this plant may also have been the saffron of the Bible.<\/p>\nSage (Salvia judaica)<\/em><\/p>\nThe Judean sage grows to three feet (.9 meter) tall in the mountains and hills of Palestine. Its stems are four-angled, stiff, and rough. The plant grows from Syria south through Nazareth, Hebron, Tiberius, Samaria, and Judea.<\/p>\nThis plant is the origin of the design of the seven-branched lampstand of Exodus 37:17-18, which is known as the menorah, the traditional Jewish symbol. The inflorescence of the plant, when pressed flat, has almost exactly the same shape and form as the seven-branched candlestick, with its central spike and three pairs of side branches each bending upward and inward in a symmetrical fashion. On each branch of the plant’s inflorescence are whorls or buds that perhaps give the idea for the “knops” (kjv<\/span>) or “knobs” on the biblical golden candlesticks.<\/p>\nSpelt (Triticum aestivum)<\/em><\/p>\nHardy member of the wheat family. The rye of Exodus 9:32 and Isaiah 28:25, as well as the fitches of Ezekiel 4:9 (all kjv<\/span>) are thought to be spelt. It is a hard-grained species of wheat with loose ears and grains triangular in cross-section, and was the most common form of wheat in early times. It has a stouter stem than wheat and strong spikes of grain. Bread made of its flour is much inferior to that made from wheat, but spelt will thrive in almost any kind of soil and will yield a crop on land that is unfit for wheat. The ancients preferred it to barley for bread.<\/p>\nStorax Tree (Styrax officinalis)<\/em><\/p>\nVarious trees of this genus yielding an aromatic resin. Today it is thought that the stacte of Exodus 30:34 was derived from the storax tree. It is an irregularly stiff-branched shrub or small tree 9 to 20 feet (2.7 to 6.1 meters) tall. This tree is abundant on low hills and rocky places from Lebanon through the Holy Land. Its gum is obtained by making incisions in the stems and branches. It is highly perfumed and is still prized today as a perfume.<\/p>\nSycamore-fig (Ficus sycomorus)<\/em><\/p>\nTree of northeastern Africa and adjacent Asia, related to the fig. The word translated “sycamore” in 1 Kings 10:27; 1 Chronicles 27:28; 2 Chronicles 1:15; 9:27; Psalm 78:47; Isaiah 9:10; Amos 7:14; and Luke 19:4 undoubtedly refers to the well-known sycamore-fig, which is also known as the mulberry-fig or fig-mulberry. It should not be confused with the common sycamore of the North American continent, which is actually a plane tree. The sycamore-fig of the Bible is a strong-growing, robust, wide-spreading tree growing 30 to 40 feet (9.1 to 12.2 meters) tall and sometimes attaining a trunk circumference of 20 feet (6.1 meters) or more with a crown 120 feet (36.6 meters) in diameter. It is a tree that is easily climbed and is frequently planted along roadsides, which accounts for the reference in Luke 19:4. It produces an abundant amount of fruit in clusters on all parts of the tree, on both young and old branches and even on the trunk itself. It is very similar to the common fig, only smaller and much inferior in quality. In David’s day it was so valuable that he appointed a special overseer for the sycamore trees (1 Chr 27:28). It is thought that Amos was not a gatherer of sycamore fruit but rather a dresser of sycamore trees.<\/p>\nTamarisk (Tamarix)<\/em><\/p>\nThe references in Genesis 21:33 and 1 Samuel 22:6 and 31:13 seem to be to the tamarisk. These trees or shrubs are small and fast-growing with a durable wood. They are abundant in deserts, dunes, and salt marshes. Tamarix aphylla<\/em> is leafless and has small white flowers. These trees or shrubs often provide a soothing touch of green foliage and a promise of cooling shade to the traveler. Tamarisks are able to survive because they either have small, scalelike leaves, which lose little moisture by transpiration, or no leaves at all. The larger of the tamarisks are valued for their wood in a region where wood is scarce. The wood was used for building and also as a source of an excellent type of charcoal.<\/p>\nTerebinth (Pistacia terebinthus)<\/em><\/p>\nSee<\/em> Pistachio (above).<\/p>\nThistle, Thorn (Lycium europaeum, Solanum incanum, Centaurea, Silybum marianum, Ruscus aculeatus, Agrostemma githago, Paliurus spina-christi, Zizyphus spina-christi)<\/em><\/p>\nThere are 22 different Hebrew and Greek words used in Scripture to refer to spiny or prickly shrubs or weeds, and these are translated as “bramble,” “brier,” “cockle,” “thorn,” and “thistle.” At present, there are about 125 species of thorns and thistles that grow in the Holy Land.<\/p>\nThe bramble in the allegory of Judges 9:14-15 is believed to refer to the European boxthorn or desert-thorn, Lycium europaeum.<\/em><\/p>\nThe general consensus is that the “briers” of Isaiah 10:17, 55:13, Micah 7:4, and Hebrews 6:8 are the Palestine nightshade (Solanum incanum),<\/em> or “Jericho potato.”<\/p>\nThe thistles of Genesis 3:17-18, 2 Kings 14:9, 2 Chronicles 25:18, Hosea 10:8, and Matthew 7:16, as well as the thorns of Matthew 13:7 and Hebrews 6:8, are thought to be one of the species of the thistle, Centaurea.<\/em> Among the more common thistles in the Holy Land are the true star-thistle (Centaurea calcitrapa),<\/em> the dwarf centaury (C. verutum),<\/em> the Iberian centaury (C. iberica),<\/em> and the lady’s thistle (Silybum marianum).<\/em> Some thistles attain a height of five to six feet (.9 to 1.8 meters). Thistles are characteristic of an area that is uncultivated and neglected. Many have beautiful flowers, but all are covered with sharp spines.<\/p>\nThe references in Ezekiel 2:6 to “briers” and Ezekiel 28:24 to a “pricking brier” may be to the prickly butchers-broom or knee-holly, Ruscus aculeatus.<\/em> The plant is common in rocky woods in the northern regions of the Holy Land, especially around Mt Tabor and Mt Carmel.<\/p>\nThe cockle of Job 31:40 (nlt<\/span> “weeds”) perhaps refers to the corn cockle, Agrostemma githago.<\/em> This plant is common in grainfields throughout the Holy Land. It is a strong-growing and troublesome weed in grainfields, growing from one to three feet (.3 to .9 meter) tall.<\/p>\nMany commentators think that the “thorns” out of which the crown of thorns (Mt 27:29; Jn 19:2) was made were from the Christ-thorn (Paliurus spina-christi).<\/em> This belief has led to its specific name; the Christ-thorn is a spiny plant that ordinarily grows as a straggling shrub three to nine feet (.9 to 2.7 meters) tall. The flexible branches are armed at the base of each leaf with a pair of unequal, stiff, sharp spines. The unusual pliable texture of the young branches renders it particularly easy to plait into a crownlike wreath.<\/p>\nThe thorns of Judges 8:7, Isaiah 7:19, 9:18, 55:13, and Matthew 7:16 may refer to the Syrian Christ-thorn (Zizyphus spina-christi),<\/em> a shrub or small tree 9 to 15 feet (2.7 to 4.6 meters) tall, sometimes growing into a 40-foot (12.2-meter) tree with smooth white branches bearing a pair of stout, unequal, recurved spines at the back of each leaf.<\/p>\nSee also<\/em> Bramble; Buckthorn (above).<\/p>\nTulip (Tulipa montana, T. sharonensis)<\/em><\/p>\nAny of several bulbous plants of this family native to Asia. The rose of Sharon in Song of Songs 2:1 may be the mountain tulip, Tulipa montana,<\/em> or the closely related Sharon tulip, T. sharonensis.<\/em> The former is an attractive plant that grows from a bulb and has leaves that are often wavy-margined. The species is common in the mountainous regions of Syria, Lebanon, and the Anti-Lebanon. It is primarily a mountainous species. The Sharon tulip (T. sharonensis)<\/em> is found in sandy places on the Sharon coastal plains.<\/p>\nTumbleweed (Gundelia tournefortii, Anastatica hierochuntica)<\/em><\/p>\nThe references in Psalm 83:13 to “whirling dust” and in Isaiah 17:13 to “wheel” or “rolling thing” (niv<\/span> “tumbleweed”) seem to be to the Palestinian tumbleweed (Gundelia tournefortii),<\/em> a member of the thistle family. It is a prickly herb with milky juice. It rolls over the land and gathers in tremendous heaps in hollows.<\/p>\nVegetable<\/p>\nScriptural references to vegetables are probably, in most cases, to the dried leguminous seeds of beans and lentils.<\/p>\nVine (Vitis vinifera)<\/em><\/p>\nAny plant with a flexible stem that climbs, twines, or creeps along a surface or support. The common grapevine (Vitis vinifera)<\/em> is mentioned throughout the Bible. The fruitful vine (Ez 17:5-10) and the vine brought out of Egypt (Ps 80:8) were symbolic of the Jewish people. Jesus compares himself to the true vine, of which his disciples were the branches (Jn 15:1-6).<\/p>\nThe grapevine of the Old World sometimes assumes the characteristics of a tree, with stems up to a foot and a half (45.7 centimeters) in diameter, the branches then being trained on a trellis and bearing bunches of grapes 10 to 12 pounds (4.5 to 5.4 kilograms) in weight, with the individual grapes the size of small plums. Bunches have been produced weighing as much as 26 pounds (11.8 kilograms). The vines of the Holy Land were always renowned both for the luxuriance of their growth and for the immense clusters of grapes they produced. Thus it does not seem improbable that the spies sent to the Promised Land should have employed a pole to transport some of the clusters home (Nm 13:23-24).<\/p>\nThe wild grape (Vitis orientalis)<\/em> is referred to in Isaiah 5:2-4, Jeremiah 2:21, and Ezekiel 15:2-6. It is known as the native wild fox grape and has small, black, acidic berries about the size of currants with little juice.<\/p>\nWalnut (Juglans regia)<\/em><\/p>\nAny of several trees of this genus having round, sticky fruit enclosing an edible nut. The reference in Song of Songs 6:11 to “nuts” is thought to refer to the Persian or common walnut, Juglans regia.<\/em> The tree is believed to have been indigenous to northern Persia, but it is actually found wild in many parts of northern India, eastward as far as China, and westward through Persia. At the time of Solomon, it was widely cultivated for its fruit throughout the East. Perhaps Solomon’s garden of nuts was a part of his extensive gardens at Etham, six miles (9.7 kilometers) from Jerusalem.<\/p>\nWater Lily (Nymphaea)<\/em><\/p>\nAny of numerous aquatic plants of this genus with floating leaves and showy flowers. The carved lily ornamentation of 1 Kings 7:19-26 and 2 Chronicles 4:5 was probably patterned after the flowers of the water lily. Few flowers can equal the Egyptian lotus or water lily (Nymphaea lotus)<\/em> in beauty. It looks very much like a large white rose and at one time floated in profusion on the waters of the Nile.<\/p>\nThe common European white water lily (N. alba)<\/em> was also familiar to the children of Israel. It grows not only in Europe but also in the Holy Land and North Africa. It is, however, not as common in Egypt as is the white lotus.<\/p>\nAnother water lily with which the Israelites were probably familiar is the blue lotus, N. caerulea.<\/em> Its leaves are 12 to 16 inches (30.5 to 40.6 centimeters) across and it has light-blue flowers that are three to six inches (7.6 to 15.2 centimeters) in diameter.<\/p>\nWheat (Triticum aestivum, T. compositum)<\/em><\/p>\nVarious cereal grasses of this family widely cultivated for its edible grain. Five kinds of wheat are native to—and still wild in—the Holy Land, and at least eight others are cultivated there today; probably most, if not all, were known in Bible times. The wild varieties were probably more abundant then than they are today. Among these are the einkorn (T. monococcum),<\/em> the thaoudar (T. thaoudar),<\/em> and the wild emmer (T. dicoccoides).<\/em> The composite wheat (T. compositum),<\/em> with its branched spikes, often bearing as many as seven heads per stalk, is definitely referred to in Genesis 41:5-57. It is depicted on numerous Egyptian monuments and on inscriptions and is still commonly seen in the Nile Delta, where it is known as “mummy wheat.” It is also cultivated in the Holy Land.<\/p>\nThe most frequently mentioned wheat of the Bible is undoubtedly the commonly cultivated summer and winter wheat, Triticum aestivum.<\/em> It is an abundant annual grass cultivated in Egypt and other Eastern lands since earliest times. The exact place of its origin is unknown. Grains of wheat have been found in the most ancient Egyptian tombs and in the remains of prehistoric lake dwellings in Switzerland. It was certainly the chief grain of Mesopotamia in Jacob’s time (Gn 30:14).<\/p>\nCorn in biblical days often included a mixture of peas, beans, lentils, cummin, barley, millet, and spelt, but wheat was always its main constituent. Egypt was a great grain-producing country, and Abram (Gn 12:10) and Joseph’s brothers (ch 42) naturally turned to Egypt for wheat when famine visited Canaan.<\/p>\nThe mills, millstones, granaries, and threshing floors mentioned in the Bible all refer to equipment employed in processing grain to produce flour. The fine flour of which the showbread loaves were made (Lv 24:5) was unquestionably wheat flour. Wheat intended for home consumption was often stored in the central part of the house; this explains the story told in 2 Samuel 4:6. It was also sometimes stored in dry wells (2 Sm 17:19).<\/p>\nWormwood (Artemisia judaica, A. herba-alba)<\/em><\/p>\nWormwood is a general name given to a group of woody plants with a strong aromatic odor. Wormwood plants have a strong, bitter taste, and their young shoots and branch tips furnish the “wormwood” of commerce. Its bitter taste accounts for its being spoken of with gall—as being symbolic of bitter calamity and sorrow (Prv 5:4; Jer 9:15; 23:15; Lam 3:15, 19). Artemisia herba-alba<\/em> is the common species of wormwood in the Holy Land today. It is strongly aromatic, smelling like camphor, and bitter. A. judaica<\/em> occurs only in the Sinai.<\/p>\nAbsinthe is made from species of this group. It first leads to greater activity and pleasant sensations and fills the mind with grandiose ideas (Lam 3:15). The habitual use of it, however, brings on a stupor and gradual diminution of intellectual faculties, ending in delirium and even death. Perhaps the hemlock of Amos 6:12 was wormwood.<\/p>","content_en":"<h3>PLANTS<\/h3>\nIdentifying biblical plants has always been a difficult task, partly because people continue to identify the biblical elm, sycamore, lily, rose, and vine with modern plants, and also because they assume that all the plants now growing in the Holy Land were there in ancient biblical days, or that the plants referred to in the Bible are still to be found there today. Unfortunately, many plants now quite common in the Holy Land were not there in biblical days. Many plants that once grew in abundance in the Holy Land are now extinct. Some have been driven out by foreign invaders; others have been exterminated or nearly exterminated by overcultivation of the land, the destruction of forests, and the resulting changes in climatic and other environmental conditions. At one time the Holy Land was a land of palm trees, with the date palm as abundant and characteristic there as it was in Egypt, but today the date palm is much less common. Similarly, in antiquity, the towering cedars clothed the slopes of Lebanon and other mountain ranges. Now the few remaining specimens must be carefully fenced in to protect them against trampling and the ravages of goats.<\/p>\nPreview<\/p>\n• Acacia<\/p>\n• Acanthus<\/p>\n• Algum<\/p>\n• Almond<\/p>\n• Almug<\/p>\n• Aloe<\/p>\n• Apple<\/p>\n• Apricot<\/p>\n• Ash<\/p>\n• Aspen<\/p>\n• Balm<\/p>\n• Barley<\/p>\n• Bdellium<\/p>\n• Bean<\/p>\n• Bitter Herbs<\/p>\n• Boxthorn, European<\/p>\n• Box Tree<\/p>\n• Bramble<\/p>\n• Broom<\/p>\n• Buckthorn<\/p>\n• Bush<\/p>\n• Buttercup<\/p>\n• Calamus<\/p>\n• Cane<\/p>\n• Caper Plant<\/p>\n• Carob Tree<\/p>\n• Cassia<\/p>\n• Castor Oil Plant<\/p>\n• Cedar<\/p>\n• Chicory<\/p>\n• Cinnamon<\/p>\n• Citron Tree<\/p>\n• Coriander<\/p>\n• Cotton<\/p>\n• Cucumber<\/p>\n• Cummin<\/p>\n• Cypress<\/p>\n• Dandelion<\/p>\n• Darnel Grass<\/p>\n• Dill<\/p>\n• Ebony<\/p>\n• Endive<\/p>\n• Fig, Fig Tree<\/p>\n• Fir Tree<\/p>\n• Flax<\/p>\n• Frankincense<\/p>\n• Galbanum<\/p>\n• Garlic<\/p>\n• Gourd, Wild<\/p>\n• Hedge<\/p>\n• Henna<\/p>\n• Hyacinth<\/p>\n• Hyssop<\/p>\n• Juniper<\/p>\n• Laurel or Sweet Bay<\/p>\n• Leek<\/p>\n• Lentil<\/p>\n• Lettuce<\/p>\n• Lily<\/p>\n• Lotus Bush<\/p>\n• Mallow<\/p>\n• Mandrake<\/p>\n• Melon<\/p>\n• Millet<\/p>\n• Mint<\/p>\n• Mulberry<\/p>\n• Mustard<\/p>\n• Myrrh<\/p>\n• Myrtle<\/p>\n• Narcissus<\/p>\n• Nard<\/p>\n• Nettle<\/p>\n• Nutmeg Flower<\/p>\n• Oak<\/p>\n• Oil Tree, Oleaster<\/p>\n• Oleander<\/p>\n• Olive, Olive Tree<\/p>\n• Onion<\/p>\n• Palm<\/p>\n• Papyrus<\/p>\n• Pine Tree<\/p>\n• Pistachio<\/p>\n• Plane Tree<\/p>\n• Pomegranate<\/p>\n• Poplar<\/p>\n• Quince<\/p>\n• Reed<\/p>\n• Rue<\/p>\n• Rush<\/p>\n• Saffron<\/p>\n• Sage<\/p>\n• Spelt<\/p>\n• Storax Tree<\/p>\n• Sycamore<\/p>\n• Tamarisk<\/p>\n• Terebinth<\/p>\n• Thistle, Thorn<\/p>\n• Tulip<\/p>\n• Tumbleweed<\/p>\n• Vegetable<\/p>\n• Vine<\/p>\n• Walnut<\/p>\n• Water Lily<\/p>\n• Wheat<\/p>\n• Wormwood<\/p>\nAcacia (Acacia tortilis<\/em> and A. seyal)<\/em><\/p>\nAny tree or shrub of the mimosa family of plants growing in warm regions. The plant referred to in the kjv<\/span> as “shittah” (singular) or “shittim” (plural) is undoubtedly the acacia tree, the only timber tree of any considerable size in the Arabian desert. Acacia tortilis<\/em> is by far the largest and most common tree in the desert in which the Israelites wandered for 40 years. It is especially conspicuous on Mt Sinai and was probably the species used for the tabernacle furnishings. A. seyal<\/em> is less common, at least today. It can grow as high as 25 feet (7.6 meters), and bears yellow flowers on twisted branches. The wood is close grained, heavy and hard, orange-brown in color, and much valued in cabinetwork. The ancient Egyptians clamped shut mummy coffins with acacia wood.<\/p>\nAcanthus (Acanthus syriacus)<\/em><\/p>\nThe acanthus, perhaps referred to in Job 30:7 and Zephaniah 2:9, is a perennial thistlelike herb or small shrub about three feet (.9 meter) tall, and is a common weed in all Eastern countries. It has been used since time immemorial as a model for the leaf or scroll decorations in art.<\/p>\nAlgum (Juniperus excelsa Bieb)<\/em><\/p>\nThe timber from Lebanon referred to in 2 Chronicles 2:8 is probably the juniper. Some translators hold, however, that algum and almug are Hebrew variants for the same tree (see nlt<\/span> mg, 2 Chr 2:8).<\/p>\nSee also<\/em> Almug (below).<\/p>\nAlmond (Amygdalus communis)<\/em><\/p>\nThe almond is a peachlike tree with saw-toothed pointed leaves and gray bark. It grows to a height of from 10 to 25 feet (3 to 7.6 meters). It blooms very early in the year; its Hebrew name has its roots in “watch for.” To the Jews it was a welcome harbinger of spring (Jer 1:11).<\/p>\n\nAlmug (Pterocarpus santalinus)<\/em><\/p>\nThe precious wood imported by King Solomon and used in making the pillars for the temple and for making harps and psalteries (1 Kgs 10:11-12). This timber was brought by sea from Ophir to Ezion-geber, near Elath. Modern authorities suggest that Ophir was either in Arabia, India, or East Africa near Mozambique. The reference to “algum“ in 2 Chronicles 2:8 is possibly to this tree. See<\/em> Algum (above).<\/p>\nAloe (Aloe succotrina, Aquilaria agallocha)<\/em><\/p>\nChiefly African, lilylike plant of the genus Aloes,<\/em> certain species of which yield a drug and a fiber. Aloe is an aromatic substance mentioned in the Bible, together with myrrh, balm, and other fragrant plants (Ps 45:8; Prv 7:17; Sg 4:14; Jn 19:39). Most scholars think these passages refer to two different plants. The OT plant is likely to have been Aquilaria agallocha,<\/em> the eaglewood, a large tree growing up to 120 feet (36.6 meters) tall with a trunk 12 feet (3.7 meters) in circumference. It is native to northern India, Malaya, and Indochina. The decaying wood is highly fragrant, and as such is highly valued as perfume and incense and for fumigation.<\/p>\nThe aloe of John 19:39 is thought to be the true aloe (Aloe succotrina),<\/em> the juice of which was used by the Egyptians in embalming. Its smell, however, is not very agreeable, and it has a bitter taste. It is sometimes used by veterinarians as a horse medicine.<\/p>\nApple (Malus sylvestris)<\/em><\/p>\nThe identity of the fruit identified by the Hebrew word tappuach<\/span> (Prv 25:11; Sg 2:3, 5; 7:8; 8:5) continues to be debated. In most English translations it has been rendered “apple” because of its close linguistic tie to the Arabic word tuffah.<\/em> Many scholars identify this tree as the apricot, questioning whether apples fit the biblical description “apples of gold” and whether the apple tree was cultivated in ancient Palestine. Recent excavations at Kadesh-barnea, however, have uncovered carbonized apples, probably a crab apple (Malus sylvestris),<\/em> dating to the ninth century BC<\/span>. This would certainly allow for this ornamental apple’s cultivation in Solomon’s gardens.<\/p>\nSee also<\/em> Apricot (below).<\/p>\nApricot (Prunus armeniaca)<\/em><\/p>\nThe identification of the Hebrew word tappuach<\/span> with the apricot continues to be debated. The apricot tree produces yellow-orange peachlike edible fruit and is native to western Asia and Africa. It is abundant in the Holy Land and probably has been so since early biblical times. The tree is a round-headed reddish-barked tree growing 30 feet (9.1 meters) tall. Most translations render this Hebrew word “apple,” though many scholars identify it with the apricot because of its descriptions in the biblical text (see Prv 25:11; Sg 2:3, 5; 7:8; 8:5; Jl 1:12).<\/p>\nSee also<\/em> Apple (above).<\/p>\nAsh (Alhagi maurorum, Fraxinus ornus, Tamarix mannifera)<\/em><\/p>\nThere are several ash trees found in the Near East. One of these, the prickly alhagi (Alhagi maurorum),<\/em> is a member of the pea family. It is a low, many-stemmed, much-branched shrub growing about three feet (.9 meter) tall with somewhat hairy twigs and pealike flowers. During the heat of the day, leaves exude a sweet, gummy substance that hardens in the air and is collected by shaking the bushes over a spread-out cloth.<\/p>\nThe manna tamarisk (Tamarix mannifera)<\/em> is a multibranched shrub or a small tree 9 to 15 feet (2.7 to 4.6 meters) tall with rigid branches that have tiny pink flowers. It is found on deserts from the Holy Land to Arabia and the Sinai.<\/p>\nThe flowering or manna ash (Fraxinus ornus)<\/em> is a tree that grows from 15 to 50 feet (4.6 to 15.2 meters) tall. The fruits are very similar to those produced by our species of ash. The ash of Isaiah 44:14 (kjv<\/span>) is believed to be the Aleppo pine.<\/p>\nAspen (Populus euphratica<\/em> or P. tremula)<\/em><\/p>\nAny of several trees of the genus Populus<\/em> with leaves attached by flattened leafstalks so that they tremble or “quake” in the wind.<\/p>\nBalm (Balanites aegyptiaca, Pistacia lentiscus, Commiphora opobalsamum<\/em>)<\/em><\/p>\nAn oily aromatic resin exuded by chiefly tropical trees and shrubs and used medicinally; trees and shrubs producing this substance. References in Genesis 37:25, Jeremiah 8:22, 46:11, and 51:8 are thought to be either the Jericho balsam (Balanites aegyptiaca)<\/em> or the lentisk or mastic tree (Pistacia lentiscus).<\/em> The Jericho balsam is very common in Egypt, North Africa, the plains of Jericho, and the hot plains bordering on the Dead Sea. It is a small desert-loving plant, 9 to 15 feet (2.7 to 4.6 meters) tall, with slender, thorny branches and small clusters of green flowers.<\/p>\nThe lentisk or mastic tree is native to the Holy Land, and the reference in Genesis 43:11 is probably to this plant, since the implication is that this is a native product of the Holy Land unknown in Egypt at the time. This tree is a shrubby or bushy tree 3 to 10 feet (.9 to 3 meters) tall with evergreen leaves. The “balm” is a fragrant gummy exudation of the sap secured by making incisions in the stems and branches, usually in August. The best grades are in the form of yellow-white translucent tears or drops; they are employed in medicine as an astringent. The poorer grades are used extensively as a varnish. Children in the East use it as chewing gum.<\/p>\nReferences to spices in 1 Kings 10:10, 2 Kings 20:13, Song of Songs 3:6, Isaiah 39:2, and Ezekiel 27:17 are thought to be the balm of Gilead (Commiphora opobalsamum),<\/em> which in spite of its name is not a native of Gilead or even of the Holy Land but is indigenous to Arabia, especially the mountainous regions of Yemen. The trees were still in existence on the plain of Jericho at the time of the Roman conquest. The Roman conquerors carried branches to Rome as trophies of their victory over the Jews.<\/p>\nThis tree is a small, stiff-branched evergreen tree seldom more than 15 feet (4.6 meters) high with straggling branches. The “balm” is obtained by making incisions in the stem and branches of the tree. The sap soon hardens into small irregular nodules that are collected. Gum is also procured from green and ripe fruit.<\/p>\nSee also<\/em> Myrrh (below).<\/p>\nBarley (Hordeum distichon)<\/em><\/p>\nA cereal grass bearing bearded flower spikes and edible seeds. The common barley (Hordeum distichon),<\/em> the winter barley (H. hex<\/em>astichon),<\/em> and the spring barley (H. vulgare)<\/em> have been cultivated in temperate regions of the world since time immemorial and today still constitute one of the principal grain foods. Barley and wheat were the two staple cereal crops of Egypt and the Holy Land. Being less expensive, barley was mostly used for feeding cattle, although it was also used by itself or mixed with wheat and other seed as food for man (Ez 4:9-12). Barley is mentioned in the Bible over 30 times, either as a plant growing in the fields or in reference to products made from it, such as barley meal, barley bread, barley cakes, and barley loaves. As the common food of the poor, barley was also regarded as a symbol of poverty and cheapness or worthlessness (Hos 3:2).<\/p>\nBdellium (Commiphora africana)<\/em><\/p>\nAromatic gum resin similar to myrrh, produced by various trees of the genus Commiphora<\/em> of Africa and western Asia. The reference in Genesis 2:12 and Numbers 11:7 to bdellium is thought by most scholars today to refer to a gum resin, obtained from a shrub, Commiphora africana<\/em>, that grows in south Arabia and northeastern Africa. The resin is yellowish, transparent, and fragrant, and looks like a pearl.<\/p>\nBean (Faba vulgaris)<\/em><\/p>\nThe references in 2 Samuel 17:27-28 and Ezekiel 4:9 are generally regarded as referring to the broad bean. This species, an annual plant, is thought originally to have grown in northern Persia, but it was extensively cultivated in western Asia in very early times as a food plant. Beans have been found in the mummy coffins of Egyptian tombs, and they were also cultivated by the Greeks and Romans.<\/p>\nBitter Herbs (Cichorium endivia, Taraxacum officinale, Lactuca sativa)<\/em><\/p>\nThe “bitter herbs” of Exodus 12:8 and Numbers 9:11 seem to have been plants like endive (Cichorium endivia),<\/em> the common chicory (Cichorium intybus),<\/em> lettuce (Lactuca sativa),<\/em> or the common dandelion (Taraxacum officinale).<\/em> These are all weedy plants common in modern Egypt and western Asia and are still eaten by people living there. The leaves of the ordinary garden lettuce are intensely bitter when bleached. This is also true of the common dandelion. Others suggest that the bitter herbs were derived from thorns and thistles.<\/p>\nBoxthorn, European (Lycium europaeum)<\/em><\/p>\nVarious thorny shrubs, some species of which bear purplish flowers and brightly colored berries. The reference in Judges 9:14-15 is thought to be to the European boxthorn or desert-thorn. It is a thorny shrub 6 to 12 feet (1.8 to 3.7 meters) tall with clustered leaves and small violet flowers eventually producing small globular red berries. It is native to and common throughout the Holy Land, especially in the region from Lebanon to the Dead Sea.<\/p>\nBox Tree (Buxus longifolia)<\/em><\/p>\nThe long-leaved box tree is a hardy evergreen tree found in the mountainous regions of the northern part of the Holy Land, the Galilean hills, and Lebanon. It grows to a height of about 20 feet (6.1 meters) with a slender trunk seldom more than six to eight inches (15.2 to 20.3 centimeters) in diameter. Its wood is very hard and takes a fine polish. It was cultivated by the Romans for its hard wood, which they inlaid with ivory for cabinets and jewel caskets. Scriptural references include Isaiah 41:19 and 60:13.<\/p>\nBramble (Rubus sanctus, R. ulmifolius)<\/em><\/p>\nThe Palestinian bramble (Rubus sanctus)<\/em> and the closely related elm-leaf bramble (R. ulmifolius)<\/em> are prickly evergreen shrubs that spread by means of suckers. The stems and young shoots are covered with a characteristic bloom or whitish powder and short hairs. The prickles are strong, erect, and hairy. The flowers are white, pink, rose, or purple in color, and the fruit is round and black.<\/p>\nSee also<\/em> Thistle, Thorn (below).<\/p>\nBroom (Retama raetam)<\/em><\/p>\nA shrub native to Eurasia. The word translated “juniper” in the kjv<\/span> has nothing to do with the true junipers but refers rather to a species of broom, known as the white broom (Retama raetam).<\/em> Its branches are longer and flexible, forming an erect, dense bush 3 to 12 feet (.9 to 3.7 meters) tall. The leaves are small and sparse, yet it forms an agreeable shade in a desert region. The white pealike flowers are sweet and very fragrant and are borne in clusters along the twigs. It is a beautiful shrub that grows in the desert regions of Palestine, Syria, and Persia. In many desert areas it is the only bush that affords any shade (1 Kgs 19:4-5).<\/p>\nThe “juniper roots” of Job 30:4 are not the roots of either the juniper or white broom. The roots of the latter are very nauseating and could not be eaten in the manner described by Job. Job’s “juniper roots” were probably an edible parasitic plant (Cynomorium coccineum).<\/em> This plant grows in salt marshes and maritime sands. It is frequently eaten in times of food scarcity and at one time was highly prized for its supposed medicinal value in the treatment of dysentery.<\/p>\nBuckthorn (Rhamnus palaestina)<\/em><\/p>\nThe Palestinian buckthorn is a shrub or small tree attaining a height of three to six feet (.9 to 1.8 meters) with velvety, thorny branches, evergreen leaves, and clusters of small flowers blooming in March or April. It grows in thickets and on hillsides from Syria and Lebanon through the Holy Land to Arabia and the Sinai.<\/p>\nBush (Acacia nilotica, Loranthus acaciae)<\/em><\/p>\nLow, branching, woody plant, usually smaller than a tree. There are differences of opinion in regard to the bush out of which the Lord appeared to Moses (Ex 3:2-4). From the biblical account, it seems most likely that the event was a miraculous one. However, some seek a natural explanation and believe that the burning bush may have been the crimson-flowered mistletoe or acacia strap flower (Loranthus acaciae),<\/em> which grows in great profusion as a partial parasite on the various acacia shrubs, such as the thorny acacia (Acacia nilotica),<\/em> in the Holy Land and Sinai. When in full bloom, the mistletoe imparts to the shrub or tree the appearance of being on fire because its brilliant flame-colored blossoms stand out against the green foliage and yellow flowers of the host plants.<\/p>\nButtercup (Ranunculus asiaticus)<\/em><\/p>\nThe Persian buttercup is one of the flowers or grasses of the field (Mt 6:28-30). It is a showy plant blooming in all brilliant colors except blue, with double flowers sometimes measuring two inches (5.1 centimeters) across.<\/p>\nCalamus (Acorus calamus, Andropogon aroma<\/em>ticus)<\/em><\/p>\nA plant, or its aromatic root; any of a variety of tropical Asiatic palms. One of the plants that grew in Solomon’s garden (Sg 4:14). The sweet flag (Acorus<\/em> calamus)<\/em> and the beardgrass (Andropogon aromaticus)<\/em> have been suggested as the plants from which calamus came. The sweet flag is highly aromatic and grows in Europe and Asia, but it is not known in the Holy Land. Indigenous to India, beardgrass is highly odoriferous when bruised and is thought to have furnished the calamus of the Bible. It yields an oil known as ginger-grass oil.<\/p>\nCane (Saccharum officinarum)<\/em><\/p>\nIt is thought that there were two species of sugarcane indigenous to and growing wild in the Holy Land. One of these, Saccharum sara,<\/em> is known to be only from Lebanon. The other native species is S. biflorum,<\/em> which grows on the banks of ditches and streams from Syria and Lebanon through the Holy Land south to Stony Arabia and the Sinai. This may be the wild cane familiar to the Jews. Most authorities, however, think that the “sweet cane” of Isaiah 43:24 was the true sugarcane (S. officinarum).<\/em> This plant is thought to have originated in the tropics of the eastern hemisphere. It has been cultivated by people since time immemorial and is not now known in the wild state anywhere. It is a tall, stout perennial grass, maizelike in aspect with many jointed stems and a large plumelike terminal cluster of flowers.<\/p>\nCaper Plant (Capparis sincula)<\/em><\/p>\nSpiny, trailing shrub of Mediterranean region; the flower bud of this shrub. The word “desire” in Ecclesiastes 12:5 may actually refer to the caper berry. The common caper or caper berry grows profusely in Syria, Lebanon, the Holy Land, and in the mountain valleys of Sinai. The plant may sometimes grow upright but more generally spreads itself weakly over the ground like a vine, covering rocks, ruins, and old walls like ivy. The young flower buds, pickled in vinegar, were used by the ancients as a condiment for meat. The berries were also used in cooking.<\/p>\nCarob Tree (Ceratonia siliqua)<\/em><\/p>\nEvergreen of the Mediterranean region having edible pods. Scholars generally agree that the pods of the carob or locust tree were the “husks” of Jesus’ parable of the prodigal son (Lk 15:16). The carob is an attractive evergreen leguminous tree that is very common throughout the Holy Land, Syria, and Egypt. The pods are most abundant in April and May and contain numerous pealike seeds embedded in an agreeably flavored mucilaginous sweetish pulp. The pods are also used abundantly now as they were in antiquity for feeding cattle, horses, and pigs. In time of scarcity, they are used as human food and perhaps even regularly by the very poor. The carob is frequently mentioned in the Talmud as a source of good food for domestic animals. The seeds of the carob were formerly employed as a standard of weight and are the source of the term “carat.” Some commentators suggest that the “locusts” eaten by John the Baptist (Mt 3:4) were not insects but the fruit of the carob tree.<\/p>\nCassia (Cinnamomum cassia, Saussurea lappa)<\/em><\/p>\nTree of tropical Asia with bark similar but inferior to cinnamon. The “cassia” of Exodus 30:24 and Ezekiel 27:19 is the cassia bark tree, Cinnamomum cassia.<\/em> In Psalm 45:8 the reference seems to be to the Indian orris, Saussurea lappa.<\/em><\/p>\nCastor Oil Plant (Ricinus communis)<\/em><\/p>\nLarge plant, native to tropical Africa and Asia, cultivated for ornamental reasons and for extraction of oil from its seeds. The gourd of Jonah 4:6-7 was probably the ordinary castor bean. The castor bean is a tender shrub, growing 3 to 12 or more feet (.9 to 3.7 meters) tall with huge leaves that resemble the outstretched human hand. The castor bean plant is found in waste places, especially near water, in both Lebanon and the Holy Land and often is cultivated. In hot climates it becomes treelike and affords a dense shade by the abundance of its huge, umbrella-like leaves. It is known in the Orient for the rapidity of its growth. The oil extracted from the seeds of the castor bean was used by the Jews in ceremonial rites and is mentioned among the five kinds of oil that rabbinical tradition sanctioned for such use. The seeds themselves are poisonous when eaten.<\/p>\nCedar (Cedrus libani)<\/em><\/p>\nAny of several coniferous evergreen trees of the genus native to the Old World. With few exceptions, the references to “cedar” are to the well-known cedar of Lebanon. This is a noble tree, the tallest and most massive with which the Israelites were acquainted. It grows quite rapidly, attaining a height of up to 120 feet (36.6 meters) with a trunk diameter of as much as 8 feet (2.4 meters). In Solomon’s day these trees were obviously abundant on the mountains of Lebanon, but now, because of excessive lumbering, they are very rare. The cedar of Lebanon was held in high esteem not only for its vigor, beauty, and age but also for the fragrance and remarkable lasting qualities of the wood. It symbolizes grandeur, might, majesty, dignity, lofty stature, and wide expansion. References in Ezekiel 17:3, 22-24, and 31:3-18 beautifully illustrate how these lofty kings of the forest symbolize and typify worldly strength, power, and glory.<\/p>\nChicory (Cichorium intybus)<\/em><\/p>\nSee<\/em> Bitter Herbs (above).<\/p>\nCinnamon (Cinnamomum zeylanicum)<\/em><\/p>\nTwo varieties of trees of this genus, native to tropical Asia, with aromatic bark that, when ground, is used as a spice. The cinnamon of Exodus 30:23, Proverbs 7:17, Song of Songs 4:14, and Revelation 18:13 is undoubtedly Cinnamomum zeylanicum.<\/em> The tree is a rather low-growing one, never getting more than 30 feet (9.1 meters) high, with a smooth, ash-colored bark and widespread branches and white flowers. Its shiny, beautifully veined evergreen leaves grow about nine inches (22.9 centimeters) long and two inches (5.1 centimeters) wide.<\/p>\nThe Jews always regarded cinnamon as a deliciously fragrant substance and valued it highly as a spice and a perfume. It was one of the principal ingredients used in the manufacture of the precious ointments, or “holy oil,” that Moses was commanded to use in the tabernacle for anointing the sacred vessels and officiating priests. It was undoubtedly very costly and precious.<\/p>\nCitron Tree (Tetraclinis articulata)<\/em><\/p>\nTree native to Asia bearing lemonlike fruit with a thick, fragrant rind. It seldom exceeds a height of 30 feet (9.1 meters) and has hard, dark-colored, durable, fragrant wood that takes a fine polish. The wood was one of the most highly prized woods of the ancients, who employed it extensively for cabinetwork. It was commonly referred to as being worth its weight in gold. The wood, owing to its resinous properties, is slow to decay and remains practically uninjured by insects.<\/p>\nCoriander (Coriandrum sativum)<\/em><\/p>\nThe references in Exodus 16:31 and Numbers 11:7 are clearly to the common coriander plant. The coriander was found quite commonly growing along with grain in cultivated fields throughout the Holy Land. It grows wild in Egypt and was used by the ancients both as condiment and as a medicine. The leaves are quite aromatic and are used in soups and for flavoring puddings, curries, and wines. The coriander is still used today as a spice by the Arabs. In Scripture it is mentioned only in connection with manna, which was said to resemble coriander seeds in size, shape, and color.<\/p>\nCotton (Gossypium herbaceum)<\/em><\/p>\nAny of various plants or shrubs of this genus grown in warm climates for the soft white fiber attached to their seeds and the oil from these seeds. The “green” of the kjv<\/span> in Esther 1:6 is undoubtedly a reference to the Levant cotton (Gossypium herbaceum)<\/em> that was cultivated since time immemorial in the Far East. Alexander the Great brought it back from India. It is probable that the Jews became acquainted with cotton during the period of their Persian captivity under King Ahasuerus.<\/p>\nCucumber (Cucumis chate, C. sativus)<\/em><\/p>\nThe cucumber is an annual climbing or trailing vine, the origin of which is unknown. It has been cultivated in all the warm countries of the Old World since prehistoric times. Cucumbers are usually eaten raw; a cucumber and a barley cake or some other kind of bread often constitute a meal. The reference to “a lodge in a garden of cucumbers” (Is 1:8) refers to the crudely built small house or lodge often set up in Palestinian cucumber fields and vineyards.<\/p>\nCummin (Cuminum cyminum)<\/em><\/p>\nThe references in Isaiah 28:25-27 and Matthew 23:23 are clearly to the cummin—a common, annual plant of the carrot family said to be native to Egypt and the region of the eastern Mediterranean. It has long been cultivated for its powerfully aromatic and pungent seeds, which are similar to caraway seeds but larger. They do not have as agreeable a taste as caraway seeds but nevertheless were used extensively as a flavor or spice and sometimes were even mixed with flour in making bread. Cummin was also used medicinally and as a condiment with fish and meats.<\/p>\nCypress (Cupressus sempervirens horizontalis)<\/em><\/p>\nThe cypress is a massive, tall-growing evergreen with scalelike leaves and is widely distributed in the mountainous regions of the Holy Land. On Mt Lebanon and Mt Hermon it grows together with the cedar and oak. Its usual height is 50 to 60 feet (15.2 to 18.3 meters), but it may grow as tall as 80 feet (24.2 meters). It is said to have been used extensively in shipbuilding by the Phoenicians, Cretans, and Greeks. There is general agreement that the “gopher wood” of Genesis 6:14 is cypress because the wood is very durable.<\/p>\nDandelion (Taraxacum officinale)<\/em><\/p>\nSee<\/em> Bitter Herbs (above).<\/p>\nDarnel Grass (Lolium temulentum)<\/em><\/p>\nIt is generally agreed that the “tares” of the kjv<\/span> (Mt 13:24-30) are the annual or bearded darnel grass. It is a strong grass closely resembling wheat or rye in appearance. The seeds are much smaller than those of wheat or rye, but it is extremely difficult to distinguish it from wheat or rye in its early stages. If it is not eradicated early but is left until the time of harvest, it is cut down with the wheat and the two are subsequently very difficult to separate. The seeds are poisonous, either due to some chemicals naturally present or because of a fungus that grows within the seeds.<\/p>\nDill (Anethum graveolens)<\/em><\/p>\nDill is a weedy annual plant resembling parsley and fennel, 12 to 20 inches (30.5 to 50.8 centimeters) tall with yellow flowers. The reference in Matthew 23:23 (kjv<\/span>) to anise is probably a reference to dill. This plant is widely cultivated for seeds that are aromatic and carminative.<\/p>\nEbony (Diospyros ebenaster, D. ebenum, D. mela<\/em>noxylon)<\/em><\/p>\nChiefly tropical tree of southern Asia with hard, dark-colored heartwood. Ebony comes from the date plum or date tree (Diospyros ebenaster<\/em> and D. melanoxylon)<\/em> of India and is quite different from the date palm. It was sent by Phoenician ships across the Arabian Sea and up the Red Sea to the market in Tyre, from which it was carried overland by camel caravans. The outer wood of these trees is white and soft, but when old, the interior wood becomes hard, black, heavy, and durable and still constitutes most of the costly ebony of commerce. Ebony takes on a fine polish and is highly valued for cabinetwork, for turnery, for the manufacture of fancy ornamental articles and instruments, and as a veneer for other woods.<\/p>\nEzekiel mentions ivory and ebony together (Ez 27:15). Ebony was and still is frequently inlaid with ivory, with which it contrasts so strikingly in color.<\/p>\nEndive (Cichorium endivia)<\/em><\/p>\nSee<\/em> Bitter Herbs (above).<\/p>\nFig, Fig Tree (Ficus carica)<\/em><\/p>\nAny of several trees or shrubs of this genus, native to the Mediterranean region; its edible fruit. The common fig, mentioned some 60 times in the Bible, is one of the most important Bible plants. Its leaves are spoken of first in Genesis 3:7. The fig is generally regarded as native to southwestern Asia and Syria, but already in early times it was also cultivated extensively in Egypt and the Holy Land, where it was one of the principal foods. First Samuel 25:18 states that a part of the gift sent by Abigail to David consisted of 200 cakes of figs.<\/p>\nThe fig tree has a very peculiar type of fruit called a syconium, which is actually a very much enlarged and fleshy receptacle. It is pollinated by a wasp, without which it cannot get its fruit; this was discovered when it was first transplanted to California.<\/p>\nThe fig puts out its earliest fruit buds before its leaves, the former in February and the latter in April or May. When the leaves are out, the fruit ought to be ripe (Mt 21:19).<\/p>\nWhenever the prophets of old berated the people for their wickedness, they often threatened that the vine and the fig crops would be destroyed. And when they held out the promise of great rewards, they said that the vine and fig crop would be restored (Jer 8:13; Hos 2:12; Jl 1:7, 12; Mi 4:4; Zec 3:10).<\/p>\nFir Tree (Abies cilicica)<\/em><\/p>\nThis a generic term for various evergreen trees having flat needles and erect cones. In all probability, most of the references in Scripture to the fir are references to the pine, cypress, or juniper. The only true fir in the Holy Land grows in the higher parts of Lebanon and the mountains northward. It attains a height of 30 to 75 feet (9.1 to 22.9 meters) and is widely cultivated.<\/p>\nFlax (Linum usitatissimum)<\/em><\/p>\nAny of several plants of this genus, one particularly being widely cultivated for the linseed oil from its seeds and the fine textile fibers from its stems. Flax is the oldest known of the textile fibers. Cotton is identified only once in the Bible (Est 1:6). There is no mention of any other fiber plant being cultivated in Egypt or the Holy Land in biblical days, and for that reason it is thought that linen was the material out of which clothes other than woolen ones were made. Linen was also used for domestic purposes such as towels (Jn 13:4-5), napkins (11:44), girdles and undergarments (Is 3:23; Mk 14:51), nets (Is 19:8-9), and measuring lines (Ez 40:3). The priests serving in the temple were to wear nothing but linen clothes; a mixed cloth of wool and flax together was strictly forbidden to the Jews (Lv 19:19; Dt 22:11).<\/p>\nAt least three kinds of linen were used in biblical times, and apparently there were particular uses for each kind. Ordinary linen of coarsest texture is mentioned in Leviticus 6:10, Ezekiel 9:2, Daniel 10:5, and Revelation 15:6. The second type of linen of superior quality is mentioned in Exodus 26:1 and 39:27. A third type of linen of finest texture and high cost is mentioned in 1 Chronicles 15:27, Esther 8:15, and Revelation 19:8.<\/p>\nThe common flax plant grows from one to four feet (.3 to 1.2 meters) tall with a simple, slender, wirelike stem and numerous small, pale, lancelike green leaves. The failure of the flax crop is listed as one of God’s punishments (Hos 2:9). The manufacture of linen from flax fibers was a domestic industry of Jewish women (Prv 31:13, 19), ranging from ordinary clothing to the robes and aprons worn by the priest and temple attendants. Linen was also used for wicks in lamps (Is 42:3).<\/p>\nFrankincense (Boswellia)<\/em><\/p>\nAromatic genus resin used chiefly as incense. Frankincense is obtained from three species of a single genus of plants that grow in southern Arabia, Ethiopia, Somaliland, India, and the East Indies. The trees are large in size, related to the turpentine or terebinth tree and to those that produce balsam and myrrh. The gum has a bitter taste and gives off a strong odor in the form of a volatile oil when warmed or burned. It is obtained by successive incisions in the bark of the trunk and in the branches of living trees. It is thought that the Hebrews imported all their frankincense from Arabia, especially from the region about Sheba.<\/p>\nFrankincense is mentioned 21 times in the Bible (e.g., Ex 30:34; 1 Chr 9:29; Neh 13:9; Sg 3:6; 4:6, 14; Mt 2:11; Rv 18:13) and was probably employed almost exclusively in the sacrificial services of the tabernacle and temple until the time of Solomon. It has always been the most important incense resin in the world.<\/p>\nGalbanum (Ferula galbaniflua)<\/em><\/p>\nGalbanum is a malodorous yellowish or brownish gum resin containing the chemical substance umbelliferone, obtained from several species of plants related to the fennel, native to Syria and Persia. The gum is a natural exudation of the stem or is obtained by making a transverse incision in the young stem a few inches above the ground. The milky juice soon hardens and forms one of the kinds of commercial galbanum. Its odor is strongly balsamic, pungent, and disagreeable when burned. Galbanum was one of the ingredients used to form the “holy incense” (Ex 30:34).<\/p>\nGarlic (Allium sativum)<\/em><\/p>\nSee<\/em> Onion (below).<\/p>\nGourd, Wild (Citrullus colocynthis)<\/em><\/p>\nThere has been considerable difference of opinion regarding the meaning of the words translated “wild gourds” (2 Kgs 4:39) or “gall” (Dt 29:18; 32:32; Ps 69:21; Jer 8:14; 9:15; 23:15; Lam 3:5, 19; Am 6:12; Mt 27:34; Acts 8:23). Most scholars today believe the plant referred to was the colocynth, a cucumber-like vine that trails on the ground or climbs over shrubs and fences. The fruit contains a soft spongy pulp, which is intensely bitter, strongly cathartic, and sometimes poisonous.<\/p>\nHedge (Rhamnus palaestina, Balanites aegyptiaca, Lycium europaeum)<\/em><\/p>\nRow of closely planted shrubs or low-growing trees forming a fence or boundary. A number of plants were used to provide hedges in Bible times. One of these was the Palestine buckthorn, Rhamnus palaestina.<\/em> This plant is a shrub or a small tree growing from three to six feet (.9 to 1.8 meters) tall with velvety, thorny branches, evergreen leaves, and clusters of small flowers blooming in March and April. It grows in thickets and on hillsides from Syria through the Holy Land to Arabia and the Sinai. The Jericho balsam (Balanites aegyptiaca)<\/em> and the European boxthorn (Lycium europaeum)<\/em> are also prickly shrubs widely used as hedges in the Holy Land and may be the plants referred to in Proverbs 15:19 and Hosea 2:6.<\/p>\nHenna (Lawsonia inermis)<\/em><\/p>\nTree or shrub of Asia and northern Africa with fragrant reddish or white flowers and leaves from which a reddish dye is made. The plant referred to in Song of Songs 1:14 and 4:13 and translated as “camphire” (kjv<\/span>) is thought by scholars today to refer to the henna plant. It is a native of northern India and grows wild in the Sudan, Egypt, Arabia, Syria, Lebanon, and the Holy Land. It grows from 4 to 12 feet (1.2 to 3.7 meters) tall, and its scent is similar to that of roses.<\/p>\nHenna leaves are dried, crushed into a powder, mixed with water, and made into a paste that has been used since time immemorial as a cosmetic. A number of mummies have been found decorated with henna. Henna was used to provide a bright yellow, orange, or red color to the fingernails, toenails, the tips of the fingers, the palms of the hand, and the soles of the feet of young girls. Men also used it for coloring their beards and the manes and tails of horses. The dye had to be renewed once every two or three weeks. This use of henna as a cosmetic was common in Egypt at the time the children of Israel were there as slaves; they were undoubtedly familiar with it.<\/p>\nHyacinth (Hyacinthus orientalis)<\/em><\/p>\nThe lily referred to in Song of Songs 2:1-2, 16; 4:5; and 6:2-4 may well be the garden hyacinth. It is native to, and very common in, the fields and rocky places in the Holy Land, Lebanon, and northward. Its flowers in the wild form are always deep blue and very fragrant.<\/p>\nSee also<\/em> Lily (below).<\/p>\nHyssop (Origanum maru)<\/em><\/p>\nWoody plant native to Asia with spikes of small blue flowers and aromatic leaves used as a condiment and in perfumery. There is little agreement among botanists as to the exact identity of the biblical “hyssop.” Some have suggested Hyssopus offici<\/em>nalis,<\/em> the well-known garden herb now called hyssop. However, this plant is not native either to the Holy Land or Egypt, being found only in southern Europe. Moreover, it does not fit the requirements of the biblical plant.<\/p>\nThe “hyssop” of the OT is likely the Syrian or Egyptian marjoram (Origanum maru).<\/em> It is referred to in Exodus 12:22; Leviticus 14:4-6, 52; Numbers 19:6, 18; 1 Kings 4:33; Psalm 51:7; and Hebrews 9:19. The marjorams are mints growing (under favorable conditions) about two or three feet (.6 to .9 meter) tall, but more often are dwarfed when growing in rock crevices and walls (cf. 1 Kgs 4:33). An aromatic substance is obtained from the crushed and dried leaves. If gathered together in a bunch with leaves and flowers, the hairy stems of the marjoram would hold liquid very well and would make an excellent sprinkler.<\/p>\n\nThe hyssop of the crucifixion passage in the NT (Jn 19:29) is probably the sorghum, a tall cereal plant grown primarily for food but also used for brushes and mops.<\/p>\nJuniper (Juniperus)<\/em><\/p>\nVariety of evergreen tree or shrub. The plant referred to in Jeremiah 17:6 and 48:6 and translated in the kjv<\/span> “heath” is probably the savin or Phoenician juniper. The Phoenician juniper, Juniperus phoenicia,<\/em> is found in the hills and rocky places of Arabia. The savin juniper, J. sabina,<\/em> is common throughout the deserts, plains, and rocky places of Syria and Palestine. These references are to the brown-berried cedar, or sharp cedar.<\/p>\nLaurel or Sweet Bay (Laurus nobilis)<\/em><\/p>\nShrub or tree native to the Mediterranean region. While the reference in Psalm 37:35 may be to the cedar of Lebanon, most scholars refer the “green bay tree” (kjv<\/span>) of the psalmist to the sweet bay, a native of the Holy Land, inhabiting thickets and woods from the coast to the middle montane zone. It is an evergreen tree attaining a height from 40 to 60 feet (12.2 to 18.3 meters).<\/p>\nEven though the tree is abundant on Mt Carmel and around Hebron, it is generally not common in the Holy Land. Its leaves are still used as a condiment, and its fruit, leaves, and bark have long been used in medicine.<\/p>\nLeek (Allium porrum)<\/em><\/p>\nSee<\/em> Onion (below).<\/p>\nLentil (Lens esculenta)<\/em><\/p>\nThe lentil plant to which Genesis 25:29-34, 2 Samuel 17:27-29, 23:11, and Ezekiel 4:9 refer is a small, erect, annual, vetchlike plant with slender stems and tendril-bearing leaves. It produces small, white, violet-striped flowers with flat, pealike pods in which the lentils are borne.<\/p>\nLettuce (Lactuca sativa)<\/em><\/p>\nSee<\/em> Bitter Herbs (above).<\/p>\nLily (Lilium)<\/em><\/p>\nAny of various plants of the genus Lilium<\/em> having large, variously colored, trumpet-shaped flowers; and related plants. The lily is one of the most famous of all the plants in the Bible, but it is also one about which there has been considerable difference of opinion. It seems probable that several kinds of plants, perhaps five or six, are called lilies in the kjv<\/span>. Most authorities regard the Palestine anemone or wind flower, Anemone coronaria,<\/em> as the “lily of the field” (Mt 6:28, kjv<\/span>) that surpassed Solomon in all his glory. These flowers are found in every part of the Holy Land in profusion; the most common forms are scarlet or yellow, but the Palestine anemone may also be blue, purple, rose, or white in color. The flower attains a diameter of two and three-quarter inches (7 centimeters).<\/p>\nAn alternative suggestion is the Palestinian chamomile, Anthemis palaestina,<\/em> a common, white, daisylike plant. The chamomile is gathered like dry grass and thrown into the furnace when it dries up.<\/p>\nAnother proposed plant is Lilium chalcedonicum,<\/em> the scarlet or Martagon lily. The statement in Song of Songs 5:13—“his lips like lilies”—would better fit this plant than the Palestine anemone. The reference is apparently to a rare plant of exceptional beauty. The scarlet lily is rare in the Holy Land; indeed, some botanists doubt that it lives there.<\/p>\nThe references in 1 Kings 7:19, 22, 26 and 2 Chronicles 4:5 are probably to the water lily, Nymphaea alba,<\/em> which served as the pattern. The water lily is quite common in Europe and also in the Holy Land and northern Africa.<\/p>\nLotus Bush (Zizyphus lotus)<\/em><\/p>\nThe “shady trees” of Job 40:21-22 (kjv<\/span>; cf. nlt<\/span> “lotus plants”) may refer to the lotus bush of the Middle East, Zizyphus lotus,<\/em> a shrub or low tree that grows to a height of about five feet (1.5 meters) with smooth, zigzag, whitish branches.<\/p>\nOther commentators believe that the shady trees of Job are large-leafed trees such as the plane tree, Platanus orientalis,<\/em> or the oleander, Nerium oleander.<\/em> This suggestion is based on the assumption that the animal described in Job 40 is the hippopotamus, and it seems unlikely that the hippopotamus would live under a lotus bush or even be found in places where this shrub grows. These individuals regard the plane tree or the oleander as more likely.<\/p>\nMallow (Atriplex)<\/em><\/p>\nThe Hebrew word used in Job 30:4 implies saltiness, and for this reason botanists believe that it refers to one of the species of the saltwort or orach. Twenty-one species of saltwort occur in the Holy Land, almost all of which are common and could well meet the requirements of the text. Atriplex halimus<\/em> is the species usually suggested, a strong-growing bushy shrub related to the spinach.<\/p>\nMandrake (Mandragora officinarum)<\/em><\/p>\nThe mandrake or love apple is a stemless herbaceous perennial related to the nightshade, potato, and tomato. It has a large, beetlike, often forked taproot from the top of which arise many dark leaves about a foot (30.5 centimeters) long and four inches (10.2 centimeters) wide. The plant is slightly poisonous, and the thick taproots have some resemblance in shape to the lower parts of the human body. For this reason certain aphrodisiac properties were ascribed to it (cf. Gn 30:14-16).<\/p>\nThe love apple was a common plant in deserted fields throughout the Holy Land. It is native to the entire Mediterranean region, southern Europe, and Asia Minor. The mandrake is mentioned in Song of Songs 7:13, though some scholars believe the writer may actually have been referring to the citron or to the common edible field mushroom, Agaricus campestris.<\/em><\/p>\nMelon (Cucumis melo, Citrullus vulgaris)<\/em><\/p>\nAny of several varieties of these two related vines having a hard rind and juicy flesh. The melons of Numbers 11:5 may be either the muskmelon (Cucumis melo)<\/em> or the watermelon (Citrullus vulgaris).<\/em> It may be that both fruits are referred to.<\/p>\n\nMillet (Panicum miliaceum)<\/em><\/p>\nA grass grown in Eurasia for its edible seed. Millet seeds are the smallest of all the grass seeds cultivated as food but are produced profusely. Millet is an annual grass seldom more that two feet (.6 meter) tall. The small seeds of the millet are used on cakes and eaten uncooked by the poor of the land.<\/p>\nMint (Mentha)<\/em><\/p>\nAny of various plants of this family with aromatic foliage that is processed for flavoring. Quite a few mints are common in the Holy Land, but the horse mint (Mentha longifolia)<\/em> is probably the one referred to in Matthew 23:23 and Luke 11:42. Mints were employed by the ancient Hebrews, Greeks, and Romans for flavoring, as a carminative in medicine, and as a condiment in cooking.<\/p>\nMulberry (Morus nigra)<\/em><\/p>\nAny tree of this family, some bearing dark-purple fruit and one bearing white fruit, having leaves used as food for silkworms. The sycamine tree of Luke 17:6 (kjv<\/span>) is evidently the black mulberry, Morus nigra.<\/em> It is a low-growing, thick-crowned, stiff-branched tree standing from 24 to 35 feet (7.3 to 10.7 meters) tall, though rarely more than 30 feet (9.1 meters) tall. Originally native to northern Persia, it is now cultivated throughout the Middle East for its fruit. The Chinese or Indian species, M. alba,<\/em> was until recently widely cultivated in Syria and the Holy Land but is not indigenous.<\/p>\nMustard (Brassica nigra, B. arvensis)<\/em><\/p>\nVarious plants of this genus are native to Eurasia, some of which are cultivated for their edible seeds. While there is disagreement about the identity of the “mustard” of Matthew 13:31-32, 17:20, Mark 4:31, Luke 13:19, and 17:6, it is generally thought to be the ordinary black mustard, Brassica nigra.<\/em><\/p>\nThe mustard Jesus referred to may be the charlock or wild mustard, B. arvensis,<\/em> which normally grows from one to three feet (.3 to .9 meter) tall. Some have suggested that it was actually Salvadora persica,<\/em> found in thickets around the Dead Sea. The plant has a pleasant aromatic taste resembling that of mustard, and if taken in considerable quantity, it will produce an irritation of the nose and eyes similar to that of mustard. However, this plant does not grow as far north as Galilee, and the fruits are rather large and stony, thus hardly fitting the description of the parable.<\/p>\nWhile the seeds of the mustard are not the smallest known, they were probably the smallest familiar to the common people who comprised Jesus’ audience in Galilee.<\/p>\nMyrrh (Commiphora myrrha, C. kataf)<\/em><\/p>\nShrub or tree exuding an aromatic gum resin used in perfume and incense. Most of the references in Scripture to myrrh are to Commiphora myrrha,<\/em> although C. kataf<\/em> may also be involved since it grows in the same region and is similar. The two trees are native to Arabia, Ethiopia, and the Somali coast of east Africa. They yield a gummy exudation that constitutes most of the myrrh of commerce. Both species are low, scrubby, thick- and stiff-branched thorny shrubs or small trees that grow in rocky places, especially on limestone hills. In the East it is highly regarded as an aromatic substance, perfume, and medicine. The ancient Egyptians burned it in their temples and embalmed their dead with it; the Jews also used it for embalming (Jn 19:39). The Hebrews held it in high regard as a perfume (Ps 45:8).<\/p>\n\nMyrtle (Myrtus communis)<\/em><\/p>\nThe myrtle tree is common in the Holy Land, especially around Bethlehem, Lebanon, Hebron, and the slopes of Mt Carmel and Mt Tabor. It is native to western Asia and in good environments grows into a small evergreen tree 20 to 30 feet (6.2 to 9.1 meters) tall. More often, however, it is a straggling bush 1½ to 4 feet (.5 to 1.2 meters) tall.<\/p>\nIn the Bible, myrtle is referred to chiefly as a symbol of God’s generosity. Branches of myrtle trees were included among those that Nehemiah ordered to be gathered for the Feast of Tabernacles (Neh 8:15). The myrtle was symbolic not only of peace but also of justice.<\/p>\n\nNarcissus (Narcissus tazetta)<\/em><\/p>\nWidely cultivated plant of this family with narrow leaves and usually white or yellow flowers with a cup-crown or trumpet-shaped crown. The polyanthus narcissus (Narcissus tazetta)<\/em> appears to be the plant referred to in Isaiah 35:1. This narcissus grows abundantly on the plains of Sharon and elsewhere in Palestine. Being sweet-smelling, it is a great favorite.<\/p>\nNard (Nardostachys jatamansi)<\/em><\/p>\nThe nard is a perennial herb with strong, pleasantly scented roots. It is native to high altitudes in the Himalayas, and its range extends from there into western Asia. The roots and spikelike wooly young stems are dried before the leaves unfold and are used for making perfume. It is still used in India as a perfume for the hair, and there is every reason to believe that the spikenard of Scripture (Sg 1:12; 4:13-14; Mk 14:3; Jn 12:3) came originally from India.<\/p>\nNettle (Urtica)<\/em><\/p>\nPlant of this genus having toothed leaves covered with hairs that exude a stinging flush. Four species of nettle are found in the Holy Land: the common or great nettle, Urtica dioica;<\/em> the Roman nettle, U. pilulifera;<\/em> the small nettle, U. urens;<\/em> and U. caudata,<\/em> which is similar to the small nettle. Some nettles attain a height of five to six feet (1.5 to 1.8 meters). They are common pests of waste places and fields. They are often seen occupying ground that was once cultivated but has since been neglected (Is 34:13; Hos 9:6).<\/p>\nNutmeg Flower (Nigella sativa)<\/em><\/p>\nThe “fitches” of Isaiah 28:25-27 (kjv<\/span>) are probably the nutmeg flower, an annual plant of the buttercup family. The plant grows wild in southern Europe, Syria, Egypt, north Africa, and other Mediterranean lands, where it is extensively cultivated for its strongly pungent, pepperlike aromatic seeds. These are sprinkled over some kinds of bread and cakes in the East and are used for flavoring curries and other dishes in the Holy Land and Egypt. Cummin and nutmeg flowers are still gathered in the Holy Land in the same way described by Isaiah.<\/p>\nOak (Quercus)<\/em><\/p>\nAt least five species of oaks are found in Palestine. One of these is the kermes oak (Quercus coccifera),<\/em> the host of the insect Coccus ilicis,<\/em> which produces the scarlet dye used in coloring linen and wool (Gn 38:28-30; Ex 25:4; 26:1; 28:33; 35:23; 39:24; Lv 14:4-6, 51-52; Nm 19:6; 2 Chr 2:7, 14; 3:14; Is 1:18; Heb 9:19; Rv 18:12). The kermes oak grows from 6 to 35 feet (1.8 to 10.7 meters) tall and is found in the mountainous regions of Syria, Lebanon, and the Holy Land. When it grows alone, the kermes oak often becomes a large tree. It was regularly planted by tombs in the East. The oak was always respected and even venerated in biblical times for its large size and strength, and great men were usually buried in its shade. Abraham’s oak in Hebron is an example.<\/p>\nA second oak is the valonia oak (Q. aegilops),<\/em> perhaps the oak of Isaiah 2:13 and 44:14. It is common in the middle montane zones and probably was abundant in the area around Bashan. The oak of Genesis 35:4, 8 is thought to have been the holm oak (Q. ilex),<\/em> an evergreen oak that grows to a height of 60 feet (18.3 meters). Still another oak is Q. lusitanica,<\/em> the cypress oak, a small deciduous tree seldom more than 20 feet (6.1 meters) tall. The very large acorns of this tree were sometimes eaten.<\/p>\nThe word translated “plain” (kjv<\/span>) in Genesis 12:6, 13:18, 14:13, and 18:1 should probably be translated “oak.”<\/p>\nThe many references to “groves” in the OT, usually in connection with the worship of Baal or other heathen gods (Ex 34:13; Dt 16:21; Jgs 3:7; 1 Kgs 14:23; 18:19; 2 Kgs 17:16—all kjv<\/span>), were probably groves of sacred oak trees.<\/p>\nOil Tree, Oleaster (Elaeagnus angustifolia)<\/em><\/p>\nSmall Eurasian tree with oblong silvery leaves, greenish flowers, and olivelike fruit. There is question as to which tree is referred to when 1 Kings 6:23, 31-33 and 1 Chronicles 27:28 refer to “olive trees.” The same word occurs in Isaiah 41:19 and Micah 6:7. The plant referred to is probably the narrow-leaved oleaster (Elaeagnus angustifolia),<\/em> a small stiff-branched tree or graceful shrub growing from 15 to 20 feet (4.6 to 6.1 meters) tall, common in all parts of the Holy Land except in the Jordan Valley. At one time it was particularly common on Mt Tabor and at Hebron and Samaria. The wood is hard and fine-grained and therefore well suited for carving of images and figures. The oil that it yields is a rather inferior type used in medication but not for food; this may be the oil of Micah 6:7.<\/p>\nOleander (Nerium oleander)<\/em><\/p>\nAny poisonous evergreen shrub of this genus growing in warm climates. One of the suggestions for the plants identified as “roses” in various translations (Ecclus 24:14, kjv<\/span>) is the oleander. This plant, originally native to the East Indies, has been cultivated throughout the warm regions of the world for centuries. It flourishes in the Holy Land today and forms dense thickets in some parts of the Jordan Valley. It is usually a shrub from 3 to 12 feet (.9 to 3.7 meters) tall. Every part of the plant is dangerously poisonous.<\/p>\nOlive, Olive Tree (Olea europaea)<\/em><\/p>\nOld world semitropical evergreen tree bearing edible fruit. The olive, Olea europaea,<\/em> was unquestionably one of the most valuable trees known to the Jews. There are innumerable references to it in Scripture, as well as to olive oil, which was used for anointing. The tree is quite common in the Holy Land, and in many places it is the only tree of any substantial size. The branches of the wild olive are rather stiff and spinescent, and the typical cultivated tree is a multi-branched evergreen, 20 or more feet (6.1 meters) tall, with a gnarled trunk and smooth, ash-colored bark. The leaves are leathery and the flowers are small, yellow or white. The fruits are large, black or violet, ripening in September, and it is the outer fleshy parts of the fruit that yield the valuable olive oil of commerce. Thirty-one percent of the ripe fruit is oil. The ripe fruit is eaten raw, as is the green, unripe fruit. The wood of the trunk and limbs is hard, rich yellow or amber in color, and fine-grained, often handsomely variegated. It is still used today for the finest cabinetwork and turnery. The tree grows very slowly, but it attains a great age. It is difficult to kill the olive tree by cutting it down, because new sprouts are sent up from the root and all around the margins of the old stump, often forming a grove of two to five trunks, all from a single root that originally supported only one tree.<\/p>\nOnion (Allium)<\/em><\/p>\nThe onions referred to in Numbers 11:5 are undoubtedly Allium cepa,<\/em> the Egyptian onion, which is made up of a compact coated bulb formed of layers consisting of broad fleshy bases of closely overlapping leaves. The leaves are slender and hollow. The entire plant has a characteristic pungent taste and odor.<\/p>\n\nClosely related to the onion is the garlic, A. sativum.<\/em> The common garlic is a hardy, bulbous perennial plant that is cultivated in Europe, western Asia, and Egypt. The leaves are narrow, flat, and ribbonlike. It is extremely popular with people of the Mediterranean region.<\/p>\nStill another one of the onions is the leek, A. porrum.<\/em> The bulb of the leek differs from that of the onion and garlic in that it is slender, cylindrical, and more than six inches (15.2 centimeters) in length. The flavor resembles that of the onion but is more pungent. The leaves are eaten as a relish or are cooked in soups. The bulbs are cut into small pieces and employed as seasoning for meat.<\/p>\nPalm (Phoenix dactylifera)<\/em><\/p>\nThe palm tree of the Bible is undoubtedly the date palm. At one time it was as characteristic of the Holy Land as it is still today of Egypt. It is characterized by a branchless, tapering stem of up to 80 feet (24.2 meters) or more in height and a large terminal cluster of feathery leaves, each six to nine feet (1.8 to 2.7 meters) or more long. Because of its height and unusual structure, it was natural that it should be used as a form of ornamentation in Eastern architecture. The stem and leaves were favorite subjects of architectural embellishment. The immense, branchlike leaves that are referred to as branches in the Bible were symbols of triumph and were used on occasions of great rejoicing (Jn 12:13; Rv 7:9). The large leaves are still used to cover the roofs and sides of houses and to give solidity to reed fences. Mats, baskets, and even dishes are made of them. Small leaves are used as dusters, and the wood of the trunk is used for timber. Rope is made from the weblike integument in the crown. The fruit, borne in an immense drooping cluster, which may weigh from 30 to 50 pounds (13.6 to 22.7 kilograms), is the chief food of many natives of Arabia and north Africa. A single tree may yield up to 200 pounds (90.7 kilograms) of dates a year. They may be dried for future use.<\/p>\nPapyrus (Cyperus papyrus)<\/em><\/p>\nThe Egyptian bulrush or papyrus (Ex 2:3-5; Jb 8:11; Is 18:2; 19:6-7; 35:7; 58:5) has smooth three-sided stems ordinarily attaining a height of 8 to 10 feet (2.4 to 3 meters), but sometimes even 16 feet (4.9 meters), and a thickness of two to three inches (5.1 to 7.6 centimeters) at the base with a large tuft of florets at the end. The papyrus formerly grew in great abundance along the banks of the Nile, forming what was almost a dense jungle. Today it is practically extinct in lower Egypt, although it is still found along the White Nile and in the Sudan. The papyrus still grows in parts of the Holy Land, especially around the north end of the plain of Galilee and the Huleh swamps.<\/p>\n\nIn addition to being used for making small vessels to float in water (Ex 2:3), for mats, and for various other domestic purposes, it is best known as the source of ancient paper. In manufacturing paper from papyrus, the stems of the plant were first peeled and the pitch then cut longitudinally into thin slices that were laid side by side. These were then sprinkled with water and pressed to unite the whole into one piece. The sheet was then dried and cut into pieces of the required size. In the better grades of papyrus paper, several layers of stem slices were laid crosswise on each other.<\/p>\nThe pale, fawn-colored, tassel-like inflorescences at the summit of the stems were used to adorn Egyptian temples and to crown the statues of gods. They were also worn as crowns by famous men and national heroes.<\/p>\nPine Tree (Pinus brutia, P. halepensis)<\/em><\/p>\nVarious evergreen trees of this family with needle-shaped leaves in clusters and seed-bearing cones. While there is considerable confusion concerning the conifers of the Bible, it seems apparent that pines are referred to in such passages as Leviticus 23:40; Nehemiah 8:15; Isaiah 41:19; and 60:13. One of the Holy Land’s pines is the Brutian pine (Pinus brutia),<\/em> a mountain-inhabiting species of the northern regions of Palestine. It attains a height of 10 to 35 feet (3 to 10.7 meters) with a rather diffuse growth and branches in whorls.<\/p>\nAnother of the pines is the Aleppo pine, Pinus halepensis.<\/em> Most of the instances of the occurrence of “fir” or “fir tree” in the kjv<\/span> probably refer to the Aleppo pine (2 Sm 6:5; 1 Kgs 5:8, 10; 6:34; 2 Kgs 19:23; 2 Chr 2:8; Ps 104:17; Sg 1:17; Is 14:8; 37:24; 55:13; 60:13; Ez 27:5; 31:8; Hos 14:8; Na 2:3; Zec 11:2). It grows from 9 to 60 feet (2.7 to 18.3 meters) tall with diffuse ascending branches and yellowish or brownish branchlets.<\/p>\nPistachio (Pistacia terebinthus, P. vera)<\/em><\/p>\nThe Palestine terebinth or turpentine tree is a large deciduous tree with straggling boughs. In the winter, without its leaves, it looks much like the oak. It grows from 12 to 25 feet (3.7 to 7.6 meters) tall. Every part of the tree contains a fragrant, resinous juice. It is common on the lower slopes of the hills throughout Syria, Lebanon, Palestine, and Arabia, generally growing as a solitary tree and found mostly in localities too warm or too dry for the oak that it generally replaces. Since it is native to Gilead, it is quite probable that its resinous juice formed part of the spicery that the Israelites carried to Egypt from Gilead (Gn 37:25).<\/p>\nThe nuts of Genesis 43:11 are apparently pistachio nuts from the pistachio tree, Pistacia vera,<\/em> closely related to the terebinth. It attains a height of 10 to 30 feet (3 to 9.1 meters) with a spreading top. It is found wild in many rocky parts of Lebanon and the Holy Land. The nut has a light-colored shell and the kernel has a sweet delicate flavor much relished wherever it grows.<\/p>\nPlane Tree (Platanus orientalis)<\/em><\/p>\nAny of several trees of this family with bell-shaped fruit clusters and usually an outer bark that flakes off in patches or strips. The references in Genesis 30:37 and Ezekiel 31:8 are apparently not to the chestnut tree, which is not indigenous to Palestine, but to the oriental plane tree, Platanus orientalis.<\/em><\/p>\nThe plane tree is a massive tree 60 feet (18.3 meters) or more tall with a trunk often of vast circumference, sometimes as much as 40 feet (12.2 meters). The outer bark peels off in sheets or scales, thus exposing a smooth whitish or yellowish inner bark. The tree is common throughout Lebanon, Syria, and the Holy Land, growing even in subalpine regions. However, it is primarily a tree of the plains and lowlands, growing on the edges of streams and lakes and in marshy places.<\/p>\nPomegranate (Punica granatum)<\/em><\/p>\nThe pomegranate is usually a small, bushlike tree but may occasionally become a large, branching shrub or small tree reaching a height of 20 to 30 feet (6.1 to 9.1 meters). The branches are often thorny. The showy bell-like flowers are usually scarlet, though sometimes yellow or white. The globular fruit is as large as an orange or medium-size apple. It has a hard rind of a bright red or yellowish color when ripe and is surmounted by the dry sepals that resemble a crown. The fruit itself is a crimson juicy pulp in which many red seeds are imbedded. The flowers of the pomegranate undoubtedly served as a pattern for the golden bells referred to in Exodus 28:33-34 and 39:24-26, and the open flowers of 1 Kings 6:32. The erect calyx lobes on the fruit served as a model for crowns of kings.<\/p>\nThe pomegranate is native to Asia, but it has been cultivated since prehistoric times and is now quite common in the Holy Land, in Egypt, and along the shores of the Mediterranean. It is listed as one of the pleasant fruits of Egypt (Nm 20:5) and one of the promised blessings of the Holy Land (Dt 8:8).<\/p>\nPoplar (Populus euphratica, P. alba)<\/em><\/p>\nFast-growing deciduous tree of the same genus as the aspen and cottonwood. The kjv<\/span> references in 2 Samuel 5:23-24 and 1 Chronicles 14:14-15 to mulberry trees are more probably to the Euphrates poplar or aspen, Populus euphratica.<\/em> This tree grows to a height of 30 to 45 feet (9.1 to 13.7 meters) with spreading branches. The Euphrates aspen is found only on rivers and stream banks throughout the area from Syria through the Holy Land to Stony Arabia. It is especially common in the Jordan Valley.<\/p>\nThe white poplar (Populus alba)<\/em> is common in wet places in Syria, Lebanon, the Holy Land, and Sinai. It attains a height of 30 to 60 feet (9.1 to 18.3 meters) with spreading branches. Some suggest that the altars of various pagan religions were usually erected on the top of a hill and in the shade of a poplar grove.<\/p>\nQuince (Cydonia oblonga)<\/em><\/p>\nTree native to western Asia, having white flowers and applelike fruit that is edible when cooked. Some believe that the “apples” of the OT were quinces, Cydonia oblonga.<\/em> The quince tree is quite common in the Holy Land, though chiefly as a cultivated tree. It may occur wild in the northern parts of Syria. It is native to northern Persia and Asia Minor. The fruit is yellowish and highly fragrant, and it is the fragrance that caused it to be held in high regard by the ancients.<\/p>\nReed (Juncus, Scirpus, Typha angustata, Arundo donax)<\/em><\/p>\nNumerous species of the rush and bulrush grow in the Holy Land. There are at least 21 varieties of rushes. The common soft rush or bog rush (Juncus effusus)<\/em> is found in wet places, even in the Sinai and other deserts. The sea or hard rush (J. maritimus)<\/em> is found in damp places throughout the Holy Land and even in Sinai.<\/p>\nAt least 15 kinds of bulrushes (Scirpus)<\/em> are known in the Holy Land. The cluster-headed club rush (Scirpus holoschoenus)<\/em> is common in damp places throughout the Holy Land to the Sinai. The lake club rush or tall bulrush (S. lacustris)<\/em> is found in swamps and ditches throughout northern Africa to the Dead Sea. The sea club rush or salt marsh club rush (S. maritimus)<\/em> is found in ditches and swamps in many places of the Holy Land. Any of these species may be the one referred to in Job 8:11; Isaiah 9:14; 19:6, 15.<\/p>\nThe reference in Genesis 41:2 to the feeding of cattle in the meadow seems to be to the tall reed (Arundo donax),<\/em> which grows 18 feet (5.5 meters) or more in height. This plant is also known as the Persian reed and is common throughout the Holy Land, Syria, and the Sinai peninsula. It is a gigantic grass that may have a stem diameter of two or three inches (5.1 to 7.6 centimeters) at the base and is terminated by a plume of white flowers similar to those of the sugarcane or pampas grass. The plant was used for many purposes by the ancients: for walking sticks, fishing rods, measuring rods, and musical pipes. It is, therefore, quite possible that the “reed” of Matthew 27:48 and Mark 15:36 was a carpenter’s reed or measuring rod.<\/p>\nSee also<\/em> Papyrus.<\/p>\nRue (Ruta chalepensis, R. graveolens)<\/em><\/p>\nAromatic Eurasian plant with evergreen leaves that yield an acrid, volatile oil once used in medicine. There is little question as to the correctness of the translation of “rue” in Luke 11:42, but there is some doubt as to the exact species. Most writers think that it was the common rue (Rue graveolens),<\/em> a perennial shrubby plant with erect stems two to three feet (.6 to .9 meter) tall and deeply cut leaves. A very strong odor emanates from the foliage. This species is native to the Mediterranean region and grows wild in the Holy Land, especially on Mt Tabor.<\/p>\nRue was highly thought of by the ancients as a medicinal, supposed to prevent dizziness, dumbness, epilepsy, eye inflammations, insanity, and the “evil eye.” Rue was also used for seasoning dishes.<\/p>\nRush (Butomus umbellatus)<\/em><\/p>\nGeneric term for any of various grasslike marsh plants having pliant, hollow, or pithy stems. There is considerable uncertainty about the identification of the plant referred to in Genesis 41:2 translated in the kjv<\/span> as “meadow,” and in Job 8:11 as “flag.” Since it is mentioned along with the papyrus in the Job passage, it seems that it refers to a specific kind of plant rather than to an aggregate of plants in a meadow. From the description in Genesis as being a plant on which Pharaoh’s cattle might feed along the banks of the Nile and yet not the papyrus, it may refer to the flowering rush or water gladiola (Butomus umbellatus),<\/em> which flourishes both in Egypt and in the Holy Land, along with the papyrus.<\/p>\nSee also<\/em> Reed.<\/p>\nSaffron (Crocus sativus)<\/em><\/p>\nSaffron, referred to in Song of Songs 4:14, is the product of several species of Crocus,<\/em> especially of the blue-flowered saffron crocus (C. sativus),<\/em> which is native to Greece and Asia Minor. The commercial product consists of the stigma and upper portions of the style, the top parts of the flower ovary, which are collected shortly after the flower opens. It requires at least 4,000 stigmas to make an ounce of saffron. After being gathered, the stigmas are dried in the sun, pounded, and made into small cakes. Saffron is used principally as a yellow dye and also as a fruit coloring for curries and stews.<\/p>\nAnother, entirely different kind of dye-producing plant (Carthamus tinctorius)<\/em> called carthamine, bastard saffron, or safflower is a member of the thistle family. Its red florets yield a dye used extensively for coloring silk, in cooking, and for adulterating genuine saffron. It is an annual spiny plant three to four and a half feet (1.4 meters) tall, native to Syria and Egypt. In Egypt the grave clothes of mummies were dyed with this material, and it is quite possible that this plant may also have been the saffron of the Bible.<\/p>\nSage (Salvia judaica)<\/em><\/p>\nThe Judean sage grows to three feet (.9 meter) tall in the mountains and hills of Palestine. Its stems are four-angled, stiff, and rough. The plant grows from Syria south through Nazareth, Hebron, Tiberius, Samaria, and Judea.<\/p>\nThis plant is the origin of the design of the seven-branched lampstand of Exodus 37:17-18, which is known as the menorah, the traditional Jewish symbol. The inflorescence of the plant, when pressed flat, has almost exactly the same shape and form as the seven-branched candlestick, with its central spike and three pairs of side branches each bending upward and inward in a symmetrical fashion. On each branch of the plant’s inflorescence are whorls or buds that perhaps give the idea for the “knops” (kjv<\/span>) or “knobs” on the biblical golden candlesticks.<\/p>\nSpelt (Triticum aestivum)<\/em><\/p>\nHardy member of the wheat family. The rye of Exodus 9:32 and Isaiah 28:25, as well as the fitches of Ezekiel 4:9 (all kjv<\/span>) are thought to be spelt. It is a hard-grained species of wheat with loose ears and grains triangular in cross-section, and was the most common form of wheat in early times. It has a stouter stem than wheat and strong spikes of grain. Bread made of its flour is much inferior to that made from wheat, but spelt will thrive in almost any kind of soil and will yield a crop on land that is unfit for wheat. The ancients preferred it to barley for bread.<\/p>\nStorax Tree (Styrax officinalis)<\/em><\/p>\nVarious trees of this genus yielding an aromatic resin. Today it is thought that the stacte of Exodus 30:34 was derived from the storax tree. It is an irregularly stiff-branched shrub or small tree 9 to 20 feet (2.7 to 6.1 meters) tall. This tree is abundant on low hills and rocky places from Lebanon through the Holy Land. Its gum is obtained by making incisions in the stems and branches. It is highly perfumed and is still prized today as a perfume.<\/p>\nSycamore-fig (Ficus sycomorus)<\/em><\/p>\nTree of northeastern Africa and adjacent Asia, related to the fig. The word translated “sycamore” in 1 Kings 10:27; 1 Chronicles 27:28; 2 Chronicles 1:15; 9:27; Psalm 78:47; Isaiah 9:10; Amos 7:14; and Luke 19:4 undoubtedly refers to the well-known sycamore-fig, which is also known as the mulberry-fig or fig-mulberry. It should not be confused with the common sycamore of the North American continent, which is actually a plane tree. The sycamore-fig of the Bible is a strong-growing, robust, wide-spreading tree growing 30 to 40 feet (9.1 to 12.2 meters) tall and sometimes attaining a trunk circumference of 20 feet (6.1 meters) or more with a crown 120 feet (36.6 meters) in diameter. It is a tree that is easily climbed and is frequently planted along roadsides, which accounts for the reference in Luke 19:4. It produces an abundant amount of fruit in clusters on all parts of the tree, on both young and old branches and even on the trunk itself. It is very similar to the common fig, only smaller and much inferior in quality. In David’s day it was so valuable that he appointed a special overseer for the sycamore trees (1 Chr 27:28). It is thought that Amos was not a gatherer of sycamore fruit but rather a dresser of sycamore trees.<\/p>\nTamarisk (Tamarix)<\/em><\/p>\nThe references in Genesis 21:33 and 1 Samuel 22:6 and 31:13 seem to be to the tamarisk. These trees or shrubs are small and fast-growing with a durable wood. They are abundant in deserts, dunes, and salt marshes. Tamarix aphylla<\/em> is leafless and has small white flowers. These trees or shrubs often provide a soothing touch of green foliage and a promise of cooling shade to the traveler. Tamarisks are able to survive because they either have small, scalelike leaves, which lose little moisture by transpiration, or no leaves at all. The larger of the tamarisks are valued for their wood in a region where wood is scarce. The wood was used for building and also as a source of an excellent type of charcoal.<\/p>\nTerebinth (Pistacia terebinthus)<\/em><\/p>\nSee<\/em> Pistachio (above).<\/p>\nThistle, Thorn (Lycium europaeum, Solanum incanum, Centaurea, Silybum marianum, Ruscus aculeatus, Agrostemma githago, Paliurus spina-christi, Zizyphus spina-christi)<\/em><\/p>\nThere are 22 different Hebrew and Greek words used in Scripture to refer to spiny or prickly shrubs or weeds, and these are translated as “bramble,” “brier,” “cockle,” “thorn,” and “thistle.” At present, there are about 125 species of thorns and thistles that grow in the Holy Land.<\/p>\nThe bramble in the allegory of Judges 9:14-15 is believed to refer to the European boxthorn or desert-thorn, Lycium europaeum.<\/em><\/p>\nThe general consensus is that the “briers” of Isaiah 10:17, 55:13, Micah 7:4, and Hebrews 6:8 are the Palestine nightshade (Solanum incanum),<\/em> or “Jericho potato.”<\/p>\nThe thistles of Genesis 3:17-18, 2 Kings 14:9, 2 Chronicles 25:18, Hosea 10:8, and Matthew 7:16, as well as the thorns of Matthew 13:7 and Hebrews 6:8, are thought to be one of the species of the thistle, Centaurea.<\/em> Among the more common thistles in the Holy Land are the true star-thistle (Centaurea calcitrapa),<\/em> the dwarf centaury (C. verutum),<\/em> the Iberian centaury (C. iberica),<\/em> and the lady’s thistle (Silybum marianum).<\/em> Some thistles attain a height of five to six feet (.9 to 1.8 meters). Thistles are characteristic of an area that is uncultivated and neglected. Many have beautiful flowers, but all are covered with sharp spines.<\/p>\nThe references in Ezekiel 2:6 to “briers” and Ezekiel 28:24 to a “pricking brier” may be to the prickly butchers-broom or knee-holly, Ruscus aculeatus.<\/em> The plant is common in rocky woods in the northern regions of the Holy Land, especially around Mt Tabor and Mt Carmel.<\/p>\nThe cockle of Job 31:40 (nlt<\/span> “weeds”) perhaps refers to the corn cockle, Agrostemma githago.<\/em> This plant is common in grainfields throughout the Holy Land. It is a strong-growing and troublesome weed in grainfields, growing from one to three feet (.3 to .9 meter) tall.<\/p>\nMany commentators think that the “thorns” out of which the crown of thorns (Mt 27:29; Jn 19:2) was made were from the Christ-thorn (Paliurus spina-christi).<\/em> This belief has led to its specific name; the Christ-thorn is a spiny plant that ordinarily grows as a straggling shrub three to nine feet (.9 to 2.7 meters) tall. The flexible branches are armed at the base of each leaf with a pair of unequal, stiff, sharp spines. The unusual pliable texture of the young branches renders it particularly easy to plait into a crownlike wreath.<\/p>\nThe thorns of Judges 8:7, Isaiah 7:19, 9:18, 55:13, and Matthew 7:16 may refer to the Syrian Christ-thorn (Zizyphus spina-christi),<\/em> a shrub or small tree 9 to 15 feet (2.7 to 4.6 meters) tall, sometimes growing into a 40-foot (12.2-meter) tree with smooth white branches bearing a pair of stout, unequal, recurved spines at the back of each leaf.<\/p>\nSee also<\/em> Bramble; Buckthorn (above).<\/p>\nTulip (Tulipa montana, T. sharonensis)<\/em><\/p>\nAny of several bulbous plants of this family native to Asia. The rose of Sharon in Song of Songs 2:1 may be the mountain tulip, Tulipa montana,<\/em> or the closely related Sharon tulip, T. sharonensis.<\/em> The former is an attractive plant that grows from a bulb and has leaves that are often wavy-margined. The species is common in the mountainous regions of Syria, Lebanon, and the Anti-Lebanon. It is primarily a mountainous species. The Sharon tulip (T. sharonensis)<\/em> is found in sandy places on the Sharon coastal plains.<\/p>\nTumbleweed (Gundelia tournefortii, Anastatica hierochuntica)<\/em><\/p>\nThe references in Psalm 83:13 to “whirling dust” and in Isaiah 17:13 to “wheel” or “rolling thing” (niv<\/span> “tumbleweed”) seem to be to the Palestinian tumbleweed (Gundelia tournefortii),<\/em> a member of the thistle family. It is a prickly herb with milky juice. It rolls over the land and gathers in tremendous heaps in hollows.<\/p>\nVegetable<\/p>\nScriptural references to vegetables are probably, in most cases, to the dried leguminous seeds of beans and lentils.<\/p>\nVine (Vitis vinifera)<\/em><\/p>\nAny plant with a flexible stem that climbs, twines, or creeps along a surface or support. The common grapevine (Vitis vinifera)<\/em> is mentioned throughout the Bible. The fruitful vine (Ez 17:5-10) and the vine brought out of Egypt (Ps 80:8) were symbolic of the Jewish people. Jesus compares himself to the true vine, of which his disciples were the branches (Jn 15:1-6).<\/p>\nThe grapevine of the Old World sometimes assumes the characteristics of a tree, with stems up to a foot and a half (45.7 centimeters) in diameter, the branches then being trained on a trellis and bearing bunches of grapes 10 to 12 pounds (4.5 to 5.4 kilograms) in weight, with the individual grapes the size of small plums. Bunches have been produced weighing as much as 26 pounds (11.8 kilograms). The vines of the Holy Land were always renowned both for the luxuriance of their growth and for the immense clusters of grapes they produced. Thus it does not seem improbable that the spies sent to the Promised Land should have employed a pole to transport some of the clusters home (Nm 13:23-24).<\/p>\nThe wild grape (Vitis orientalis)<\/em> is referred to in Isaiah 5:2-4, Jeremiah 2:21, and Ezekiel 15:2-6. It is known as the native wild fox grape and has small, black, acidic berries about the size of currants with little juice.<\/p>\nWalnut (Juglans regia)<\/em><\/p>\nAny of several trees of this genus having round, sticky fruit enclosing an edible nut. The reference in Song of Songs 6:11 to “nuts” is thought to refer to the Persian or common walnut, Juglans regia.<\/em> The tree is believed to have been indigenous to northern Persia, but it is actually found wild in many parts of northern India, eastward as far as China, and westward through Persia. At the time of Solomon, it was widely cultivated for its fruit throughout the East. Perhaps Solomon’s garden of nuts was a part of his extensive gardens at Etham, six miles (9.7 kilometers) from Jerusalem.<\/p>\nWater Lily (Nymphaea)<\/em><\/p>\nAny of numerous aquatic plants of this genus with floating leaves and showy flowers. The carved lily ornamentation of 1 Kings 7:19-26 and 2 Chronicles 4:5 was probably patterned after the flowers of the water lily. Few flowers can equal the Egyptian lotus or water lily (Nymphaea lotus)<\/em> in beauty. It looks very much like a large white rose and at one time floated in profusion on the waters of the Nile.<\/p>\nThe common European white water lily (N. alba)<\/em> was also familiar to the children of Israel. It grows not only in Europe but also in the Holy Land and North Africa. It is, however, not as common in Egypt as is the white lotus.<\/p>\nAnother water lily with which the Israelites were probably familiar is the blue lotus, N. caerulea.<\/em> Its leaves are 12 to 16 inches (30.5 to 40.6 centimeters) across and it has light-blue flowers that are three to six inches (7.6 to 15.2 centimeters) in diameter.<\/p>\nWheat (Triticum aestivum, T. compositum)<\/em><\/p>\nVarious cereal grasses of this family widely cultivated for its edible grain. Five kinds of wheat are native to—and still wild in—the Holy Land, and at least eight others are cultivated there today; probably most, if not all, were known in Bible times. The wild varieties were probably more abundant then than they are today. Among these are the einkorn (T. monococcum),<\/em> the thaoudar (T. thaoudar),<\/em> and the wild emmer (T. dicoccoides).<\/em> The composite wheat (T. compositum),<\/em> with its branched spikes, often bearing as many as seven heads per stalk, is definitely referred to in Genesis 41:5-57. It is depicted on numerous Egyptian monuments and on inscriptions and is still commonly seen in the Nile Delta, where it is known as “mummy wheat.” It is also cultivated in the Holy Land.<\/p>\nThe most frequently mentioned wheat of the Bible is undoubtedly the commonly cultivated summer and winter wheat, Triticum aestivum.<\/em> It is an abundant annual grass cultivated in Egypt and other Eastern lands since earliest times. The exact place of its origin is unknown. Grains of wheat have been found in the most ancient Egyptian tombs and in the remains of prehistoric lake dwellings in Switzerland. It was certainly the chief grain of Mesopotamia in Jacob’s time (Gn 30:14).<\/p>\nCorn in biblical days often included a mixture of peas, beans, lentils, cummin, barley, millet, and spelt, but wheat was always its main constituent. Egypt was a great grain-producing country, and Abram (Gn 12:10) and Joseph’s brothers (ch 42) naturally turned to Egypt for wheat when famine visited Canaan.<\/p>\nThe mills, millstones, granaries, and threshing floors mentioned in the Bible all refer to equipment employed in processing grain to produce flour. The fine flour of which the showbread loaves were made (Lv 24:5) was unquestionably wheat flour. Wheat intended for home consumption was often stored in the central part of the house; this explains the story told in 2 Samuel 4:6. It was also sometimes stored in dry wells (2 Sm 17:19).<\/p>\nWormwood (Artemisia judaica, A. herba-alba)<\/em><\/p>\nWormwood is a general name given to a group of woody plants with a strong aromatic odor. Wormwood plants have a strong, bitter taste, and their young shoots and branch tips furnish the “wormwood” of commerce. Its bitter taste accounts for its being spoken of with gall—as being symbolic of bitter calamity and sorrow (Prv 5:4; Jer 9:15; 23:15; Lam 3:15, 19). Artemisia herba-alba<\/em> is the common species of wormwood in the Holy Land today. It is strongly aromatic, smelling like camphor, and bitter. A. judaica<\/em> occurs only in the Sinai.<\/p>\nAbsinthe is made from species of this group. It first leads to greater activity and pleasant sensations and fills the mind with grandiose ideas (Lam 3:15). The habitual use of it, however, brings on a stupor and gradual diminution of intellectual faculties, ending in delirium and even death. Perhaps the hemlock of Amos 6:12 was wormwood.<\/p>","summary_ro":"PLANTS Identifying biblical plants has always been a difficult task, partly because people continue to identify the biblical elm, sycamore, lily, rose, and vine with modern plants, and also because they assume that all the plants now growing in the Holy Land were there in ancient biblical days, or that the plants referred to in the Bible are still to be found there today. Unfortunately, many plants now quite common in the Holy Land were not there in biblical days. Many plants that once grew i...","summary_en":"PLANTS Identifying biblical plants has always been a difficult task, partly because people continue to identify the biblical elm, sycamore, lily, rose, and vine with modern plants, and also because they assume that all the plants now growing in the Holy Land were there in ancient biblical days, or that the plants referred to in the Bible are still to be found there today. Unfortunately, many plants now quite common in the Holy Land were not there in biblical days. Many plants that once grew i...","source":"Articles\/P.xml","external_url":null,"has_map":false,"has_picture":false},{"id":49275,"type":"study_note","type_label":"Notă de studiu","type_icon":"📝","type_color":"#06b6d4","title_ro":"Notă de studiu: Psalmi 45:8","title_en":"Study Note: Psalmi 45:8","content_ro":"45:8<\/strong> Fine spices mixed with oil create distinctive perfumes. • The king’s palaces<\/em> were wood paneled with ivory inlays (cp. 6:4; Amos 3:15).<\/p>","content_en":"45:8<\/strong> Fine spices mixed with oil create distinctive perfumes. • The king’s palaces<\/em> were wood paneled with ivory inlays (cp. 6:4; Amos 3:15).<\/p>","summary_ro":"45:8 Fine spices mixed with oil create distinctive perfumes. • The king’s palaces were wood paneled with ivory inlays (cp. 6:4; Amos 3:15).","summary_en":"45:8 Fine spices mixed with oil create distinctive perfumes. • The king’s palaces were wood paneled with ivory inlays (cp. 6:4; Amos 3:15).","source":"StudyNotes.xml","external_url":null,"has_map":false,"has_picture":false},{"id":76901,"type":"study_note","type_label":"Notă de studiu","type_icon":"📝","type_color":"#06b6d4","title_ro":"Notă de studiu: Psalmi 45:8","title_en":"Study Note: Psalmi 45:8","content_ro":"45:8<\/strong> Fine spices mixed with oil create distinctive perfumes. • The king’s palaces<\/em> were wood paneled with ivory inlays (cp. 6:4; Amos 3:15).<\/p>","content_en":"45:8<\/strong> Fine spices mixed with oil create distinctive perfumes. • The king’s palaces<\/em> were wood paneled with ivory inlays (cp. 6:4; Amos 3:15).<\/p>","summary_ro":"45:8 Fine spices mixed with oil create distinctive perfumes. • The king’s palaces were wood paneled with ivory inlays (cp. 6:4; Amos 3:15).","summary_en":"45:8 Fine spices mixed with oil create distinctive perfumes. • The king’s palaces were wood paneled with ivory inlays (cp. 6:4; Amos 3:15).","source":"StudyNotes.xml","external_url":null,"has_map":false,"has_picture":false},{"id":104527,"type":"study_note","type_label":"Notă de studiu","type_icon":"📝","type_color":"#06b6d4","title_ro":"Notă de studiu: Psalmi 45:8","title_en":"Study Note: Psalmi 45:8","content_ro":"45:8<\/strong> Fine spices mixed with oil create distinctive perfumes. • The king’s palaces<\/em> were wood paneled with ivory inlays (cp. 6:4; Amos 3:15).<\/p>","content_en":"45:8<\/strong> Fine spices mixed with oil create distinctive perfumes. • The king’s palaces<\/em> were wood paneled with ivory inlays (cp. 6:4; Amos 3:15).<\/p>","summary_ro":"45:8 Fine spices mixed with oil create distinctive perfumes. • The king’s palaces were wood paneled with ivory inlays (cp. 6:4; Amos 3:15).","summary_en":"45:8 Fine spices mixed with oil create distinctive perfumes. • The king’s palaces were wood paneled with ivory inlays (cp. 6:4; Amos 3:15).","source":"StudyNotes.xml","external_url":null,"has_map":false,"has_picture":false},{"id":132153,"type":"study_note","type_label":"Notă de studiu","type_icon":"📝","type_color":"#06b6d4","title_ro":"Notă de studiu: Psalmi 45:8","title_en":"Study Note: Psalmi 45:8","content_ro":"45:8<\/strong> Fine spices mixed with oil create distinctive perfumes. • The king’s palaces<\/em> were wood paneled with ivory inlays (cp. 6:4; Amos 3:15).<\/p>","content_en":"45:8<\/strong> Fine spices mixed with oil create distinctive perfumes. • The king’s palaces<\/em> were wood paneled with ivory inlays (cp. 6:4; Amos 3:15).<\/p>","summary_ro":"45:8 Fine spices mixed with oil create distinctive perfumes. • The king’s palaces were wood paneled with ivory inlays (cp. 6:4; Amos 3:15).","summary_en":"45:8 Fine spices mixed with oil create distinctive perfumes. • The king’s palaces were wood paneled with ivory inlays (cp. 6:4; Amos 3:15).","source":"StudyNotes.xml","external_url":null,"has_map":false,"has_picture":false},{"id":59724,"type":"theme_note","type_label":"Temă biblică","type_icon":"🎯","type_color":"#ef4444","title_ro":"Biblical Marriage","title_en":"Biblical Marriage","content_ro":"<h3>Biblical Marriage<\/h3>\nAt the first wedding, God the Father gave the bride away to the groom and witnessed the couple’s interaction in his sanctuary-garden (Gen 2:18-25). Biblical marriage is a binding covenant commitment before God. Breaching that covenant (e.g., through adultery) is a sin against people and against God, who is a divine witness to and guarantor of the marriage covenant (see Mal 2:10-16; cp. Gen 39:6-9; Jer 3:1; 1 Cor 6:9-10; Heb 13:4). Although marriage is exclusive, it is not private. It is legally declared in public, with community recognition, witnesses, and accountability (see Lev 20:10-12; Deut 22:22; Jer 29:20-23).<\/p>\nMarriage is also a metaphor of the Lord’s relationship with his people, first with Israel (see Exod 19:3-6; 20:2-6; 34:14; Isa 54:5; Ezek 16; Hos 2:19-20), and then with the church (see 2 Cor 11:2; Eph 5:21-33). A marriage points to something greater than itself—God’s people (Christ’s “bride”) await the return of Christ (the “groom”). Married Christians are called to live in unity and dignity as they anticipate the wedding feast of the Lamb (Rev 19:6-9). Christ will live forever with his faithful people in glory (Rev 19:7; 21:2, 9).<\/p>\nPassages for Further Study<\/strong><\/p>\nGen 2:18-25; 24:65-67; Ps 45:8-15; Isa 54:5; Hos 2:19-20; Mal 2:10-16; 1 Cor 7:1-40; 2 Cor 6:14-16; Eph 5:21-33; Heb 13:4; 1 Pet 3:1-7<\/p>","content_en":"<h3>Biblical Marriage<\/h3>\nAt the first wedding, God the Father gave the bride away to the groom and witnessed the couple’s interaction in his sanctuary-garden (Gen 2:18-25). Biblical marriage is a binding covenant commitment before God. Breaching that covenant (e.g., through adultery) is a sin against people and against God, who is a divine witness to and guarantor of the marriage covenant (see Mal 2:10-16; cp. Gen 39:6-9; Jer 3:1; 1 Cor 6:9-10; Heb 13:4). Although marriage is exclusive, it is not private. It is legally declared in public, with community recognition, witnesses, and accountability (see Lev 20:10-12; Deut 22:22; Jer 29:20-23).<\/p>\nMarriage is also a metaphor of the Lord’s relationship with his people, first with Israel (see Exod 19:3-6; 20:2-6; 34:14; Isa 54:5; Ezek 16; Hos 2:19-20), and then with the church (see 2 Cor 11:2; Eph 5:21-33). A marriage points to something greater than itself—God’s people (Christ’s “bride”) await the return of Christ (the “groom”). Married Christians are called to live in unity and dignity as they anticipate the wedding feast of the Lamb (Rev 19:6-9). Christ will live forever with his faithful people in glory (Rev 19:7; 21:2, 9).<\/p>\nPassages for Further Study<\/strong><\/p>\nGen 2:18-25; 24:65-67; Ps 45:8-15; Isa 54:5; Hos 2:19-20; Mal 2:10-16; 1 Cor 7:1-40; 2 Cor 6:14-16; Eph 5:21-33; Heb 13:4; 1 Pet 3:1-7<\/p>","summary_ro":"Biblical Marriage At the first wedding, God the Father gave the bride away to the groom and witnessed the couple’s interaction in his sanctuary-garden (Gen 2:18-25). Biblical marriage is a binding covenant commitment before God. Breaching that covenant (e.g., through adultery) is a sin against people and against God, who is a divine witness to and guarantor of the marriage covenant (see Mal 2:10-16; cp. Gen 39:6-9; Jer 3:1; 1 Cor 6:9-10; Heb 13:4). Although marriage is exclusive, it is not pr...","summary_en":"Biblical Marriage At the first wedding, God the Father gave the bride away to the groom and witnessed the couple’s interaction in his sanctuary-garden (Gen 2:18-25). Biblical marriage is a binding covenant commitment before God. Breaching that covenant (e.g., through adultery) is a sin against people and against God, who is a divine witness to and guarantor of the marriage covenant (see Mal 2:10-16; cp. Gen 39:6-9; Jer 3:1; 1 Cor 6:9-10; Heb 13:4). Although marriage is exclusive, it is not pr...","source":"ThemeNotes.xml","external_url":null,"has_map":false,"has_picture":false},{"id":87350,"type":"theme_note","type_label":"Temă biblică","type_icon":"🎯","type_color":"#ef4444","title_ro":"Biblical Marriage","title_en":"Biblical Marriage","content_ro":"<h3>Biblical Marriage<\/h3>\nAt the first wedding, God the Father gave the bride away to the groom and witnessed the couple’s interaction in his sanctuary-garden (Gen 2:18-25). Biblical marriage is a binding covenant commitment before God. Breaching that covenant (e.g., through adultery) is a sin against people and against God, who is a divine witness to and guarantor of the marriage covenant (see Mal 2:10-16; cp. Gen 39:6-9; Jer 3:1; 1 Cor 6:9-10; Heb 13:4). Although marriage is exclusive, it is not private. It is legally declared in public, with community recognition, witnesses, and accountability (see Lev 20:10-12; Deut 22:22; Jer 29:20-23).<\/p>\nMarriage is also a metaphor of the Lord’s relationship with his people, first with Israel (see Exod 19:3-6; 20:2-6; 34:14; Isa 54:5; Ezek 16; Hos 2:19-20), and then with the church (see 2 Cor 11:2; Eph 5:21-33). A marriage points to something greater than itself—God’s people (Christ’s “bride”) await the return of Christ (the “groom”). Married Christians are called to live in unity and dignity as they anticipate the wedding feast of the Lamb (Rev 19:6-9). Christ will live forever with his faithful people in glory (Rev 19:7; 21:2, 9).<\/p>\nPassages for Further Study<\/strong><\/p>\nGen 2:18-25; 24:65-67; Ps 45:8-15; Isa 54:5; Hos 2:19-20; Mal 2:10-16; 1 Cor 7:1-40; 2 Cor 6:14-16; Eph 5:21-33; Heb 13:4; 1 Pet 3:1-7<\/p>","content_en":"<h3>Biblical Marriage<\/h3>\nAt the first wedding, God the Father gave the bride away to the groom and witnessed the couple’s interaction in his sanctuary-garden (Gen 2:18-25). Biblical marriage is a binding covenant commitment before God. Breaching that covenant (e.g., through adultery) is a sin against people and against God, who is a divine witness to and guarantor of the marriage covenant (see Mal 2:10-16; cp. Gen 39:6-9; Jer 3:1; 1 Cor 6:9-10; Heb 13:4). Although marriage is exclusive, it is not private. It is legally declared in public, with community recognition, witnesses, and accountability (see Lev 20:10-12; Deut 22:22; Jer 29:20-23).<\/p>\nMarriage is also a metaphor of the Lord’s relationship with his people, first with Israel (see Exod 19:3-6; 20:2-6; 34:14; Isa 54:5; Ezek 16; Hos 2:19-20), and then with the church (see 2 Cor 11:2; Eph 5:21-33). A marriage points to something greater than itself—God’s people (Christ’s “bride”) await the return of Christ (the “groom”). Married Christians are called to live in unity and dignity as they anticipate the wedding feast of the Lamb (Rev 19:6-9). Christ will live forever with his faithful people in glory (Rev 19:7; 21:2, 9).<\/p>\nPassages for Further Study<\/strong><\/p>\nGen 2:18-25; 24:65-67; Ps 45:8-15; Isa 54:5; Hos 2:19-20; Mal 2:10-16; 1 Cor 7:1-40; 2 Cor 6:14-16; Eph 5:21-33; Heb 13:4; 1 Pet 3:1-7<\/p>","summary_ro":"Biblical Marriage At the first wedding, God the Father gave the bride away to the groom and witnessed the couple’s interaction in his sanctuary-garden (Gen 2:18-25). Biblical marriage is a binding covenant commitment before God. Breaching that covenant (e.g., through adultery) is a sin against people and against God, who is a divine witness to and guarantor of the marriage covenant (see Mal 2:10-16; cp. Gen 39:6-9; Jer 3:1; 1 Cor 6:9-10; Heb 13:4). Although marriage is exclusive, it is not pr...","summary_en":"Biblical Marriage At the first wedding, God the Father gave the bride away to the groom and witnessed the couple’s interaction in his sanctuary-garden (Gen 2:18-25). Biblical marriage is a binding covenant commitment before God. Breaching that covenant (e.g., through adultery) is a sin against people and against God, who is a divine witness to and guarantor of the marriage covenant (see Mal 2:10-16; cp. Gen 39:6-9; Jer 3:1; 1 Cor 6:9-10; Heb 13:4). Although marriage is exclusive, it is not pr...","source":"ThemeNotes.xml","external_url":null,"has_map":false,"has_picture":false},{"id":114976,"type":"theme_note","type_label":"Temă biblică","type_icon":"🎯","type_color":"#ef4444","title_ro":"Biblical Marriage","title_en":"Biblical Marriage","content_ro":"<h3>Biblical Marriage<\/h3>\nAt the first wedding, God the Father gave the bride away to the groom and witnessed the couple’s interaction in his sanctuary-garden (Gen 2:18-25). Biblical marriage is a binding covenant commitment before God. Breaching that covenant (e.g., through adultery) is a sin against people and against God, who is a divine witness to and guarantor of the marriage covenant (see Mal 2:10-16; cp. Gen 39:6-9; Jer 3:1; 1 Cor 6:9-10; Heb 13:4). Although marriage is exclusive, it is not private. It is legally declared in public, with community recognition, witnesses, and accountability (see Lev 20:10-12; Deut 22:22; Jer 29:20-23).<\/p>\nMarriage is also a metaphor of the Lord’s relationship with his people, first with Israel (see Exod 19:3-6; 20:2-6; 34:14; Isa 54:5; Ezek 16; Hos 2:19-20), and then with the church (see 2 Cor 11:2; Eph 5:21-33). A marriage points to something greater than itself—God’s people (Christ’s “bride”) await the return of Christ (the “groom”). Married Christians are called to live in unity and dignity as they anticipate the wedding feast of the Lamb (Rev 19:6-9). Christ will live forever with his faithful people in glory (Rev 19:7; 21:2, 9).<\/p>\nPassages for Further Study<\/strong><\/p>\nGen 2:18-25; 24:65-67; Ps 45:8-15; Isa 54:5; Hos 2:19-20; Mal 2:10-16; 1 Cor 7:1-40; 2 Cor 6:14-16; Eph 5:21-33; Heb 13:4; 1 Pet 3:1-7<\/p>","content_en":"<h3>Biblical Marriage<\/h3>\nAt the first wedding, God the Father gave the bride away to the groom and witnessed the couple’s interaction in his sanctuary-garden (Gen 2:18-25). Biblical marriage is a binding covenant commitment before God. Breaching that covenant (e.g., through adultery) is a sin against people and against God, who is a divine witness to and guarantor of the marriage covenant (see Mal 2:10-16; cp. Gen 39:6-9; Jer 3:1; 1 Cor 6:9-10; Heb 13:4). Although marriage is exclusive, it is not private. It is legally declared in public, with community recognition, witnesses, and accountability (see Lev 20:10-12; Deut 22:22; Jer 29:20-23).<\/p>\nMarriage is also a metaphor of the Lord’s relationship with his people, first with Israel (see Exod 19:3-6; 20:2-6; 34:14; Isa 54:5; Ezek 16; Hos 2:19-20), and then with the church (see 2 Cor 11:2; Eph 5:21-33). A marriage points to something greater than itself—God’s people (Christ’s “bride”) await the return of Christ (the “groom”). Married Christians are called to live in unity and dignity as they anticipate the wedding feast of the Lamb (Rev 19:6-9). Christ will live forever with his faithful people in glory (Rev 19:7; 21:2, 9).<\/p>\nPassages for Further Study<\/strong><\/p>\nGen 2:18-25; 24:65-67; Ps 45:8-15; Isa 54:5; Hos 2:19-20; Mal 2:10-16; 1 Cor 7:1-40; 2 Cor 6:14-16; Eph 5:21-33; Heb 13:4; 1 Pet 3:1-7<\/p>","summary_ro":"Biblical Marriage At the first wedding, God the Father gave the bride away to the groom and witnessed the couple’s interaction in his sanctuary-garden (Gen 2:18-25). Biblical marriage is a binding covenant commitment before God. Breaching that covenant (e.g., through adultery) is a sin against people and against God, who is a divine witness to and guarantor of the marriage covenant (see Mal 2:10-16; cp. Gen 39:6-9; Jer 3:1; 1 Cor 6:9-10; Heb 13:4). Although marriage is exclusive, it is not pr...","summary_en":"Biblical Marriage At the first wedding, God the Father gave the bride away to the groom and witnessed the couple’s interaction in his sanctuary-garden (Gen 2:18-25). Biblical marriage is a binding covenant commitment before God. Breaching that covenant (e.g., through adultery) is a sin against people and against God, who is a divine witness to and guarantor of the marriage covenant (see Mal 2:10-16; cp. Gen 39:6-9; Jer 3:1; 1 Cor 6:9-10; Heb 13:4). Although marriage is exclusive, it is not pr...","source":"ThemeNotes.xml","external_url":null,"has_map":false,"has_picture":false},{"id":142602,"type":"theme_note","type_label":"Temă biblică","type_icon":"🎯","type_color":"#ef4444","title_ro":"Biblical Marriage","title_en":"Biblical Marriage","content_ro":"<h3>Biblical Marriage<\/h3>\nAt the first wedding, God the Father gave the bride away to the groom and witnessed the couple’s interaction in his sanctuary-garden (Gen 2:18-25). Biblical marriage is a binding covenant commitment before God. Breaching that covenant (e.g., through adultery) is a sin against people and against God, who is a divine witness to and guarantor of the marriage covenant (see Mal 2:10-16; cp. Gen 39:6-9; Jer 3:1; 1 Cor 6:9-10; Heb 13:4). Although marriage is exclusive, it is not private. It is legally declared in public, with community recognition, witnesses, and accountability (see Lev 20:10-12; Deut 22:22; Jer 29:20-23).<\/p>\nMarriage is also a metaphor of the Lord’s relationship with his people, first with Israel (see Exod 19:3-6; 20:2-6; 34:14; Isa 54:5; Ezek 16; Hos 2:19-20), and then with the church (see 2 Cor 11:2; Eph 5:21-33). A marriage points to something greater than itself—God’s people (Christ’s “bride”) await the return of Christ (the “groom”). Married Christians are called to live in unity and dignity as they anticipate the wedding feast of the Lamb (Rev 19:6-9). Christ will live forever with his faithful people in glory (Rev 19:7; 21:2, 9).<\/p>\nPassages for Further Study<\/strong><\/p>\nGen 2:18-25; 24:65-67; Ps 45:8-15; Isa 54:5; Hos 2:19-20; Mal 2:10-16; 1 Cor 7:1-40; 2 Cor 6:14-16; Eph 5:21-33; Heb 13:4; 1 Pet 3:1-7<\/p>","content_en":"<h3>Biblical Marriage<\/h3>\nAt the first wedding, God the Father gave the bride away to the groom and witnessed the couple’s interaction in his sanctuary-garden (Gen 2:18-25). Biblical marriage is a binding covenant commitment before God. Breaching that covenant (e.g., through adultery) is a sin against people and against God, who is a divine witness to and guarantor of the marriage covenant (see Mal 2:10-16; cp. Gen 39:6-9; Jer 3:1; 1 Cor 6:9-10; Heb 13:4). Although marriage is exclusive, it is not private. It is legally declared in public, with community recognition, witnesses, and accountability (see Lev 20:10-12; Deut 22:22; Jer 29:20-23).<\/p>\nMarriage is also a metaphor of the Lord’s relationship with his people, first with Israel (see Exod 19:3-6; 20:2-6; 34:14; Isa 54:5; Ezek 16; Hos 2:19-20), and then with the church (see 2 Cor 11:2; Eph 5:21-33). A marriage points to something greater than itself—God’s people (Christ’s “bride”) await the return of Christ (the “groom”). Married Christians are called to live in unity and dignity as they anticipate the wedding feast of the Lamb (Rev 19:6-9). Christ will live forever with his faithful people in glory (Rev 19:7; 21:2, 9).<\/p>\nPassages for Further Study<\/strong><\/p>\nGen 2:18-25; 24:65-67; Ps 45:8-15; Isa 54:5; Hos 2:19-20; Mal 2:10-16; 1 Cor 7:1-40; 2 Cor 6:14-16; Eph 5:21-33; Heb 13:4; 1 Pet 3:1-7<\/p>","summary_ro":"Biblical Marriage At the first wedding, God the Father gave the bride away to the groom and witnessed the couple’s interaction in his sanctuary-garden (Gen 2:18-25). Biblical marriage is a binding covenant commitment before God. Breaching that covenant (e.g., through adultery) is a sin against people and against God, who is a divine witness to and guarantor of the marriage covenant (see Mal 2:10-16; cp. Gen 39:6-9; Jer 3:1; 1 Cor 6:9-10; Heb 13:4). Although marriage is exclusive, it is not pr...","summary_en":"Biblical Marriage At the first wedding, God the Father gave the bride away to the groom and witnessed the couple’s interaction in his sanctuary-garden (Gen 2:18-25). Biblical marriage is a binding covenant commitment before God. Breaching that covenant (e.g., through adultery) is a sin against people and against God, who is a divine witness to and guarantor of the marriage covenant (see Mal 2:10-16; cp. Gen 39:6-9; Jer 3:1; 1 Cor 6:9-10; Heb 13:4). Although marriage is exclusive, it is not pr...","source":"ThemeNotes.xml","external_url":null,"has_map":false,"has_picture":false}],"9":[{"id":28502,"type":"article","type_label":"Articol","type_icon":"📖","type_color":"#d4af37","title_ro":"Ophir (Place)","title_en":"Ophir (Place)","content_ro":"<h3>OPHIR (Place<\/span>)<\/h3>\nPlace to which Solomon sent a fleet of merchant ships to bring back gold and all sorts of precious and exotic products. The location of Ophir is not certain; most scholars place it in southwest Arabia. There may be a relationship between the place and the man named Ophir who appears in the table of nations as a son of Joktan (Gn 10:29; cf. 1 Chr 1:23), a descendant of Shem. The names of Joktan and his sons are connected with the southern and western parts of Arabia.<\/p>\nFirst Kings 9:26-28 reports that Solomon built a fleet of merchant ships at Ezion-geber, which was near Elath on the Gulf of Aqaba. Hiram, king of Tyre, provided seamen to accompany those of Solomon. This expedition returned with 420 talents of gold for Solomon. First Kings 10:11 adds that the fleet of Hiram brought from Ophir a great amount of almug wood and precious stones.<\/p>\nLater, Jehoshaphat built “ships of Tarshish” to go to Ophir for gold, but the ships were wrecked at Ezion-geber. Then Ahaziah, the son of Ahab of Israel, offered to send his men with the seamen of Judah, but Jehoshaphat refused (see 1 Kgs 22:48-49).<\/p>\nThe premier product of Ophir was fine gold. Eliphaz the Temanite comments that the Almighty should be one’s gold rather than the gold of Ophir (Jb 22:24). Job himself declares that wisdom is far more valuable than all the gold of Ophir (28:16). In his description of the glories of the king, the psalmist describes his queen at his right hand as wearing jewelry of finest gold from Ophir (Ps 45:9).<\/p>\nSome suggest that the ships of Tarshish mentioned (1 Kgs 10:22) were those ships that went to Ophir and returned every three years with gold, silver, ivory, apes, and peacocks. Traders brought the products, some from as far away as India, to the ports of Ophir, where Solomon’s representatives bought them.<\/p>","content_en":"<h3>OPHIR (Place<\/span>)<\/h3>\nPlace to which Solomon sent a fleet of merchant ships to bring back gold and all sorts of precious and exotic products. The location of Ophir is not certain; most scholars place it in southwest Arabia. There may be a relationship between the place and the man named Ophir who appears in the table of nations as a son of Joktan (Gn 10:29; cf. 1 Chr 1:23), a descendant of Shem. The names of Joktan and his sons are connected with the southern and western parts of Arabia.<\/p>\nFirst Kings 9:26-28 reports that Solomon built a fleet of merchant ships at Ezion-geber, which was near Elath on the Gulf of Aqaba. Hiram, king of Tyre, provided seamen to accompany those of Solomon. This expedition returned with 420 talents of gold for Solomon. First Kings 10:11 adds that the fleet of Hiram brought from Ophir a great amount of almug wood and precious stones.<\/p>\nLater, Jehoshaphat built “ships of Tarshish” to go to Ophir for gold, but the ships were wrecked at Ezion-geber. Then Ahaziah, the son of Ahab of Israel, offered to send his men with the seamen of Judah, but Jehoshaphat refused (see 1 Kgs 22:48-49).<\/p>\nThe premier product of Ophir was fine gold. Eliphaz the Temanite comments that the Almighty should be one’s gold rather than the gold of Ophir (Jb 22:24). Job himself declares that wisdom is far more valuable than all the gold of Ophir (28:16). In his description of the glories of the king, the psalmist describes his queen at his right hand as wearing jewelry of finest gold from Ophir (Ps 45:9).<\/p>\nSome suggest that the ships of Tarshish mentioned (1 Kgs 10:22) were those ships that went to Ophir and returned every three years with gold, silver, ivory, apes, and peacocks. Traders brought the products, some from as far away as India, to the ports of Ophir, where Solomon’s representatives bought them.<\/p>","summary_ro":"OPHIR (Place) Place to which Solomon sent a fleet of merchant ships to bring back gold and all sorts of precious and exotic products. The location of Ophir is not certain; most scholars place it in southwest Arabia. There may be a relationship between the place and the man named Ophir who appears in the table of nations as a son of Joktan (Gn 10:29; cf. 1 Chr 1:23), a descendant of Shem. The names of Joktan and his sons are connected with the southern and western parts of Arabia. First Kings ...","summary_en":"OPHIR (Place) Place to which Solomon sent a fleet of merchant ships to bring back gold and all sorts of precious and exotic products. The location of Ophir is not certain; most scholars place it in southwest Arabia. There may be a relationship between the place and the man named Ophir who appears in the table of nations as a son of Joktan (Gn 10:29; cf. 1 Chr 1:23), a descendant of Shem. The names of Joktan and his sons are connected with the southern and western parts of Arabia. First Kings ...","source":"Articles\/O.xml","external_url":null,"has_map":false,"has_picture":false},{"id":49276,"type":"study_note","type_label":"Notă de studiu","type_icon":"📝","type_color":"#06b6d4","title_ro":"Notă de studiu: Psalmi 45:9","title_en":"Study Note: Psalmi 45:9","content_ro":"45:9<\/strong> Marriages often sealed diplomatic connections between kings; the women<\/em> became part of the harem (see 1 Kgs 11:1-3).<\/p>","content_en":"45:9<\/strong> Marriages often sealed diplomatic connections between kings; the women<\/em> became part of the harem (see 1 Kgs 11:1-3).<\/p>","summary_ro":"45:9 Marriages often sealed diplomatic connections between kings; the women became part of the harem (see 1 Kgs 11:1-3).","summary_en":"45:9 Marriages often sealed diplomatic connections between kings; the women became part of the harem (see 1 Kgs 11:1-3).","source":"StudyNotes.xml","external_url":null,"has_map":false,"has_picture":false},{"id":76902,"type":"study_note","type_label":"Notă de studiu","type_icon":"📝","type_color":"#06b6d4","title_ro":"Notă de studiu: Psalmi 45:9","title_en":"Study Note: Psalmi 45:9","content_ro":"45:9<\/strong> Marriages often sealed diplomatic connections between kings; the women<\/em> became part of the harem (see 1 Kgs 11:1-3).<\/p>","content_en":"45:9<\/strong> Marriages often sealed diplomatic connections between kings; the women<\/em> became part of the harem (see 1 Kgs 11:1-3).<\/p>","summary_ro":"45:9 Marriages often sealed diplomatic connections between kings; the women became part of the harem (see 1 Kgs 11:1-3).","summary_en":"45:9 Marriages often sealed diplomatic connections between kings; the women became part of the harem (see 1 Kgs 11:1-3).","source":"StudyNotes.xml","external_url":null,"has_map":false,"has_picture":false},{"id":104528,"type":"study_note","type_label":"Notă de studiu","type_icon":"📝","type_color":"#06b6d4","title_ro":"Notă de studiu: Psalmi 45:9","title_en":"Study Note: Psalmi 45:9","content_ro":"45:9<\/strong> Marriages often sealed diplomatic connections between kings; the women<\/em> became part of the harem (see 1 Kgs 11:1-3).<\/p>","content_en":"45:9<\/strong> Marriages often sealed diplomatic connections between kings; the women<\/em> became part of the harem (see 1 Kgs 11:1-3).<\/p>","summary_ro":"45:9 Marriages often sealed diplomatic connections between kings; the women became part of the harem (see 1 Kgs 11:1-3).","summary_en":"45:9 Marriages often sealed diplomatic connections between kings; the women became part of the harem (see 1 Kgs 11:1-3).","source":"StudyNotes.xml","external_url":null,"has_map":false,"has_picture":false},{"id":132154,"type":"study_note","type_label":"Notă de studiu","type_icon":"📝","type_color":"#06b6d4","title_ro":"Notă de studiu: Psalmi 45:9","title_en":"Study Note: Psalmi 45:9","content_ro":"45:9<\/strong> Marriages often sealed diplomatic connections between kings; the women<\/em> became part of the harem (see 1 Kgs 11:1-3).<\/p>","content_en":"45:9<\/strong> Marriages often sealed diplomatic connections between kings; the women<\/em> became part of the harem (see 1 Kgs 11:1-3).<\/p>","summary_ro":"45:9 Marriages often sealed diplomatic connections between kings; the women became part of the harem (see 1 Kgs 11:1-3).","summary_en":"45:9 Marriages often sealed diplomatic connections between kings; the women became part of the harem (see 1 Kgs 11:1-3).","source":"StudyNotes.xml","external_url":null,"has_map":false,"has_picture":false}],"10":[{"id":26581,"type":"article","type_label":"Articol","type_icon":"📖","type_color":"#d4af37","title_ro":"Music","title_en":"Music","content_ro":"<h3>MUSIC<\/h3>\nA natural human expression that probably began with speech-singing and developed into songs, which were then accompanied by instruments. Music as we know it has become quite complex, a luxury and entertainment; music in antiquity, however, was a functional expression of daily life, work, and worship.<\/p>\nThe phrase “sing to the Lord,” common to the OT (Ex 15:21; 1 Chr 16:9; Pss 68:32; 96:1-2; Is 42:10; Jer 20:13), was not unique to the Jewish nation. All religions draw on the natural human impulse to sing. The injunction “sing to the Lord” was a signal for the people to pour out their praise in song.<\/p>\nThe Bible, however, is limited in its treatment of music in ancient Israel. Since there was no written musical notation, the primary record of songs sung by the Hebrews is the collection of texts, particularly the psalms, and a few enigmatic musical instructions. The biblical writers were writing a history not of their culture but of their relationship with God; hence, their comments about music are not critical. Also, the biblical documents cover a long span of history and are grouped according to category rather than in chronological order, thus making it difficult to order the development of musical style with precision. Finally, there is the problem of understanding the biblical descriptions of music and its performance. Only in this century have scholars been able to interpret the information provided in the Bible in terms of Eastern music systems.<\/p>\nPreview<\/p>\n• Music in the Old Testament<\/p>\n• Music in the Psalms<\/p>\n• Music in the New Testament<\/p>\nMusic in the Old Testament<\/p>\nThe first musician mentioned in the Bible is “Jubal, the first musician—the inventor of the harp and flute” (Gn 4:21, nlt<\/span>). The importance of this description of a musician so early in history lies in the equality Jubal is given with his brothers Jabal, the herdsman, and Tubal-cain, the smith. Music making is recognized among the earliest professions of nomadic peoples. The name Jubal is believed to be a derivative from the Hebrew word for “ram.” The ram’s horn (<\/em>shophar<\/span>)<\/em> was an early instrument of the Jewish people and was significant in signaling important events.<\/p>\nFor the most part, the music described in early biblical history was of a functional nature. Music gained special significance as it became an important part of temple worship. Many of the descriptions of music making in ancient Israel, before David’s time, are quite utilitarian. There are accounts of music at times of farewell (Gn 31:27), at times of rejoicing and feasting (Ex 32:17-18; Is 5:12; 24:8-9), at military victories (2 Chr 20:27-28), and for work (Nm 21:17, the song of the well diggers; Is 16:10; Jer 48:33). Most of this music was probably rather crude and primitive in nature, especially the music associated with military advances, which was meant to terrify the enemy (Jgs 7:17-20). The music and dancing that greeted Moses as he descended from the mountain was described as if it sounded like “war in the camp” (Ex 32:17-18).<\/p>\nIn the early history of the Jewish people, women played an important part in the performance of music. The image of women dancing and singing for joy accompanied by percussion instruments is repeated several times: Miriam led the women in a hymn of thanksgiving after the deliverance from the Red Sea (Ex 15); Jephthah’s daughter welcomed her father in his victory (Jgs 11:34); Deborah joined with Barak in singing a song of victory (Jgs 5); and women hailed David after his defeat of the Philistines (1 Sm 18:6-7). There is little mention of women as musicians following the establishment of the temple in Jerusalem, but there are a few allusions to the fact that women did participate in singing and dancing. The account of the return from exile in Babylon includes both male and female singers (Neh 7:67), confirming that women still took part in musical performance.<\/p>\nAs Jerusalem became the religious center of the Hebrew people (950–850 BC<\/span>), the role of the professional musician became more important. The women’s songs became insignificant compared to the pomp and ceremony associated with the temple and the royal court. While the Levitical singers took most of the musical responsibility at the temple, the development of antiphonal singing allowed the people to join in on responses in the singing of psalms.<\/p>\n<h5>Musical Style and Use<\/h5>\nThe Jewish people seem to have been especially musical. Of course, they were influenced by other ancient cultures, but there is evidence that they were in demand as musicians by other peoples. According to an Assyrian document, King Hezekiah gave as tribute to King Sennacherib many male and female Jewish musicians. The Babylonians demanded that the captive Jews sing to them and entertain them (cf. Ps 137:3).<\/p>\nSince the OT’s purpose was to narrate the relationship between the Jewish nation and God, most of the references to music deal with its function in worship. However, evidence reveals that there was also a large body of secular musical literature. There may have been guilds of poets and singers early in Jewish history. The kinds of songs recorded in the early part of the OT represent a folklike poetry. The song of thanksgiving to the Lord by Moses and the people of Israel after their escape at the Red Sea is a stirring national song. Many descriptions of the biblical writers reflect the spirit of bardic song. This would be logical, as these stories were meant to be passed on. Marching songs (2 Chr 20:27-28), and songs of triumph (Jgs 5) also indicate a secular body of music.<\/p>\n<h5>Music in Worship<\/h5>\nThe singers and musicians for the temple worship were chosen from the tribe of Levi. King David assembled the Levites for a census, and out of the total of 38,000 men over the age of 30, 4,000 were chosen as musicians. These 4,000 were subsequently given specific jobs. “David and the chiefs of the service also set apart for the service certain of the sons of Asaph, and of Heman, and of Jeduthun, who should prophesy with lyres, with harps, and with cymbals. . . . The number of them along with their brethren, who were trained in singing to the Lord<\/span>, all who were skilful, was two hundred and eighty-eight” (1 Chr 25:1, 7, rsv<\/span>). The singers were further divided into 24 groups of 12 singers, who rotated in participating in the weekday, Sabbath, and high holy day services.<\/p>\nAccording to a later source, there were minimum and maximum numbers of singers and instrumentalists required at each service. The minimum number of singers was twelve, the maximum was unlimited. There had to be in attendance at least two harps but no more than six, at least two flutes but no more than twelve, a minimum of two trumpets with no maximum, and a minimum of nine lyres with no maximum. There was only one player with a pair of cymbals.<\/p>\nA singer was admitted to the Levitical choir at the age of thirty following a five-year apprenticeship (1 Chr 23:3). Five years is a relatively short time considering the amount of material these singers had to memorize (for there was no notation) and the liturgical ritual they had to master; it is speculated that they actually were in training from childhood. The Levites lived in villages outside the city wall and may have been actively involved in the musical education of their children (Neh 12:29). The Levites performed other duties connected with the sacred service, but the singers were excused from all other duties because they were on duty day and night (1 Chr 9:33). Their skills were an important part of the temple worship, and they were able to devote their entire life to the development of their musical ability. A singer served in the choir for 20 years, from age 30 to 50, and the music was of a high quality due to strict discipline and continuous practice and performance.<\/p>\nFrom the beginning of Jewish formal worship connected with the tabernacle, music and sound was important. In Exodus 28:34-35 the descriptions of Aaron’s robe include bells attached to the lower hem that sounded as he entered the Holy Place. The first liturgical music mentioned in the OT is found in 2 Samuel 6 in the descriptions of the transfer of the ark: David and the Israelites sang, played instruments, and danced to the glory of the Lord. This music bore little resemblance to the stately ceremony described later in Solomon’s temple. In 2 Chronicles 7:6, David is given recognition for inventing the musical instruments used in the temple. In the postexilic era Levitical singers are mentioned as the descendants of Asaph, the “singing master” appointed by David (Ezr 2:41; Neh 7:44; 11:22-23). From passages such as these, we have a definite indication that liturgical music and organization stemmed from David’s time.<\/p>\nThe ceremonies in the Jewish temple were organized around the sacrifice. Singing formed an integral part of the sacrificial service and was necessary to validate the sacrificial action. There were special musical settings for each sacrifice; thus the daily burnt, expiatory, and laudatory offerings and libations had individual liturgies. Particular psalms became associated with certain sacrifices as well as with certain days of the week. The psalm of the day was intoned as the high priest started to pour out the drink offering. The psalm was divided into three sections, each signaled by the blowing of the trumpets, on which signal the people would prostrate themselves. This is the only time the trumpets were used together with the other instruments in orchestral fashion on solemn occasions (2 Chr 5:12-13).<\/p>\nMusic in the Psalms<\/p>\n<h5>Musical Psalm Titles<\/h5>\nThe collection of 150 lyric poems known as the book of Psalms contains the most information on music making in ancient Israel. The Psalter contains not only religious songs but also songs that have their roots in secular or popular songs, such as work songs, love songs, and wedding songs. The majority are songs of praise, thanksgiving, prayer, and repentance. There are also historic odes that relate great national events—for example, Psalm 30, “a song at the dedication of the temple,” and Psalm 137, which portrays the sufferings of the Jews in captivity.<\/p>\nThe psalms were an important part of all the services of the temple; the Psalter became the liturgical hymnal of the Israelites. Worship included an appointed psalm for each day of the week. On the first day of the week, Psalm 24 was sung in remembrance of the first day of creation, Psalm 48 was sung on the second day, Psalm 82 on the third, Psalm 94 on the fourth, Psalm 81 on the fifth, Psalm 93 on the sixth, and Psalm 92 on the Sabbath. After the sacrificial offerings, Psalm 105:1-5 was sung at the morning service and Psalm 96 at the evening service. The Hallel psalms (Pss 113–118, 120–136, 146–148) were sung during the offering of the paschal lamb at the Passover feast.<\/p>\nWhile most of the liturgical music was performed by Levites, texts of the psalms suggest that there was also congregational participation. The forms of music found both in synagogal and ecclesiastical chant had their source in the forms of the poetic text of the psalms. The simplest is the plain psalmody sung by one person (e.g., Pss 3–5, 46). In responsorial psalmody the soloist is answered by the choir (e.g., Ps 67:1-2; the soloist sang verse 1 and the choir answered with verse 2). Antiphonal psalmody involves two groups singing alternately (e.g., Ps 103:20-22). The congregation would chant a refrain such as appears in Psalm 80: “Restore us, O God; let thy face shine, that we may be saved!” recurs throughout the psalm (rsv<\/span>).<\/p>\nEven though the synagogue had no altar for sacrifice, psalm singing retained an important place. After the Romans destroyed the temple, the worship heritage of the Jews could have been lost if the customs, including musical customs, had not become an integral part of synagogue worship.<\/p>\nThe most enigmatic part of the psalms is the headings that are not part of the poetic text. The first question is whether these should even be considered as superscripts. Greek, Latin, Hebrew, and other ancient languages were written in such a way that the text ran together without any break between chapters or paragraphs. This means that the verses, and even the division of the psalms themselves, were partially determined by copyists, chiefly the Masoretes. There is some question as to which psalms the extrapoetic texts actually belong with; they may actually be subscripts instead of superscripts. Sumerian and Babylonian poetry had information such as the name of the author, the musical instrument used for accompaniment, the tune, the purpose, and such listed at the end of the poem. Hence, some of the headings may actually be endings.<\/p>\nThe indications at the beginning of a psalm fall into three categories. They are either musical terms giving direction for the actual performance, musical cues designating the tune to which the psalm would be sung, or comments indicating the function of the psalm. These terms have been interpreted in various ways.<\/p>\nOriginally, these headings may have been marginal notes for the choir leaders. Realizing that these terms were not related to the psalm text proper, early biblical scribes may not have been overly careful with their placement in the text, which may explain some of the discrepancies among the early manuscripts—why certain words are left out in some and why terms assigned to only a few psalms may originally have been indicated on more of them.<\/p>\nAll but 50 of the psalms contain a proper name in the heading. These names possibly indicate the author; other commentators, interpreting the preposition appearing before the names to mean “for,” think the names are a dedication. Thus the title would be “A Psalm for David,” not “A Psalm of David.” This may be the case with the names of Asaph, Heman, Ethan, and especially the sons of Korah, where it would make better sense for the psalm to be written for rather than by the family. Seventy-three psalms have David’s name in the heading, hence the common reference to the Psalter as the Psalms of David. Twelve include the name of Asaph, eleven the children of Korah, two Solomon, and one each contains Moses, Heman, and Ethan.<\/p>\n<h5>Musical Terms in the Psalm Titles<\/h5>\nNumerous musical terms are included in the superscriptions to cue the kind of instrumental accompaniment, mood, and style of performance for the psalm.<\/p>\nAlamoth<\/span> is one of the most controversial terms found in the psalm headings. It appears at the beginning of Psalm 46 and also in 1 Chronicles 15:20. One meaning for the Hebrew word is “maiden,” and musicologists interpret this as an instruction that the psalm should be sung in the range of the female singing voice. The reference in Chronicles is to harps in the range of women’s voices. This interpretation does not seem to fit Psalm 46, but if we look at the preceding psalm and read the term as a subscript, it becomes logical. Psalm 45 is a song of love, actually a nuptial ode; it would be natural for women to sing the second half (vv 10-17). While there is little mention of women singing in the temple, there is speculation that young boys in training may have sung along with the Levitical singers. Also this may be a case where the term appears only once in the modern text but may have been used more often in the original. Another possible meaning for Alamoth<\/span> is “flutes,” perhaps describing the kind of musical accompaniment for the performance of the psalm.<\/p>\nGittith<\/span> is a term found in the superscriptions of Psalms 8, 81, and 84. It may be a musical cue, indicating a mood for the performance of these psalms, but a more common explanation is that it is a collective term for the stringed instruments that would have accompanied them.<\/p>\nMahalath<\/span> has been left in its original Hebrew form by early translators and is found in the headings of Psalms 53 and 88. It may have roots in the Hebrew mahaleh<\/span> “sickness” or mahot<\/span> “dance,” though neither of these words can be related to the psalm texts. Another explanation is a musical one. Mahalath<\/span> may come from the word halal<\/span> meaning “to pierce,” implying that the psalm was to be accompanied with pipes.<\/p>\nMaskil<\/span> (kjv<\/span> “Maschil”) appears in the headings of 13 psalms (Pss 32, 42, 44–45, 52–55, 74, 78, 88–89, 142). The term is probably derived from the verb sakal<\/span>,<\/em> “to have insight or comprehension,” but there is no agreement among commentators. By looking at the psalms themselves, their didactic nature and the structure of stanzas and refrains, musicologists conclude the term represents a song of praise, possibly sung by a soloist with participation by the choir.<\/p>\nMenazzeah<\/span> appears in the heading of 55 psalms. It appears 52 times in the first three books of Psalms (Pss 1–89), not at all in book four (Pss 90–106), and 3 times in book five (Pss 107–150). The most common modern translations are “to the Choirmaster” (rsv<\/span>), “to the choir director” (nasb<\/span>, nlt<\/span>), “to the director of music” (niv<\/span>), “to the chief Musician” (kjv<\/span>, nkjv<\/span>). The word is derived from the Hebrew verb nazzah<\/span>,<\/em> appearing in 1 Chronicles 23:4 and Ezra 3:8-9 in the sense of “administering.” In 1 Chronicles 15:21 the word is found in relation to leading or directing song in the temple. Menazzeah<\/span> relates to the choirmaster and represents the singer chosen to lead the music who probably was involved in rehearsing and instructing. It is now assumed that menazzeah<\/span> indicates the psalm was to be sung partially or entirely by a soloist. This is evidenced by the change in some texts from “I” where the soloist sang, to “we” where the choir or congregation sang. Psalm 5 is an example of a text divided for solo and choral singing: verses 1-3 solo; verses 4-6 choral; verses 7-8 solo; verses 9-10 choral; and verses 11-12 end the psalm with the combined soloist and choir.<\/p>\nMiktam<\/span> (kjv<\/span> “Michtam”) is another term that has no clear musical meaning, due mainly to the fact that its etymology is unknown. It occurs in Psalms 16 and 56–60, all of which have a character of lamentation or supplication. In a musical sense, it probably meant that a certain well-known tune was to be selected as the melody of the psalm.<\/p>\nMizmor<\/span> (Hebrew, meaning a song sung to instrumental accompaniment) is found nowhere else in the Bible; it is included in the superscriptions of 57 psalms. It probably indicated a song accompanied by melodic instruments as opposed to a dance song accompanied by rhythmic instruments.<\/p>\nNeginah<\/span> appears in the superscriptions of Psalms 4, 6, 54–55, 61, 67, and 76. The term neginah<\/span> and its plural neginoth<\/span> are found in Psalm 77:7, Lamentations 5:14, Isaiah 38:20, and Habakkuk 3:19. Neginah<\/span>,<\/em> from the Hebrew root naggen<\/span>,<\/em> “to touch the strings,” instructs that stringed instruments accompany the singing.<\/p>\nNehiloth<\/span> is found only in the introduction to Psalm 5 (kjv<\/span>). The origin of the word is problematic. It could come from the verb nahal<\/span>,<\/em> “to possess or inherit,” or more feasibly from halal<\/span>,<\/em> meaning “to pierce.” The latter implies the idea of a pierced instrument (the flute or pipe) to be used for accompaniment.<\/p>\nSheminith<\/span> appears in Psalms 6 and 12 and also in 1 Chronicles 15:21. The Hebrew word means literally “over the eighth.” Some scholars feel it had something to do with an octave, but the Hebrew musical language probably did not include a musical unit divided into eight parts. Other scholars interpret sheminith<\/span> as meaning an eight-stringed instrument. A more logical interpretation comes from examining its use in 1 Chronicles. In 15:20 the instructions are for musicians to play the harps according to alamoth<\/span> and in verse 21 to play the lyres according to sheminith<\/span>.<\/em> Here the terms alamoth<\/span> and sheminith<\/span> seem to be used in opposition. If alamoth<\/span> implies a register of the female voice, then sheminith<\/span> would imply a lower register. Thus, it may have been an instruction to use a lower pitched instrument for accompaniment.<\/p>\n<h5>Psalm Varieties in the Titles<\/h5>\nSome of the notes in the psalm headings are indications of the type or variety of psalm.<\/p>\nHazkir<\/span> is found in the headings of Psalms 38 and 70. According to the Targum, this is an indication that the psalm was sung at the sacrificial rite called askara<\/span> and is translated “for a memorial offering.”<\/p>\nLammed<\/span> appears in the superscription of Psalm 60 in the phrase le-lammed<\/span>,<\/em> translated “to teach.” According to tradition, this was a psalm, though undoubtedly not the only one, taught to young people as part of their education. This is another example of a term that may have been omitted from other psalms in later versions of the Psalter.<\/p>\nShiggaion<\/span> is in the heading of Psalm 7 and also in Habakkuk 3:1. The word probably comes from the Hebrew verb shagah<\/span>,<\/em> “to wander,” but may also be connected with the Assyrian liturgical term shigu<\/span>,<\/em> which represented a plaintive song in several stanzas. Biblical scholars have assumed shiggaion<\/span>,<\/em> plural shigionoth<\/span>,<\/em> was a lament or penitential song.<\/p>\nShir<\/span> is the simplest word for “song” and was probably used in the headings at an early stage of the Psalter; it is usually found with mizmor<\/span> (13 times). Fifteen psalms have this heading. It was probably the term for a specific type of praise song, usually performed by the choir.<\/p>\nShir Hamaalot<\/span> and Shir Lamaalot<\/span> occur in the headings of Psalms 120–134, which are often referred to as the Psalms of Ascent (kjv<\/span> “Psalms of Degrees”). Most explanations offered relate to the fact that the temple was situated on high ground. Often these 15 psalms are associated with the 15 steps leading from the Court of the Women to the Court of the Israelites. But most contemporary scholars believe the idea of “going up” referred to the pilgrims’ journey to Jerusalem to worship at the temple. These psalms are short, with popular appeal, making them appropriate for singing during the journey.<\/p>\nShir Hanukkat Habayit<\/span> is found only in the heading of Psalm 30. This phrase tells that the psalm was to be used for the dedication or rededication of the house of God.<\/p>\nShir-yedidot<\/span> appears only in Psalm 45. It refers to a love song that was probably sung at wedding ceremonies.<\/p>\nTefillah<\/span> is a common term for “prayer” and appears in the headings of Psalms 17, 86, 90, 102, and 142, and also in Habakkuk 3:1. The word probably refers to a specific form of poetic prayer.<\/p>\nSelah<\/span> is one of the most frequently used, but most enigmatic, terms found in the book of Psalms. It occurs in 39 psalms, appearing a total of 71 times in the Psalter—67 times within the text and 4 times at the end of a psalm. It is most frequent in the first three books. In the first book selah<\/span> appears in 9 psalms; in the second book, 17 psalms; in the third book, 11 psalms. In the fourth book it is not found at all and in the fifth book in only two psalms. Thirty-one of these psalms also include the term menazzeah<\/span> in their superscriptions, which implies that they were sung by a soloist and choir. Most commonly, selah<\/span> is interpreted as a signal for a break in the singing and possibly for an instrumental interlude. It never appears at the beginning of a psalm but only in the middle of the text or at the end. The regularity of its appearance within a psalm is not consistent, and in only a few instances do these divisions break the psalm into equal sections. Because of the random placement of the term, some scholars believe that, like the headings, selah<\/span> was not always carefully copied into the text. It may have been a note appearing only in the texts of the musicians, which would explain this inconsistency. An explanation of selah<\/span> is found in the Talmudic tradition: “Ben Azra clashed the cymbal and the Levites broke forth into singing. When they reached a break in the singing they blew upon the trumpets and the people prostrated themselves; at every break there was a blowing of the trumpet and at every blowing of the trumpet a prostration. This was the rite of the daily whole offering in the service of the House of our God.” Selah<\/span>,<\/em> then, would be an instruction for the musicians that the singing was to cease and the instrumentalists were to play.<\/p>\nThe term higgaion selah<\/span> appears once, in Psalm 9:16. The word higgaiaon<\/span> comes from the root hagah<\/span>,<\/em> “to murmur, to growl, to produce a low sound.” This may have been an instruction for the interlude to be more subdued than a normal selah<\/span>.<\/em><\/p>\n<h5>Ancient Melodies in the Titles<\/h5>\nMany psalms contain headings that are not direct musical references but are cue words to suggest well-known tunes. They probably refer either to names or the first words of popular secular songs (<\/em>makams<\/span>)<\/em> whose melodic patterns were used in singing the psalm. Many biblical scholars have tried to find hidden meaning in these headings, but most musicologists believe these are simply references or introductions to melodies.<\/p>\nAijeleth Shahar<\/span>,<\/em> in Psalm 22 (kjv<\/span>), is translated “according to The Hind of the Dawn” (rsv<\/span>), and “To the tune of ‘The Doe of the Morning’ ” (niv<\/span>), “To the tune ‘Doe of the Dawn’ ” (nlt<\/span>).<\/p>\nAl-taschith<\/span>,<\/em> in Psalms 57–59 and 75 (kjv<\/span>), is translated “To the tune ‘Do Not Destroy!’ ” (nlt<\/span>).<\/p>\nJonath-elem-rechokim<\/span>,<\/em> in Psalm 56 (kjv<\/span>), is translated “according to The Dove on Far-off Terebinths” (rsv<\/span>), and “To the tune ‘Dove on Distant Oaks’ ” (nlt<\/span>).<\/p>\nMahalath Leannoth<\/span>,<\/em> in Psalm 88, is translated “To the tune ‘The Suffering of Affliction’ ” (nlt<\/span>).<\/p>\nMuthlabben<\/span>,<\/em> in Psalm 9, is translated “To the tune ‘Death of the Son’ ” (nlt<\/span>).<\/p>\nShoshannim<\/span>,<\/em> in Psalms 45 and 69 (kjv<\/span>), is translated “To the tune ‘Lilies’ ” (nlt<\/span>).<\/p>\nShoshannim-Eduth<\/span>,<\/em> in Psalm 80 (kjv<\/span>), is translated “To the tune ‘Lilies of the Covenant’ ” (nlt<\/span>).<\/p>\nShushan-eduth<\/span>,<\/em> in Psalm 60, is translated “To the tune ‘Lily of the Testimony’ ” (nlt<\/span>).<\/p>\nThese melody types appear only in the first three books of the Psalter, and this may imply that these popular makams<\/span> had fallen into disuse by the time the final books of the Psalter were written. Other makam<\/span>-types had probably become popular, and the authors, realizing the relatively short life of a popular tune, did not include them in the headings of the Psalms but left the choice up to the performer.<\/p>\nMusic in the New Testament<\/p>\n<h5>First-Century Influences<\/h5>\n<h6>The Synagogue<\/h6>\nBy the time of Christ, the synagogue had become the chief place of worship for the Jewish people. It began as a place for study of the law but gradually became the center of worship for Jews unable to attend the temple. The liturgical service of the temple could not be duplicated in the synagogue as there was no sacrificial rite, and the music could not be exactly reproduced as there were no trained Levitical singers. Scholars do not agree about the amount of continuity between the music of the temple and the music of the synagogue, but there is evidence that certain musical practices did remain constant between the two places of worship.<\/p>\nInformation on the customs and rituals of the synagogue come from Talmudic writings. The musical elements of worship in the synagogue were the chanting of Scripture, psalmody, and spiritual songs. The choral singing of the temple was replaced by a single cantor. The cantor was a layman who, according to tradition, had to have the following qualifications: “He had to be well educated, gifted with a sweet voice, of humble personality, recognized by the community, conversant with Scripture and all the prayers; he must not be a rich man, for his prayers should come from his heart.” His most important job was the cantillation of the Law and the Prophets. A series of accents and punctuations, forerunners of actual musical notation, were indications for the cantor in the musical interpretation of the Scripture.<\/p>\nPsalm singing was gradually transplanted from the temple to the synagogue, which in turn influenced the early Christian church. Gregorian psalm tones have their roots in Hebrew psalmody.<\/p>\n<h6>Greek and Roman Cultures<\/h6>\nWhile both the temple and the synagogue were familiar to the early Christians (Acts 2:46-47; 3:1; 5:42; 9:20; 18:4; etc.), the Greek and Roman cultures also played a major part in shaping the young church. Hellenistic influences by the time of Christ had long been felt in the Middle East, and while it was strongly opposed by some Jewish leaders, the Greek arts had permeated Jewish culture. Greek philosophers considered music a cathartic force that could lead humans into metaphysical knowledge. This understanding led to the belief that music had a moral substance that could influence people to either good or evil. If this philosophy had totally encompassed Judeo-Christian thought, certainly Paul would have encouraged the use of music in the spread of the gospel. However, Paul’s omission of this theory implies that the Judeo-Christian world at that time had rejected the Greek ideal, at least in part.<\/p>\nWhile the Jewish rabbis considered music an art form for the praise of God, and while the Greek philosophers thought of it as a powerful moral force in creation, the Romans considered music mainly as entertainment. The music of the Roman games was neither religious nor philosophic and, from the accounts of witnesses, it was not technically exceptional. In the Roman Empire musicians were given a lower status and looked on as mere entertainers. One reason the early church did not include instrumental music in their worship was in reaction to the debased secular use of instruments by the Romans.<\/p>\n<h5>In the New Testament Writings<\/h5>\nOne of the few mentions of instruments in the NT is the use of flutes at a wake (Mt 9:23). As in the OT, music is associated with feasting and merrymaking (e.g., the return of the prodigal son, Lk 15:25). Five passages mention music metaphorically (Mt 6:2; 11:17; Lk 7:32; 1 Cor 13:1; 14:7-8). The most well known of these is Paul’s celebration of love in 1 Corinthians 13. The denunciation of the gong and cymbals must be understood in light of the attitude of the early Christians toward the music of the Pharisees. Here the signal instruments of the temple were used to represent pompous display of religious pietism.<\/p>\n\nMost references to music are found in the eschatological visions and prophetic passages scattered throughout the NT—most frequently in the book of Revelation (also Mt 24:31; 1 Cor 15:52; 1 Thes 4:16; Heb 12:19). Many of these descriptions have a direct association with musical references in the OT (e.g., the use of harps and trumpets and the singing of the Hallelujah). But the value of many of the passages in Revelation comes from their literary style. These doxological and psalmlike passages were probably spontaneous “spiritual songs” composed by the young church (e.g., Rv 5:9-10).<\/p>\nThe passages that mention religious or liturgical music are often more conceptual than literal. Two parallel passages describing the Last Supper (Mt 26:30; Mk 14:26) mention that Christ and his disciples sang a hymn. This is the only direct account of Jesus singing, but it is probable that when he read in the synagogue he did so in the accepted vocal style (Lk 4:16-20). There is much controversy surrounding the actual events at the Last Supper, but we can assume that the hymn sung was a traditional Jewish hymn, probably associated with the Passover.<\/p>\nFrom the account in Acts 16:25 we know that Paul and Silas sang hymns while in jail. Paul gives instruction for music making in 1 Corinthians 14:15, 26 in terms of a balance between rationalism and emotion. And, as with all the gifts of the Spirit, Paul asks that singing be done for edification.<\/p>\nIn two similar passages (Eph 5:19; Col 3:16) Paul groups together three musical terms—psalms, hymns, and spiritual songs. The singing of psalms was an obvious carryover from the synagogue, and we can assume that the early Christian psalm singing followed the Jewish style. The term for “hymns” probably refers to poetic texts, possibly modeled after the psalms, but in praise of Christ. “Spiritual songs” may refer to a spontaneous, ecstatic form of musical prayer, possibly wordless (perhaps related to glossolalia), in a style that was popular in mystical Judaism. These outbursts of song were probably melismatic (sung on one tone) and are perhaps the forerunners of the later Alleluia chant.<\/p>\n<h5>Hymnody in the New Testament<\/h5>\nIt can be assumed that the early Christians composed hymns in praise of Christ. Logically, most of the hymns found in the NT are based on Hebrew poetic psalm forms, but there is Greek and Latin influence also. The hymns from the Gospel of Luke have become well-known canticles adopted by the church: the Magnificat (Lk 1:46-55), the Benedictus (1:68-79), the Gloria (2:14) and the Nunc Dimittis (2:29-32). While patterned after the psalms of the OT, these hymns are full of confidence in the salvation of Christ and in his imminent return. Other Christological hymns found in the NT include the prologue to the Gospel of John, Ephesians 2:14-16, Philippians 2:6-11, Colossians 1:15-20, 1 Timothy 3:16, Hebrews 1:3, and 1 Peter 3:18-22.<\/p>","content_en":"<h3>MUSIC<\/h3>\nA natural human expression that probably began with speech-singing and developed into songs, which were then accompanied by instruments. Music as we know it has become quite complex, a luxury and entertainment; music in antiquity, however, was a functional expression of daily life, work, and worship.<\/p>\nThe phrase “sing to the Lord,” common to the OT (Ex 15:21; 1 Chr 16:9; Pss 68:32; 96:1-2; Is 42:10; Jer 20:13), was not unique to the Jewish nation. All religions draw on the natural human impulse to sing. The injunction “sing to the Lord” was a signal for the people to pour out their praise in song.<\/p>\nThe Bible, however, is limited in its treatment of music in ancient Israel. Since there was no written musical notation, the primary record of songs sung by the Hebrews is the collection of texts, particularly the psalms, and a few enigmatic musical instructions. The biblical writers were writing a history not of their culture but of their relationship with God; hence, their comments about music are not critical. Also, the biblical documents cover a long span of history and are grouped according to category rather than in chronological order, thus making it difficult to order the development of musical style with precision. Finally, there is the problem of understanding the biblical descriptions of music and its performance. Only in this century have scholars been able to interpret the information provided in the Bible in terms of Eastern music systems.<\/p>\nPreview<\/p>\n• Music in the Old Testament<\/p>\n• Music in the Psalms<\/p>\n• Music in the New Testament<\/p>\nMusic in the Old Testament<\/p>\nThe first musician mentioned in the Bible is “Jubal, the first musician—the inventor of the harp and flute” (Gn 4:21, nlt<\/span>). The importance of this description of a musician so early in history lies in the equality Jubal is given with his brothers Jabal, the herdsman, and Tubal-cain, the smith. Music making is recognized among the earliest professions of nomadic peoples. The name Jubal is believed to be a derivative from the Hebrew word for “ram.” The ram’s horn (<\/em>shophar<\/span>)<\/em> was an early instrument of the Jewish people and was significant in signaling important events.<\/p>\nFor the most part, the music described in early biblical history was of a functional nature. Music gained special significance as it became an important part of temple worship. Many of the descriptions of music making in ancient Israel, before David’s time, are quite utilitarian. There are accounts of music at times of farewell (Gn 31:27), at times of rejoicing and feasting (Ex 32:17-18; Is 5:12; 24:8-9), at military victories (2 Chr 20:27-28), and for work (Nm 21:17, the song of the well diggers; Is 16:10; Jer 48:33). Most of this music was probably rather crude and primitive in nature, especially the music associated with military advances, which was meant to terrify the enemy (Jgs 7:17-20). The music and dancing that greeted Moses as he descended from the mountain was described as if it sounded like “war in the camp” (Ex 32:17-18).<\/p>\nIn the early history of the Jewish people, women played an important part in the performance of music. The image of women dancing and singing for joy accompanied by percussion instruments is repeated several times: Miriam led the women in a hymn of thanksgiving after the deliverance from the Red Sea (Ex 15); Jephthah’s daughter welcomed her father in his victory (Jgs 11:34); Deborah joined with Barak in singing a song of victory (Jgs 5); and women hailed David after his defeat of the Philistines (1 Sm 18:6-7). There is little mention of women as musicians following the establishment of the temple in Jerusalem, but there are a few allusions to the fact that women did participate in singing and dancing. The account of the return from exile in Babylon includes both male and female singers (Neh 7:67), confirming that women still took part in musical performance.<\/p>\nAs Jerusalem became the religious center of the Hebrew people (950–850 BC<\/span>), the role of the professional musician became more important. The women’s songs became insignificant compared to the pomp and ceremony associated with the temple and the royal court. While the Levitical singers took most of the musical responsibility at the temple, the development of antiphonal singing allowed the people to join in on responses in the singing of psalms.<\/p>\n<h5>Musical Style and Use<\/h5>\nThe Jewish people seem to have been especially musical. Of course, they were influenced by other ancient cultures, but there is evidence that they were in demand as musicians by other peoples. According to an Assyrian document, King Hezekiah gave as tribute to King Sennacherib many male and female Jewish musicians. The Babylonians demanded that the captive Jews sing to them and entertain them (cf. Ps 137:3).<\/p>\nSince the OT’s purpose was to narrate the relationship between the Jewish nation and God, most of the references to music deal with its function in worship. However, evidence reveals that there was also a large body of secular musical literature. There may have been guilds of poets and singers early in Jewish history. The kinds of songs recorded in the early part of the OT represent a folklike poetry. The song of thanksgiving to the Lord by Moses and the people of Israel after their escape at the Red Sea is a stirring national song. Many descriptions of the biblical writers reflect the spirit of bardic song. This would be logical, as these stories were meant to be passed on. Marching songs (2 Chr 20:27-28), and songs of triumph (Jgs 5) also indicate a secular body of music.<\/p>\n<h5>Music in Worship<\/h5>\nThe singers and musicians for the temple worship were chosen from the tribe of Levi. King David assembled the Levites for a census, and out of the total of 38,000 men over the age of 30, 4,000 were chosen as musicians. These 4,000 were subsequently given specific jobs. “David and the chiefs of the service also set apart for the service certain of the sons of Asaph, and of Heman, and of Jeduthun, who should prophesy with lyres, with harps, and with cymbals. . . . The number of them along with their brethren, who were trained in singing to the Lord<\/span>, all who were skilful, was two hundred and eighty-eight” (1 Chr 25:1, 7, rsv<\/span>). The singers were further divided into 24 groups of 12 singers, who rotated in participating in the weekday, Sabbath, and high holy day services.<\/p>\nAccording to a later source, there were minimum and maximum numbers of singers and instrumentalists required at each service. The minimum number of singers was twelve, the maximum was unlimited. There had to be in attendance at least two harps but no more than six, at least two flutes but no more than twelve, a minimum of two trumpets with no maximum, and a minimum of nine lyres with no maximum. There was only one player with a pair of cymbals.<\/p>\nA singer was admitted to the Levitical choir at the age of thirty following a five-year apprenticeship (1 Chr 23:3). Five years is a relatively short time considering the amount of material these singers had to memorize (for there was no notation) and the liturgical ritual they had to master; it is speculated that they actually were in training from childhood. The Levites lived in villages outside the city wall and may have been actively involved in the musical education of their children (Neh 12:29). The Levites performed other duties connected with the sacred service, but the singers were excused from all other duties because they were on duty day and night (1 Chr 9:33). Their skills were an important part of the temple worship, and they were able to devote their entire life to the development of their musical ability. A singer served in the choir for 20 years, from age 30 to 50, and the music was of a high quality due to strict discipline and continuous practice and performance.<\/p>\nFrom the beginning of Jewish formal worship connected with the tabernacle, music and sound was important. In Exodus 28:34-35 the descriptions of Aaron’s robe include bells attached to the lower hem that sounded as he entered the Holy Place. The first liturgical music mentioned in the OT is found in 2 Samuel 6 in the descriptions of the transfer of the ark: David and the Israelites sang, played instruments, and danced to the glory of the Lord. This music bore little resemblance to the stately ceremony described later in Solomon’s temple. In 2 Chronicles 7:6, David is given recognition for inventing the musical instruments used in the temple. In the postexilic era Levitical singers are mentioned as the descendants of Asaph, the “singing master” appointed by David (Ezr 2:41; Neh 7:44; 11:22-23). From passages such as these, we have a definite indication that liturgical music and organization stemmed from David’s time.<\/p>\nThe ceremonies in the Jewish temple were organized around the sacrifice. Singing formed an integral part of the sacrificial service and was necessary to validate the sacrificial action. There were special musical settings for each sacrifice; thus the daily burnt, expiatory, and laudatory offerings and libations had individual liturgies. Particular psalms became associated with certain sacrifices as well as with certain days of the week. The psalm of the day was intoned as the high priest started to pour out the drink offering. The psalm was divided into three sections, each signaled by the blowing of the trumpets, on which signal the people would prostrate themselves. This is the only time the trumpets were used together with the other instruments in orchestral fashion on solemn occasions (2 Chr 5:12-13).<\/p>\nMusic in the Psalms<\/p>\n<h5>Musical Psalm Titles<\/h5>\nThe collection of 150 lyric poems known as the book of Psalms contains the most information on music making in ancient Israel. The Psalter contains not only religious songs but also songs that have their roots in secular or popular songs, such as work songs, love songs, and wedding songs. The majority are songs of praise, thanksgiving, prayer, and repentance. There are also historic odes that relate great national events—for example, Psalm 30, “a song at the dedication of the temple,” and Psalm 137, which portrays the sufferings of the Jews in captivity.<\/p>\nThe psalms were an important part of all the services of the temple; the Psalter became the liturgical hymnal of the Israelites. Worship included an appointed psalm for each day of the week. On the first day of the week, Psalm 24 was sung in remembrance of the first day of creation, Psalm 48 was sung on the second day, Psalm 82 on the third, Psalm 94 on the fourth, Psalm 81 on the fifth, Psalm 93 on the sixth, and Psalm 92 on the Sabbath. After the sacrificial offerings, Psalm 105:1-5 was sung at the morning service and Psalm 96 at the evening service. The Hallel psalms (Pss 113–118, 120–136, 146–148) were sung during the offering of the paschal lamb at the Passover feast.<\/p>\nWhile most of the liturgical music was performed by Levites, texts of the psalms suggest that there was also congregational participation. The forms of music found both in synagogal and ecclesiastical chant had their source in the forms of the poetic text of the psalms. The simplest is the plain psalmody sung by one person (e.g., Pss 3–5, 46). In responsorial psalmody the soloist is answered by the choir (e.g., Ps 67:1-2; the soloist sang verse 1 and the choir answered with verse 2). Antiphonal psalmody involves two groups singing alternately (e.g., Ps 103:20-22). The congregation would chant a refrain such as appears in Psalm 80: “Restore us, O God; let thy face shine, that we may be saved!” recurs throughout the psalm (rsv<\/span>).<\/p>\nEven though the synagogue had no altar for sacrifice, psalm singing retained an important place. After the Romans destroyed the temple, the worship heritage of the Jews could have been lost if the customs, including musical customs, had not become an integral part of synagogue worship.<\/p>\nThe most enigmatic part of the psalms is the headings that are not part of the poetic text. The first question is whether these should even be considered as superscripts. Greek, Latin, Hebrew, and other ancient languages were written in such a way that the text ran together without any break between chapters or paragraphs. This means that the verses, and even the division of the psalms themselves, were partially determined by copyists, chiefly the Masoretes. There is some question as to which psalms the extrapoetic texts actually belong with; they may actually be subscripts instead of superscripts. Sumerian and Babylonian poetry had information such as the name of the author, the musical instrument used for accompaniment, the tune, the purpose, and such listed at the end of the poem. Hence, some of the headings may actually be endings.<\/p>\nThe indications at the beginning of a psalm fall into three categories. They are either musical terms giving direction for the actual performance, musical cues designating the tune to which the psalm would be sung, or comments indicating the function of the psalm. These terms have been interpreted in various ways.<\/p>\nOriginally, these headings may have been marginal notes for the choir leaders. Realizing that these terms were not related to the psalm text proper, early biblical scribes may not have been overly careful with their placement in the text, which may explain some of the discrepancies among the early manuscripts—why certain words are left out in some and why terms assigned to only a few psalms may originally have been indicated on more of them.<\/p>\nAll but 50 of the psalms contain a proper name in the heading. These names possibly indicate the author; other commentators, interpreting the preposition appearing before the names to mean “for,” think the names are a dedication. Thus the title would be “A Psalm for David,” not “A Psalm of David.” This may be the case with the names of Asaph, Heman, Ethan, and especially the sons of Korah, where it would make better sense for the psalm to be written for rather than by the family. Seventy-three psalms have David’s name in the heading, hence the common reference to the Psalter as the Psalms of David. Twelve include the name of Asaph, eleven the children of Korah, two Solomon, and one each contains Moses, Heman, and Ethan.<\/p>\n<h5>Musical Terms in the Psalm Titles<\/h5>\nNumerous musical terms are included in the superscriptions to cue the kind of instrumental accompaniment, mood, and style of performance for the psalm.<\/p>\nAlamoth<\/span> is one of the most controversial terms found in the psalm headings. It appears at the beginning of Psalm 46 and also in 1 Chronicles 15:20. One meaning for the Hebrew word is “maiden,” and musicologists interpret this as an instruction that the psalm should be sung in the range of the female singing voice. The reference in Chronicles is to harps in the range of women’s voices. This interpretation does not seem to fit Psalm 46, but if we look at the preceding psalm and read the term as a subscript, it becomes logical. Psalm 45 is a song of love, actually a nuptial ode; it would be natural for women to sing the second half (vv 10-17). While there is little mention of women singing in the temple, there is speculation that young boys in training may have sung along with the Levitical singers. Also this may be a case where the term appears only once in the modern text but may have been used more often in the original. Another possible meaning for Alamoth<\/span> is “flutes,” perhaps describing the kind of musical accompaniment for the performance of the psalm.<\/p>\nGittith<\/span> is a term found in the superscriptions of Psalms 8, 81, and 84. It may be a musical cue, indicating a mood for the performance of these psalms, but a more common explanation is that it is a collective term for the stringed instruments that would have accompanied them.<\/p>\nMahalath<\/span> has been left in its original Hebrew form by early translators and is found in the headings of Psalms 53 and 88. It may have roots in the Hebrew mahaleh<\/span> “sickness” or mahot<\/span> “dance,” though neither of these words can be related to the psalm texts. Another explanation is a musical one. Mahalath<\/span> may come from the word halal<\/span> meaning “to pierce,” implying that the psalm was to be accompanied with pipes.<\/p>\nMaskil<\/span> (kjv<\/span> “Maschil”) appears in the headings of 13 psalms (Pss 32, 42, 44–45, 52–55, 74, 78, 88–89, 142). The term is probably derived from the verb sakal<\/span>,<\/em> “to have insight or comprehension,” but there is no agreement among commentators. By looking at the psalms themselves, their didactic nature and the structure of stanzas and refrains, musicologists conclude the term represents a song of praise, possibly sung by a soloist with participation by the choir.<\/p>\nMenazzeah<\/span> appears in the heading of 55 psalms. It appears 52 times in the first three books of Psalms (Pss 1–89), not at all in book four (Pss 90–106), and 3 times in book five (Pss 107–150). The most common modern translations are “to the Choirmaster” (rsv<\/span>), “to the choir director” (nasb<\/span>, nlt<\/span>), “to the director of music” (niv<\/span>), “to the chief Musician” (kjv<\/span>, nkjv<\/span>). The word is derived from the Hebrew verb nazzah<\/span>,<\/em> appearing in 1 Chronicles 23:4 and Ezra 3:8-9 in the sense of “administering.” In 1 Chronicles 15:21 the word is found in relation to leading or directing song in the temple. Menazzeah<\/span> relates to the choirmaster and represents the singer chosen to lead the music who probably was involved in rehearsing and instructing. It is now assumed that menazzeah<\/span> indicates the psalm was to be sung partially or entirely by a soloist. This is evidenced by the change in some texts from “I” where the soloist sang, to “we” where the choir or congregation sang. Psalm 5 is an example of a text divided for solo and choral singing: verses 1-3 solo; verses 4-6 choral; verses 7-8 solo; verses 9-10 choral; and verses 11-12 end the psalm with the combined soloist and choir.<\/p>\nMiktam<\/span> (kjv<\/span> “Michtam”) is another term that has no clear musical meaning, due mainly to the fact that its etymology is unknown. It occurs in Psalms 16 and 56–60, all of which have a character of lamentation or supplication. In a musical sense, it probably meant that a certain well-known tune was to be selected as the melody of the psalm.<\/p>\nMizmor<\/span> (Hebrew, meaning a song sung to instrumental accompaniment) is found nowhere else in the Bible; it is included in the superscriptions of 57 psalms. It probably indicated a song accompanied by melodic instruments as opposed to a dance song accompanied by rhythmic instruments.<\/p>\nNeginah<\/span> appears in the superscriptions of Psalms 4, 6, 54–55, 61, 67, and 76. The term neginah<\/span> and its plural neginoth<\/span> are found in Psalm 77:7, Lamentations 5:14, Isaiah 38:20, and Habakkuk 3:19. Neginah<\/span>,<\/em> from the Hebrew root naggen<\/span>,<\/em> “to touch the strings,” instructs that stringed instruments accompany the singing.<\/p>\nNehiloth<\/span> is found only in the introduction to Psalm 5 (kjv<\/span>). The origin of the word is problematic. It could come from the verb nahal<\/span>,<\/em> “to possess or inherit,” or more feasibly from halal<\/span>,<\/em> meaning “to pierce.” The latter implies the idea of a pierced instrument (the flute or pipe) to be used for accompaniment.<\/p>\nSheminith<\/span> appears in Psalms 6 and 12 and also in 1 Chronicles 15:21. The Hebrew word means literally “over the eighth.” Some scholars feel it had something to do with an octave, but the Hebrew musical language probably did not include a musical unit divided into eight parts. Other scholars interpret sheminith<\/span> as meaning an eight-stringed instrument. A more logical interpretation comes from examining its use in 1 Chronicles. In 15:20 the instructions are for musicians to play the harps according to alamoth<\/span> and in verse 21 to play the lyres according to sheminith<\/span>.<\/em> Here the terms alamoth<\/span> and sheminith<\/span> seem to be used in opposition. If alamoth<\/span> implies a register of the female voice, then sheminith<\/span> would imply a lower register. Thus, it may have been an instruction to use a lower pitched instrument for accompaniment.<\/p>\n<h5>Psalm Varieties in the Titles<\/h5>\nSome of the notes in the psalm headings are indications of the type or variety of psalm.<\/p>\nHazkir<\/span> is found in the headings of Psalms 38 and 70. According to the Targum, this is an indication that the psalm was sung at the sacrificial rite called askara<\/span> and is translated “for a memorial offering.”<\/p>\nLammed<\/span> appears in the superscription of Psalm 60 in the phrase le-lammed<\/span>,<\/em> translated “to teach.” According to tradition, this was a psalm, though undoubtedly not the only one, taught to young people as part of their education. This is another example of a term that may have been omitted from other psalms in later versions of the Psalter.<\/p>\nShiggaion<\/span> is in the heading of Psalm 7 and also in Habakkuk 3:1. The word probably comes from the Hebrew verb shagah<\/span>,<\/em> “to wander,” but may also be connected with the Assyrian liturgical term shigu<\/span>,<\/em> which represented a plaintive song in several stanzas. Biblical scholars have assumed shiggaion<\/span>,<\/em> plural shigionoth<\/span>,<\/em> was a lament or penitential song.<\/p>\nShir<\/span> is the simplest word for “song” and was probably used in the headings at an early stage of the Psalter; it is usually found with mizmor<\/span> (13 times). Fifteen psalms have this heading. It was probably the term for a specific type of praise song, usually performed by the choir.<\/p>\nShir Hamaalot<\/span> and Shir Lamaalot<\/span> occur in the headings of Psalms 120–134, which are often referred to as the Psalms of Ascent (kjv<\/span> “Psalms of Degrees”). Most explanations offered relate to the fact that the temple was situated on high ground. Often these 15 psalms are associated with the 15 steps leading from the Court of the Women to the Court of the Israelites. But most contemporary scholars believe the idea of “going up” referred to the pilgrims’ journey to Jerusalem to worship at the temple. These psalms are short, with popular appeal, making them appropriate for singing during the journey.<\/p>\nShir Hanukkat Habayit<\/span> is found only in the heading of Psalm 30. This phrase tells that the psalm was to be used for the dedication or rededication of the house of God.<\/p>\nShir-yedidot<\/span> appears only in Psalm 45. It refers to a love song that was probably sung at wedding ceremonies.<\/p>\nTefillah<\/span> is a common term for “prayer” and appears in the headings of Psalms 17, 86, 90, 102, and 142, and also in Habakkuk 3:1. The word probably refers to a specific form of poetic prayer.<\/p>\nSelah<\/span> is one of the most frequently used, but most enigmatic, terms found in the book of Psalms. It occurs in 39 psalms, appearing a total of 71 times in the Psalter—67 times within the text and 4 times at the end of a psalm. It is most frequent in the first three books. In the first book selah<\/span> appears in 9 psalms; in the second book, 17 psalms; in the third book, 11 psalms. In the fourth book it is not found at all and in the fifth book in only two psalms. Thirty-one of these psalms also include the term menazzeah<\/span> in their superscriptions, which implies that they were sung by a soloist and choir. Most commonly, selah<\/span> is interpreted as a signal for a break in the singing and possibly for an instrumental interlude. It never appears at the beginning of a psalm but only in the middle of the text or at the end. The regularity of its appearance within a psalm is not consistent, and in only a few instances do these divisions break the psalm into equal sections. Because of the random placement of the term, some scholars believe that, like the headings, selah<\/span> was not always carefully copied into the text. It may have been a note appearing only in the texts of the musicians, which would explain this inconsistency. An explanation of selah<\/span> is found in the Talmudic tradition: “Ben Azra clashed the cymbal and the Levites broke forth into singing. When they reached a break in the singing they blew upon the trumpets and the people prostrated themselves; at every break there was a blowing of the trumpet and at every blowing of the trumpet a prostration. This was the rite of the daily whole offering in the service of the House of our God.” Selah<\/span>,<\/em> then, would be an instruction for the musicians that the singing was to cease and the instrumentalists were to play.<\/p>\nThe term higgaion selah<\/span> appears once, in Psalm 9:16. The word higgaiaon<\/span> comes from the root hagah<\/span>,<\/em> “to murmur, to growl, to produce a low sound.” This may have been an instruction for the interlude to be more subdued than a normal selah<\/span>.<\/em><\/p>\n<h5>Ancient Melodies in the Titles<\/h5>\nMany psalms contain headings that are not direct musical references but are cue words to suggest well-known tunes. They probably refer either to names or the first words of popular secular songs (<\/em>makams<\/span>)<\/em> whose melodic patterns were used in singing the psalm. Many biblical scholars have tried to find hidden meaning in these headings, but most musicologists believe these are simply references or introductions to melodies.<\/p>\nAijeleth Shahar<\/span>,<\/em> in Psalm 22 (kjv<\/span>), is translated “according to The Hind of the Dawn” (rsv<\/span>), and “To the tune of ‘The Doe of the Morning’ ” (niv<\/span>), “To the tune ‘Doe of the Dawn’ ” (nlt<\/span>).<\/p>\nAl-taschith<\/span>,<\/em> in Psalms 57–59 and 75 (kjv<\/span>), is translated “To the tune ‘Do Not Destroy!’ ” (nlt<\/span>).<\/p>\nJonath-elem-rechokim<\/span>,<\/em> in Psalm 56 (kjv<\/span>), is translated “according to The Dove on Far-off Terebinths” (rsv<\/span>), and “To the tune ‘Dove on Distant Oaks’ ” (nlt<\/span>).<\/p>\nMahalath Leannoth<\/span>,<\/em> in Psalm 88, is translated “To the tune ‘The Suffering of Affliction’ ” (nlt<\/span>).<\/p>\nMuthlabben<\/span>,<\/em> in Psalm 9, is translated “To the tune ‘Death of the Son’ ” (nlt<\/span>).<\/p>\nShoshannim<\/span>,<\/em> in Psalms 45 and 69 (kjv<\/span>), is translated “To the tune ‘Lilies’ ” (nlt<\/span>).<\/p>\nShoshannim-Eduth<\/span>,<\/em> in Psalm 80 (kjv<\/span>), is translated “To the tune ‘Lilies of the Covenant’ ” (nlt<\/span>).<\/p>\nShushan-eduth<\/span>,<\/em> in Psalm 60, is translated “To the tune ‘Lily of the Testimony’ ” (nlt<\/span>).<\/p>\nThese melody types appear only in the first three books of the Psalter, and this may imply that these popular makams<\/span> had fallen into disuse by the time the final books of the Psalter were written. Other makam<\/span>-types had probably become popular, and the authors, realizing the relatively short life of a popular tune, did not include them in the headings of the Psalms but left the choice up to the performer.<\/p>\nMusic in the New Testament<\/p>\n<h5>First-Century Influences<\/h5>\n<h6>The Synagogue<\/h6>\nBy the time of Christ, the synagogue had become the chief place of worship for the Jewish people. It began as a place for study of the law but gradually became the center of worship for Jews unable to attend the temple. The liturgical service of the temple could not be duplicated in the synagogue as there was no sacrificial rite, and the music could not be exactly reproduced as there were no trained Levitical singers. Scholars do not agree about the amount of continuity between the music of the temple and the music of the synagogue, but there is evidence that certain musical practices did remain constant between the two places of worship.<\/p>\nInformation on the customs and rituals of the synagogue come from Talmudic writings. The musical elements of worship in the synagogue were the chanting of Scripture, psalmody, and spiritual songs. The choral singing of the temple was replaced by a single cantor. The cantor was a layman who, according to tradition, had to have the following qualifications: “He had to be well educated, gifted with a sweet voice, of humble personality, recognized by the community, conversant with Scripture and all the prayers; he must not be a rich man, for his prayers should come from his heart.” His most important job was the cantillation of the Law and the Prophets. A series of accents and punctuations, forerunners of actual musical notation, were indications for the cantor in the musical interpretation of the Scripture.<\/p>\nPsalm singing was gradually transplanted from the temple to the synagogue, which in turn influenced the early Christian church. Gregorian psalm tones have their roots in Hebrew psalmody.<\/p>\n<h6>Greek and Roman Cultures<\/h6>\nWhile both the temple and the synagogue were familiar to the early Christians (Acts 2:46-47; 3:1; 5:42; 9:20; 18:4; etc.), the Greek and Roman cultures also played a major part in shaping the young church. Hellenistic influences by the time of Christ had long been felt in the Middle East, and while it was strongly opposed by some Jewish leaders, the Greek arts had permeated Jewish culture. Greek philosophers considered music a cathartic force that could lead humans into metaphysical knowledge. This understanding led to the belief that music had a moral substance that could influence people to either good or evil. If this philosophy had totally encompassed Judeo-Christian thought, certainly Paul would have encouraged the use of music in the spread of the gospel. However, Paul’s omission of this theory implies that the Judeo-Christian world at that time had rejected the Greek ideal, at least in part.<\/p>\nWhile the Jewish rabbis considered music an art form for the praise of God, and while the Greek philosophers thought of it as a powerful moral force in creation, the Romans considered music mainly as entertainment. The music of the Roman games was neither religious nor philosophic and, from the accounts of witnesses, it was not technically exceptional. In the Roman Empire musicians were given a lower status and looked on as mere entertainers. One reason the early church did not include instrumental music in their worship was in reaction to the debased secular use of instruments by the Romans.<\/p>\n<h5>In the New Testament Writings<\/h5>\nOne of the few mentions of instruments in the NT is the use of flutes at a wake (Mt 9:23). As in the OT, music is associated with feasting and merrymaking (e.g., the return of the prodigal son, Lk 15:25). Five passages mention music metaphorically (Mt 6:2; 11:17; Lk 7:32; 1 Cor 13:1; 14:7-8). The most well known of these is Paul’s celebration of love in 1 Corinthians 13. The denunciation of the gong and cymbals must be understood in light of the attitude of the early Christians toward the music of the Pharisees. Here the signal instruments of the temple were used to represent pompous display of religious pietism.<\/p>\n\nMost references to music are found in the eschatological visions and prophetic passages scattered throughout the NT—most frequently in the book of Revelation (also Mt 24:31; 1 Cor 15:52; 1 Thes 4:16; Heb 12:19). Many of these descriptions have a direct association with musical references in the OT (e.g., the use of harps and trumpets and the singing of the Hallelujah). But the value of many of the passages in Revelation comes from their literary style. These doxological and psalmlike passages were probably spontaneous “spiritual songs” composed by the young church (e.g., Rv 5:9-10).<\/p>\nThe passages that mention religious or liturgical music are often more conceptual than literal. Two parallel passages describing the Last Supper (Mt 26:30; Mk 14:26) mention that Christ and his disciples sang a hymn. This is the only direct account of Jesus singing, but it is probable that when he read in the synagogue he did so in the accepted vocal style (Lk 4:16-20). There is much controversy surrounding the actual events at the Last Supper, but we can assume that the hymn sung was a traditional Jewish hymn, probably associated with the Passover.<\/p>\nFrom the account in Acts 16:25 we know that Paul and Silas sang hymns while in jail. Paul gives instruction for music making in 1 Corinthians 14:15, 26 in terms of a balance between rationalism and emotion. And, as with all the gifts of the Spirit, Paul asks that singing be done for edification.<\/p>\nIn two similar passages (Eph 5:19; Col 3:16) Paul groups together three musical terms—psalms, hymns, and spiritual songs. The singing of psalms was an obvious carryover from the synagogue, and we can assume that the early Christian psalm singing followed the Jewish style. The term for “hymns” probably refers to poetic texts, possibly modeled after the psalms, but in praise of Christ. “Spiritual songs” may refer to a spontaneous, ecstatic form of musical prayer, possibly wordless (perhaps related to glossolalia), in a style that was popular in mystical Judaism. These outbursts of song were probably melismatic (sung on one tone) and are perhaps the forerunners of the later Alleluia chant.<\/p>\n<h5>Hymnody in the New Testament<\/h5>\nIt can be assumed that the early Christians composed hymns in praise of Christ. Logically, most of the hymns found in the NT are based on Hebrew poetic psalm forms, but there is Greek and Latin influence also. The hymns from the Gospel of Luke have become well-known canticles adopted by the church: the Magnificat (Lk 1:46-55), the Benedictus (1:68-79), the Gloria (2:14) and the Nunc Dimittis (2:29-32). While patterned after the psalms of the OT, these hymns are full of confidence in the salvation of Christ and in his imminent return. Other Christological hymns found in the NT include the prologue to the Gospel of John, Ephesians 2:14-16, Philippians 2:6-11, Colossians 1:15-20, 1 Timothy 3:16, Hebrews 1:3, and 1 Peter 3:18-22.<\/p>","summary_ro":"MUSIC A natural human expression that probably began with speech-singing and developed into songs, which were then accompanied by instruments. Music as we know it has become quite complex, a luxury and entertainment; music in antiquity, however, was a functional expression of daily life, work, and worship. The phrase “sing to the Lord,” common to the OT (Ex 15:21; 1 Chr 16:9; Pss 68:32; 96:1-2; Is 42:10; Jer 20:13), was not unique to the Jewish nation. All religions draw on the natural human ...","summary_en":"MUSIC A natural human expression that probably began with speech-singing and developed into songs, which were then accompanied by instruments. Music as we know it has become quite complex, a luxury and entertainment; music in antiquity, however, was a functional expression of daily life, work, and worship. The phrase “sing to the Lord,” common to the OT (Ex 15:21; 1 Chr 16:9; Pss 68:32; 96:1-2; Is 42:10; Jer 20:13), was not unique to the Jewish nation. All religions draw on the natural human ...","source":"Articles\/M.xml","external_url":null,"has_map":false,"has_picture":false},{"id":49277,"type":"study_note","type_label":"Notă de studiu","type_icon":"📝","type_color":"#06b6d4","title_ro":"Notă de studiu: Psalmi 45:10","title_en":"Study Note: Psalmi 45:10","content_ro":"45:10-12<\/strong> The bride is a representative of the king. Powerful people and nations try to gain her favor in order to get close to the king. This is a great honor, and she is encouraged to give herself fully to her new position.<\/p>","content_en":"45:10-12<\/strong> The bride is a representative of the king. Powerful people and nations try to gain her favor in order to get close to the king. This is a great honor, and she is encouraged to give herself fully to her new position.<\/p>","summary_ro":"45:10-12 The bride is a representative of the king. Powerful people and nations try to gain her favor in order to get close to the king. This is a great honor, and she is encouraged to give herself fully to her new position.","summary_en":"45:10-12 The bride is a representative of the king. Powerful people and nations try to gain her favor in order to get close to the king. This is a great honor, and she is encouraged to give herself fully to her new position.","source":"StudyNotes.xml","external_url":null,"has_map":false,"has_picture":false},{"id":76903,"type":"study_note","type_label":"Notă de studiu","type_icon":"📝","type_color":"#06b6d4","title_ro":"Notă de studiu: Psalmi 45:10","title_en":"Study Note: Psalmi 45:10","content_ro":"45:10-12<\/strong> The bride is a representative of the king. Powerful people and nations try to gain her favor in order to get close to the king. This is a great honor, and she is encouraged to give herself fully to her new position.<\/p>","content_en":"45:10-12<\/strong> The bride is a representative of the king. Powerful people and nations try to gain her favor in order to get close to the king. This is a great honor, and she is encouraged to give herself fully to her new position.<\/p>","summary_ro":"45:10-12 The bride is a representative of the king. Powerful people and nations try to gain her favor in order to get close to the king. This is a great honor, and she is encouraged to give herself fully to her new position.","summary_en":"45:10-12 The bride is a representative of the king. Powerful people and nations try to gain her favor in order to get close to the king. This is a great honor, and she is encouraged to give herself fully to her new position.","source":"StudyNotes.xml","external_url":null,"has_map":false,"has_picture":false},{"id":104529,"type":"study_note","type_label":"Notă de studiu","type_icon":"📝","type_color":"#06b6d4","title_ro":"Notă de studiu: Psalmi 45:10","title_en":"Study Note: Psalmi 45:10","content_ro":"45:10-12<\/strong> The bride is a representative of the king. Powerful people and nations try to gain her favor in order to get close to the king. This is a great honor, and she is encouraged to give herself fully to her new position.<\/p>","content_en":"45:10-12<\/strong> The bride is a representative of the king. Powerful people and nations try to gain her favor in order to get close to the king. This is a great honor, and she is encouraged to give herself fully to her new position.<\/p>","summary_ro":"45:10-12 The bride is a representative of the king. Powerful people and nations try to gain her favor in order to get close to the king. This is a great honor, and she is encouraged to give herself fully to her new position.","summary_en":"45:10-12 The bride is a representative of the king. Powerful people and nations try to gain her favor in order to get close to the king. This is a great honor, and she is encouraged to give herself fully to her new position.","source":"StudyNotes.xml","external_url":null,"has_map":false,"has_picture":false},{"id":132155,"type":"study_note","type_label":"Notă de studiu","type_icon":"📝","type_color":"#06b6d4","title_ro":"Notă de studiu: Psalmi 45:10","title_en":"Study Note: Psalmi 45:10","content_ro":"45:10-12<\/strong> The bride is a representative of the king. Powerful people and nations try to gain her favor in order to get close to the king. This is a great honor, and she is encouraged to give herself fully to her new position.<\/p>","content_en":"45:10-12<\/strong> The bride is a representative of the king. Powerful people and nations try to gain her favor in order to get close to the king. This is a great honor, and she is encouraged to give herself fully to her new position.<\/p>","summary_ro":"45:10-12 The bride is a representative of the king. Powerful people and nations try to gain her favor in order to get close to the king. This is a great honor, and she is encouraged to give herself fully to her new position.","summary_en":"45:10-12 The bride is a representative of the king. Powerful people and nations try to gain her favor in order to get close to the king. This is a great honor, and she is encouraged to give herself fully to her new position.","source":"StudyNotes.xml","external_url":null,"has_map":false,"has_picture":false}],"12":[{"id":49278,"type":"study_note","type_label":"Notă de studiu","type_icon":"📝","type_color":"#06b6d4","title_ro":"Notă de studiu: Psalmi 45:12","title_en":"Study Note: Psalmi 45:12","content_ro":"45:12<\/strong> The princess of Tyre:<\/em> Israel traded with Tyre, a powerful city-state. The noblest woman of the city bears a wedding gift to her counterpart, the new queen, who represents an honored kingdom.<\/p>","content_en":"45:12<\/strong> The princess of Tyre:<\/em> Israel traded with Tyre, a powerful city-state. The noblest woman of the city bears a wedding gift to her counterpart, the new queen, who represents an honored kingdom.<\/p>","summary_ro":"45:12 The princess of Tyre: Israel traded with Tyre, a powerful city-state. The noblest woman of the city bears a wedding gift to her counterpart, the new queen, who represents an honored kingdom.","summary_en":"45:12 The princess of Tyre: Israel traded with Tyre, a powerful city-state. The noblest woman of the city bears a wedding gift to her counterpart, the new queen, who represents an honored kingdom.","source":"StudyNotes.xml","external_url":null,"has_map":false,"has_picture":false},{"id":76904,"type":"study_note","type_label":"Notă de studiu","type_icon":"📝","type_color":"#06b6d4","title_ro":"Notă de studiu: Psalmi 45:12","title_en":"Study Note: Psalmi 45:12","content_ro":"45:12<\/strong> The princess of Tyre:<\/em> Israel traded with Tyre, a powerful city-state. The noblest woman of the city bears a wedding gift to her counterpart, the new queen, who represents an honored kingdom.<\/p>","content_en":"45:12<\/strong> The princess of Tyre:<\/em> Israel traded with Tyre, a powerful city-state. The noblest woman of the city bears a wedding gift to her counterpart, the new queen, who represents an honored kingdom.<\/p>","summary_ro":"45:12 The princess of Tyre: Israel traded with Tyre, a powerful city-state. The noblest woman of the city bears a wedding gift to her counterpart, the new queen, who represents an honored kingdom.","summary_en":"45:12 The princess of Tyre: Israel traded with Tyre, a powerful city-state. The noblest woman of the city bears a wedding gift to her counterpart, the new queen, who represents an honored kingdom.","source":"StudyNotes.xml","external_url":null,"has_map":false,"has_picture":false},{"id":104530,"type":"study_note","type_label":"Notă de studiu","type_icon":"📝","type_color":"#06b6d4","title_ro":"Notă de studiu: Psalmi 45:12","title_en":"Study Note: Psalmi 45:12","content_ro":"45:12<\/strong> The princess of Tyre:<\/em> Israel traded with Tyre, a powerful city-state. The noblest woman of the city bears a wedding gift to her counterpart, the new queen, who represents an honored kingdom.<\/p>","content_en":"45:12<\/strong> The princess of Tyre:<\/em> Israel traded with Tyre, a powerful city-state. The noblest woman of the city bears a wedding gift to her counterpart, the new queen, who represents an honored kingdom.<\/p>","summary_ro":"45:12 The princess of Tyre: Israel traded with Tyre, a powerful city-state. The noblest woman of the city bears a wedding gift to her counterpart, the new queen, who represents an honored kingdom.","summary_en":"45:12 The princess of Tyre: Israel traded with Tyre, a powerful city-state. The noblest woman of the city bears a wedding gift to her counterpart, the new queen, who represents an honored kingdom.","source":"StudyNotes.xml","external_url":null,"has_map":false,"has_picture":false},{"id":132156,"type":"study_note","type_label":"Notă de studiu","type_icon":"📝","type_color":"#06b6d4","title_ro":"Notă de studiu: Psalmi 45:12","title_en":"Study Note: Psalmi 45:12","content_ro":"45:12<\/strong> The princess of Tyre:<\/em> Israel traded with Tyre, a powerful city-state. The noblest woman of the city bears a wedding gift to her counterpart, the new queen, who represents an honored kingdom.<\/p>","content_en":"45:12<\/strong> The princess of Tyre:<\/em> Israel traded with Tyre, a powerful city-state. The noblest woman of the city bears a wedding gift to her counterpart, the new queen, who represents an honored kingdom.<\/p>","summary_ro":"45:12 The princess of Tyre: Israel traded with Tyre, a powerful city-state. The noblest woman of the city bears a wedding gift to her counterpart, the new queen, who represents an honored kingdom.","summary_en":"45:12 The princess of Tyre: Israel traded with Tyre, a powerful city-state. The noblest woman of the city bears a wedding gift to her counterpart, the new queen, who represents an honored kingdom.","source":"StudyNotes.xml","external_url":null,"has_map":false,"has_picture":false}],"14":[{"id":24526,"type":"article","type_label":"Articol","type_icon":"📖","type_color":"#d4af37","title_ro":"Marriage Customs Marriage","title_en":"Marriage Customs Marriage","content_ro":"<h3>MARRIAGE, MARRIAGE CUSTOMS<\/h3>\nThe joining together of male and female in matrimony, as practiced by various cultures.<\/p>\nThe idea of marriage was ordained by God in his instruction to Adam that a man should leave his father and mother, and that he and his wife should be as one flesh (Gn 2:24).<\/p>\nSeveral forms of marriage are referred to in the OT, the earliest of which seems to be based on a matrilineal principle. Although there appears to be some evidence for this in the middle Bronze Age and in the early monarchy, it is difficult to be certain about the matter, despite the importance in Egypt, and perhaps elsewhere, of the role of the mother in determining descent.<\/p>\nGenerally, the bride left her parents when she married and went to live with her husband’s clan, as Rebekah did (Gn 24:58-59). The phrase “to marry a wife” is from a root meaning to “become master” (Dt 21:13), and the wife frequently treated her husband as, and referred to him as, master.<\/p>\nHebrew genealogical lists indicate that descent was reckoned through the male line (Gn 5:10; 36:9-43; Nm 1:1-15; Ru 4:18-22; 1 Chr 1:1-9). The important right of naming a child, indicating power and authority over that child, was exercised almost equally between father and mother in biblical references (cf. Gn 4:1, 25-26; 5:29; 35:18; 1 Sm 1:20; 4:21; Is 8:3; Hos 1:4-9). Sons were frequently named after their fathers and were identified with them.<\/p>\nThe father was the authority figure in the home in a patriarchal society. His wife and children were regarded as his possessions in somewhat the same way as his fields and livestock (Ex 20:17; Dt 5:21). He had the right to sell his daughters (Ex 21:7; Neh 5:5), and even had the power of life and death over his children.<\/p>\nThe ease with which a man could terminate a marriage by divorcing his wife also shows the measure of his authority in the family (Dt 24:1-4; cf. 22:13-21).<\/p>\nA levirate marriage was instituted to preserve a family name and inheritance. When a man died, the responsibility for maintaining his widow and any children that she might have fell upon her husband’s closest male relative. The order of responsibility is set out in Deuteronomy 25:5-10. Normally, the brother of the deceased husband living with the clan was expected to enter into a levirate marriage with the widow. If she was childless, the firstborn of the new marriage was regarded as a child of the deceased. Levirate marriage was also known to the Canaanites, Assyrians, and Hittites.<\/p>\nThe most familiar levirate situation in the OT, although not conforming strictly to the law of Deuteronomy 25, is described in the book of Ruth. It was essential for Ruth to find some close male relative to marry her so that the family name and property could be preserved. The closest male relative declined the responsibility, feeling that it was a double imposition, first, to have to purchase the land and support Ruth, and second, to know that the first son would be regarded as her dead husband’s child, bearing his name and inheriting the land. Boaz agreed to undertake the responsibility (Ru 2:20–4:10).<\/p>\nDespite numerous examples of polygamy cited in the OT, there is no doubt that the vast majority of the Israelites were monogamous. There are no examples given of large polygamous marriages in the families of commoners.<\/p>\nThe original instruction to Adam was that a “man . . . cleaves to his wife” (Gn 2:24). Hebrew laws generally imply that a marriage with one wife is the most acceptable form of marriage (Ex 20:17; 21:5; Lv 18:8, 16-20; 20:10; Nm 5:12; Dt 5:21). Although this seems to have become the norm by the time of the monarchy, a king such as Solomon did not follow Hebrew traditions in this matter. In the postexilic period marriages were predominantly monogamous, although they were being terminated increasingly by divorce. In the NT period monogamy seems to have been the rule, although persons such as Herod the Great were polygamous. Christ taught that marriage should last the lifetime of the partners, and if a man divorced his wife and married another woman during his previous spouse’s lifetime, he committed adultery (Mt 5:31-32).<\/p>\nMarriage generally took place with those who were close to the immediate family circle, and it was imperative, therefore, that limits on acceptable consanguinity should be imposed. In patriarchal times a man could marry his half sister on his father’s side (Gn 20:12), and this continued to be the case even under David (2 Sm 13:13), although it was specifically forbidden in Leviticus 20:17. As there is some contradiction between the marriage laws of Deuteronomy and those in the Law of Holiness (Dt 25:5; Lv 18:16), it is possible that there was some modification of the stricter Levitical regulations. Marriages between cousins, such as Isaac with Rebekah, and Jacob with Rachel and Leah, were common. When a close relative was interested in marriage, it was almost impossible to refuse (Tb 6:13; 7:11-12). Moses was the offspring of a marriage between nephew and aunt (Ex 6:20; Nm 26:59), which would have been forbidden in Leviticus 18:12-13 and 20:19, as would Jacob’s marriage with two sisters at the same time (Gn 29:30).<\/p>\nWhen the Israelites settled in Canaan, many of them married Canaanite women, much to the consternation of those who desired to maintain the purity of the Hebrew religion (1 Kgs 11:4). Such intermarriage was prohibited under Mosaic law (Ex 34:15-16; Dt 7:3-4), although many Israelites ignored these regulations and continued to indulge in mixed marriages. If a woman was captured in war and was prepared to abandon her native country, an exception could be made (Dt 21:10-14). By contrast, Samson married a Philistine woman who remained with her own people, but who received conjugal visits from her husband periodically (Jgs 14:8–15:2).<\/p>\nThe danger of intermarriage affecting the purity of Hebrew religion was considered so great that in the postexilic period wholesale divorce was ordered where Jews had married foreign wives (Ezr 9:2; 10:3, 16-17). The intent was that the national religion should remain pure, even though homes and families were destroyed. Even in NT times, Paul denounced marriage with non-Christians (2 Cor 6:14-15).<\/p>\nIt is difficult to estimate at what age young people married. A boy was considered to be a man by his early teens, and late in Jewish tradition this transition was celebrated by the bar mitzvah, which generally occurred when the boy was 13.<\/p>\nNormally the young man’s parents chose the bride. The resulting discussion about the marriage occurred between the groom’s parents and the bride’s parents, and often neither of the young people was consulted. It was not essential for the eldest in the family to be married first (Gn 29:26). When Abraham decided that Isaac should be married, a servant was sent to choose a bride from among Abraham’s relatives in Mesopotamia. The servant made contact with the bride’s brother and mother (24:33-53), and it was only afterward that Rebekah was asked to give her consent (vv 57-58). Her father was possibly incapacitated; otherwise, it would have been unlikely that her consent would have been asked at all.<\/p>\nOne of the reasons why the average young man would not have been able to afford more than one wife was the practice of the bride-price, which had to be paid to the bride’s father. It was possible to substitute service for the bride-price (Gn 29:15-30), or the completion of an appointed task (1 Sm 18:25-27). A specific sum is mentioned for the bride-price in the case of a virgin who had been raped and who had to be purchased by her seducer. The price was set at 50 shekels, but this was considered to be a punishment; it is probable that the normal amount was between 10 and 320 shekels (Lv 27:4-5).<\/p>\nAt the time of the second temple, a virgin bride was considered to be worth 50 shekels, and a widow or divorced woman about half that sum. During this period, a virgin bride was normally married in midweek so that, if her husband found her not to be a virgin, he could bring proof to the court the following day, which would still be in advance of the Sabbath. A widow or a divorced woman normally married on the equivalent of a Thursday, giving her a full day with her husband before the Sabbath.<\/p>\nMarriage was a covenant or alliance between two families. It thus united them, and by extending the kinship, the overall size of the group was increased. This was important in a society where responsibilities for relatives, however distant, were accepted unhesitatingly. The covenant concept also could have political overtones, as with the marriage between Solomon and the Egyptian princess (1 Kgs 11:1) or Ahab of Israel and Jezebel of Tyre (16:31).<\/p>\nThe sealing of the covenant included the transfer of gifts, which would establish the wealth and status of the donor and of the bride (Gn 34:12). In the ancient Near East, the giving of a gift was thought to include a part of the donor, so that the giver was actually offering a portion of himself. The gift that sealed the covenant also established the donor’s authority over the bride.<\/p>\nThe next stage in the marriage procedure was the betrothal. First mentioned in Exodus 22:16, the term is used several times in Deuteronomy (Dt 20:7; 22:23-24). The betrothal had the legal status of a marriage (Dt 28:30; 2 Sm 3:14), and anyone violating a betrothed virgin would be stoned, according to the law of Deuteronomy, for violating his neighbor’s “wife” (Dt 22:23-24). The meaning of a betrothal involved taking possession, in a manner similar to that of receiving tribute. Nevertheless, there remained a distinction between betrothing a woman and taking her as a wife (20:7). During the period of betrothal, the prospective groom was exempt from military service. It was assumed that the betrothal was a formal part of a permanent relationship (Mt 1:18; Lk 1:27; 2:5).<\/p>\nA man who was to marry another’s daughter was already regarded as a son-in-law at the time of betrothal (Gn 19:14). Mary, as Joseph’s betrothed, was actually considered his wife, although he did not have intercourse with her until after the birth of Jesus.<\/p>\nThe first biblical record of a wedding being celebrated by a feast is in the story of Jacob (Gn 29:22). There was no actual marriage contract recorded until its mention in the book of Tobit (Tb 7:12). This contract was not considered valid until the couple had cohabited for a week (Gn 29:27; Jgs 14:12, 18). When Samson left his bride before the end of the seven-day period, the bride’s parents considered the marriage void and gave her to another man (Jgs 14:20).<\/p>\nThe wedding was an occasion of great family rejoicing. The special clothing of the bride and groom (Is 61:10; Ez 16:9-13) included for the bride a fine dress often adorned with jewels (Ps 45:14-15; Is 61:10) and other ornaments, while the bridegroom had fine clothing and wore a diadem (Sg 3:11; Is 61:10). The bride wore a veil (Gn 24:65; Sg 4:3), which was removed in the bridal chamber. This would account for Rebekah’s need to veil herself in the presence of Isaac, her fiancé (Gn 24:65), and also for the ease with which Laban was able to replace Rachel with Leah on Jacob’s wedding night (29:23-25).<\/p>\nSymbolic ceremonies may sometimes have been included as part of the betrothal or wedding ceremonies, such as Ruth’s request that Boaz spread his skirt over her to indicate that he was taking her to wife (Ru 3:9). Another ritual may have been the ceremonial removal of the bride’s girdle by the groom in the nuptial chamber, which was a room or tent specially prepared for the newly married couple. The marriage was normally consummated on the first night (Gn 29:23; Tb 8:1), and the stained linen would be retained as evidence of the bride’s virginity.<\/p>\nIn a contrast to the elaborate procession and feasting of the marriage, divorce was simple. A man could divorce his wife if he found fault with her in any particular matter, and this right was not abolished until the 11th century AD<\/span>. Divorce was discouraged, however, and gradually the procedure became more complex, being hedged about with a number of deterrents.<\/p>\nAs the laws regarding divorce became more complex, so the procedure became increasingly expensive. At a later time a lawyer, or sometimes a rabbi, would give advice, especially on such matters as the return of property rightly belonging to the bride or her family.<\/p>\nIf a bride was found to have committed adultery, the husband was thought to be entitled to a divorce. This was also the case if he even suspected her of infidelity. He could also divorce his wife if he felt that she had violated normal morality, had become apostate, or had been less than efficient in the management of her household. If a woman refused her husband his conjugal rights for a period of at least one year, she could be divorced. Other grounds for divorcing a wife included insulting behavior to a husband or his relatives, contracting an incurable disease, or refusing to accompany her husband when he moved the domicile to a new area.<\/p>\nIn general, the status of the wife was low. Despite the fact that she gave advice, managed the household, educated the young children, and worked alongside her husband when necessary, he was still her master, and her role was to obey. She was little more than a servant, although better than a slave, for she could not be sold even though she could be divorced.<\/p>\nIn the frequent figurative uses of marriage in the OT, the Hebrew people and God are referred to in terms of bride and bridegroom (Is 62:4-5; Jer 2:2). The desolation that is about to overtake Judah is contrasted by Jeremiah with the celebration of a wedding feast (Jer 7:34; 16:9; 25:10). Figurative forms are used again in Hosea, where God rejects the relationship with his wife, Israel (Hos 2:2), but is prepared to accept her again if she resumes her faithful practices (vv 19-20).<\/p>\nIn the NT, John the Baptist compares his sense of joy with that of a friend of the groom at a wedding (Jn 3:29), while Jesus himself made reference to the wedding preparations in the parable of the wise and foolish virgins (Mt 25:1-12). In the story of the marriage feast (22:1-14) Christ mentions quite incidentally the fact that wedding robes were provided for the guests at such ceremonies. The theme of the Christian church as the bride of Christ occurs in such books as 2 Corinthians, Ephesians, and Revelation.<\/p>\nJesus’ Teachings on Marriage and Adultery<\/p>\nIn the realm of civil law there are changes of emphasis in Jesus’ teaching over against the OT. For example, the OT did not regard infidelity by a husband as adultery against his wife. When challenged by the Jews, Jesus said that originally God had made one wife for a man; therefore, there should be no divorce (Mk 10:2-9). Further, he stated if a man does divorce his wife and marry again, he “commits adultery against her” (v 11). Thus, Jesus made man and woman equal as regards adultery. An unfaithful husband is just as adulterous as an unfaithful wife. This revolutionary teaching struck the disciples as severe (see Mt 19:10), but it illustrates what Jesus meant when he said their righteousness must be greater than that of the Jewish leaders (5:20).<\/p>\nThere is a slight difference in Matthew’s account of Jesus’ teaching, which has led some scholars to argue that Jesus was not quite as strict as the above summary suggests. According to Matthew 19:9, a wife’s “unchastity” (probably some sexual misconduct) allows an aggrieved husband to divorce her and marry again. If this remark concluded the passage, this interpretation would be the simplest. However, from the context it is more likely that Jesus allowed innocent spouses to separate from their wives but not to remarry. This explains why the disciples were so shocked and why Jesus went on to speak about some who refuse to marry for the sake of the kingdom of heaven (Mt 19:12). This was also the way the church interpreted the passage for the first five centuries. They allowed Christians to separate but not to remarry (cf. 1 Cor 7:11).<\/p>\nSee also<\/em> Adultery; Civil Law and Justice; Concubinage, Concubines; Divorce; Family Life and Relations; Sex, Sexuality; Virgin.<\/p>","content_en":"<h3>MARRIAGE, MARRIAGE CUSTOMS<\/h3>\nThe joining together of male and female in matrimony, as practiced by various cultures.<\/p>\nThe idea of marriage was ordained by God in his instruction to Adam that a man should leave his father and mother, and that he and his wife should be as one flesh (Gn 2:24).<\/p>\nSeveral forms of marriage are referred to in the OT, the earliest of which seems to be based on a matrilineal principle. Although there appears to be some evidence for this in the middle Bronze Age and in the early monarchy, it is difficult to be certain about the matter, despite the importance in Egypt, and perhaps elsewhere, of the role of the mother in determining descent.<\/p>\nGenerally, the bride left her parents when she married and went to live with her husband’s clan, as Rebekah did (Gn 24:58-59). The phrase “to marry a wife” is from a root meaning to “become master” (Dt 21:13), and the wife frequently treated her husband as, and referred to him as, master.<\/p>\nHebrew genealogical lists indicate that descent was reckoned through the male line (Gn 5:10; 36:9-43; Nm 1:1-15; Ru 4:18-22; 1 Chr 1:1-9). The important right of naming a child, indicating power and authority over that child, was exercised almost equally between father and mother in biblical references (cf. Gn 4:1, 25-26; 5:29; 35:18; 1 Sm 1:20; 4:21; Is 8:3; Hos 1:4-9). Sons were frequently named after their fathers and were identified with them.<\/p>\nThe father was the authority figure in the home in a patriarchal society. His wife and children were regarded as his possessions in somewhat the same way as his fields and livestock (Ex 20:17; Dt 5:21). He had the right to sell his daughters (Ex 21:7; Neh 5:5), and even had the power of life and death over his children.<\/p>\nThe ease with which a man could terminate a marriage by divorcing his wife also shows the measure of his authority in the family (Dt 24:1-4; cf. 22:13-21).<\/p>\nA levirate marriage was instituted to preserve a family name and inheritance. When a man died, the responsibility for maintaining his widow and any children that she might have fell upon her husband’s closest male relative. The order of responsibility is set out in Deuteronomy 25:5-10. Normally, the brother of the deceased husband living with the clan was expected to enter into a levirate marriage with the widow. If she was childless, the firstborn of the new marriage was regarded as a child of the deceased. Levirate marriage was also known to the Canaanites, Assyrians, and Hittites.<\/p>\nThe most familiar levirate situation in the OT, although not conforming strictly to the law of Deuteronomy 25, is described in the book of Ruth. It was essential for Ruth to find some close male relative to marry her so that the family name and property could be preserved. The closest male relative declined the responsibility, feeling that it was a double imposition, first, to have to purchase the land and support Ruth, and second, to know that the first son would be regarded as her dead husband’s child, bearing his name and inheriting the land. Boaz agreed to undertake the responsibility (Ru 2:20–4:10).<\/p>\nDespite numerous examples of polygamy cited in the OT, there is no doubt that the vast majority of the Israelites were monogamous. There are no examples given of large polygamous marriages in the families of commoners.<\/p>\nThe original instruction to Adam was that a “man . . . cleaves to his wife” (Gn 2:24). Hebrew laws generally imply that a marriage with one wife is the most acceptable form of marriage (Ex 20:17; 21:5; Lv 18:8, 16-20; 20:10; Nm 5:12; Dt 5:21). Although this seems to have become the norm by the time of the monarchy, a king such as Solomon did not follow Hebrew traditions in this matter. In the postexilic period marriages were predominantly monogamous, although they were being terminated increasingly by divorce. In the NT period monogamy seems to have been the rule, although persons such as Herod the Great were polygamous. Christ taught that marriage should last the lifetime of the partners, and if a man divorced his wife and married another woman during his previous spouse’s lifetime, he committed adultery (Mt 5:31-32).<\/p>\nMarriage generally took place with those who were close to the immediate family circle, and it was imperative, therefore, that limits on acceptable consanguinity should be imposed. In patriarchal times a man could marry his half sister on his father’s side (Gn 20:12), and this continued to be the case even under David (2 Sm 13:13), although it was specifically forbidden in Leviticus 20:17. As there is some contradiction between the marriage laws of Deuteronomy and those in the Law of Holiness (Dt 25:5; Lv 18:16), it is possible that there was some modification of the stricter Levitical regulations. Marriages between cousins, such as Isaac with Rebekah, and Jacob with Rachel and Leah, were common. When a close relative was interested in marriage, it was almost impossible to refuse (Tb 6:13; 7:11-12). Moses was the offspring of a marriage between nephew and aunt (Ex 6:20; Nm 26:59), which would have been forbidden in Leviticus 18:12-13 and 20:19, as would Jacob’s marriage with two sisters at the same time (Gn 29:30).<\/p>\nWhen the Israelites settled in Canaan, many of them married Canaanite women, much to the consternation of those who desired to maintain the purity of the Hebrew religion (1 Kgs 11:4). Such intermarriage was prohibited under Mosaic law (Ex 34:15-16; Dt 7:3-4), although many Israelites ignored these regulations and continued to indulge in mixed marriages. If a woman was captured in war and was prepared to abandon her native country, an exception could be made (Dt 21:10-14). By contrast, Samson married a Philistine woman who remained with her own people, but who received conjugal visits from her husband periodically (Jgs 14:8–15:2).<\/p>\nThe danger of intermarriage affecting the purity of Hebrew religion was considered so great that in the postexilic period wholesale divorce was ordered where Jews had married foreign wives (Ezr 9:2; 10:3, 16-17). The intent was that the national religion should remain pure, even though homes and families were destroyed. Even in NT times, Paul denounced marriage with non-Christians (2 Cor 6:14-15).<\/p>\nIt is difficult to estimate at what age young people married. A boy was considered to be a man by his early teens, and late in Jewish tradition this transition was celebrated by the bar mitzvah, which generally occurred when the boy was 13.<\/p>\nNormally the young man’s parents chose the bride. The resulting discussion about the marriage occurred between the groom’s parents and the bride’s parents, and often neither of the young people was consulted. It was not essential for the eldest in the family to be married first (Gn 29:26). When Abraham decided that Isaac should be married, a servant was sent to choose a bride from among Abraham’s relatives in Mesopotamia. The servant made contact with the bride’s brother and mother (24:33-53), and it was only afterward that Rebekah was asked to give her consent (vv 57-58). Her father was possibly incapacitated; otherwise, it would have been unlikely that her consent would have been asked at all.<\/p>\nOne of the reasons why the average young man would not have been able to afford more than one wife was the practice of the bride-price, which had to be paid to the bride’s father. It was possible to substitute service for the bride-price (Gn 29:15-30), or the completion of an appointed task (1 Sm 18:25-27). A specific sum is mentioned for the bride-price in the case of a virgin who had been raped and who had to be purchased by her seducer. The price was set at 50 shekels, but this was considered to be a punishment; it is probable that the normal amount was between 10 and 320 shekels (Lv 27:4-5).<\/p>\nAt the time of the second temple, a virgin bride was considered to be worth 50 shekels, and a widow or divorced woman about half that sum. During this period, a virgin bride was normally married in midweek so that, if her husband found her not to be a virgin, he could bring proof to the court the following day, which would still be in advance of the Sabbath. A widow or a divorced woman normally married on the equivalent of a Thursday, giving her a full day with her husband before the Sabbath.<\/p>\nMarriage was a covenant or alliance between two families. It thus united them, and by extending the kinship, the overall size of the group was increased. This was important in a society where responsibilities for relatives, however distant, were accepted unhesitatingly. The covenant concept also could have political overtones, as with the marriage between Solomon and the Egyptian princess (1 Kgs 11:1) or Ahab of Israel and Jezebel of Tyre (16:31).<\/p>\nThe sealing of the covenant included the transfer of gifts, which would establish the wealth and status of the donor and of the bride (Gn 34:12). In the ancient Near East, the giving of a gift was thought to include a part of the donor, so that the giver was actually offering a portion of himself. The gift that sealed the covenant also established the donor’s authority over the bride.<\/p>\nThe next stage in the marriage procedure was the betrothal. First mentioned in Exodus 22:16, the term is used several times in Deuteronomy (Dt 20:7; 22:23-24). The betrothal had the legal status of a marriage (Dt 28:30; 2 Sm 3:14), and anyone violating a betrothed virgin would be stoned, according to the law of Deuteronomy, for violating his neighbor’s “wife” (Dt 22:23-24). The meaning of a betrothal involved taking possession, in a manner similar to that of receiving tribute. Nevertheless, there remained a distinction between betrothing a woman and taking her as a wife (20:7). During the period of betrothal, the prospective groom was exempt from military service. It was assumed that the betrothal was a formal part of a permanent relationship (Mt 1:18; Lk 1:27; 2:5).<\/p>\nA man who was to marry another’s daughter was already regarded as a son-in-law at the time of betrothal (Gn 19:14). Mary, as Joseph’s betrothed, was actually considered his wife, although he did not have intercourse with her until after the birth of Jesus.<\/p>\nThe first biblical record of a wedding being celebrated by a feast is in the story of Jacob (Gn 29:22). There was no actual marriage contract recorded until its mention in the book of Tobit (Tb 7:12). This contract was not considered valid until the couple had cohabited for a week (Gn 29:27; Jgs 14:12, 18). When Samson left his bride before the end of the seven-day period, the bride’s parents considered the marriage void and gave her to another man (Jgs 14:20).<\/p>\nThe wedding was an occasion of great family rejoicing. The special clothing of the bride and groom (Is 61:10; Ez 16:9-13) included for the bride a fine dress often adorned with jewels (Ps 45:14-15; Is 61:10) and other ornaments, while the bridegroom had fine clothing and wore a diadem (Sg 3:11; Is 61:10). The bride wore a veil (Gn 24:65; Sg 4:3), which was removed in the bridal chamber. This would account for Rebekah’s need to veil herself in the presence of Isaac, her fiancé (Gn 24:65), and also for the ease with which Laban was able to replace Rachel with Leah on Jacob’s wedding night (29:23-25).<\/p>\nSymbolic ceremonies may sometimes have been included as part of the betrothal or wedding ceremonies, such as Ruth’s request that Boaz spread his skirt over her to indicate that he was taking her to wife (Ru 3:9). Another ritual may have been the ceremonial removal of the bride’s girdle by the groom in the nuptial chamber, which was a room or tent specially prepared for the newly married couple. The marriage was normally consummated on the first night (Gn 29:23; Tb 8:1), and the stained linen would be retained as evidence of the bride’s virginity.<\/p>\nIn a contrast to the elaborate procession and feasting of the marriage, divorce was simple. A man could divorce his wife if he found fault with her in any particular matter, and this right was not abolished until the 11th century AD<\/span>. Divorce was discouraged, however, and gradually the procedure became more complex, being hedged about with a number of deterrents.<\/p>\nAs the laws regarding divorce became more complex, so the procedure became increasingly expensive. At a later time a lawyer, or sometimes a rabbi, would give advice, especially on such matters as the return of property rightly belonging to the bride or her family.<\/p>\nIf a bride was found to have committed adultery, the husband was thought to be entitled to a divorce. This was also the case if he even suspected her of infidelity. He could also divorce his wife if he felt that she had violated normal morality, had become apostate, or had been less than efficient in the management of her household. If a woman refused her husband his conjugal rights for a period of at least one year, she could be divorced. Other grounds for divorcing a wife included insulting behavior to a husband or his relatives, contracting an incurable disease, or refusing to accompany her husband when he moved the domicile to a new area.<\/p>\nIn general, the status of the wife was low. Despite the fact that she gave advice, managed the household, educated the young children, and worked alongside her husband when necessary, he was still her master, and her role was to obey. She was little more than a servant, although better than a slave, for she could not be sold even though she could be divorced.<\/p>\nIn the frequent figurative uses of marriage in the OT, the Hebrew people and God are referred to in terms of bride and bridegroom (Is 62:4-5; Jer 2:2). The desolation that is about to overtake Judah is contrasted by Jeremiah with the celebration of a wedding feast (Jer 7:34; 16:9; 25:10). Figurative forms are used again in Hosea, where God rejects the relationship with his wife, Israel (Hos 2:2), but is prepared to accept her again if she resumes her faithful practices (vv 19-20).<\/p>\nIn the NT, John the Baptist compares his sense of joy with that of a friend of the groom at a wedding (Jn 3:29), while Jesus himself made reference to the wedding preparations in the parable of the wise and foolish virgins (Mt 25:1-12). In the story of the marriage feast (22:1-14) Christ mentions quite incidentally the fact that wedding robes were provided for the guests at such ceremonies. The theme of the Christian church as the bride of Christ occurs in such books as 2 Corinthians, Ephesians, and Revelation.<\/p>\nJesus’ Teachings on Marriage and Adultery<\/p>\nIn the realm of civil law there are changes of emphasis in Jesus’ teaching over against the OT. For example, the OT did not regard infidelity by a husband as adultery against his wife. When challenged by the Jews, Jesus said that originally God had made one wife for a man; therefore, there should be no divorce (Mk 10:2-9). Further, he stated if a man does divorce his wife and marry again, he “commits adultery against her” (v 11). Thus, Jesus made man and woman equal as regards adultery. An unfaithful husband is just as adulterous as an unfaithful wife. This revolutionary teaching struck the disciples as severe (see Mt 19:10), but it illustrates what Jesus meant when he said their righteousness must be greater than that of the Jewish leaders (5:20).<\/p>\nThere is a slight difference in Matthew’s account of Jesus’ teaching, which has led some scholars to argue that Jesus was not quite as strict as the above summary suggests. According to Matthew 19:9, a wife’s “unchastity” (probably some sexual misconduct) allows an aggrieved husband to divorce her and marry again. If this remark concluded the passage, this interpretation would be the simplest. However, from the context it is more likely that Jesus allowed innocent spouses to separate from their wives but not to remarry. This explains why the disciples were so shocked and why Jesus went on to speak about some who refuse to marry for the sake of the kingdom of heaven (Mt 19:12). This was also the way the church interpreted the passage for the first five centuries. They allowed Christians to separate but not to remarry (cf. 1 Cor 7:11).<\/p>\nSee also<\/em> Adultery; Civil Law and Justice; Concubinage, Concubines; Divorce; Family Life and Relations; Sex, Sexuality; Virgin.<\/p>","summary_ro":"MARRIAGE, MARRIAGE CUSTOMS The joining together of male and female in matrimony, as practiced by various cultures. The idea of marriage was ordained by God in his instruction to Adam that a man should leave his father and mother, and that he and his wife should be as one flesh (Gn 2:24). Several forms of marriage are referred to in the OT, the earliest of which seems to be based on a matrilineal principle. Although there appears to be some evidence for this in the middle Bronze Age and in the...","summary_en":"MARRIAGE, MARRIAGE CUSTOMS The joining together of male and female in matrimony, as practiced by various cultures. The idea of marriage was ordained by God in his instruction to Adam that a man should leave his father and mother, and that he and his wife should be as one flesh (Gn 2:24). Several forms of marriage are referred to in the OT, the earliest of which seems to be based on a matrilineal principle. Although there appears to be some evidence for this in the middle Bronze Age and in the...","source":"Articles\/M.xml","external_url":null,"has_map":false,"has_picture":false}]},"labels":{"article":"Articol","map":"Hartă","chart":"Diagramă","textbox":"Notă explicativă","picture":"Imagine","profile":"Profil","study_note":"Notă de studiu","theme_note":"Temă biblică"},"icons":{"article":"📖","map":"🗺️","chart":"📊","textbox":"💡","picture":"🖼️","profile":"👤","study_note":"📝","theme_note":"🎯"},"typeColors":{"article":"#d4af37","map":"#2d7d46","chart":"#3b82f6","textbox":"#8b5cf6","picture":"#ec4899","profile":"#f59e0b","study_note":"#06b6d4","theme_note":"#ef4444"}}

Psalmi 45

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